A Hundred Flowers

A Hundred Flowers

by

Gail Tsukiyama

Teachers and parents! Our Teacher Edition on A Hundred Flowers makes teaching easy.

Kapok Tree Symbol Analysis

Kapok Tree Symbol Icon

The kapok tree which stands in the courtyard of the Lee family villa represents strength and resilience. Wei tells Tao that it’s over a hundred years old, meaning that it has weathered many difficult times before and implying that it will do so again. Even after Wei attacks the tree with a meat cleaver, it thrives, providing a reminder of nature’s strength and serenity to the family members. Sheng, for instance, draws strength from remembering the tree in his faraway labor camp. It also provides for the family, giving its flowers and leaves as ingredients for Kai Ying’s herbal medicines. Ironically, although a fall from this tree caused Tao’s injuries, medicine from its leaves helps him to heal, offering a reminder that trial and difficulty can help a person to become stronger and more resilient.

Kapok Tree Quotes in A Hundred Flowers

The A Hundred Flowers quotes below all refer to the symbol of Kapok Tree. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Redemption Theme Icon
).
The Kapok Tree, July 1958: Kai Ying (I) Quotes

Kai Ying would never forget the sight of her pale little boy lying on the courtyard pavement, his leg twisted beneath him. A broken branch, she thought, a crushed leaf. He wasn’t moving. At that moment, she realized he might never move again and a feeling of terror overwhelmed her, stopping her abruptly and rooting her in place. […] She stood there while her heart raced so fast her whole body shook. He can’t be, she thought, he can’t. And try as she might, Kai Ying couldn’t think of one tea or soup that could bring the dead back to life. Her father-in-law, who was usually calm and in control, turned back to her, his eyes wide and frantic, his hands waving wildly in the air as he yelled for her to get help from Neighbor Lau, who had the only flatbed pedicab in the neighborhood.

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee
Related Symbols: Kapok Tree, White Cloud Mountain
Page Number: 11
Explanation and Analysis:
The Falling Boy, August 1958: Tao (II) Quotes

What Tao would never tell anyone, including his father, was what he really felt the day he fell from the kapok, how for just a moment he was flying instead of falling, and how happy it made him feel. Even now, he envisioned soaring through the gates and beyond the Ming garden wall, high above the narrow, crowded alleyways where he used to run and over the wide, tree-lined streets that led to far-off places he’d never seen. Tao felt so certain that if he had just kept on flying, he’d have reached White Cloud Mountain.

Related Characters: Tao Lee, Sheng Lee
Related Symbols: Kapok Tree, White Cloud Mountain
Page Number: 47-48
Explanation and Analysis:
Moon Festival, September 1958: Tao (II) Quotes

The beginning of the story always remained the same: Huoyi was commanded by the Emperor Yao to use his archery skills to shoot down nine of the ten suns to keep the earth from burning up. Upon completing the task, the emperor gave the famed archer a pill that granted him eternal life. Knowing its value, Huoyi left the pill at home with Chang’e when he was sent away on another mission for the emperor. From there, they story of why Chang’e swallowed the pill of immortality splintered off into different versions. So far, Tao’s favorite account was Chang’e having to protect the pill from Peng, one of Huoyi’s apprentice archers, who forcefully tried to take the pill from her. Knowing that she was unable to fight him off, her only choice was to swallow the pill herself.

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee, Suyin, Auntie Song, Chang’e, Huoyi, Suyin’s Stepfather
Related Symbols: Kapok Tree
Page Number: 85
Explanation and Analysis:
Moon Festival, September 1958: Tao (III) Quotes

“Do you want to hear the story of Huoyi and Chang’e now?” his grandfather asked.

Tao turned around and shook his head. “There’s no moon,” he answered.

“There’s still the story.”

“It’s not the same without the moon.”

His grandfather stroked his whiskers. “But we know the moon is still up there, beyond the rain and clouds.”

What good was the moon if you couldn’t see it? Tao thought. If it wasn’t there to help his ba ba to find his way home again? But, he nodded and limped back to the table and sat down, no longer caring which version of the myth his grandfather was going to tell him.

Related Characters: Wei Lee (speaker), Tao Lee (speaker), Sheng Lee, Chang’e, Huoyi
Related Symbols: Kapok Tree, White Cloud Mountain
Page Number: 102-103
Explanation and Analysis:
The World Intrudes, October 1958: Wei (II) Quotes

He glanced out to the courtyard and the kapok tree. When he turned back to Tao, he saw Sheng again at the same age, always so formal and closemouthed around him. He remembered all the times he heard Sheng talking to Liang, joking and laughing, but as soon as he entered the room, it was as if the air had changed. He and Sheng hadn’t learned to be friends until late in his life. Now he only wanted his son home again.

“I know…” Wei began, realizing the words that followed would change all of their lives forever. “I know because it was me. I was the one to write the letter, not your ba ba.”

Wei felt as if he’d been falling for the past year and had finally hit the ground. He stared down at the table and couldn’t look at either Kai Ying or Tao.

Related Characters: Wei Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee, Lai Hing
Related Symbols: Kapok Tree
Page Number: 143
Explanation and Analysis:
Waiting, November 1958: Wei (III) Quotes

But rather than remain antagonistic, Wei decided to change his tactics and thanked the clerk politely. “Yes, of course, I understand,” he said, almost cordial.

“I see you’re learning,” Tian had said, leaning in close and teasing him.

It surprised Wei how easy it was to talk to Tian, who had been a stranger to him less than a week ago.

Wei cleared his throat and said, “Have you heard the saying, ‘The wise adapt themselves to circumstances, as water molds itself to the pitcher’? It seems I’ve been the pitcher most of my life. I’ve forgotten how to be fluid. It feels as if I’m finally learning now,” he said.

Tian smiled. “You remind me of my own father,” he said, “although I’m afraid he never did learn.”

Related Characters: Wei Lee (speaker), Tian (speaker), Sheng Lee, Clerk Hu
Related Symbols: Kapok Tree
Page Number: 248
Explanation and Analysis:
The City of Ghosts, November 1958: Tao Quotes

Tao thought about it. Little Shan had betrayed him to be one of Lai Hing’s stray dogs, and now he wanted to be friends again. Mao would have sent him away for less, just like he did his ba ba. He looked up and studied Little Shan’s face, trying to understand what had happened during the past few months, how his entire life had been turned upside down ever since he he’d fallen from the kapok tree. Yet, here he was, standing upright. Little Shan hadn’t totally abandoned him, having saved him from being pummeled by Lai Hing and his gang. Best friends are hard to come by, his grandfather had said. His ye ye was hard to come by. There would never be anyone else like his grandfather, and Tao wanted him back, but until then, Little Shan stood bundled up and waiting in front of him.

“Truce,” Tao said.

Related Characters: Tao Lee (speaker), Wei Lee, Sheng Lee, Little Shan, Lai Hing
Related Symbols: Kapok Tree
Page Number: 261-262
Explanation and Analysis:
The City of Ghosts, November 1958: Wei (IV) Quotes

Do you remember, he heard Liang’s voice ask him, when Sheng was a little boy and he was determined to fly his dragon kite even when there was no wind? He nodded at the memory, at the calm, cool watery sound of Liang’s voice, and how she had finally returned to him after so many weeks. Yes, he said. Wei could see her smile. Remember how he ran up and down the street trying to get enough wind until he finally gave up, she reminded him. And how you were the one who told him the wind would return again in no time, but he had to be patient. The wind will return again, Liang said. You’ve come this far, just listen to your own words.

Wei wanted to reach out for Liang, but was afraid she would disappear if he did, and remained content to feel her there beside him again.

Related Characters: Wei Lee (speaker), Liang Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee
Related Symbols: Kapok Tree
Page Number: 272-273
Explanation and Analysis:
The City of Ghosts, November 1958: Kai Ying (III) Quotes

For the very first time since Tao had fallen from the kapok tree, she paused in front of it. It seemed as if an entire lifetime had passed in the five months since. […][Now] the tree stood skeletal, the branches remaining bare until […] the spring. […] Although Kai Ying knew it was foolish, she still dared to hope that they would all be together again by then.

Kai Ying stepped closer to the tree. At least let her hear from Wei again soon, she thought. The gash that her father-in-law had left in the trunk was a scar now, slightly deeper in color and hardly noticeable if you weren’t looking for it. Kai Ying’s fingers graced the smooth wound. She thought of it as just another example of nature’s genius; the kapok tree had healed itself.

From the kitchen, she heard Tao’s and Suyin’s voices and smiled.

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee, Suyin, Auntie Song
Related Symbols: Kapok Tree
Page Number: 284-285
Explanation and Analysis:
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Kapok Tree Symbol Timeline in A Hundred Flowers

The timeline below shows where the symbol Kapok Tree appears in A Hundred Flowers. The colored dots and icons indicate which themes are associated with that appearance.
The Kapok Tree, July 1958: Tao
Redemption Theme Icon
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
The Promises and Failures of Communism  Theme Icon
...summer morning, just a little shy of his seventh birthday, Tao decides to climb the kapok tree in his family’s courtyard. He longs to see White Cloud Mountain—a distant peak that his... (full context)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
...his father in dreams. This morning, a dream gave him the idea to climb the kapok tree and look for his father on White Cloud Mountain. (full context)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Wei reveres the kapok tree , with its brilliant red springtime blossoms and dark green, spear-shaped summer leaves. As Tao... (full context)
The Kapok Tree, July 1958: Kai Ying (I)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
The Promises and Failures of Communism  Theme Icon
Tao’s tiny body looks like a broken branch or a crushed leaf underneath the kapok tree . Kai Ying fears that he might be paralyzed or—worse—dead. Some things, she knows, lie... (full context)
The Kapok Tree, July 1958: Kai Ying (III)
Suffering, Strength, and Resilience Theme Icon
...healthy child. At home, she pauses in the courtyard for a moment, standing beneath the kapok tree and trying to steady herself. Wei goes into the empty  house; the Changs have gone... (full context)
Suffering, Strength, and Resilience Theme Icon
...and before Kai Ying realizes what it is, he’s hacking at the trunk to the kapok tree with a meat cleaver. She grabs his arm. She doesn’t want him to harm the... (full context)
The Falling Boy, August 1958: Tao (II)
Suffering, Strength, and Resilience Theme Icon
...leaving the hospital, Tao wakes up in his bedroom. Everything seems strangely unfamiliar, except the kapok tree , which he can see through the slit of his curtains. In the hospital, he... (full context)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
...especially Auntie Song, whom he admires for her strength and resilience. She’s not unlike the kapok tree in that way, he realizes. He can’t wait to go back to helping her in... (full context)
Suffering, Strength, and Resilience Theme Icon
A gust of breeze outside sends the first leaves from the kapok tree to the ground. Each spring, Kai Ying has Tao collect its fallen flower petals, which... (full context)
The Falling Boy, August 1958: Kai Ying
Redemption Theme Icon
Home and Family  Theme Icon
...as she’s afraid to find the anguish and defeat she saw when he attacked the kapok tree . She feels grateful when she hears them laughing upstairs.  (full context)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
The Promises and Failures of Communism  Theme Icon
In his first letter, Sheng described the flat, northern scenery and wrote about missing the kapok tree . He talked about his 14-hour days in a stone quarry, and the cramped barrack... (full context)
The Falling Boy, August 1958: Wei
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
...a limp. Things have been awkward between Wei and his daughter-in-law since he attacked the kapok tree . He tried to apologize, but he lacks the words to explain his actions and... (full context)
The Falling Boy, August 1958: Tao (III)
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...Ying allows it. The air feels good after weeks of confinement. Tao looks at the kapok tree , even as his grandfather tries to avoid it, and begins to feel at home... (full context)
Moon Festival, September 1958: Tao (II)
Suffering, Strength, and Resilience Theme Icon
...breakfast as he hears Wei in the kitchen. Outside his window, the leaves of the kapok tree wave at him in the breeze. He tells himself that by this time tomorrow, everything... (full context)
Moon Festival, September 1958: Tao (III)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...avoid climbing trees in the future. Tao nods: he has no intention of climbing the kapok tree or getting lost in a crowd ever again—he knows his weak leg won’t allow him... (full context)
Moon Festival, September 1958: Kai Ying (IV)
Home and Family  Theme Icon
...outside to find the girl from the hospital, Suyin, doubled over in pain near the kapok tree . Kai Ying tries to lead the girl inside, but Suyin’s legs buckle under her,... (full context)
The World Intrudes, October 1958: Wei (I)
Redemption Theme Icon
Journeys and Growth Theme Icon
...goodbye to Kai Ying, then he limps over and gently lays his hand on the kapok tree ’s scarred trunk. He wants the tree to feel better and he thinks that this... (full context)
The World Intrudes, October 1958: Wei (II)
Redemption Theme Icon
Home and Family  Theme Icon
...Sheng did not write the letter. Then, taking a deep breath and looking to the kapok tree for strength, Wei confesses. He wrote the letter. (full context)
Waiting, November 1958: Tao (I)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...His world has become a world of women. Only when he sees the strong, tall kapok tree in the courtyard does he feel close to his father and grandfather. (full context)
Waiting, November 1958: Tao (II)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
...he leaves the protection of his grandfather’s favorite courtyard spot, on the bench under the kapok tree , heading out of the gate with two coins stolen from Kai Ying’s dresser in... (full context)
The City of Ghosts, November 1958: Tao
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...people away for less. Mao took Sheng away for less. Since his fall from the kapok tree , Tao’s life has been so unsettled that he sometimes finds himself wondering how he’s... (full context)
The City of Ghosts, November 1958: Wei (V)
Redemption Theme Icon
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
...Suyin’s arrival and Tao’s fall. When Sheng wonders aloud why Tao would suddenly climb the kapok tree , Wei reminds him that they both climbed it as boys, too. When the guard... (full context)
The City of Ghosts, November 1958: Kai Ying (III)
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
...months since Tao’s fall, Kai Ying stands in the courtyard directly in front of the kapok tree . At this time of year, it has bare, skeletal limbs; it will be months... (full context)
The City of Ghosts, November 1958: Wei (VII)
Redemption Theme Icon
Journeys and Growth Theme Icon
Home and Family  Theme Icon
...to home. When he pushes the gate open, the sight of Kai Ying by the kapok tree fills him with both relief and fear. As she moves toward him, he quickly assures... (full context)
Redemption Theme Icon
Journeys and Growth Theme Icon
Home and Family  Theme Icon
...to hear the story of Huoyi and Chang’e. Wei looks out the window where the kapok tree stands silhouetted against a moonless sky. He notes that there’s no moon tonight, but Tao... (full context)