When Baldwin discusses “the nation,” he is often literally referring to the United States of America, but, over the course of the book, the term “nation” comes to take on a deeper significance: Baldwin uses the term to refer to how he believes things could or should be between white and black people in America, rather than referring to the “nation” as it presently is. Baldwin calls attention to the fact that African-Americans are perhaps the only people in the world who cannot be said to truly belong to a nation, for the country they’re supposed to be part of utterly rejects them; “It is only ‘the so-called American Negro’ who remains trapped, disinherited, and despised, in a nation that has kept him in bondage for nearly four hundred years and is still unable to recognize him as a human being.” In this way, it becomes clear that the word “nation”—insofar as it relates to America—ought to be synonymous with the idea of racial unity. Furthermore, Baldwin argues that if America were to become the nation it should be—one in which a person’s race no longer dictates their power—then America would become the powerful example to the rest of the world that it should be. Thus, Baldwin’s ideal “nation” is one in which Americans of all races are equal and able to love one another, and this unity is spread across the globe.
The Nation Quotes in The Fire Next Time
But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it.
We had the liquor the chicken, the music, and each other, and had no need to pretend to be what we were not. This is the freedom that one hears in some gospel songs, for example, and in jazz. In all jazz, and especially the blues, there is something tart and ironic, authoritative and double-edged. White Americans seem to feel that happy songs are happy and sad songs are sad, and that, God help us, is exactly the way most white Americans sing them—sounding, in both cases, so helplessly, defenselessly fatuous that one dare not speculate on the temperature of the deep freeze from which issue their brave and sexless little voices.
In the realm of power, Christianity has operated with an unmitigated arrogance and cruelty—necessarily, since a religion ordinarily imposes on those who have discovered the true faith the spiritual duty of liberating the infidels. This particular true faith, moreover, is more deeply concerned about the soul than it is about the body, to which fact the flesh (and the corpses) of countless infidels bears witness. It goes without saying, then, that whoever questions the authority of the true faith also contests the right of the nations that hold this faith to rule over him—contests, in short, their title to his land. The spreading of the Gospel, regardless of the motives or the integrity or the heroism of some of the missionaries, was an absolutely indispensable justification for the planting of the flag.
And all this is happening in the richest and freest country in the world, and in the middle of the twentieth century. The subtle and deadly change of heart that might occur in you would be involved with the realization that a civilization is not destroyed by wicked people; it is not necessary that people be wicked but only that they be spineless.
But in order to change a situation one has first to see it for what it is: in the present case, to accept the fact, whatever one does with it thereafter, that the Negro has been formed by this nation, for better or for worse, and does not belong to any other—not to Africa, and certainly not to Islam. The paradox—and a fearful paradox it is—is that the American Negro can have no future anywhere, on any continent, as long as he is unwilling to accept his past. To accept one’s past—one’s history—is not the same thing as drowning in it; it is learning how to use it.
In any event, the sloppy and fatuous nature of American good will can never be relied upon to deal with hard problems. These have been dealt with, when they have been dealt with at all, out of necessity, and in political terms, anyway, necessity means concessions made in order to stay on top.
The Nation Symbol Timeline in The Fire Next Time
