A Hundred Flowers

A Hundred Flowers

by

Gail Tsukiyama

Teachers and parents! Our Teacher Edition on A Hundred Flowers makes teaching easy.

Liang Lee Character Analysis

Liang was Wei’s wife, Sheng’s mother, and Kai Ying’s mother-in-law. She died before Tao was born. In childhood, she and Song became best friends at school; when Old Hing died, she invited Song to come live with the family at the villa. A wealthy and well-educated woman, Liang made a greater impression on those around her for her sense of humor, generosity, and kindness. She rarely expressed anger or disappointment. In her later years, she wanted to take a principled stand against the Communist Party but was foiled by Wei’s unwillingness to participate.

Liang Lee Quotes in A Hundred Flowers

The A Hundred Flowers quotes below are all either spoken by Liang Lee or refer to Liang Lee. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Redemption Theme Icon
).
The Kapok Tree, July 1958: Wei Quotes

[H]is grandson was alone somewhere in the hospital and there was nothing he could do but wait. Wei wondered if it was some kind of retribution for his years of self-absorption. He had always been too involved in his own work, never taking into consideration how it might affect those around him. Rather than going into business as his father had wished […] he concentrated on his art history studies, preoccupied with teaching and research. He was thirty when he finally married Liang, and […] Sheng came along unexpectedly almost ten years later. Through it all, Wei continued to work long hours […] He told himself that his work was a part of all their legacies, but was it? By the time he paused long enough, Wei had missed so much of Sheng’s childhood that he had little memory of what his son was like as a boy.

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee, Liang Lee
Page Number: 23
Explanation and Analysis:
The Falling Boy, August 1958: Wei Quotes

Now he sat down at his desk and flipped through the worn pages, the book opening naturally to the poems where the spine was broken. He read the first stanza of a poem aptly titled “Thinking of My Boy,” written for the poet’s favorite son.

Comes spring once more,
Pony Boy, and still we
Cannot be together; I
Comfort myself hoping
You are singing with
The birds in the sunshine…

Wei stopped reading, suddenly angered. He knew Sheng wasn’t where he could be singing with birds in the sunshine […] Two months [after his arrest] they received word that Sheng had been sent to be reeducated in Luoyang in the western Henan province […] more than a thousand miles away by train, another world away.

Related Characters: Wei Lee, Sheng Lee, Liang Lee
Page Number: 66
Explanation and Analysis:
Moon Festival, September 1958: Wei (II) Quotes

Wei felt suddenly vigorous and confident again as he hurried off to fetch Mrs. Lu. As he fought against the wind and rain, slowly making his way down the street, the line had returned to him again, Even so, the world intrudes. It must have been a line from some famous Tang dynasty poem he had long ago memorized. It bothered him even more that he couldn’t remember the lines that followed. When Wei returned home, he would scour his books of poetry until he found the poem. He’d spent most of his life avoiding the world, but ironically, it had landed right there at their doorstep.

By the time he returned with Mrs. Lu, the baby had already come into the world.

Related Characters: Wei Lee, Kai Ying Lee, Sheng Lee, Liang Lee, Suyin
Page Number: 115
Explanation and Analysis:
Stories, November 1958: Kai Ying (II) Quotes

Wei told her Sun and Moon had worked for his family ever since they were young women. Before then, they’d been silk workers from the village of Shun-de. When Wei was a boy of nine or ten, Sun and Moon were already middle-aged, and had been working for his family for over twenty years. “They were as different as the sun and moon,” her father-in-law said, and laughed. “There was hardly a time when they didn’t disagree about something. They would have argued about the time of day if they’d had the time!”

When Wei was not yet fifteen, Moon fell ill. Sun devoted herself to taking care of her until she died, six months later, Afterward, Sun stayed on until she became too old, but she was never the same.

Related Characters: Wei Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee, Liang Lee, Auntie Song, Sun, Moon
Page Number: 190-191
Explanation and Analysis:
The City of Ghosts, November 1958: Wei (IV) Quotes

Do you remember, he heard Liang’s voice ask him, when Sheng was a little boy and he was determined to fly his dragon kite even when there was no wind? He nodded at the memory, at the calm, cool watery sound of Liang’s voice, and how she had finally returned to him after so many weeks. Yes, he said. Wei could see her smile. Remember how he ran up and down the street trying to get enough wind until he finally gave up, she reminded him. And how you were the one who told him the wind would return again in no time, but he had to be patient. The wind will return again, Liang said. You’ve come this far, just listen to your own words.

Wei wanted to reach out for Liang, but was afraid she would disappear if he did, and remained content to feel her there beside him again.

Related Characters: Wei Lee (speaker), Liang Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee
Related Symbols: Kapok Tree
Page Number: 272-273
Explanation and Analysis:
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A Hundred Flowers PDF

Liang Lee Quotes in A Hundred Flowers

The A Hundred Flowers quotes below are all either spoken by Liang Lee or refer to Liang Lee. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Redemption Theme Icon
).
The Kapok Tree, July 1958: Wei Quotes

[H]is grandson was alone somewhere in the hospital and there was nothing he could do but wait. Wei wondered if it was some kind of retribution for his years of self-absorption. He had always been too involved in his own work, never taking into consideration how it might affect those around him. Rather than going into business as his father had wished […] he concentrated on his art history studies, preoccupied with teaching and research. He was thirty when he finally married Liang, and […] Sheng came along unexpectedly almost ten years later. Through it all, Wei continued to work long hours […] He told himself that his work was a part of all their legacies, but was it? By the time he paused long enough, Wei had missed so much of Sheng’s childhood that he had little memory of what his son was like as a boy.

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee, Liang Lee
Page Number: 23
Explanation and Analysis:
The Falling Boy, August 1958: Wei Quotes

Now he sat down at his desk and flipped through the worn pages, the book opening naturally to the poems where the spine was broken. He read the first stanza of a poem aptly titled “Thinking of My Boy,” written for the poet’s favorite son.

Comes spring once more,
Pony Boy, and still we
Cannot be together; I
Comfort myself hoping
You are singing with
The birds in the sunshine…

Wei stopped reading, suddenly angered. He knew Sheng wasn’t where he could be singing with birds in the sunshine […] Two months [after his arrest] they received word that Sheng had been sent to be reeducated in Luoyang in the western Henan province […] more than a thousand miles away by train, another world away.

Related Characters: Wei Lee, Sheng Lee, Liang Lee
Page Number: 66
Explanation and Analysis:
Moon Festival, September 1958: Wei (II) Quotes

Wei felt suddenly vigorous and confident again as he hurried off to fetch Mrs. Lu. As he fought against the wind and rain, slowly making his way down the street, the line had returned to him again, Even so, the world intrudes. It must have been a line from some famous Tang dynasty poem he had long ago memorized. It bothered him even more that he couldn’t remember the lines that followed. When Wei returned home, he would scour his books of poetry until he found the poem. He’d spent most of his life avoiding the world, but ironically, it had landed right there at their doorstep.

By the time he returned with Mrs. Lu, the baby had already come into the world.

Related Characters: Wei Lee, Kai Ying Lee, Sheng Lee, Liang Lee, Suyin
Page Number: 115
Explanation and Analysis:
Stories, November 1958: Kai Ying (II) Quotes

Wei told her Sun and Moon had worked for his family ever since they were young women. Before then, they’d been silk workers from the village of Shun-de. When Wei was a boy of nine or ten, Sun and Moon were already middle-aged, and had been working for his family for over twenty years. “They were as different as the sun and moon,” her father-in-law said, and laughed. “There was hardly a time when they didn’t disagree about something. They would have argued about the time of day if they’d had the time!”

When Wei was not yet fifteen, Moon fell ill. Sun devoted herself to taking care of her until she died, six months later, Afterward, Sun stayed on until she became too old, but she was never the same.

Related Characters: Wei Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee, Liang Lee, Auntie Song, Sun, Moon
Page Number: 190-191
Explanation and Analysis:
The City of Ghosts, November 1958: Wei (IV) Quotes

Do you remember, he heard Liang’s voice ask him, when Sheng was a little boy and he was determined to fly his dragon kite even when there was no wind? He nodded at the memory, at the calm, cool watery sound of Liang’s voice, and how she had finally returned to him after so many weeks. Yes, he said. Wei could see her smile. Remember how he ran up and down the street trying to get enough wind until he finally gave up, she reminded him. And how you were the one who told him the wind would return again in no time, but he had to be patient. The wind will return again, Liang said. You’ve come this far, just listen to your own words.

Wei wanted to reach out for Liang, but was afraid she would disappear if he did, and remained content to feel her there beside him again.

Related Characters: Wei Lee (speaker), Liang Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee
Related Symbols: Kapok Tree
Page Number: 272-273
Explanation and Analysis: