About the Author
T.S. Eliot was born the youngest of six siblings in St. Louis, Missouri. Due to several health problems that prevented him from much physical activity while he was young, Eliot was a voracious reader. When he was 17, he published several poems and short stories, but it wasn’t until later, in 1917 and 1922, that he published his famous poems “The Love Song of J. Alfred Prufrock” and “The Waste Land.” After leaving St. Louis, Eliot studied at Harvard and then stayed on as a philosophy assistant. From there he moved to Paris to study philosophy, meeting several distinguished philosophers, and then to Oxford during the outbreak of the First World War. He later left Oxford because it felt lifeless to him. While there, however, he met Ezra Pound, who was impressed by Eliot and later helped him to publish his work. Eliot remained in England, teaching and working at a bank. He also married Vivienne Haigh-Wood, whose mental and physical instability led to their eventual separation. Eventually, in 1925, Eliot became the director of the publishing company Faber and Gwyer, where he would go on to publish many famous English poets, such as W.H. Auden and Ted Hughes. Eight years before his death, Eliot married Esme Valerie Fletcher. After his death from emphysema in 1965, Esme annotated and edited many of Eliot’s works and letters in order to preserve his legacy. Eliot left behind some of the greatest masterpieces in English poetry, as well as many plays and distinguished works of literary criticism.
LitCharts guides for works by T. S. Eliot
Explore LitCharts literature and poetry guides for works by T. S. Eliot. Each literature guide includes a full summary, detailed analysis, and helpful resources. Each poetry guide offers line-by-line analysis and exploration of poetic devices.
"Burnt Norton" is the opening poem of T. S. Eliot's book-length sequence Four Quartets. The poem was first published in 1936, and the Quartets as a whole appeared in book form in 1943. In "Burnt No...
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"Journey of the Magi" is a poem by T.S. Eliot, first published in 1927 in a series of pamphlets related to Christmas. The poem was written shortly after Eliot's conversion to the Anglican faith. Ac...
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"La Figlia Che Piange" (Italian for "the girl who weeps") is the final poem in T. S. Eliot's first collection, Prufrock and Other Observations (1917). It's an unusual kind of breakup poem, one whos...
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"Morning at the Window" is a short poem by T. S. Eliot, first published in the poet's 1917 collection Prufrock and Other Observations. Looking down on an urban street from a window (perhaps in Lond...
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Murder in the Cathedral is divided into two parts, with an interlude separating them. The play begins with the thoughts of the Chorus, a group of common women of Canterbury. They say that Archbish...
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T. S. Eliot's "Portrait of a Lady" is a long narrative poem that describes a young man's visits to the home of an older female acquaintance (the lady of the title). Their meetings, in the speaker's...
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"Preludes" is made up of four poems written by the modernist poet T. S. Eliot between 1908 and 1912, when Eliot was in his early 20s. They were later collected in Eliot's debut Prufrock and Other O...
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"Rhapsody on a Windy Night" is an early poem by one of the 20th century's foremost literary figures, T.S. Eliot. It was written in 1911, around the time Eliot was studying at the Sorbonne in Paris....
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“The Hollow Men” is a poem by the American modernist poet T.S. Eliot, first published in 1925. Uncanny and dream-like, “The Hollow Men” describes a desolate world, populated by empty, defeated peop...
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"The Love Song of J. Alfred Prufrock" was first published by British poet T. S. Eliot in 1915; Eliot later included it as the title poem in his landmark 1917 collection Prufrock and Other Observati...
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T. S. Eliot's "The Waste Land" is considered one of the most important poems of the 20th century, as well as a modernist masterpiece. A dramatic monologue that changes speakers, locations, and time...
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Eliot states that the word traditional is rarely talked about in terms of writing, except in a derogatory sense. At least, the word is seldom used to praise writers, either living or dead ones. Thi...
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