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Rooted in his family’s passivity is Salim’s fear of staying still, of becoming trapped. Salim’s description of the enslaved people on the eastern coast’s relationship to the families that formerly enslaved them is a prime example of the performance of identity for power. By remaining in pseudo-enslaved condition, the family’s servants might limit their freedom in one way, but feel they gain it in another way through this connection, with prominent families. However, quite literally, this choice traps them into this performance—and thus the families are stuck with one another.