Gertude Stein Character Analysis

The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening, and the paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married––time would fix that––and when my wife invited them to tea, they accepted.

She did not like to hear really bad nor tragic things, but no one does, and having seen them I did not care to talk about them unless she wanted to know how the world was going. She wanted to know the gay part of how the world was going; never the real, never the bad.

In the three or four years that we were good friends I can not remember Gertrude Stein ever speaking well of any writer who had not written favorably about her work or done something to advance her career except for Ronald Firbank and, later, Scott Fitzgerald. When I first met her she did not speak of Sherwood Anderson as a writer but spoke glowingly of him as a man and of his great, beautiful, warm Italian eyes and of his kindness and his charm. I did not care about his great beautiful warm Italian eyes but I liked some of his short stories very much.

She was angry at Ezra Pound because he had sat down too quickly on a small, fragile and, doubtless, uncomfortable chair, that it is quite possible he had been given on purpose, and had either cracked or broken it. That finished Ezra at 27 rue de Fleurus. That he was a great poet and a gentle and generous man and could have accommodated himself in a normal-size chair was not considered. The reasons for her dislike of Ezra, skillfully and maliciously put, were invented years later.

"All of you young people who served in the war. You are a lost generation…”

"Really?" I said.
"You are," she insisted. “you have no respect for anything. You drink yourselves to death. . .”
"'Was the young mechanic drunk?” I asked.
"Of course not."
"Have you ever seen me drunk?”
"No. But your friends are drunk.”
"I've been drunk" I said. “But I don’t come here drunk.”

"Of course not. I didn't say that.”
"The boy's patron was probably drunk by eleven o’clock in the morning." I said. “That’s why he makes such lovely phrases. "
"Don't argue with me, Hemingway,” Miss Stein said. “It does no good at all. You're all a lost generation, exactly as the garage keeper said."

When I got home and into the courtyard and upstairs and saw my wife and my son and his car, F. puss, all of them happy and a fire in the fireplace, I said to my wife, “You know, Gertrude is nice, anyway…”
"Of course, Tatie.”
"But she does talk a lot of rot sometimes.”
"I never hear her,” my wife said. “I’m a wife. It’s her friend that talks to me.”

Ezra Pound was always a good friend and he was always doing things for people. The studio where he lived with his wife Dorothy on the rue Notre-Dame-des-Champs was as poor as Gertrude Stein's studio was rich. It had very good light and was heated by a stove and it had paintings by Japanese artists that Ezra knew. They were all noblemen where they came from and wore their hair cut long. Their hair glistened black and swung forward when they bowed and I was very impressed by them but I did not like their paintings. I did not understand them but they did not have any mystery, and when I understood them they meant nothing to me. I was sorry about this but there was nothing I could do about it.

The way it ended with Gertrude Stein was strange enough. We had become very good friends and I had done a number of practical things for her such as getting her long book started as a serial with Ford and helping type the manuscript and reading her proof and we were getting to be better friends than I could ever wish to be. There is not much future in men being friends with great women although it can be pleasant enough before it gets better or worse, and there is usually even less future with truly ambitious women writers.