The Merchant of Venice: Symbols

Symbols are shown in red text whenever they appear in the Plot Summary and Summary and Analysis sections of this LitChart.

Stones, Rings, and Caskets

When Shylock raves about the “stones” that Jessica has stolen from him, part of the joke is that in the Renaissance “stones” was a slang word for the testicles. And indeed Shylock’s only child’s renouncing her father, eloping, and converting to Christianity is symbolically tantamount to castrating him, cutting off his family name. Multiple characters undergo kinds of symbolic castration throughout the play. Antonio, who seems not to expect to marry or have children, refers to himself as a “wether,” or neutered ram. Portia’s suitors, who vow never to seek other wives, also forfeit their ability to produce heirs.

The chests that Portia’s suitors must open, like the rings that she and Nerissa give their husbands to safeguard, none-too-subtly evoke the female genitalia. In the final scene, when Portia and Nerissa pretend to have slept with the lawyer and the law clerk to whom their rings were given, they make this connection explicit. By using precious objects—and, in the case of the stones and the rings, objects of commercial exchange—to stand for human sex, Shakespeare links the supposedly pure spheres of love and marriage to the play’s exploration of money and greed.