- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In a last testament to Meg's willingness to prioritize genuine sentiment over fashion and tradition, Meg kisses her mother at the wedding before she even kisses her new husband. This shows the depth of Meg's love for her family, and the extent to which Meg is acting on genuine impulse throughout the chapter. It is Jo, in particular, who has fretted over a perceived conflict between familial and romantic love, but something that each of the girls must learn throughout the book is that the two are not at odds, and the sentiments, complexities, and rewards of familial and romantic…