A Hundred Flowers

A Hundred Flowers

by

Gail Tsukiyama

Teachers and parents! Our Teacher Edition on A Hundred Flowers makes teaching easy.

Hundred Flowers Campaign Term Analysis

In early 1957, the Chinese Communist Party announced a new initiative with a poem that said, “Let a hundred flowers bloom; let a hundred schools of thought content.” It was an appeal to the Chinese people to voice their criticisms, concerns, and ideas about the Party and its direction openly, something that they had not been allowed to do in the eight years since the Party came to power. Historians still debate whether the campaign was a ploy to draw out and persecute dissenters, or if it originated in a real desire for input from the people. In either case, once it became clear how much public opinion had turned against the Communist Party, the campaign was cancelled and many of those who spoke up were punished.

Hundred Flowers Campaign Quotes in A Hundred Flowers

The A Hundred Flowers quotes below are all either spoken by Hundred Flowers Campaign or refer to Hundred Flowers Campaign. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
Redemption Theme Icon
).
The Falling Boy, August 1958: Tao (II) Quotes

What Tao would never tell anyone, including his father, was what he really felt the day he fell from the kapok, how for just a moment he was flying instead of falling, and how happy it made him feel. Even now, he envisioned soaring through the gates and beyond the Ming garden wall, high above the narrow, crowded alleyways where he used to run and over the wide, tree-lined streets that led to far-off places he’d never seen. Tao felt so certain that if he had just kept on flying, he’d have reached White Cloud Mountain.

Related Characters: Tao Lee, Sheng Lee
Related Symbols: Kapok Tree, White Cloud Mountain
Page Number: 47-48
Explanation and Analysis:
The Falling Boy, August 1958: Wei Quotes

The lines were burned into his memory. If China is to become a stronger nation, the Party must open its eyes and see that power comes from free expression. What freedom we do have in a Communist society if artists and intellectuals are tortured for following their hearts? What freedom do we have if art and ideas and politics can’t be appreciated and openly discussed? How can there be strength in suppression?

Wei had written his thoughts with such truth and clarity, as if a light had suddenly flooded a long-darkened room. Now these very same ideas had turned to needles pricking his skin, and the truth he’d written had condemned his son to hard labor. After a lifetime of keeping to himself and remaining closemouthed, what made him write the letter and sign his name? A moment of vanity and conceit, a need to feel important again […]

Related Characters: Wei Lee, Sheng Lee
Page Number: 67-68
Explanation and Analysis:
Moon Festival, September 1958: Tao (II) Quotes

The beginning of the story always remained the same: Huoyi was commanded by the Emperor Yao to use his archery skills to shoot down nine of the ten suns to keep the earth from burning up. Upon completing the task, the emperor gave the famed archer a pill that granted him eternal life. Knowing its value, Huoyi left the pill at home with Chang’e when he was sent away on another mission for the emperor. From there, they story of why Chang’e swallowed the pill of immortality splintered off into different versions. So far, Tao’s favorite account was Chang’e having to protect the pill from Peng, one of Huoyi’s apprentice archers, who forcefully tried to take the pill from her. Knowing that she was unable to fight him off, her only choice was to swallow the pill herself.

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee, Suyin, Auntie Song, Chang’e, Huoyi, Suyin’s Stepfather
Related Symbols: Kapok Tree
Page Number: 85
Explanation and Analysis:
Moon Festival, September 1958: Tao (III) Quotes

“Do you want to hear the story of Huoyi and Chang’e now?” his grandfather asked.

Tao turned around and shook his head. “There’s no moon,” he answered.

“There’s still the story.”

“It’s not the same without the moon.”

His grandfather stroked his whiskers. “But we know the moon is still up there, beyond the rain and clouds.”

What good was the moon if you couldn’t see it? Tao thought. If it wasn’t there to help his ba ba to find his way home again? But, he nodded and limped back to the table and sat down, no longer caring which version of the myth his grandfather was going to tell him.

Related Characters: Wei Lee (speaker), Tao Lee (speaker), Sheng Lee, Chang’e, Huoyi
Related Symbols: Kapok Tree, White Cloud Mountain
Page Number: 102-103
Explanation and Analysis:
Moon Festival, September 1958: Wei (II) Quotes

Wei felt suddenly vigorous and confident again as he hurried off to fetch Mrs. Lu. As he fought against the wind and rain, slowly making his way down the street, the line had returned to him again, Even so, the world intrudes. It must have been a line from some famous Tang dynasty poem he had long ago memorized. It bothered him even more that he couldn’t remember the lines that followed. When Wei returned home, he would scour his books of poetry until he found the poem. He’d spent most of his life avoiding the world, but ironically, it had landed right there at their doorstep.

By the time he returned with Mrs. Lu, the baby had already come into the world.

Related Characters: Wei Lee, Kai Ying Lee, Sheng Lee, Liang Lee, Suyin
Page Number: 115
Explanation and Analysis:
The World Intrudes, October 1958: Wei (II) Quotes

He glanced out to the courtyard and the kapok tree. When he turned back to Tao, he saw Sheng again at the same age, always so formal and closemouthed around him. He remembered all the times he heard Sheng talking to Liang, joking and laughing, but as soon as he entered the room, it was as if the air had changed. He and Sheng hadn’t learned to be friends until late in his life. Now he only wanted his son home again.

“I know…” Wei began, realizing the words that followed would change all of their lives forever. “I know because it was me. I was the one to write the letter, not your ba ba.”

Wei felt as if he’d been falling for the past year and had finally hit the ground. He stared down at the table and couldn’t look at either Kai Ying or Tao.

Related Characters: Wei Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee, Lai Hing
Related Symbols: Kapok Tree
Page Number: 143
Explanation and Analysis:

Wei pulled at his tunic collar and felt the room spinning, but he didn’t look away [… Kai Ying’s] dark eyes were unrecognizable, filled with something worse than anger: disappointment. […]

Outside came the singsong voice of the fruit peddler calling out “Bananas! Oranges! Mangoes!” […] He wanted to run out and buy all the fruit in the peddler’s basket as an offering, although he knew the sweetest fruits in all of Guangzhou couldn’t buy him forgiveness.

[…] Tao had stayed seated at the table. His grandson was no longer crying, but watching him with the distant gaze of a stranger. Wei hoped the boy would understand that he never meant for any of this to happen. But before he could say anything, Tao scraped back his chair and stood up.

“Tao, I’m sorry,” Wei said.

[…]

“I hate you,” Tao said, “I hate you.”

Related Characters: Wei Lee (speaker), Tao Lee (speaker), Kai Ying Lee, Sheng Lee
Page Number: 144-145
Explanation and Analysis:
After, October 1958: Kai Ying Quotes

Kai Ying saw it all so clearly now, the guilt that had to be consuming Wei each day as he retreated more and more into himself. As difficult as it was, Kai Ying understood why Sheng had taken her father-in-law’s place when the police came; Wei would have never been able to survive outside of the villa, much less at a reeducation facility. But why hadn’t Wei told her the truth? Why did he allow her to suffer for over a year, not knowing if there really was a letter, letting her believe that Sheng was the one to jeopardize everything they had? And how was she ever going to forgive a man who would let his pride betray his family?

Related Characters: Wei Lee, Kai Ying Lee, Tao Lee, Sheng Lee
Page Number: 149-150
Explanation and Analysis:
After, October 1958: Song (I) Quotes

“I’ve been such a fool,” he said, his voice barely a whisper.

“My father used to say that the only fool is the man who can’t admit he’s one,” Song said. “Can’t you see Sheng knew what he was doing? It was his choice.”

“And my weakness,” Wei said. “I stood by and allowed him to be taken away in my place.”

“He knew what he was doing,” she repeated.

“I should never have put him in that position!”

“You know nothing about your own son […] and that should be your biggest regret. You’ve lived in the past for so long you can’t see what’s right in front of you. You make a mistake, an unintentional mistake. Who in this life hasn’t crossed that bridge? […] Sheng would never have allowed them to take you. He’s young and strong, he’ll survive.”

Related Characters: Wei Lee (speaker), Auntie Song (speaker), Kai Ying Lee, Tao Lee, Sheng Lee
Page Number: 152-153
Explanation and Analysis:
After, October 1958: Wei (I) Quotes

When Wei came to the darkened walkway under a bridge, he stopped to watch a lone middle-aged woman practicing some sort of dance. Unlike everyone else, who was dressed in the drab gray or green tunics of the Party, she wore a bright red flowing outfit, lifting her leg high into the air and sharply snapping a red fan open in perfect unison […] Still, Wei was intrigued with her precise movements, her total concentration; the effectiveness of the red fan as it opened and closed in unison [with her legs]. She paused once and glanced in his direction before she began the next set. Wei watched with admiration and wondered what it must feel like to be that agile, to move with such ease and grace through life, unafraid to perform a dance she loved, a remnant of bourgeoise decadence.

Related Characters: Wei Lee, Sheng Lee
Page Number: 158-159
Explanation and Analysis:
The City of Ghosts, November 1958: Wei (IV) Quotes

Do you remember, he heard Liang’s voice ask him, when Sheng was a little boy and he was determined to fly his dragon kite even when there was no wind? He nodded at the memory, at the calm, cool watery sound of Liang’s voice, and how she had finally returned to him after so many weeks. Yes, he said. Wei could see her smile. Remember how he ran up and down the street trying to get enough wind until he finally gave up, she reminded him. And how you were the one who told him the wind would return again in no time, but he had to be patient. The wind will return again, Liang said. You’ve come this far, just listen to your own words.

Wei wanted to reach out for Liang, but was afraid she would disappear if he did, and remained content to feel her there beside him again.

Related Characters: Wei Lee (speaker), Liang Lee (speaker), Kai Ying Lee, Tao Lee, Sheng Lee
Related Symbols: Kapok Tree
Page Number: 272-273
Explanation and Analysis:
The City of Ghosts, November 1958: Wei (V) Quotes

“I should be the one in here, not you.”

Sheng shook his head.

[…] Wei continued, “[…] I’ve created a world of grief for all of us.” He swallowed.

Ba ba, you don’t need to explain—”

Wei waved his hand to interrupt. “You’re here. I’ve seen you, touched you. At least I can bring that back to Kai Ying. But can you ever forgive me for writing the letter?” he asked. His fingers felt for the gouge in the table, following it to the edge.

“Forgive you? You don’t need to ask for forgiveness for writing the truth. I would have done the same, given time. I’m here for the both of us. We’re more alike than either of us knew.”

Wei saw the color return to Sheng’s face again as he spoke. We’re more alike than either of us knew. His words hung in the stale air […]

Related Characters: Wei Lee (speaker), Sheng Lee (speaker), Kai Ying Lee, Tao Lee
Page Number: 280-281
Explanation and Analysis:
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Hundred Flowers Campaign Term Timeline in A Hundred Flowers

The timeline below shows where the term Hundred Flowers Campaign appears in A Hundred Flowers. The colored dots and icons indicate which themes are associated with that appearance.
The Falling Boy, August 1958: Kai Ying
The Promises and Failures of Communism  Theme Icon
...remembers the spring of 1956, when Chairman Mao and the Communist Party poetically announced the Hundred Flowers Campaign , which asked intellectuals, artists, and others to offer suggestions for ways to improve China... (full context)