And the Mountains Echoed

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Themes and Colors
Interconnectedness Theme Icon
Time, Memory, Forgetting, and Art Theme Icon
Compassion and Selfishness Theme Icon
Family Theme Icon
Power and Wealth Theme Icon
LitCharts assigns a color and icon to each theme in And the Mountains Echoed, which you can use to track the themes throughout the work.
Family Theme Icon

In each of the nine chapters of And the Mountains Echoed, we’re presented with a subtly different kind of family. In the loosest terms, this means a small group of people between whom there exists an intimate, personal bond. Sometimes the family bond is purely biological: a father, a mother, some children, some grandchildren, etc. Other families in the novel are less literal, however. Often a character chooses to belong to a “family” of strangers, with varying degrees of success. Hosseini explores these different kinds of families, and the ways that people attempt to navigate between them.

It’s clear from the opening pages of And the Mountains Echoed that sharing DNA, by itself, is no guarantee of a family bond. The first characters we meet, Saboor and his two children, Abdullah and Pari, are “linked” by blood, but they’re not bound together by it. Abdullah never expresses any feelings of closeness or intimacy with his father, and as he grows up, he seems to forget about his father altogether. By contrast, Abdullah remembers Pari all his life, even after he’s separated from her as an eight-year-old child. Many of the characters in the novel, including Nabi, Abdullah’s step-uncle, point out how remarkably strong the bond between Pari and Abdullah is. The bond is so strong, in fact, that it can’t simply be explained by biological connection alone—in a sense, Abdullah and Pari have chosen to form a family with each other. Likewise, later in the novel we see intimate, familial connections between characters who aren’t related by blood at all. Evidently, people have much more of a choice in their family than it seems.

And yet And the Mountains Echoed makes it clear that family cannot only be a choice. The characters who “choose” their families too quickly, such as Idris and Nila, end up lonely and unhappy. Nila believes that she can create a family for herself by “borrowing” someone else’s family—thus, she buys Pari from Saboor, and treats her as her own daughter. But Nila’s attempts to build her own family collapse as time goes on. She neglects Pari, and Pari responds in kind. In short, Nila has chosen to be a mother too hastily. Conversely, the characters who try the hardest to escape their biological families, such as Dr. Markos, end up feeling more connected to their biological families than ever before. Although And the Mountains Echoed suggests that all human beings are interconnected, and thus all part of the same “family,” the characters in the novel who try to live according to such a belief often end up overextending themselves, hurting others, and becoming deeply disillusioned with their lives.

The novel instead points toward a more balanced view of family, biology, and choice. The strongest and most stable families it depicts aren’t necessarily biological families (in fact, most of the biological families in the novel are heavily fractured), but the most conspicuously “artificial” families (such as the family built by Nila), are usually failures too. Rather, family bonds arise over the course of many years of close connection. For this reason, many of the strongest families in And the Mountains Echoed are both biological and chosen. It’s not until Pari II is a young woman, for instance, that she decides to spend her life taking care of her father, Abdullah. She does so both because Abdullah is her biological father and because she’s come to recognize that he’s a good, loving person. In the end, the novel suggests that a good family—no matter what form it takes—doesn’t emerge overnight: it needs love, attention, and above all, time, to appear.

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Family Quotes in And the Mountains Echoed

Below you will find the important quotes in And the Mountains Echoed related to the theme of Family.
Chapter 1 Quotes

Your son does not remember you, the div continued. This is his life now, and you saw for yourself his happiness. He is provided here with the finest food and clothes, with friendship and affection. He receives tutoring in the arts and languages and in the sciences, and in the ways of wisdom and charity. He wants for nothing. Someday, when he is a man, he may choose to leave, and he shall be free to do so. I suspect he will touch many lives with his kindness and bring happiness to those trapped in sorrow.

Related Characters: Baba Ayub (speaker), The div (speaker), Qais
Related Symbols: The Div
Page Number: 11-12
Explanation and Analysis:

In the first chapter of the novel, an unnamed man (later revealed as Saboor, the father of Abdullah and Pari) tells a fairy tale about a loving father whose favorite child, Qais, is stolen away by a demon called a div. The father, Baba Ayub, goes to find Qais, only to see that Qais has magically forgotten his old life and now lives with luxuries and education that Baba Ayub never could have provided for him. Baba Ayub then faces an impossible choice: he can either be selfish and reclaim his child (in which case Qais will live a poor, threadbare life), or he can allow Qais to continue living with the div (in which case Qais will be well-fed, well-educated, and have a wonderful life). In short, Baba Ayub must choose between his own happiness and the happiness of his child.

Right away, the novel draws a contrast between one's own happiness and that of other people. The essence of being a thinking human being, it's implied, is having to make such a choice. In each of the successive stories in the book, the characters will face a moral dilemma comparable with the one Baba Ayub deals with in this passage—most notably Saboor himself, who has the opportunity to give one of his children (Pari) a "better" life, and decides to do so. The question lingers, however—is Qais really "better off" without his true father? Can wealth and education replace the bond of family?


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He didn’t understand why he should hear such a noise, alone in the dark, all the sheep and goats sleeping. Sometimes he told himself he had heard no such thing, and sometimes he was so convinced to the contrary that he called out into the darkness, “Is someone out there? Who is there? Show yourself.” But no reply ever came. Baba Ayub didn’t understand. Just as he didn’t understand why a wave of something, something like the tail end of a sad dream, always swept through him whenever he heard the jingling, surprising him each time like an unexpected gust of wind. But then it passed, as all things do. It passed.

Related Characters: Baba Ayub (speaker), Qais
Page Number: 16
Explanation and Analysis:

In the final part of the first short story in the book, Baba Ayub--who's chosen to allow his beloved son to continue living with his kidnapper, the div--is an old man. Baba Ayub has been haunted by his choice--as a result, the div has blessed Baba Ayub with the gift of forgetfulness. Baba Ayub doesn't remember having to choose to abandon his son. And yet he continues to hear the faint sound of a bell--the sound that his son would make when he played with his friends. In short, the sound of the bell reminds Baba Ayub of something he used to know, but he can't remember exactly what this was.

The story's teller insists that all things pass--in other words, Baba Ayub eventually forgets about his son. In a broader sense, the story could symbolize the way that all memories fade away over time. But as we'll see, the successive stories in the book interrogate the theory that "all things pass." The characters forget many things, whether intentionally or not--and to differing degrees of success. Thus, the story of Baba Ayub foreshadows the themes of memory and forgetting that haunt the entire novel.

Chapter 2 Quotes

He wished he could love his new mother in the same way. And perhaps Parwana, he thought, secretly wished the same, that she could love him. The way she did Iqbal, her one-year-old son, whose face she always kissed, whose every cough and sneeze she fretted over. Or the way she had loved her first baby, Omar. She had adored him.

Related Characters: Abdullah , Parwana , Iqbal , Omar
Page Number: 22
Explanation and Analysis:

In the second chapter of the book, we meet Abdullah, the son of the man who narrated the story from the previous chapter. Abdullah's biological mother has died recently, and following her death, Abdullah's father has married a new woman, Parwana. Parwana simply doesn't offer Abdullah the same affection that she gives her biological children from another marriage--Iqbal and Omar (who died young).

The passage brings up one of the recurring themes of the book--the importance of family and blood ties. The strongest families in the novel are usually literal, biological families--when an adult tries to adopt another child, or when a couple remarries, it's hard for them to muster genuine love for their adopted kids. (Of course this isn't always the case in life.)

Father sat down by the remains of the fire. “Where did you go?” “Go to sleep, boy.” “You wouldn’t leave us. You wouldn’t do that, Father.” Father looked at him, but in the dark his face dissolved into an expression Abdullah couldn’t make out. “You’re going to wake your sister.” “Don’t leave us.” “That’s enough of that now.”

Related Characters: Abdullah (speaker), Father / Saboor (speaker), Pari Wahdati
Page Number: 35
Explanation and Analysis:

Abdullah is traveling with his father and his sister, Pari. In the middle of the desert, Abdullah wakes up to find that his father has gone. When his father eventually returns, Abdullah claims that he'd thought his father has been murdered--since there's no way his father would ever leave his family behind voluntarily.

Although we don't know it yet, Abdullah's father has planned to leave his family behind: he's going to leave Pari in the care of a wealthy family (paralleling the way Baba Ayub left Qais in the care of the div). Unable to make ends meet, Abdullah's father Saboor has betrayed his own children, yet in a way also sacrificed his own happiness to give one child a "better" life--and so here, Saboor doesn't want to hear Abdullah's plea, "don't leave us."

She hunkered down beside him now, her glasses pushed up on her hair. There was wetness in her eyes too, and when she dabbed at them with the handkerchief, it came away with black smudges. “I don’t blame you if you hate me. It’s your right. But—and I don’t expect you to understand, not now—this is for the best. It really is, Abdullah. It’s for the best. One day you’ll see.”

Related Characters: Mrs. Nila Wahdati (speaker), Abdullah , Pari Wahdati
Page Number: 47
Explanation and Analysis:

Here Abdullah meets Nila, the young wealthy woman who's asked to adopt Pari from Abdullah's family. Nila is heartbroken to meet Abdullah--the brother from whom Nila is going to "steal" Pari. Nila, clearly overcome with guilt, tells Abdullah that "this" is for the best. Although Abdullah doesn't realize it right away, Nila is referring to Pari's adoption: Nila believes that by adopting Pari, Pari will get a great education, a loving family, and a stable life that Abdullah's family simply can't match.

Nila's insistence that her actions are for the best convince no one--not even Nila herself. Deep down, Nila knows that she's not acting out of magnanimity--she just wants a child of her own. Her final words to Abdullah, "one day you'll see," foreshadow the book's conclusion in which, decades later, Abdullah and Pari are reunited with one another.

But there was no forgetting. Pari hovered, unbidden, at the edge of Abdullah’s vision everywhere he went. She was like the dust that clung to his shirt. She was in the silences that had become so frequent at the house, silences that welled up between their words, sometimes cold and hollow, sometimes pregnant with things that went unsaid, like a cloud filled with rain that never fell. Some nights he dreamed that he was in the desert again, alone, surrounded by the mountains, and in the distance a single tiny glint of light flickering on, off, on, off, like a message. He opened the tea box. They were all there, Pari’s feathers, shed from roosters, ducks, pigeons; the peacock feather too. He tossed the yellow feather into the box. One day, he thought.

Related Characters: Abdullah , Pari Wahdati
Related Symbols: The Yellow Feather
Page Number: 51
Explanation and Analysis:

In this important passage, we're reminded of the connection between Abdullah and Pari, who has just been adopted by a wealthy family in nearby Kabul. Abdullah's love and closeness with Pari is symbolized by a small yellow feather, which Abdullah shared with Pari recently. Abdullah hangs onto the yellow feather as a way of remembering his vanished sister: by keeping the feather, he's preserving his preserving memories of his sister, and perhaps ensuring that one day they'll be reunited.

The passage shows how humans go about remembering other humans. Although our memories of our loved ones are powerful, they often fade over time. With the aid of concrete objects--books, photographs, and even feathers, we try to stave off the deterioration of memory, grounding our recollections in a literal, ageless object.

Chapter 3 Quotes

All her life, Parwana had made sure to avoid standing in front of a mirror with her sister. It robbed her of hope to see her face beside Masooma’s, to see so plainly what she had been denied. But in public, every stranger’s eye was a mirror. There was no escape.

Related Characters: Parwana , Masooma
Page Number: 67
Explanation and Analysis:

In this chapter, Parwana (later the stepmother of Abdullah and Pari) competes with Masooma, her beautiful, popular sister. Parwana is constantly reminded that Masooma is more attractive than she: everyone in the community can tell the difference between them.

Strangely, any love Parwana feels for her sister is outweighed by Parwana's obsession with public image. Parwana and Masooma's relationship contrasts markedly with the close, loving relationship between Pari and Abdullah: it's inconceivable that Abdullah and Pari could compete with one another as Parwana competes with Masooma (in no small part because Abdullah and Pari are of different genders). Clearly, there's no guarantee that bonds of blood always mean love.

Chapter 4 Quotes

Now, I knew from the start that the marriage was an unhappy one. Rarely did I see a tender look pass between the couple or hear an affectionate word uttered. They were two people occupying the same house whose paths rarely seemed to intersect at all.

Related Characters: Uncle Nabi (speaker), Mr. Suleiman Wahdati , Mrs. Nila Wahdati
Page Number: 87
Explanation and Analysis:

Nabi, who's been hired to work as a chauffeur at the Wahdati house, talks about the dynamic between Mr. and Mrs. Wahdati. Right away, it's apparent to him that the happy couple isn't so happy. It's interesting that Nabi describes his employers as people whose paths never intersect, considering that And the Mountains Echoed is a book that's all about paths intersecting. Paradoxically, two people who are a "family" and live in the same house--i.e., people whose lives should be interconnected on every level--can have less of an influence on one another than two strangers. As we'll see, a person on another side of the world can have an enormous influence over another person, even if they're not related and have never met before.

Then she pulled close and embraced me, her cheek against mine. My nose filled with the scent of her hair, her perfume. “It was you, Nabi,” she said in my ear. “It was always you. Didn’t you know?”

Related Characters: Uncle Nabi (speaker), Mrs. Nila Wahdati (speaker)
Page Number: 115-116
Explanation and Analysis:

In this passage, Nabi watches as Mrs. Nila Wahdati, the wife of Nabi's employer, Mr. Wahdati, packs her bags and prepares to leave the house forever. Mrs. Wahdat tells Nabi, "It was you," words which we won't understand for some time.

As it turns out, Mrs. Wahdati is talking about Mr. Wahdati's closeted homosexual desire for Nabi. For years, Mr. Wahdati has been in love with Nabi, even though he's been too frightened and repressed to tell Nabi the truth. Mrs. Wahdati has known about her husband's attraction for a long time--but she's never done anything about it until now. Here, Mrs. Wahdati's words to Nabi seem both pitying and angry--she doesn't quite give away her husband's secret, but she comes close. The passage also takes on another layer of tragic irony, given that Nabi is immensely attracted to Mrs. Wahdati, but not her husband.

I said nothing even though he had it wrong. I was not joking that time. My staying was no longer for him. It had been at first. I had stayed initially because Suleiman needed me, because he was wholly dependent on me. I had run once before from someone who needed me, and the remorse I still feel I will take with me to the grave. I could not do it again. But slowly, imperceptibly, my reasons for staying changed. I cannot tell you when or how the change occurred, Mr. Markos, only that I was staying for me now. Suleiman said I should marry. But the fact is, I looked at my life and realized I already had what people sought in marriage. I had comfort, and companionship, and a home where I was always welcomed, loved, and needed. The physical urges I had as a man—and I still had them, of course, though less frequent and less pressing now that I was older—could still be managed, as I explained earlier. As for children, though I had always liked them I had never felt a tug of paternal impulse in myself.

Related Characters: Uncle Nabi (speaker), Mr. Suleiman Wahdati , Dr. Markos Varvaris (“Mr. Markos”)
Page Number: 126-127
Explanation and Analysis:

In this passage, Nabi explains why he stayed with Mr. Wahdati for so many years At first, Nabi stayed with Mr. Wahdati because of his guilt at having abandoned his niece many years before: he allowed Nila to adopt Pari without protest, and has regretted his decision for a long time. But as Nabi makes clear, he eventually comes to enjoy living with Mr. Wahdati for its own sake: he even thinks of his relationship to Mr. Wahdati as a kind of marriage, providing him with comfort and contentment.

The passage is strange, insofar as it suggests a kind of homoerotic attraction between Nabi and Mr. Wahdati, even though Nabi has previously maintained that he's not homosexual in any capacity. While it's certainly possible that Nabi actually does have some repressed gay feelings (or is somewhere else on the spectrum of sexuality), Hosseini suggests that Nabi feels a less erotic form of love for Mr. Wahdati, similar to love for a close sibling or a very good friend. And yet ultimately, there's no way to understand Nabi's relationship with Mr. Wahdati totally. In spite of the vast length of Nabi's letter, this kind of love is a mystery--another example of the various kinds of "families" the book presents us with.

As you can see enclosed in the envelope along with this letter is my will, in which I leave the house, the money, and my few belongings to her. I ask that you give her both this letter and the will. And please tell her, tell her that I cannot know the myriad consequences of what I set into motion. Tell her I took solace only in hope. Hope that perhaps, wherever she is now, she has found as much peace, grace, love, and happiness as this world allows.

Related Characters: Uncle Nabi (speaker), Pari Wahdati , Dr. Markos Varvaris (“Mr. Markos”)
Page Number: 138
Explanation and Analysis:

Here Nabi bequeaths his house and possessions to Pari, the niece whom, years ago, Nabi allowed to be adopted by Nila Wahdati. Nabi has addressed his letter to Dr. Markos Varvaris, with the instructions that Markos must find Pari and tell her that her brother Abdullah is still alive.

Perhaps the key word in this passage is "consequences." It is Nabi who first puts the events of the book in motion by suggesting that Pari be sent to live with the Wahdati family. Nabi eventually comes to realize the core truth of the book--that the world is too complicated and interconnected for any one man to control. Nabi thinks that he's correcting a simple problem by sending Pari to live with the Wahdatis; in the end, though, he realizes that there's no such thing as a "simple" problem. Nabi ultimately embodies a cautious optimism about the universe: life is imperfect and unsatisfying, and yet he hopes that one day Pari and Abdullah will reunite and find the happiness and love they deserve.

Chapter 5 Quotes

It’s true. Timur has embarrassed him. He has behaved like the quintessential ugly Afghan-American, Idris thinks. Tearing through the war-torn city like he belongs here, backslapping locals with great bonhomie and calling them brother, sister, uncle, making a show of handing money to beggars from what he calls the Bakhsheesh bundle, joking with old women he calls mother and talking them into telling their story into his camcorder as he strikes a woebegone expression, pretending he is one of them, like he’s been here all along, like he wasn’t lifting at Gold’s in San Jose, working on his pecs and abs, when these people were getting shelled, murdered, raped. It is hypocritical, and distasteful. And it astonishes Idris that no one seems to see through this act.

Related Characters: Dr. Idris Bashiri , Timur Bashiri
Page Number: 153-154
Explanation and Analysis:

In the fifth chapter of the book, we meet Idris and Timur, two cousins who've returned to Kabul to reclaim their family's property in the city. Idris dislikes Timur for being extravagant and arrogant--Idris is a quiet, introverted sort, and doesn't like it when Timur makes a show of giving money to beggars or treating strangers like family.

The strange thing about the passage is that nothing Idris describes Timur doing sounds all that bad: Timur gives money to beggars, befriends strangers, and generally tries to improve the lives of people he doesn't know. The only reason Idris offers to dislike Timur is that Timur is "showy," an impression that, for all we know, could be exaggerated or wrong. Idris seems to resent Timur for caring about Afghanistan to an extent that Idris himself can never match. Idris wasn't any more involved with the war in Afghanistan than Timur--part of the reason that Idris dislikes Timur is that Timur reminds him of his own indifference to his own country.

“We leave in a week, bro. You don’t want to get her too attached to you.” Idris nods. He wonders if Timur may not be slightly jealous of his relationship with Roshi, perhaps even resentful that he, Idris, may have robbed him of a spectacular opportunity to play hero. Timur, emerging in slow motion from the blazing building, holding a baby. The crowd exploding in a cheer. Idris is determined not to let Timur parade Roshi in that way.

Related Characters: Timur Bashiri (speaker), Dr. Idris Bashiri , Roshana
Page Number: 162-163
Explanation and Analysis:

In this passage, Idris engages in a subtle battle of egos with his cousin, Timur. Idris has developed a close relationship with a young girl named Roshi. Idris thinks that Timur is advising Idris to avoid Roshi because Timur is jealous of Idris's generosity. But in fact, it's suggested, Idris is only befriending Roshi because of his own jealousy of Timur's generosity--Idris thinks of Timur as the petty, jealous cousin, when in fact Idris fits exactly such a description.

It's further implied that Idris is more interested in outshining his cousin than he is in helping another human being. One could say that Idris is meant to represent the narrowness of generosity in the Western world. A well-educated, wealthy man, Idris thinks of himself as a "good" person, even though he's clearly petty, jealous, and generally guilty about his own lack of compassion for other people. Idris tries to show compassion for Roshi, but ends up mostly just being jealous and apathetic.

Chapter 6 Quotes

Well, children are never everything you’d hoped for.

Related Characters: Mrs. Nila Wahdati (speaker), Pari Wahdati
Page Number: 190
Explanation and Analysis:

In this chapter, Nila Wahdati--who becomes a great poet after leaving her husband, Mr. Wahdati--conducts an interview with a poetry magazine. In the interview, Nila talks about her career and her family, arriving at the depressing conclusion that children are always something of a disappointment.

As we know, Nila had adopted Pari years ago, hoping that having a child would bring her happiness and contentment. As the quotation makes very clear, being a mother hasn't brought Nila the happiness she'd assumed it would--it seems to have made her disappointed and melancholy (and surely quotes like this make Pari herself feel like she's not very loved or valuable). The passage conveys the unpredictability of life, and the unintended consequences of a seemingly simple action. Nila thought that adopting Pari would make both of them happier--and it doesn't, yet the adoption has hundreds of other unforeseen consequences (some of which we've seen, and will continue to see, in the book).

Well, it’s hardly a mystery, mon amour, Maman had said. You miss your father. He is gone from your life. It’s natural that you should feel this way. Of course that’s what it is. Come here. Give Maman a kiss. Her mother’s answer had been perfectly reasonable but also unsatisfactory. Pari did believe that she would feel more whole if her father was still living, if he were here with her. But she also remembered feeling this way even as a child, living with both her parents at the big house in Kabul.

Related Characters: Mrs. Nila Wahdati (speaker), Pari Wahdati
Page Number: 197
Explanation and Analysis:

In this passage, we're told that Pari--now living with her adopted mother in Paris--feels a vague sense of unhappiness. Pari has no idea that Nila isn't her biological mother--as far as she's concerned, she's a Wahdati, and always has been. And yet Nila feels a strange, deep unhappiness, which she's unable to put into words. Nila claims that Pari's dissatisfaction comes from missing her father, i.e., Mr. Wahdati. But as readers recognize, Pari is clearly missing her beloved brother Abdullah, whom she now no longer consciously remembers. Like Baba Ayub in the first chapter of the book, Pari can remember the emotional fallout of leaving her family, but not the specific incident that prompted the fallout.

She wonders often what sort of grandmother Maman would have made. Especially with Thierry. Intuitively, Pari thinks Maman would have proved helpful with him. She might have seen something of herself in him.

Related Characters: Pari Wahdati (speaker), Mrs. Nila Wahdati , Thierry
Page Number: 238
Explanation and Analysis:

In the end of Chapter 6, Pari is an elderly woman with children. One of these children, Thierry, is quiet and taciturn. Pari doesn't know how to handle Thierry at all--their personalities aren't alike in the slightest. Sadly, Pari thinks, Thierry would probably have gotten along well with Nila Wahdati, who committed suicide years before.

Although Pari herself can't appreciate the full irony of the situation, we can. Nila adopted Pari in the hopes of forming an emotional connection to her new child. When Nila quickly realized that no such connection existed or would ever exist, she became deeply depressed. Had Nila lived a little longer, she might well have found the emotional connection she'd always looked for--between herself and her grandson, Thierry.

Chapter 7 Quotes

Adel knew he would not love his father again as he had before, when he would sleep happily curled in the bay of his thick arms. That was inconceivable now. But he would learn to love him again even if now it was a different, more complicated, messier business. Adel could almost feel himself leapfrogging over childhood. Soon, he would land as an adult. And when he did, there would be no going back because adulthood was akin to what his father had once said about being a war hero: once you became one, you died one.

Related Characters: Adel (speaker), Baba Jan / The Commander / Commander Sahib
Page Number: 303
Explanation and Analysis:

In this passage, Adel finds out the truth about his father: his father is a dangerous, violent man who's caused the deaths of innocent people. The boundless, worshipful love that Adel feels for his father evaporates the instant he learns the truth--and in the process, Adel senses that he's become an adult. As Adel sees is, childhood is defined by unconditional love, like the love he felt for his father (or, we might add, the love that Abdullah felt for Pari). Adulthood, by contrast, is defined by a cautious, cynical, self-deluding love. The only way that Adel can continue to love his father is to lie to himself, just as Adel's mother seems to lie to herself. In short, the passage paints a deeply cynical portrait of adult life: it's only possible to truly love people when you're too young and naive to know the truth about them--the second you learn the facts, you love in a "messier" way and become an adult.

Chapter 8 Quotes

“You’ve made me proud, Markos.”
I am fifty-five years old. I have waited all my life to hear those words. Is it too late now for this? For us? Have we squandered too much for too long, Mamá and I? Part of me thinks it is better to go on as we have, to act as though we don’t know how ill suited we have been for each other. Less painful that way. Perhaps better than this belated offering. This fragile, trembling little glimpse of how it could have been between us. All it will beget is regret, I tell myself, and what good is regret? It brings back nothing. What we have lost is irretrievable.

Related Characters: Dr. Markos Varvaris (“Mr. Markos”) (speaker), Odelia Varvaris (speaker)
Page Number: 358-359
Explanation and Analysis:

In this passage, Markos--the doctor we first met in Nabi's letter--talks to his aged mother, Odelia Varvaris. Markos has always had a strange relationship with Odelia--while he knows that Odelia is a good mother, he's always felt that Odelia is too disapproving and cold with him, as if she doesn't really love him. Now, after decades of coldness between the two of them, Markos learns the truth: Odelia has always loved Markos, and is enormously proud of his achievement as a doctor and a human being.

It's important to notice the fine line between joy and sorrow in this passage. Markos is of course pleased to hear the words he's always craved from his mother. And yet his mother's words also sadden him, because they remind him of the years of happiness he could have had with his mother, and now can't get back.

In short, Hosseini uses Chapter 8 to question the notion of a happy reunion. On paper, Markos and Odelia's reunion is perfectly happy: they say all the right things to one another. And yet no amount of kind words can make up for the intervening years. A tearful reunion isn't always enough for a happy ending, because of the constant power of memory and the past.

Chapter 9 Quotes

And so Baba’s little sister, Pari, was my secret companion, invisible to everyone but me. She was my sister, the one I’d always wished my parents had given me. I saw her in the bathroom mirror when we brushed our teeth side by side in the morning. We dressed together. She followed me to school and sat close to me in class—looking straight ahead at the board, I could always spot the black of her hair and the white of her profile out of the corner of my eye.

Related Characters: Pari II (daughter) (speaker), Abdullah , Pari Wahdati
Page Number: 362
Explanation and Analysis:

In this section, we meet Pari II, the daughter of Abdullah (whom we first met at the very beginning of the book). Pari II has never met Pari, her namesake, before, but she's grown up hearing about her from Abdullah, her father. Strangely, the memory of Pari is so powerful that Pari II comes to think of Pari as her own imaginary friend--a constant companion when Pari II brushes her teeth, gets ready for school, etc.

The fact that Pari's memory lives on in Abdullah's children suggests, optimistically, that love and compassion can continue on even after memory and people themselves are gone. No matter whether or not Abdullah and Pari themselves reunite (and they will, as we'll see), the memory of their tender love lives on in Abdullah's family. By the same token, we could argue that the "memory" of the characters in And the Mountains Echoed lives on in readers' minds--even though we've never met these people before (and even though they're presumably not real), they attain a certain measure of reality because of their emotional impact.

I hold the note tightly against the blustering wind. I read for Pari the three scribbled sentences. They tell me I must wade into waters, where I will soon drown. Before I march in, I leave this on the shore for you. I pray you find it, sister, so you will know what was in my heart as I went under. There is a date too. August 2007.
“August of 2007,” I say. “That’s when he was first diagnosed.” Three years before I had even heard from Pari.

Related Characters: Pari II (daughter) (speaker), Abdullah , Pari Wahdati
Related Symbols: The Yellow Feather
Page Number: 418
Explanation and Analysis:

Pari II discovers a note that her father, Abdullah, left immediately after being diagnosed with Alzheimer's disease. Knowing that his disease would destroy his memory--and therefore his ability to remember his beloved sister, Pari--Abdullah wrote Pari a short letter, in which he bid her a touching goodbye. (As we'll see, the letter is attached to a box containing the one concrete reminder of Abdullah and Pari's love: the yellow feather).

The passage is important for a number of reasons. Above all, it reiterates that Abdullah continues to love his sister deeply, even after a long life spent apart. After decades of remembering his sister with nothing but love, Abdullah has finally hit against the finite limits of his own memory: his brain itself will soon deteriorate. And yet Abdullah doesn't give up hope entirely: he uses the power of writing and mnemonic aids (like the feather) to preserve some memory of his love for his sister. In a poignant irony, the memory of Pari will live on in Pari II and the yellow feather, even after Abdullah himself grows too old to remember Pari at all.

She turns her face to look at him, her big brother, her ally in all things, but his face is too close and she can’t see the whole of it. Only the dip of his brow, the rise of his nose, the curve of his eyelashes. But she doesn’t mind. She is happy enough to be near him, with him—her brother—and as a nap slowly steals her away, she feels herself engulfed in a wave of absolute calm.

Related Characters: Pari II (daughter) (speaker), Abdullah , Pari Wahdati
Page Number: 421
Explanation and Analysis:

In the final passage of the book, Pari II has a strange and vivid dream. In the dream, she imagines Pari reuniting with Abdullah. In real life, Pari tried to reunite with Abdullah, only to find that she was almost too late: Abdullah was diagnosed with Alzheimer's, meaning that soon after their reunion, he could no longer remember his beloved little sister. But if Pari and Abdullah can't reunite in reality, Pari II's dream allows them to reunite in her own mind.

Notably, Pari and Abdullah's reunion isn't perfect, even in Pari II's dream. Pari and Abdullah can't actually see eye-to-eye, symbolizing the fact that humans can never truly connect with or understand one another, except for a brief moment. And yet even if Pari and Abdullah's reunion is imperfect and fictional, it attains a kind of emotional truth in the minds of readers. And the Mountains Echoed is a work of fiction, obviously, but because it inspires such an intense emotional reaction in its audience, it itself exists like the yellow feather or Pari II's dream--a fragile reminder of interconnectedness, love, and the lost past.