A Complicated Kindness

by

Miriam Toews

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A Complicated Kindness: Chapter Twenty-Eight Summary & Analysis

Summary
Analysis
Nomi announces that she is now the sole owner of her family’s car. Ray has even taken it to the car wash before disappearing. She wonders how he left without being able to drive. Nomi also has Tash’s records and stereo, a French horn, and an official document testifying to her ownership of the house. Ray has only taken his new suit, his plastic bird, and his Bible. He’s left a note telling Nomi how to sell the house and change the car’s oil. He says that he’ll give her a year or two to herself, but that she should remember Jesus’s words: “Lo, I am with you always.” He closes the note with a verse from Isaiah, saying that when she finds joy “the mountains and the hills shall break forth before you singing.”
Throughout the novel, Nomi has felt responsible for Ray’s wellbeing and worried about leaving him behind—by choosing to leave first, he’s dispelled these anxieties for her. Nomi’s calm and contemplative tone here shows that her new solitude isn’t loneliness—rather, it’s a manifestation of her father’s love and understanding. Paradoxically, Nomi often feels closest to her family when she’s apart from them.
Themes
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Nomi sits in Ray’s lawn chair for a while, in case he comes back. She concludes that he has left so that he doesn’t have to shun his own excommunicated child. That’s what everyone in East Village has to do if they can neither disown the church nor live without it. Nomi starts loading things into the car, and the little neighbor girl comes outside to watch her. When Nomi has finished, she spins the little girl around until they both fall down. Finally, she feels that she can see everything in her life clearly, from the pits to Travis’s hands playing the guitar to The Mouth and her “windowless school.” Now that she knows she won’t encounter any of this anymore, it doesn’t seem so bad.
Nomi has referenced many families whose members have gone insane or even committed suicide after the excommunication of a loved one. Even though it seems like her family may have split up permanently, by collectively leaving a toxic environment they’re also preserving the possibility of reunion in the future. Meanwhile, the idea of gaining some distance from her community allows Nomi to evaluate and appreciate life in East Village.
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Community and Coming of Age Theme Icon
Nomi thinks that Menno Simons must have had a terrible childhood in order to think that excommunicating people and forcing their families to shun them was a good idea. She thinks about “the way things could have been,” which is the name she’s giving to this piece of writing, her final assignment. Addressing Mr. Quiring directly, she says that she’ll leave it on his front porch. She assumes he won’t like it, but he doesn’t need to give it back.
Throughout the novel, Nomi’s narrative has functioned as an implicit protest against Mr. Quiring’s brand of storytelling; now, she makes this contrast explicit. Instead of conforming to the teacher’s rules in order to graduate high school, Nomi is proving her adulthood by her ability to evaluate and portray her life in a thoughtful, cogent manner.
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Narrative and Storytelling Theme Icon
Speaking to Mr. Quiring, Nomi wonders why she still craves his approval so much. Perhaps because, like him, she’s fixated on Trudie. Nomi says that Mr. Quiring gave her family “an ending,” following his own rules about the unalterable structure of all stories.
Nomi ironically credits Mr. Quiring with breaking up her family. But in fact, Nomi doesn’t believe her family is broken, and leaves open the prospect of future reunification. In this sense, her comment is a rejection—not an embrace—of Mr. Quiring’s reductive storytelling.
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Along with her assignment, Nomi is returning to him the last letter he wrote to Trudie. Unlike the previous letters about his “bottomless passion” for her, this letter is angry and harsh. In it, Mr. Quiring threatens to tell The Mouth that Trudie has been using Mrs. Klippenstein’s empty house to have adulterous relationships with several men. Since Trudie is widely believed to be “demented,” no one will believe her word over his. Nomi comments this isn’t a very good way to try to win someone back.
In a sense, the radically different tones of Mr. Quiring’s letters reflect the Mennonite emphasis on stark distinctions between good and evil. Mr. Quiring is unable to accept that Trudie is a complex character, and so reimagines her as entirely virtuous or entirely sinful. Moreover, by threatening to use his powerful position to peddle falsehoods about her, Mr. Quiring shows how narrative can be used to oppress vulnerable community members.
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Quotes
Nomi believes that Trudie began a relationship with Mr. Quiring out of grief, and returned to Ray out of love, both for him and for the idea of her family. Love is more powerful than grief, Nomi says, and people will do anything to “keep alive the love we’ve felt.” Mr. Quiring uses the church to keep his love alive, while Nomi lies in bed with her memories.
At times Nomi can feel overwhelmed and oppressed by the force of her memories, but by weaving them together into this narrative, she turns them—and her family’s history—into an empowering force.
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Narrative and Storytelling Theme Icon
Nomi comes out of her reverie when the little neighbor girl rubs her bald head. Nomi quietly thanks Ray for knowing that, in order for Nomi to break away from East Village, he had to leave first. Nomi sends the neighbor girl home.
It’s fitting that Nomi says goodbye to her community through a final interaction with the neighbor girl. This moment emphasizes her ability to connect with different people and appreciate the positive aspects of her life in East Village, even as she flees its negative effects.
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Community and Coming of Age Theme Icon
It occurs to Nomi that Trudie might have left town not reluctantly, to spare Ray the pain of shunning her, but exuberantly, to embrace all the possibilities of the outside world. Maybe she has never really loved Ray, or no longer loves him as much as the idea of being free. Perhaps she had an affair with Mr. Quiring out of frustration with Ray for keeping her in a community that was so harmful in her family.
Positing an explanation for Trudie’s behavior that contrasts with the previous passages, Nomi complicates her narrative and her vision of the future. Yet she refuses to judge or condemn her mother, ultimately embracing the complexity of Trudie’s character. This gesture is fundamentally at odds with the norms of her community.
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The Mouth has suggested that Trudie killed herself after leaving town, “out of guilt and regret.” Nomi wonders if Trudie really is dead, or if she’s living quietly somewhere in Canada or has managed to leave the country without her passport. Perhaps Ray has killed himself as well. Nomi decides that she’s going to put her faith in the first version of the story, because it holds out the hope “of being reunited, of being happy again.” From living in East Village, she’s learned that it’s people’s choices in the stories they tell that matter the most; her town has given her “faith to believe in the possibility of a happy family reunion.”
This is the first time Nomi has explicitly mentioned the possibility that Trudie has killed herself, but by openly facing this haunting thought, she deprives it of its ability to scare her. Ultimately, Nomi’s narrative leaves room for good and bad outcomes while also retaining hope and confidence in the future. Paradoxically, even though Nomi is leaving home, she credits East Village with developing the worldview that makes it impossible to fit in.
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Nomi leaves her favorite leather bracelet between the doors of Mrs. Peters’s house. She hopes that Mrs. Peters will find another way to keep Clayton alive in her imagination. Nomi lights a cigarette and drives away.
Like Nomi’s last encounter with the little neighbor girl, this gesture signals that she will always be rooted in the community to some extent, even while she leaves.
Themes
Community and Coming of Age Theme Icon
Quotes
Actually, Nomi says to Mr. Quiring, she hasn’t quite left yet; she has to sell the house yet. Really, Nomi says, the story ends with her sitting on the floor of her room, wondering who she’ll be once she leaves town. She remembers being a kid and falling asleep listening to Tash and Trudie talking in the kitchen and Ray working in the yard, “making things beautiful right outside my window.”
Although Nomi has acknowledged that she’s now on her own, through this passage she expresses more unity and confidence in her family than she’s felt during all these years waiting for her mother to come home. Family has finally become a force that helps her move boldly into the future, rather than one that holds her back.
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Family and Home Theme Icon
Christian Salvation vs. Earthly Joy Theme Icon