Chronicle of a Death Foretold

by

Gabriel García Márquez

Teachers and parents! Our Teacher Edition on Death Foretold makes teaching easy.
Pedro Vicario is the younger of the Vicario twins by six minutes. By the Narrator’s reckoning, he is more sentimental than his brother, Pablo, but also more authoritarian. He served in the military for a few years, where he picked up a bossy nature and a wicked case of gonorrhea. When the twins learn of their sister Angela’s lack of virginity, Pedro is the first to suggest that they kill Santiago Nasar.
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Pedro Vicario Character Timeline in Chronicle of a Death Foretold

The timeline below shows where the character Pedro Vicario appears in Chronicle of a Death Foretold. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
The Sacred and the Profane Theme Icon
Violence, Trauma, and Community Theme Icon
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Across the square, in Clotilde Armante’s milk shop, Pedro and Pablo Vicario, twin brothers, lie in wait. They are the men who are going... (full context)
The Sacred and the Profane Theme Icon
Gender, Class, and Social Restrictions Theme Icon
Violence, Trauma, and Community Theme Icon
...Bayardo San Román, after he discovered that she was not a virgin. Now Pablo and Pedro Vicarioare out to kill Santiago Nasar, who they allege is responsible for deflowering their sister.... (full context)
Chapter 2
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...her as a gift. Thinking this indecent, Angela’s mother, Purísima del Carmen, sent her sons Pedro and Pablo to return the gift to Bayardo. The twins returned later that night, however,... (full context)
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...mourning that [is] relaxed in the house but rigorous in the street.” While Pablo and Pedro Vicario are raised to be men, the daughters are taught to be good wives, trained... (full context)
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...on the terrace of her own modest house, right by the pigsty where Pablo and Pedro slaughter their hogs. Bayardo’s family, accompanied by many people of note, arrive by boat, bearing... (full context)
Fact, Fiction, and Memory Theme Icon
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Violence, Trauma, and Community Theme Icon
...Luis Enrique, Santiago Nasar, and Cristo Bedoya end up at María Alejandrina Cervantes’brothel. Pablo and Pedro Vicario are there as well, and all six of them drink and sing together. (full context)
Fate vs. Free Will Theme Icon
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...Surmising what has happened, Pura flies into a rage, and savagely beats Angela. She summons Pedro and Pablo back to the house. Pedro, ever the assertive one, asks Angela who took... (full context)
Chapter 3
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The Narrator begins the chapter by explaining that when Pablo and Pedro Vicario were eventually tried for the murder, the court upheld their lawyer’s “thesis of homicide... (full context)
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While Pedro and Pablo have never demonstrated any remorse for the murder, the Narrator explains that, in... (full context)
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Pablo and Pedro Vicario leave Clotilde’s store. Clotilde sends the beggar woman to warn Victoria Gúzman, and another... (full context)
Fate vs. Free Will Theme Icon
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The Narrator explains that, back at their home, Pedro and Pablo Vicario had their first disagreement of the morning. Pedro, who had served in... (full context)
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At Clotilde’s store, the Vicario twins borrow Don Rogelio de la Flor’s shaving instruments. Pedro shaves with his knife, while Pablo uses Don Rogelio’s safety razor. The sun hasn’t risen... (full context)
Chapter 4
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It even smells of Santiago in Pablo and Pedro Vicario’s jail cell. They are there awaiting trial, unable to afford bail. The cell is... (full context)
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...suspicions that Angela might be in mourning for Santiago. Pura asks Father Amador to confess Pedro and Pablo, but Pedro refuses, claiming that the two have not committed a sin. The... (full context)
Chapter 5
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Yamil Shaium, a old friend of Santiago’s father, Ibrahim, hears that Pedro and Pablo Vicario are plotting to kill Santiago. Of all people Yamil commands the most... (full context)
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As Cristo is passing Clotilde’sstore, Pedro and Pablo Vicario emerge. Pedro looks haggard and unnaturally insolent, brandishing his knife, and Pablo... (full context)
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...into Colonel Lázaro Aponte at the door of a social club and tells him that Pedro and Pablo are after Santiago. The Colonel, who confiscated the twins’ first pair of knives... (full context)
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...letters. Nahir Miguel enters the room. He explains to Santiago in Arabic that Pablo and Pedro are after him. Santiago becomes extremely confused and disoriented. Nahir offers to either hide him... (full context)
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...door, which is accessible through the square, is open, and starts off in that direction. Pedro and Pablo Vicario see him, stand up, and unsheathe their knives. Clotilde Armante grabs Pedro... (full context)
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Pedro and Pablo Vicario catch up to Santiago at his door. Santiago turns to face them,... (full context)