Violence and suffering in The Color Purple are typically depicted as part of a greater cycle of tragedy taking place both on the family level and on a broader social scale. Celie is raped by her stepfather and beaten for many years by her husband, only to have Shug Avery intervene on her behalf. Sofia is nearly beaten to death by white police officers after pushing a white family; she nearly dies in prison. Nettie is almost raped by her stepfather and by Mr. _____, and must run away in order to protect herself. Harpo tries, unsuccessfully, to beat and control Sofia, his first wife, and he beats Squeak until she leaves him for Grady (though Squeak returns to Celie's home at the end of the novel). These cycles of violence are repeated across the South: Celie's biological father and uncles were lynched by whites jealous of their business success, and there is always the threat that, if black people agitate too much for their rights, they will be struck down by the white people who control the local and state government.
In Africa, too, this violence occurs within the local culture and in the relation between whites and blacks. Men in the Olinka village have absolute control over their wives, and a scarring ritual takes place for all women going through permanently, leaving their faces permanently marked. The white British rubber dealers who take over the Olinka land end up killing a great many in the village, without concern for the humanity or customs of the Olinka, who have lived there for many years. But despite all this violence and suffering, there is a core of hope in the novel: the hope that Celie and Nettie might be reunited. It is this hope that, eventually, stops the cycle of violence, at least within Celie's family, and enables the reunion of many of the family members in Georgia at the novel's end.
Violence and Suffering ThemeTracker
Violence and Suffering Quotes in The Color Purple
Dear God, I am fourteen years old. I am I have always been a good girl. Maybe you can give me a sign letting me know what is happening to me.
Fact is, I got to get rid of her. She too old to be living here at home. And she a bad influence on my other girls . . . . She ain't smart either, and I'll just be fair, you have to watch her or she'll give away everything you own. But she can work like a man.
I lay there thinking bout Nettie while he [Mr. _____] on top of me, wonder if she safe. And then I think bout Shug Avery. I know what he doing to me he done to Shug Avery and maybe she like it. I put my arm around him.
I can't remember being the first one in my own dress. Now to have one made just for me. I try to tell Kate what it mean. I git hot in the face and stutter.
They fight. He try to slap her. What he do that for? She reach down and grab a piece of stove wood and whack him cross the eyes . . . She throw him over her back. He fall bam up gainst the stove.
I don't know, say Sofia. Maybe I won't go. Deep down I still love Harpo, but—he just makes me real tired. She yawn. Laugh. I need a vacation, she say.
I don't know, say the prizefighter. This sound mighty much like some ole uncle Tomming to me.
Shug snort, Well, she say, Uncle Tom wasn't call Uncle for nothing.
Sofia say to me today, I just can't understand it.
What that? I ast.
Why we ain't already kill them off.
Too many to kill off, I say. Us outnumbered from the start.
But God, I miss you, Celie. I think about the time you laid yourself down for me. I love you with all my heart.
Today one of the boys in my afternoon class burst out, as he entered, The road approaches! The road approaches! He had been hunting in the forest with his father and seen it. Every day now the villagers gather at the edge of the village near the cassava fields, and watch the building of the road.
Now the engineers have come to inspect the territory. Two white men came yesterday and spent a couple of hours strolling about the village, mainly looking at the wells. Such is the innate politeness of the Olinka that they rushed about preparing food for them . . . And the white men sat eating as if the food was beneath notice.
Then she took some cedar sticks out of her bag and lit them and gave one of them to me. Us started at the very top of the house . . . and us smoked it all the way down to the basement, chasing out all the evil and making a place for good.
But guess what else . . . When the missionaries got to the part bout Adam and Eve being naked, the Olinka peoples nearly bust out laughing . . . They tried to explain . . . that it was they who put Adam and Eve out of the village because they was naked. Their word for naked is white. But since they are covered by color they are not naked.