A Complicated Kindness

by

Miriam Toews

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A Complicated Kindness: Chapter Twenty-Seven Summary & Analysis

Summary
Analysis
The next morning at dawn, Nomi is sitting in the field behind the dump. She has a strange feeling, which she likens to spending a long time with relatives and wanting to be alone, but then feeling guilty when it’s time for them to leave and wishing she was a better friend.
Nomi’s reflection here captures her ambivalent relationship to her community; she both desires to leave it and feels guilty about that desire because she’s so entrenched within it.
Themes
Community and Coming of Age Theme Icon
Before driving to the dump, Nomi has gone to the hospital to see Lids. But Lids’s normal room is empty, and the orderly tells her that she’s been moved to another facility to undergo shock therapy. Nomi tells one of the nurses that her face aches so much she thinks she’s dying, and asks for painkillers. The nurse says that she should be enjoying her adolescence, which is the best time of her life, and tells her to make some tea and lie down. Nomi says that all the furniture in her house is gone, but the nurse just shakes her head.
Even though Nomi often chafes at her life in East Village, this sudden, unwanted separation from Lids is traumatic for her. The nurse’s well-intentioned but completely clueless response to Nomi’s cry for help shows that neither Nomi nor Lids can receive the care or understanding they need within this community—but unlike Lids, Nomi actually has the ability to leave.
Themes
Community and Coming of Age Theme Icon
Even before going to the hospital, Nomi says, she drove to a local motel where she found Travis’s truck parked. She figured that he and Adeline must have found a sitter for their pretend baby. She lit some carpet in the trunk on fire, and the truck exploded. Then she bought some soda at the general store and walked to her grandmother’s house, where she went up to Trudie’s old room and lay down. On the bureau was an old picture of Ray with one of his classes.
Nomi reveals that Travis has been cheating on her in a muted, almost unnoticeable way. This is emblematic of her tendency to downplay negative and hurtful events. But it’s also a reclamation of agency: Nomi will no longer overthink her relationship, and she won’t let Travis’s infidelity define her narrative.
Themes
Community and Coming of Age Theme Icon
Narrative and Storytelling Theme Icon
After she leaves the hospital, Nomi walks to The Comb’s trailer. She tells The Comb that she doesn’t have any money, but he gives her a cigarette anyway. Nomi starts crying, and The Comb kisses her shoulder and takes her into his bedroom. When she wakes up, she’s in a field with The Comb, who tells her she “gave it up real sweet.” She suddenly remembers that she left her car at the general store, and The Comb gives her a ride into town. Nomi drives around for a long time, looking for a good place to get high, and ends up at the dump. She decides she will live here in the car and sometimes have Ray over for dinner.
Nomi never directly specifies whether this sexual encounter was consensual, but it is implied that The Comb raped her while she was unconscious or otherwise incapacitated. Sex with Travis had represented Nomi’s hope to build a new life outside her community. By contrast, sex with The Comb shows how mired she is in the self-destructive patterns of life at home. It’s telling that Nomi goes to the dump after this: for both her and Ray, it provides an atmosphere of stability in the midst of their tumultuous lives.
Themes
Family and Home Theme Icon
Community and Coming of Age Theme Icon
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After some time, Ray comes to find Nomi at the dump, bringing her a muffin. She tells him that she’s not looking forward to the next day, but he says she should look at “the flip side.” Nomi tells him that the dump is looking very clean, thanks to him, and Ray says that he and his students will be cleaning up a river bank today. Nomi asks what exactly “the flip side is,” and Ray thinks for a while and says it’s faith that tomorrow will be a better day. Nomi wonders if this is a triggering point.
Ray often seems to offer comfort in unhelpful platitudes; but here, his declaration of faith in God’s ability to improve the future shows how religion can be a positive, sustaining force, and actually does make Nomi feel better. Although Nomi is joking by referencing Mr. Quiring’s narrative conventions, it’s important that she imagines Ray’s faith as the “triggering point” of her story, as her narrative is an interrogation of the role of faith in everyday life.
Themes
Religion and Dogma Theme Icon
Narrative and Storytelling Theme Icon
That day, The Mouth comes over to Nomi’s house. He announces that the church has decided to excommunicate Nomi for skipping church and setting fires. Ray says that he understands. The Mouth says that the neighbors are starting to talk about the house’s state of disrepair and the lack of furniture, which they view as sinful. Nomi starts to drink water out of the tap. Ray offers The Mouth more coffee but he declines, saying he has to go to a ceremony at the museum village.
Ray’s lack of concern about Nomi’s excommunication, as well as his disregard for his “sinful” treatment of the house, shows that although he won’t openly defy the church, its dictates have ceased to be meaningful for him. While this loss of confidence in the church is destabilizing for Ray, it opens up the possibility of new solidarity between him and Nomi.
Themes
Religion and Dogma Theme Icon
Family and Home Theme Icon
After The Mouth leaves, Ray starts to quote the Bible, saying that “all our righteousnesses are as filthy rags.” He gives Nomi a table cloth to wipe off her wet face and smeared makeup. Nomi promises to do all the laundry and cook something good for dinner. She gives Ray the car keys, and he leaves for work. Nomi wraps herself in the tablecloth and walks upstairs, where she sees her French horn. She drags it to a nearby hill and teaches herself to play “All Through the Night,” practicing until the sound becomes bearable.
Ray quotes a verse about the perils of being too confident in one’s own righteousness. While The Mouth bases his repressive ideology in scripture, Ray uses the Bible to emphasize the importance of humility and open-mindedness. Like Nomi’s own narrative, the Bible is a complex story that allows for different interpretations, and the novel argues that religious doctrine shouldn’t be used to ground such a reductive outlook as The Mouth’s.
Themes
Religion and Dogma Theme Icon
Narrative and Storytelling Theme Icon