A Sentimental Journey

by

Laurence Sterne

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Volume 1 Quotes

When man is at peace with man, how much lighter than a feather is the heaviest of metals in his hand! he pulls out his purse, and holding it airily and uncompress’d, looks round him, as if he sought for an object to share it with[.]

Related Characters: Yorick (The Narrator) (speaker), Franciscan Monk (Father Lorenzo)
Related Literary Devices:
Page Number: 6
Explanation and Analysis:

I have behaved very ill; said I within myself; but I have only just set out upon my travels, and shall learn better manners as I get along.

Related Characters: Yorick (The Narrator) (speaker), Franciscan Monk (Father Lorenzo)
Page Number: 10
Explanation and Analysis:

I guard this box, as I would the instrumental parts of my religion, to help my mind on to something better: in truth, I seldom go abroad without it; and oft and many a time have I called up by it the courteous spirit of its owner to regulate my own, in the justlings of the world[.]

Related Characters: Yorick (The Narrator) (speaker), Madame de L—, Franciscan Monk (Father Lorenzo)
Related Symbols: Snuff-box
Page Number: 21
Explanation and Analysis:

Now where would be the harm, said I to myself, if I was to beg of this distressed lady to accept of half of my chaise?—and what mighty mischief could ensue?

Related Characters: Yorick (The Narrator) (speaker), Madame de L—, Eliza
Page Number: 22-23
Explanation and Analysis:

I pity the man who can travel from Dan to Beersheba, and cry, ‘Tis all barren—and so it is, and so is all the world to him who will not cultivate the fruits it offers. I declare, said I, clapping my hands chearily together, that was I in a desart, I would find out wherewith in it to call forth my affections[.]

Related Characters: Yorick (The Narrator) (speaker)
Page Number: 28
Explanation and Analysis:

In saying this, I was making not so much La Fleur’s eloge, as my own, having been in love with one princess or another all my life, and I hope I shall go on so, till I die, being firmly persuaded, that if ever I do a mean action, it must be in some interval betwixt one passion and another: whilst this interregnum lasts, I always perceive my heart locked up—I can scarce find in it, to give Misery a sixpence, and therefore I always get out of it as fast as I can, and the moment I am rekindled, I am all generosity and good will again; and would do any thing in the world either for, or with any one, if they will but satisfy me there is no sin in it.

Related Characters: Yorick (The Narrator) (speaker), La Fleur, Madame de L—, Franciscan Monk (Father Lorenzo)
Related Symbols: Snuff-box
Page Number: 33-34
Explanation and Analysis:

‘Twas only in the power, says the Fragment, of the God whose empire extendeth from heaven to earth, and even to the depths of the sea, to have done this.

Related Characters: Yorick (The Narrator) (speaker)
Page Number: 35
Explanation and Analysis:

The pauvre honteux could say nothing—he pull’d out a little handkerchief, and wiped his face as he turned away—and I thought he thank’d me more than them all.

Related Characters: Yorick (The Narrator) (speaker)
Related Symbols: Handkerchiefs
Page Number: 36-37
Explanation and Analysis:

Why should I dissemble the matter? I had sworn to her eternal fidelity—she had a right to my whole heart—to divide my affections was to lessen them—to expose them, was to risk them: where there is risk, there may be loss—and what wilt though have, Yorick! to answer a heart so full of trust and confidence—so good, so gentle and unreproaching?

Related Characters: Yorick (The Narrator) (speaker), Madame de L—, Franciscan Monk (Father Lorenzo), Eliza
Page Number: 42
Explanation and Analysis:

I think I can see the precise and distinguishing marks of national character more in these nonsensical minutiae, than in the most important matters of state; where great men of all nations talk and stalk so much alike, that I would not give nine-pence to chuse amongst them.

Related Characters: Yorick (The Narrator) (speaker)
Page Number: 48
Explanation and Analysis:

Surely—surely man! it is not good for thee to sit alone—thou wast made for social intercourse and gentle greetings, and this improvement of our natures from it, I appeal to, as my evidence.

Related Characters: Yorick (The Narrator) (speaker), Grisset
Page Number: 52
Explanation and Analysis:

There is not a secret so aiding to the progress of sociality, as to get master of this short hand, and be quick in rendering the several turns of looks and limbs, with all their inflections and delineations, into plain words. For my own part, by long habitude, I do it so mechanically, that when I walk the streets of London, I go translating all the way; and have more than once stood behind in the circle, where not three words have been said, and have brought off twenty different dialogues with me, which I could have fairly wrote down and sworn to.

Related Characters: Yorick (The Narrator) (speaker), Old French Soldier
Page Number: 54-55
Explanation and Analysis:

[T]here is a balance, said he, of good and bad every where; and nothing but the knowing it is so can emancipate one half of the world from the prepossessions which it holds against the other—that the advantage of travel, as it regarded sçavoir vivre, was by seeing a great deal both of men and manners; it taught us mutual toleration; and mutual toleration, concluded he, making me a bow, taught us mutual love.

Related Characters: Yorick (The Narrator) (speaker), Old French Soldier (speaker)
Page Number: 59
Explanation and Analysis:
Volume 2 Quotes

The mind sits terrified at the objects she has magnified herself, and blackened: reduce them to their proper size and hue she overlooks them[.]

Related Characters: Yorick (The Narrator) (speaker), La Fleur
Related Symbols: Starling
Page Number: 69
Explanation and Analysis:

Disguise thyself as thou wilt, still slavery! said I—still thou art a bitter draught; and though thousands in all ages have been made to drink of thee, thou art no less bitter on that account.

Related Characters: Yorick (The Narrator) (speaker)
Related Symbols: Starling
Page Number: 69-70
Explanation and Analysis:

I was going to begin with the millions of my fellow creatures born to no inheritance but slavery; but finding, however affecting the picture was, that I could not bring it near me, and that the multitude of sad groups in it did but distract me.—

—I took a single captive, and having first shut him up in his dungeon, I then look’d through the twilight of his grated door to take his picture.

Related Characters: Yorick (The Narrator) (speaker)
Related Symbols: Starling
Page Number: 70
Explanation and Analysis:

I think there is a fatality in it—I seldom go to the place I set out for.

Related Characters: Yorick (The Narrator) (speaker)
Page Number: 75
Explanation and Analysis:

There is not a more perplexing affair in life to me, than to set about telling any one who I am—for there is scarce any body I cannot give a better account of than of myself; and I have often wish’d I could do it in a single word—and have an end of it.

Related Characters: Yorick (The Narrator) (speaker), Count de B****
Page Number: 82
Explanation and Analysis:

But there is nothing unmixt in this world; and some of the gravest of our divines have carried it so far as to affirm, that enjoyment itself was attended even with a sigh—and that the greatest they knew of, terminated in a general way, in little better than a convulsion.

Related Characters: Yorick (The Narrator) (speaker), Count de B****
Page Number: 85
Explanation and Analysis:

If nature has so wove her web of kindness, that some threads of love and desire are entangled with the piece—must the whole web be rent in drawing them out?

Related Characters: Yorick (The Narrator) (speaker), The Chambermaid, Madame de R—
Page Number: 90
Explanation and Analysis:

And does the difference of the time of day at Paris make a difference in the sin?—It made a difference, he said, in the scandal.

Related Characters: Yorick (The Narrator) (speaker), The Chambermaid, Madame de R—
Page Number: 92
Explanation and Analysis:

I told Madame de V*** it might be her principle; but I was sure it could not be her interest to level the outworks, without which I could not conceive how such a citadel as hers could be defended—that there was not a more dangerous thing in the world, than for a beauty to be a deist—that it was a debt I owed my creed, not to conceal it from her—that I had not been five minutes sat upon the sopha besides her, but I had begun to form designs—and what is it, but the sentiments of religion, and the persuasion they had existed in her breast, which could have check’d them as they rose up.

Related Characters: Yorick (The Narrator) (speaker), Count de B****
Related Literary Devices:
Page Number: 106
Explanation and Analysis:

I sat down close by her; and Maria let me wipe them away as they fell with my handkerchief.—I then steep’d it with my own—and then in hers—and then in mine—and then I wip’d hers again—and as I did it, I felt such indescribable emotions within me, as I am sure could not be accounted for from any combinations of matter and motion.

I am positive I have a soul; nor can all the books with which materialists have pester’d the world ever convince me of the contrary.

Related Characters: Yorick (The Narrator) (speaker), Maria
Related Symbols: Handkerchiefs
Page Number: 108
Explanation and Analysis:

Dear sensibility! source inexhausted of all that’s precious in our joys, or costly in our sorrows! thou chainest thy martyr down upon his bed of straw—and ‘tis thou who lifts him up to HEAVEN—eternal fountain of our feelings!—‘tis here I trace thee—and this is thy divinity which stirs within me […] that I feel some generous joys and generous cares beyond myself—all comes from thee, great—great SENSORIUM of the world!

Related Characters: Yorick (The Narrator) (speaker), Maria
Page Number: 111
Explanation and Analysis:

I thought I beheld Religion mixing in the dance—but as I had never seen her so engaged, I should have look’d upon it now, as one of the illusions of an imagination which is eternally misleading me, had not the old man, as soon as the dance ended, said, that this was their constant way; and that all his life long he had made it a rule, after supper was over, to call out his family to dance and rejoice; believing, he said, that a chearful and contented mind was the best sort of thanks to heaven that an illiterate peasant could pay—

—Or a learned prelate either, said I.

Related Characters: Yorick (The Narrator) (speaker)
Page Number: 114
Explanation and Analysis:
No matches.