A Clockwork Orange

by

Anthony Burgess

Teachers and parents! Our Teacher Edition on A Clockwork Orange makes teaching easy.

F. Alexander Character Analysis

A writer who lives in the cottage called HOME that Alex and his droogs break into, proceeding then to rape and murder his wife. Later, F. Alexander unknowingly takes Alex in after Alex coincidentally returns to his home to seek help. F. Alexander is writing a book called A Clockwork Orange, which is an activist polemic against Reclamation Therapy. When he discovers that Alex was responsible for the rape and murder of his wife, he is determined to harm Alex and ends up imprisoned himself.

F. Alexander Quotes in A Clockwork Orange

The A Clockwork Orange quotes below are all either spoken by F. Alexander or refer to F. Alexander. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Language Theme Icon
).
Part 3, Chapter 4 Quotes

You’ve sinned, I suppose, but your punishment has been out of all proportion. They have turned you into something other than a human being. You have no power of choice any longer. You are committed to socially acceptable acts, a little machine capable only of good. And I see that clearly—that business about the marginal conditionings. Music and the sexual act, literature and art, all must be a source now not of pleasure but of pain.

Related Characters: F. Alexander (speaker), Alex
Page Number: 174
Explanation and Analysis:
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A Clockwork Orange PDF

F. Alexander Quotes in A Clockwork Orange

The A Clockwork Orange quotes below are all either spoken by F. Alexander or refer to F. Alexander. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Language Theme Icon
).
Part 3, Chapter 4 Quotes

You’ve sinned, I suppose, but your punishment has been out of all proportion. They have turned you into something other than a human being. You have no power of choice any longer. You are committed to socially acceptable acts, a little machine capable only of good. And I see that clearly—that business about the marginal conditionings. Music and the sexual act, literature and art, all must be a source now not of pleasure but of pain.

Related Characters: F. Alexander (speaker), Alex
Page Number: 174
Explanation and Analysis: