Miss Brill

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The protagonist of the story, which is named after her. She is an unmarried woman – a spinster according to the time and culture the story depicts – who works as a teacher as well as a newspaper reader for an old man. In both of these aspects of her life she feels bereft of meaning and connection: the children don’t listen to her and the man doesn’t seem to care whether she reads to him or not. For this reason she comes to the park every Sunday to watch both the band perform and the people playing as they listen to the band. Over the course of the story she imagines herself as part of an elaborate stage production in which she herself plays a vital role, but an encounter with a boy and girl who dismiss both her and the fur coat she cherishes – but that is actually quite shabby – forces her to reassess her place in the world and makes her retreat back home to her renewed loneliness and alienation.

Miss Brill Quotes in Miss Brill

The Miss Brill quotes below are all either spoken by Miss Brill or refer to Miss Brill. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Loneliness and Alienation Theme Icon
). Note: all page and citation info for the quotes below refers to the Vintage edition of Miss Brill published in 1991.
Miss Brill Quotes

And when she breathed, something light and sad—no, not sad, exactly—something gentle seemed to move in her bosom.

Related Characters: Miss Brill
Related Symbols: Fur Coat and Garments
Page Number: 298
Explanation and Analysis:

As Miss Brill sets out for her weekly outing to Jardins Publique, she considers the fur she has chosen to wear, and here reflects the emotions involved in taking it out of its box earlier in the afternoon.

Miss Brill's "light and sad" feeling here indicates the harsh reality that, like Miss Brill herself, the fur has aged past its prime, and what once might have been beautiful has withered away. Also like Miss Brill, who lives unmarried and alone, the fur has been long stored away and isolated. The harsh reality is that both Miss Brill and the fur have grown old and lonely. 

Despite her feelings of sadness and nostalgia over this reality, Miss Brill is quick and purposeful in pretending that her feelings of sadness are in fact, something else, something "gentle." By denying herself the truth, she resists feeling the brunt of the reality that surrounds her and is able to go the gardens and feel content in her fur. Thus, we learn early on that it takes some level of pretending, some level of fantasy, for Miss Brill to process the world around her without despairing. 

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She had become really quite expert, she thought, at listening as though she didn’t listen, at sitting in other people’s lives just for a minute while they talked round her.

Related Characters: Miss Brill
Page Number: 299
Explanation and Analysis:

Though eavesdropping is often associated with nosiness and gossipy behavior, Miss Brill's expertise with it is a means to cope with her own loneliness and alienation from the people around her.

In Miss Brill's constant play between delusion and reality, the fact is that she is almost entirely excluded from the people around her. To feel at all connected to them, she must "sit in" for a minute on their conversations, which circle "round her" but never include her. 

Miss Brill's eavesdropping gives her the comfort of human contact without having to risk social rejection. As a perpetual eavesdropper, never setting out to make conversation herself, she can delude herself into thinking herself connected to other people without confronting the truth, which betrays otherwise. 

Oh, how fascinating it was...It was exactly like a play.

Related Characters: Miss Brill (speaker)
Page Number: 301
Explanation and Analysis:

Following the recent entertainment of the ermine toque's rejection, Miss Brill immerses herself deeper and deeper in the pleasures of people-watching and eavesdropping. Whether the interactions she sees between people are pleasant or not, she romanticizes the "fascinating" goings-on of the garden as a play.

By transforming the garden into a play, Miss Brill not only envelopes the world around her into her gentler fantasy--fantasy being her only means of coping with reality--but also attempts to solidify her place in the community around her. If the whole garden is a play, she is not just an outsider or spectator, but a true part of the "performance" around her, a more special, more theatrical design than the reality could hope to be. 

They were all on the stage. They weren’t only the audience, not only looking on; they were acting. Even she had a part and came every Sunday.

Related Characters: Miss Brill, Ermine toque and Gentleman in grey
Page Number: 301
Explanation and Analysis:

By reworking the reality of the garden and its people into the fantasy of a play, Miss Brill is able to discard her sense of loneliness, casting herself as one of many in a community of "actors." Miss Brill's perception of herself as having a part in the scene around her--a recurring part at that--not only connects her with others, but also gives her a sense of importance among them.

Just as all parts in a play, however small, serve some integral function to the whole show, so too has Miss Brill reinvented herself as essential to the lives of the people around her. Under the guise of a play and actors, Miss Brill is able to perceive herself as necessary and special to the community, when in reality, seemingly no one else perceives her in this light. 

“Yes, I have been an actress for a long time.”

Related Characters: Miss Brill (speaker), Old Man
Page Number: 301
Explanation and Analysis:

Apart from her Sunday outings to the gardens, Miss Brill's only venues of interaction with other people are through her job as a teacher and in her volunteering to read the newspaper four times a week to an elderly invalid gentleman who, for the most part, disregards her presence. 

Delighted in her transformation of the Jardins Publique into a play and herself into an actress, Miss Brill fantasizes about the pleasure she will take in revealing to her pupils and the gentleman that, all this time they have failed to notice her, she has been an actress. To the invalid gentleman, who, due to his sickness, particularly treats Miss Brill as if she is invisible, she here imagines him being deeply impressed, if not amazed, by her status as an actress. 

At their core, these fantasies have little to do with any desire to be an actress, but rather to be appreciated, to be noticed as special by others, two things Miss Brill does not experience in her everyday life. 

“Why does she come here at all—who wants her? Why doesn’t she keep her silly old mug at home?”
“It’s her fu-ur which is so funny,” giggled the girl. “It’s exactly like a fried whiting.”

Related Characters: Boy and Girl (speaker), Miss Brill
Related Symbols: Fur Coat and Garments, Fried Whiting
Page Number: 302
Explanation and Analysis:

Contented by the lull of the band, her imagined connection and mutual understanding with the other "actors", a peaceful Miss Brill admires the young couple, whom she calls the "hero and heroine" of her fantasized play, as they sit down near her to listen to the music. 

When the young woman playfully rebuffs the boy's advances, the boy concludes that it's the presence of Miss Brill, whom he calls "that stupid old thing," that makes his partner uncomfortable, and the two joke crudely about her age. The young woman likens Miss Brill's fur, which had hence served as a source of happiness and pride, to "a fried whiting," pointing out the reality of age and ugliness Miss Brill had tried to counter with fantasy. 

In this pivotal moment, Miss Brill's carefully constructed fantasy of connectedness and self-importance cracks, and we witness the reality of how harshly people perceive her. Not unlike her earlier description of the elderly people in the garden, others reduce her to a funny, old, and unwanted "thing." The disconnect between how Miss Brill has aggressively portrayed herself versus how others view her suggests that she is aware of her obsolete position in society-- in this city, no one has much value or respect for an old spinster-- and that all her fantasizing has, in fact, been her only way of achieving happiness in a society that painfully excludes her. 

If there was an almond it was like carrying home a tiny present—a surprise—something that might very well not have been there.

Related Characters: Miss Brill
Page Number: 302
Explanation and Analysis:

Following the young couple's cruelty, a crestfallen Miss Brill takes off for home, forgoing the baker's where she usually stops after to treat herself to slices of honey-cake, which sometimes contain the unexpected "tiny present" of an almond inside.

The act of treating herself and romanticizing something as everyday as the occasional almond as being a surprise gift to her, we witness another example of Miss Brill's desire to feel her own specialness, to cling to whatever small pleasures are available to her. 

The fact that she intentionally skips the baker's indicates that Miss Brill no longer seeks the delusion of specialness or importance, as she has just been forced by the young couple in the garden to confront the reality of her own inconsequentiality. To pursue another fantasy--even the small one of a surprise almond in a honey-cake--now feels like a futile thing to do.  

She unclasped the necklet quickly; quickly, without looking, laid it inside. But when she put the lid on she thought she heard something crying.

Related Characters: Miss Brill
Related Symbols: Fur Coat and Garments
Page Number: 302
Explanation and Analysis:

In contrast to the beginning of the story, where Miss Brill slowly and tenderly removes the fur from its box and fantasizes it to have a life and beauty of it's own, here, she stuffs it away in haste without so much as looking at the garment. 

The change in Miss Brill's perception of the fur demonstrates her transition from comforting delusions to harsher reality. Like the funny, "fried-whiting" fur in its box, Miss Brill is old and alone in a city that seems to celebrate only its youth. 

Whereas in the beginning, Miss Brill chalked down the "light and sad" feeling in her chest to "gentleness," in these final lines, she is truly despairing, unable to turn the harder truths of age into more easily digestible euphemisms. 

Despite the fullness of Miss Brill's transition from delusions into reality, the close-third narration suggests that she still is attempting to soften the blow of her sadness via the ambiguity of who is crying. The line in which Miss Brill "thought she heard something crying" suggests she wants to attribute the crying to the fur rather than herself (if she is physically crying, that is). The purpose of this delusion--an inanimate fur cannot cry--is not to brighten the world around her, as were her past delusions, but to deflect her shame and embarrassment over the truths she now has no choice but to confront. 

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Miss Brill Character Timeline in Miss Brill

The timeline below shows where the character Miss Brill appears in Miss Brill. The colored dots and icons indicate which themes are associated with that appearance.
Miss Brill
Loneliness and Alienation Theme Icon
Delusion and Reality Theme Icon
Connectedness Theme Icon
Miss Bril l, sitting in the Jardins Publiques (Public Gardens) in a French town on a marvelously... (full context)
Loneliness and Alienation Theme Icon
Connectedness Theme Icon
Youth and Age Theme Icon
...stands there are only two people, a fine old man and a big old woman. Miss Bril l is disappointed that they do not talk and she is unable to eavesdrop on... (full context)
Loneliness and Alienation Theme Icon
Connectedness Theme Icon
Youth and Age Theme Icon
But Miss Bril l consoles herself by looking at the lively crowd playing on the fields around the... (full context)
Delusion and Reality Theme Icon
Connectedness Theme Icon
Youth and Age Theme Icon
Miss Bril l continues watching people from her seat. There is a general happy commotion. People react... (full context)
Loneliness and Alienation Theme Icon
Delusion and Reality Theme Icon
Youth and Age Theme Icon
Miss Bril l thinks about how “fascinating” sitting and watching people is, how much she loves it.... (full context)
Loneliness and Alienation Theme Icon
Delusion and Reality Theme Icon
Youth and Age Theme Icon
This theory explains for Miss Bril l why she comes to the park at the same time each week – so... (full context)
Loneliness and Alienation Theme Icon
Youth and Age Theme Icon
The band pauses for a moment before continuing. Miss Bril l is again reminded of a faint indescribable coldness or sadness to the music, one... (full context)
Connectedness Theme Icon
Youth and Age Theme Icon
A boy and girl sit down where the old couple was sitting earlier. Miss Bril l notices how well they dress and guesses they are in love. She identifies them... (full context)
Loneliness and Alienation Theme Icon
Delusion and Reality Theme Icon
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Youth and Age Theme Icon
...she won’t because “of that stupid old thing at the end there”. Clearly speaking of Miss Bril l, he questions why she might have come. “Who wants her?” he asks. Then the... (full context)
Loneliness and Alienation Theme Icon
Delusion and Reality Theme Icon
Connectedness Theme Icon
Youth and Age Theme Icon
Usually Miss Bril l will buy a slice of honey-cake on the way home. It makes a big... (full context)