LitCharts assigns a color and icon to each theme in A Long Way Home, which you can use to track the themes throughout the work.
Family
Memory, Technology, and Friendship
Survival, Poverty, and Childhood
Human Kindness
Destiny, Chance, and Luck
Summary
Analysis
After the experience with the railway worker, Saroo decides to cross the river to avoid running into him. The bridge is crowded with people of all sorts, and the traffic in the middle is overwhelming. Saroo leaves the main road as soon as he’s across. To the reader, Saroo wonders whether the railway worker had unwittingly shown him that he couldn’t survive alone for long, and as such Saroo works up the courage to approach people for help.
In his adult narration, Saroo recognizes that as useful as his street skills were, what he truly needed to survive and thrive was adult assistance and kindness. His brief stint at the railway worker’s shack reminded Saroo of what it feels like to sleep inside and be fed, reinforcing that those are things he absolutely does need.
Active
Themes
First, Saroo approaches a little boy about his own age. They play in the street for a while and then the boy invites Saroo to come home with him. The boy’s mother seems kind, and Saroo tells her some of his story. She allows him to stay and eat with them, promising to help him find someone to get him home. The next day, she invites Saroo to come with her to the pond to do laundry. Saroo washes himself in the pond and loves being in the water. Eventually, the boy joins his mother, but Saroo doesn’t listen when she calls for him. She loses her temper, throws a rock at Saroo, and leaves with her son. Saroo begins crying.
The very existence of a woman who is fully willing to help Saroo (at least at first) helps Saroo learn that it is possible and sometimes a good thing to trust people. However, her violence again shows that Saroo’s early experiences with family were possibly an outlier, given that Kamla wasn’t violent at all with her children. This also begins to get at the idea that families are built as much or more by the way that individuals interact with each other, not by blood.
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Themes
Saroo is perplexed, as Kamla never would’ve thrown a rock. He wonders if this is how people are in the big city. Not long after, Saroo meets a teenager about Guddu’s age. The teenager approaches Saroo and patiently asks him his name. They talk for a bit and when Saroo admits he’s lost, the teenager invites him to come back to his family’s home. Saroo stays with the teenager’s family for several days, and they’re very kind to him.
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Themes
The teenager finally tells Saroo that he’s going to take him someplace to get help. When Saroo sees that they’re headed for a police station, he begins to resist. The teenager promises Saroo that the police officers will help, and eventually Saroo agrees to stay with the police. The police put Saroo in a locked cell, and he has no idea if things are getting better or worse.
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Saroo addresses the reader and explains that he wonders what might’ve happened had he not trusted the teenager. It’s likely he would’ve died, as most homeless kids in Kolkata die. The railway worker’sfriend may have intended to traffic Saroo into sexual slavery or sell him for his organs. Only a few months after Saroo was taken off the street, a person began murdering homeless people at night. He says he wishes he remembered the name of the teenager.
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The police feed Saroo in the morning and then take him with other children to another building. The adults there feed the children and then ask Saroo questions about who he is and where he’s from. They have no idea where “Ginestlay” is. Finally, they declare that Saroo is lost. After this, they take him to a building that they explain is for lost children. It looks like a prison. There are hundreds of children in long halls filled with bunk beds, and only one bathroom. Children sleep three or four to a bed, and the place is scary at night.
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Saroo wonders now if the place felt so horrible because most of the children had been abandoned or were otherwise sick, injured, or disabled. He also learned later that the place was a juvenile detention center called Liluah, and it housed criminal children alongside lost children like him.
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Saroo tries to avoid the bigger boys who hit him, and it’s just by luck that he’s never taken by the men who climb over the walls and come inside. He reasons now that they were probably people like the railway worker and his friend, and walls don’t stop them—though neither do the adults who work there. About a month after Saroo arrives there, the authorities decide to turn him over to an orphanage. He feels lucky to be leaving Liluah.
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Saroo is taken to the children’s court in Calcutta, where he’s released into the care of Mrs. Saroj Sood and the Indian Society for Sponsorship and Adoption (ISSA). Saroo feels safe with Mrs. Sood immediately. She explains to him that he’ll live in her orphanage, called Nava Jeevan, while she tries to find “Berampur.” She buys him a banana when he asks, and Nava Jeevan turns out to be very nice. The windows have bars, but Saroo understands that they’re to keep children safe. The environment is generally friendly, though it’s still overcrowded.
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While other children go to school, Saroo sits at home on the enclosed front porch. He eventually makes friends with a teenage girl who sometimes passes him snacks. One day she gives him a pendant of the god Ganesh, who is often called the Remover of Obstacles and the Lord of Beginnings. Saroo treasures it into adulthood, and he sees it as proof that people will help him. He manages to avoid the few bullies at Nava Jeevan, and is never hit or punished.
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After a few weeks, Mrs. Sood tells Saroo that since they cannot find Kamla, they’re going to try to find him another family. Part of him had already accepted that he wasn’t going home, and he’s not particularly devastated. He simply doesn’t understand how the adults can’t just find the right train to send him home. Four weeks later, Mrs. Sood tells Saroo that a mother and father in Australia would like him to come live with them. Two other boys from Nava Jeevan, Abdul and Musa, already went to Australia, and Saroo’s friend at the orphanage, Asra, will also be going.
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Asra and Saroo are given photo albums made by their prospective parents. Saroo is bewitched by the fact that the Brierleys are white, have a car, and a large house. He’s especially fascinated when they say in the album that he’ll ride on a jet to come to them. Saroo is generally overwhelmed by the thought of living with a new family, but Asra is very excited. Eventually, her enthusiasm proves contagious and Saroo agrees to go to Australia.
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Once Saroo makes his decision, his reservations disappear. One day, Asra, Saroo, and the other children going to Australia are separated by gender, and the boys are taken to the house of a woman called Aunty Ula. She teaches them how to eat at the table with a knife and fork and ask for more food. Saroo is thrilled to learn that he'll be able to ask for more food. Days later, Saroo, the five others from Nava Jeevan, and two other children from a different orphanage board a plane bound for Australia. Saroo is sad to say goodbye to Mrs. Sood, but his excitement at flying on a plane soon takes the place of any anxiety.
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The Australian volunteers accompanying the children give them chocolate bars, and Saroo makes his last for the entire journey. He’s fascinated by getting to watch TV and eats everything the flight attendants bring. They stay a night in Bombay, which feels extremely luxurious to Saroo. The next day, he puts on a “Tasmania” tee shirt sent by his new parents and is allowed to choose a toy at a toyshop. He chooses a model car.
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Saroo explains that he knows now that on the flight from Calcutta to Bombay, he passed very close to his hometown. The plane likely left a vapor trail, just liked the ones he watched with fascination as a child. He wonders if Kamla saw his vapor trail.
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