A Doll's House

by Henrik Ibsen

A Doll's House: Dramatic Irony 2 key examples

Definition of Dramatic Irony

Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a character's understanding of a given situation, and that of the... read full definition
Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a character's understanding of a given... read full definition
Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a... read full definition
Act One
Explanation and Analysis—A Fog of Lies:

In an act of both foreshadowing and dramatic irony, during Act One, Torvald criticizes Krogstad’s forgery and deception, declaring that such acts will inevitably have a poisonous effect on the man’s children:

Just think how a man with a thing like that on his conscience will always be having to lie and cheat and dissemble; he can never drop the mask, not even with his own wife and children. And the children—that’s the most terrible part of it, Nora [...] A fog of lies like that in a household, and it spreads disease and infection to every part of it. Every breath the children take in that kind of house is reeking evil germs.

Explanation and Analysis—The Really Big Thing:

Nora, chafing at constantly being underestimated, ends up confiding in Mrs. Linde near the start of Act 1, seemingly wanting to discreetly unburden herself by sharing her secret about the loan. In an act of situational irony, though, Nora’s attempt to ease some of her worries and frustrations ultimately exacerbates her circumstances later in the play: 

Nora: You’re just like the rest of them. You all think I’m useless when it comes to anything really serious…

Mrs. Linde: Come, come…

Nora: You think I’ve never had anything much to contend with in this hard world.

Mrs. Linde: Nora dear, you’ve only just been telling me all the things you've had to put up with.

Nora: Pooh! They were just trivialities! [Softly.] I haven’t told you about the really big thing. [...] Nobody must know about it, Kristine, nobody but you.

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