- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After the Judge presumably murders the Kid in the Fort Griffin saloon's outhouse, he deftly takes to the dance floor. The dance is a symbol in the novel for warfare as a ritual that enables individuals to transcend their own feelings of emptiness and despair. The Judge, of course, is as great a dancer as he is a killer, and he is also "a great favorite" of the people watching him dance, which is ironic because he wants to see their world plunged into perpetual warfare. Perhaps, though, people do subconsciously desire either the "glory" or brutality of war or…