A Sentimental Journey
by Laurence Sterne
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Volume 1 Quotes

When man is at peace with man, how much lighter than a feather is the heaviest of metals in his hand! he pulls out his purse, and holding it airily and uncompress’d, looks round him, as if he sought for an object to share it with[.]

Related Characters: Yorick (The Narrator) (speaker), Franciscan Monk (Father Lorenzo)
Related Literary Devices:
Page Number and Citation: 6
Explanation and Analysis:
Yorick has just traveled from England to France. While eating dinner, he has remembered a French law that allows the French government to confiscate the possessions of foreigners who die on French soil. At first he mentally scolds the King of France for this law. Shortly after, however, he toasts the King of France, praises French people’s national character, and thinks about how material possessions and money make otherwise kind people behave badly. This passage introduces two patterns in Yorick’s behavior that Laurence Sterne will satirize throughout the novel: overblown sentimentality and fickleness. First, Yorick’s emotional reactions tend to be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. A

I have behaved very ill; said I within myself; but I have only just set out upon my travels, and shall learn better manners as I get along.

Related Characters: Yorick (The Narrator) (speaker), Franciscan Monk (Father Lorenzo)
Page Number and Citation: 10
Explanation and Analysis:
Yorick has just refused to give alms to the Franciscan monk. While refusing, he has criticized the monk’s religious order for begging rather than working and claimed that he has an obligation to give money to other English people before he gives to foreigners. The monk accepts Yorick’s cruelty meekly and departs. As soon as the monk leaves, Yorick regrets his behavior. This quotation introduces the idea, which recurs throughout the novel, that travel can improve people’s manners and possibly their morals. At this point, Yorick does not explain exactly how travel improves people—he simply assumes travel will have that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore labo

I guard this box, as I would the instrumental parts of my religion, to help my mind on to something better: in truth, I seldom go abroad without it; and oft and many a time have I called up by it the courteous spirit of its owner to regulate my own, in the justlings of the world[.]

Related Characters: Yorick (The Narrator) (speaker), Madame de L—, Franciscan Monk (Father Lorenzo)
Related Symbols: Snuff-box
Page Number and Citation: 21
Explanation and Analysis:
The Franciscan monk has approached Yorick, standing with Madame de L— in the coach-yard, and offered him some snuff. Yorick tries to give the monk his own snuff-box as an apology for his earlier rudeness. Ultimately, he and the monk exchange snuff-boxes as a gesture of friendship. This quotation, in which Yorick reflects on what the monk’s snuff-box has meant to him, implies that travel really has improved Yorick’s character and that his improvement has a religious aspect. Yorick’s attempt to give his snuff-box to the monk may initially seem like an attempt to show off for Madame de L—. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co

Now where would be the harm, said I to myself, if I was to beg of this distressed lady to accept of half of my chaise?—and what mighty mischief could ensue?

Related Characters: Yorick (The Narrator) (speaker), Eliza, Madame de L—
Page Number and Citation: 22-23
Explanation and Analysis:
Waiting in the coach-yard with Madame de L—, Yorick has just had the idea to ask her to travel with him. In this quotation, the novel satirizes Yorick’s sentimental self-deception about his own sexual motives. Yorick asks about the “harm” and “mischief” his invitation could cause as if it were a rhetorical question—as if nothing bad could ensue from him and Madame de L— traveling together. Yet the reader knows that Yorick has a beloved, Eliza, back in England, and that Yorick has been flirting with Madame de L—. Obviously, traveling with Madame de L— would be harmful because it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

I pity the man who can travel from Dan to Beersheba, and cry, ‘Tis all barren—and so it is, and so is all the world to him who will not cultivate the fruits it offers. I declare, said I, clapping my hands chearily together, that was I in a desart, I would find out wherewith in it to call forth my affections[.]

Related Characters: Yorick (The Narrator) (speaker)
Page Number and Citation: 28
Explanation and Analysis:
Yorick has just realized that he has only been in France for about an hour. He is reflecting on how many interesting experiences he has packed into such a short time. This quotation describes the relationship between sentiment and travel, arguing that emotional people are better able to take advantage of travel’s benefits. “Dan” and “Beersheba” are two locations that appear in the Bible. In this context, the phrase “from Dan to Beersheba” stands in for any extensive travel. Yorick is arguing that any foreign country will be “barren” for travelers “who will not cultivate the fruits it offers”—that is, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

In saying this, I was making not so much La Fleur’s eloge, as my own, having been in love with one princess or another all my life, and I hope I shall go on so, till I die, being firmly persuaded, that if ever I do a mean action, it must be in some interval betwixt one passion and another: whilst this interregnum lasts, I always perceive my heart locked up—I can scarce find in it, to give Misery a sixpence, and therefore I always get out of it as fast as I can, and the moment I am rekindled, I am all generosity and good will again; and would do any thing in the world either for, or with any one, if they will but satisfy me there is no sin in it.

Related Characters: Yorick (The Narrator) (speaker), Madame de L—, La Fleur, Franciscan Monk (Father Lorenzo)
Related Symbols: Snuff-box
Page Number and Citation: 33-34
Explanation and Analysis:
Yorick is about to leave Montriul with his new servant, La Fleur. Yorick’s landlord points out La Fleur saying goodbye to six different women at once and explains to Yorick that La Fleur has the bad luck to be constantly falling in love. Yorick essentially tells the landlord that constantly falling in love is a good thing. In this quotation, Yorick is explaining for the first time his theory of the relationship between kindness and romance. He believes that he only commits “mean actions”—that is, behaves unkindly—when he is not in love, because in those periods his “heart [is] locked Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hi

‘Twas only in the power, says the Fragment, of the God whose empire extendeth from heaven to earth, and even to the depths of the sea, to have done this.

Related Characters: Yorick (The Narrator) (speaker)
Page Number and Citation: 35
Explanation and Analysis:
As an aside to the reader, Yorick is telling a story about the ancient Greek town Abdera. Abdera had a reputation as a cruel, violent, lawless place. One day, the playwright Euripides’s play Andromeda was staged there. After hearing the character Perseus give a speech about the Greco-Roman god of romantic love, Cupid, the Abderians became love enthusiasts and gave up violence in favor of friendliness and art. This quotation has two functions: it reinforces the connection that the novel draws between romantic love and kindness, and it suggests that romantic love has a religious aspect. The quotation leaves ambiguous Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisc

The pauvre honteux could say nothing—he pull’d out a little handkerchief, and wiped his face as he turned away—and I thought he thank’d me more than them all.

Related Characters: Yorick (The Narrator) (speaker)
Related Symbols: Handkerchiefs
Page Number and Citation: 36-37
Explanation and Analysis:
Yorick is leaving Montriul when beggars surround him. He has given away all he intended to give when he sees a “pauvre honteux”—that is, a “poor ashamed man”—who, unable to bring himself to beg, is crying outside the circle of beggars. Yorick, touched, gives the crying man a large sum. This quotation illustrates the uneasy relationship among sentiment, generosity, and emotional self-indulgence in the novel. It seems that Yorick’s sentimentality about the crying man’s tears is a good thing, since it motivates Yorick to be generous. Yet Yorick’s description of the man’s “little handkerchief” and tears may strike the reader Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

Why should I dissemble the matter? I had sworn to her eternal fidelity—she had a right to my whole heart—to divide my affections was to lessen them—to expose them, was to risk them: where there is risk, there may be loss—and what wilt though have, Yorick! to answer a heart so full of trust and confidence—so good, so gentle and unreproaching?

Related Characters: Yorick (The Narrator) (speaker), Franciscan Monk (Father Lorenzo), Eliza, Madame de L—
Page Number and Citation: 42
Explanation and Analysis:
After parting ways with Madame de L— in Calais, Yorick has received a note from her in Amiens in which she invites him to visit her in Brussels, where she promises to tell him her sad history. At first, Yorick delightedly imagines hearing her tale, watching her cry, and drying her tears. Then, however, he remembers that he has promised to be faithful to Eliza back in England. This quotation complicates the connection the novel has previously drawn between sexuality, love, and kindness. In one sense, Yorick’s flirtation with Madame de L— has made him kinder, since it seems to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas de

I think I can see the precise and distinguishing marks of national character more in these nonsensical minutiae, than in the most important matters of state; where great men of all nations talk and stalk so much alike, that I would not give nine-pence to chuse amongst them.

Related Characters: Yorick (The Narrator) (speaker)
Page Number and Citation: 48
Explanation and Analysis:
Yorick has just arrived in Paris and summoned a French barber to dress his wig. The barber criticizes Yorick’s wig and insists Yorick take one of his. Yorick objects that one of the curls in the wig the barber has offered him won’t hold. The barber tells him that dipping the wig in the ocean—by which he means a water bucket—will fix the curl. Yorick reflects that hyperbole is characteristic of French speech. This quotation reveals both some of Yorick’s motives for travel and some contradictions in his ideas about identity. First, Yorick believes that “nonsensical minutiae”—that is, meaningless little Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit n

Surely—surely man! it is not good for thee to sit alone—thou wast made for social intercourse and gentle greetings, and this improvement of our natures from it, I appeal to, as my evidence.

Related Characters: Yorick (The Narrator) (speaker), Grisset
Page Number and Citation: 52
Explanation and Analysis:
Yorick has stopped in a Parisian shop to ask for directions and begun a casual flirtation with a grisset—that is, a working-class French woman. On the pretext of proving her heart’s goodness, Yorick takes the grisset’s pulse. While he is doing so, the grisset’s husband emerges from a back room, bows to Yorick, and leaves. Yorick reflects that in Paris, shopkeepers stay in back rooms while their wives deal with customers. He concludes that staying in back rooms is bad for the Parisian shopkeepers’ manners, whereas dealing with customers improves their wives’ manners. This quotation further clarifies Yorick’s motives for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi s

There is not a secret so aiding to the progress of sociality, as to get master of this short hand, and be quick in rendering the several turns of looks and limbs, with all their inflections and delineations, into plain words. For my own part, by long habitude, I do it so mechanically, that when I walk the streets of London, I go translating all the way; and have more than once stood behind in the circle, where not three words have been said, and have brought off twenty different dialogues with me, which I could have fairly wrote down and sworn to.

Related Characters: Yorick (The Narrator) (speaker), Old French Soldier
Page Number and Citation: 54-55
Explanation and Analysis:
Yorick is visiting the Opera comique—a famous 18th-century French opera company—and has entered a box where an old French soldier is already sitting. When Yorick sits down, the old French soldier takes off his glasses, and Yorick bows to him. Yorick gives an exact translation of what he believes the old French soldier meant by taking off his glasses. Then he reflects on the importance of body language in communication. This passage further complicates Yorick’s frequent affirmations of national stereotypes. Throughout the novel, he expresses the belief that French people, English people, and so on have distinct national characters that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minim

[T]here is a balance, said he, of good and bad every where; and nothing but the knowing it is so can emancipate one half of the world from the prepossessions which it holds against the other—that the advantage of travel, as it regarded sçavoir vivre, was by seeing a great deal both of men and manners; it taught us mutual toleration; and mutual toleration, concluded he, making me a bow, taught us mutual love.

Related Characters: Yorick (The Narrator) (speaker), Old French Soldier (speaker)
Page Number and Citation: 59
Explanation and Analysis:
In this passage, the old French soldier sharing a box with Yorick at the Opera comique has just explained to Yorick a vulgar joke that the crowd is playing on a priest in the audience. Acknowledging the joke’s vulgarity, the old French soldier argues to Yorick that every nation has both bad and good points. He goes on to point out “the advantage of travel” in helping the traveler realize these pros and cons. This quotation is almost like the novel’s thesis statement on the benefits of travel. Travel can “emancipate one half of the world from the prepossessions which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque.

Volume 2 Quotes

The mind sits terrified at the objects she has magnified herself, and blackened: reduce them to their proper size and hue she overlooks them[.]

Related Characters: Yorick (The Narrator) (speaker), La Fleur
Related Symbols: Starling
Page Number and Citation: 69
Explanation and Analysis:
Returning to his Paris hotel, Yorick learns from La Fleur that the French police have been looking for him. He remembers that he, an Englishman, has traveled into France without a passport while France and England are at war. The hotelier comes to speak with Yorick about the police. Upon learning that Yorick has no passport, the hotelier predicts that if he does not obtain one, he will be thrown in jail. In this quotation, the novel is satirizing Yorick’s attempts to reassure himself that jail isn’t so terrifying. Yorick is arguing that the “mind”—the individual’s attitude, thoughts, and sentiments—can Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

Disguise thyself as thou wilt, still slavery! said I—still thou art a bitter draught; and though thousands in all ages have been made to drink of thee, thou art no less bitter on that account.

Related Characters: Yorick (The Narrator) (speaker)
Related Symbols: Starling
Page Number and Citation: 69-70
Explanation and Analysis:
At this point, Yorick has learned that he may be imprisoned for traveling from England to France without a passport. Initially, Yorick tries to downplay the horrors of incarceration by arguing to himself that our mental states, attitudes, and emotions determine whether our circumstances—even extreme circumstances like imprisonment—are good or bad. Upon encountering a caged starling, however, Yorick suddenly realizes the weakness of his own argument. In this quotation, Yorick is expressing that slavery is objectively “bitter” no matter how it “[d]isguise[s]” itself—no matter what attitude or emotional stance he tries to subjectively take toward it. Here, then, Yorick asserts Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendi

I was going to begin with the millions of my fellow creatures born to no inheritance but slavery; but finding, however affecting the picture was, that I could not bring it near me, and that the multitude of sad groups in it did but distract me.—

—I took a single captive, and having first shut him up in his dungeon, I then look’d through the twilight of his grated door to take his picture.

Related Characters: Yorick (The Narrator) (speaker)
Related Symbols: Starling
Page Number and Citation: 70
Explanation and Analysis:
This quotation occurs after Yorick learns he might be imprisoned for traveling to France without a passport. At first, he downplays the horrors of incarceration. Then he encounters a caged starling that impresses on him how terrible slavery or captivity would be. Previous passages about the starling emphasize the limitations of subjective attitudes and sentiments—the objective realities of slavery and captivity are more powerful than anyone’s feelings about them. This quotation, however, shows how Yorick’s sentimental reactions—to the starling and to his own imagination—can lead him to a truer understanding of the world. Yorick is not capable of intellectually grasping Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam cons

I think there is a fatality in it—I seldom go to the place I set out for.

Related Characters: Yorick (The Narrator) (speaker)
Page Number and Citation: 75
Explanation and Analysis:
Yorick has taken a carriage to Versailles to find the French Minister for Foreign Affairs, in hopes that the Minister will help him get a passport. When he learns the Minister is busy and will not be able to see him for several hours, Yorick decides to ride elsewhere. This quotation functions as another one of the novel’s thesis statements about travel and about Yorick’s fluid identity. First, the novel seems to be suggesting that in travel, the traveler’s personal journey is more important than the destination—that is why the reader remains interested in Yorick’s experiences and adventures even though Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

There is not a more perplexing affair in life to me, than to set about telling any one who I am—for there is scarce any body I cannot give a better account of than of myself; and I have often wish’d I could do it in a single word—and have an end of it.

Related Characters: Yorick (The Narrator) (speaker), Count de B****
Page Number and Citation: 82
Explanation and Analysis:
Yorick is visiting the Anglophile (enthusiast of English culture) Count de B**** in Versailles in hopes that the Count will help him obtain a passport. He finds the Count reading Shakespeare and tells the Count that Shakespeare, his fellow Englishman, will introduce Yorick. After chatting with Yorick for a while, the Count points out that Shakespeare, despite his many virtues, cannot tell the Count Yorick’s name, so Yorick will have to do the honors. This quotation illustrates the contradiction between how Yorick relates to other people and how he relates to himself. Throughout the novel, Yorick gives confident descriptions of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impe

But there is nothing unmixt in this world; and some of the gravest of our divines have carried it so far as to affirm, that enjoyment itself was attended even with a sigh—and that the greatest they knew of, terminated in a general way, in little better than a convulsion.

Related Characters: Yorick (The Narrator) (speaker), Count de B****
Page Number and Citation: 85
Explanation and Analysis:
The Count de B**** has just succeeded in obtaining a French passport for Yorick—but only because French officials have confused Yorick (the narrator) with the dead jester named Yorick in Shakespeare’s Hamlet and decided that jesters can’t possibly be dangerous. Yorick is reflecting that being confused with a jester has somewhat reduced his pleasure at gaining a passport. In this quotation, the novel is satirizing Yorick’s philosophizing—that there is “nothing unmixt in the world”—but also endorsing it. By the “greatest” “enjoyment,” Yorick seems to mean sex, which “terminate[s]” in “little better than a convulsion”—that is, sex ends in orgasm, which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consect

If nature has so wove her web of kindness, that some threads of love and desire are entangled with the piece—must the whole web be rent in drawing them out?

Related Characters: Yorick (The Narrator) (speaker), Madame de R—, The Chambermaid
Page Number and Citation: 90
Explanation and Analysis:
The chambermaid of Madame R— has come to Yorick’s hotel room to ask whether he has a letter for his employer. Through a series of comic events, Yorick has accidentally tipped the chambermaid over on his bed. In this quotation, Yorick has interrupted his narration of events to defend his behavior against people who would criticize it. This quotation gives perhaps the clearest articulation in the novel of the relationship between kindness and sex. Yorick is arguing that “nature”—by which he may mean human biology or human psychology—has created a “web of kindness” in humankind. This “web” refers to people’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volup

And does the difference of the time of day at Paris make a difference in the sin?—It made a difference, he said, in the scandal.

Related Characters: Yorick (The Narrator) (speaker), Madame de R—, The Chambermaid
Page Number and Citation: 92
Explanation and Analysis:
The master of the hotel where Yorick is staying has come to tell him to leave, because he had a girl (Madame R—’s chambermaid) in his room at night. Discussing the situation with Yorick, the master of the hotel tells him that he wouldn’t have cared if a girl had entered Yorick’s room in the morning. In this quotation, Yorick is asking whether the “time of day,” evening or morning, changes the “sin.” In other words, he is pointing out that if the master of the hotel is worried about an inappropriate sexual relationship between Yorick and the chambermaid, that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sin

I told Madame de V*** it might be her principle; but I was sure it could not be her interest to level the outworks, without which I could not conceive how such a citadel as hers could be defended—that there was not a more dangerous thing in the world, than for a beauty to be a deist—that it was a debt I owed my creed, not to conceal it from her—that I had not been five minutes sat upon the sopha besides her, but I had begun to form designs—and what is it, but the sentiments of religion, and the persuasion they had existed in her breast, which could have check’d them as they rose up.

Related Characters: Yorick (The Narrator) (speaker), Count de B****
Related Literary Devices:
Page Number and Citation: 106
Explanation and Analysis:
Count de B**** has introduced Yorick into Parisian society, where he meets Madame de V***, who claims to be a deist. Deism is a philosophy that renounces traditional organized religions like Christianity in favor of purely rational religion. In this quotation, Yorick is arguing that traditional organized religion is good because it represses sexuality. He calls organized religion the “outworks” protecting Madame de V***’s “citadel.” That is, he is comparing her to a city under siege and religion to fortifications around that city protecting it from attackers. His reference to her “beauty” and his own “designs” suggests that the attackers, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Q

I sat down close by her; and Maria let me wipe them away as they fell with my handkerchief.—I then steep’d it with my own—and then in hers—and then in mine—and then I wip’d hers again—and as I did it, I felt such indescribable emotions within me, as I am sure could not be accounted for from any combinations of matter and motion.

I am positive I have a soul; nor can all the books with which materialists have pester’d the world ever convince me of the contrary.

Related Characters: Yorick (The Narrator) (speaker), Maria
Related Symbols: Handkerchiefs
Page Number and Citation: 108
Explanation and Analysis:
While traveling through France on his way to Italy, Yorick has stopped to visit Maria, a beautiful young madwoman whom his friend Mr. Shandy previously met (in Laurence Sterne’s other novel, The Life and Opinions of Tristram Shandy, Gentleman). Maria, still mad, is now grieving the death of her father. In this quotation, the novel satirizes Yorick’s sentimental self-indulgence yet leaves open the possibility that even Yorick’s overblown emotions can lead to genuine religious experiences. The business with Yorick’s handkerchief is clearly meant to be satirical. Yorick has no reason to be crying. He self-indulgently weeps merely because Maria does. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur

Dear sensibility! source inexhausted of all that’s precious in our joys, or costly in our sorrows! thou chainest thy martyr down upon his bed of straw—and ‘tis thou who lifts him up to HEAVEN—eternal fountain of our feelings!—‘tis here I trace thee—and this is thy divinity which stirs within me […] that I feel some generous joys and generous cares beyond myself—all comes from thee, great—great SENSORIUM of the world!

Related Characters: Yorick (The Narrator) (speaker), Maria
Page Number and Citation: 111
Explanation and Analysis:
Yorick has continued to travel through the French countryside after saying goodbye to Maria. Though the countryside is beautiful, he continues to think about and be affected by Maria’s sorrow. In this quotation, he is praising “sensibility”—that is, emotional responsiveness—for its powers and gifts. Although the novel has previously satirized excessive emotion, here Yorick provides a convincing defense of “sensibility” or emotional responsiveness. Yorick argues that the capacity for emotion generates what is “precious in our joys,” though he also acknowledges “sorrows.” In addition, he suggests that emotion has religious benefits: it allows the martyr to access “HEAVEN” and allows Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

I thought I beheld Religion mixing in the dance—but as I had never seen her so engaged, I should have look’d upon it now, as one of the illusions of an imagination which is eternally misleading me, had not the old man, as soon as the dance ended, said, that this was their constant way; and that all his life long he had made it a rule, after supper was over, to call out his family to dance and rejoice; believing, he said, that a chearful and contented mind was the best sort of thanks to heaven that an illiterate peasant could pay—

—Or a learned prelate either, said I.

Related Characters: Yorick (The Narrator) (speaker)
Page Number and Citation: 114
Explanation and Analysis:
Yorick is traveling in the mountains when the horse pulling his carriage throws two of its shoes. Exiting the carriage, Yorick walks to a roadside house and accepts dinner from a peasant family. After dinner, the peasant family plays music and dances. In this quotation, Yorick observes the peasants’ form of religious worship, which he has never encountered before. Previously in Yorick’s journeys, he has seen organized religion’s sexual repression and hypocrisy—for example, Madame de V***’s newfound interest in religion when Yorick jokingly flattered her that only religion’s repression of sex could protect a beauty like her from lustful men. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui di
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