A Small, Good Thing

by

Raymond Carver

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A Small, Good Thing Summary & Analysis

Summary
Analysis
It’s Saturday afternoon, and a woman flips through pictures of cakes at the local bakery. She settles on a chocolate birthday cake decorated in an outer space theme, with the birthday boy’s name, Scotty, written in green frosting. The baker, an older man, listens in silence as the woman rattles off these instructions and informs him that the birthday boy will be turning eight on Monday. Since the baker will be at the shop all night baking, he isn’t in a hurry, so he lets the woman talk.
The woman is clearly excited about her son’s birthday—she takes care in choosing a special cake for her son and having his name written on it. She tells the baker that her son is turning eight because it feels like an important milestone to her, and she wants to share it. The baker, on the other hand, is treating this interaction as being only about business. He lets her talk about her son only because he has time for her at this point in his workday, not because he’s interested in getting to know her and her son. Right away, this hints that the woman may not have a lot of social connection or support in her life, as she’s sharing news with a complete stranger rather than a close friend or family member.
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The woman, Ann Weiss, gives her name and phone number, and the baker informs her that the birthday cake will be ready for pickup on Monday morning, before Scotty’s birthday party in the afternoon. It makes Ann uneasy that the baker isn’t “jolly” and warm—he doesn’t reciprocate her attempts at small talk, and even his facial features look gruff and unfriendly.
Ann dislikes being rebuffed by the baker because she feels that strangers like him should be friendly and even “jolly.” She assumes that other people should have the same desire to communicate that she does, and she fails to consider what else might be going on in the baker’s life. In this way, Ann and the baker are unable to connect with each other because of Ann’s presumptions about how people should act. This failure, combined with the baker’s gruff appearance, leads Ann to hastily (and perhaps unfairly) judge the baker as being unfriendly.
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Ann is 33 years old and a mother, and she assumes that everyone has experienced this “special time of cakes and birthday parties” in their children’s lives. She thinks that the baker, who looks old enough to be her father, must have been through this stage of life with his own kids, and that Ann and the baker have that in common. But nevertheless, the baker continues to be short with her—“not rude, just abrupt.” Eventually, Ann stops trying to be friendly with him. He finishes logging the order and reminds her again that pickup is Monday morning, and she leaves.
Again, Ann has a preconceived image of what adult life should look like, which includes children and a happy home life. She seems to live a relatively conventional life: she is a mother in her thirties going through the expected rite of passage of this “special time of cakes and birthday parties,” and she’s excited to celebrate her son’s milestones. Ann can’t imagine anyone not having these life experiences, so she assumes that the baker must’ve had them with his children as well—although, in reality, she has no reason to assume this. Nevertheless, Ann is offended by the baker’s “abrupt” manner without considering why he might be acting that way.
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Quotes
On Monday morning, Scotty is walking to school with a friend. The boys are passing a bag of potato chips back and forth, and Scotty steps off the curb without looking. He’s immediately hit by a car, and he falls with his head in the gutter and his legs in the street. The driver looks back and waits until Scotty gets up to drive away. Scotty seems to be alright but is slightly dazed by the fall.
Scotty’s accident is especially disturbing because it happens on Monday, which the reader knows is his eighth birthday. The innocence of two children walking to school, discussing what Scotty’s friend is giving him for his birthday, is contrasted with the senselessness and cruelty of the hit-and-run. This speaks to the idea that life is unpredictable, peppered with both joyous events (like Scotty’s birthday) and tragedy (like the accident). Although Scotty is able to get up and didn’t sustain any superficial injuries, he may have suffered a concussion (or more serious brain damage) when his head hit the gutter.
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Scotty doesn’t cry, but he doesn’t say much, either. Instead of going on to school, he walks home and tells his mother what happened. Ann is sitting with him on the sofa, asking him if he’s alright and thinking she’ll call the doctor anyway, when Scotty suddenly lies back and goes limp. When Ann can’t wake Scotty up, she calls her husband, Howard, at work, who tells her to stay calm. Howard quickly calls an ambulance and leaves work for the hospital.
When Scotty gets home, he seems fine to Ann at first, which makes his sudden lapse into unconsciousness even more surprising than it would otherwise be. This further points to life’s unpredictability, as tragedy can strike in an instant. That Ann calls her husband instead of immediately calling an ambulance shows that she’s in a state of shock and confusion, as she’s not yet treating this as an emergency.
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Scotty is in the hospital with a mild concussion and shock, so his birthday party is cancelled. Earlier, he vomited and had his lungs pumped out, and now he’s in a very deep sleep—though his doctor, Dr. Francis, is adamant that it’s not a coma. At 11:00 p.m., Howard decides to go home to bathe and change clothes, and he assures Ann that he’ll be back in an hour. Meanwhile, Ann continues to watch Scotty and feels like she can’t relax until he wakes up.
Notably, the detail that Scotty’s birthday party has been cancelled is mentioned before Scotty’s condition. This suggests that (at this stage) his parents and doctor consider the accident a minor disruption in an otherwise happy time for Scotty and his family, rather than a tragedy worthy of more attention. But while Howard is still able to focus on practical concerns like bathing and changing his clothes, Ann is entirely focused on Scotty—perhaps to the point that she’s unconcerned with how Howard is feeling. Readers know from Ann’s previous conversation with the baker that motherhood is extremely important to her, so much so that she couldn’t understand why a stranger wouldn’t be interested in hearing about her son’s birthday. Thus, even though it’s unclear how serious Scotty’s condition is at this point, Ann’s worry speaks to the idea that family is a crucial source of fulfillment and comfort in her life—one that would be traumatizing to lose.
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Howard drives recklessly on the way home, but he forces himself to slow down. He thinks about how easy his life has been so far. His parents are still alive, and his siblings are doing well. He has a family, an advanced business degree, and a junior partnership in an investment firm. He is content, and he knows he’s “lucky.” He’s avoided the kinds of tragedies that could “cripple or bring down a man.” Howard pulls into the driveway and his leg begins to tremble. Trying to be logical, he tells himself that Scotty will be alright.
Howard’s thoughts on the drive home foreshadow a tragedy awaiting him. He thinks about how “lucky” he has been not to have experienced any real suffering in his life. Although he’s never experienced the kind of suffering that he thinks of, he dreads even the idea of hardships that can “cripple or bring down a man.” Howard is aware of how painful suffering can be, and how it could utterly change his life, which has so far been mainly a joyful experience. He reminds himself that Scotty will be fine, but his uncharacteristically reckless driving and trembling show that he’s afraid.
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Quotes
The telephone is ringing as Howard unlocks the door to the house. He thinks the call must be about Scotty’s condition, and he regrets leaving the hospital. But the call isn’t from the hospital—the voice on the other end says there’s a $16 cake that hasn’t been picked up. Frazzled and confused, Howard says that he doesn’t know anything about a cake, but the voice snaps, “Don’t hand me that,” and hangs up.
The phone call Howard receives about the cake is disorienting for him because it’s about something so mundane. After his son is hit by a car, Scotty’s birthday cake is the furthest thing from Howard’s mind; it doesn’t occur to him why someone might be calling about cake, even though he was likely thinking about Scotty’s birthday party earlier in the day. Howard’s stress in this moment creates a a gap in understanding between him and the caller (presumably the baker Ann spoke to earlier in the story), as neither of them are able to connect or empathize with what the other is saying.
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Howard then pours a glass of whiskey and calls the hospital, but Scotty’s condition hasn’t changed. After shaving, Howard sinks into the bathtub, but the phone rings again. Waddling through the house in a towel, Howard berates himself for leaving the hospital, again assuming that the call is about Scotty. But when he answers the phone, the caller immediately hangs up.
Howard is very concerned about his son’s condition, calling the hospital to check on Scotty even though it’s unlikely that anything changed in the short time since Howard left his bedside. The continual tension and miscommunication between Howard and the person who keeps calling the house speaks to how alienated and disconnected Howard likely feels in this moment. Rather than family or friends calling him to ask about Scotty, the only person contacting him is a stranger who has no idea about what’s going on. The calls also represent a huge gap between what the Weiss family’s concerns were this morning (the cake that the caller is asking about) and what they are now: namely, whether their son will survive. This again shows how unpredictable life can be, as the entire tone of the Weiss’s day (and, perhaps, the rest of their lives) has rapidly changed.
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When Howard gets back to the hospital after midnight, Ann is still sitting by Scotty’s bedside. There’s a bottle of glucose running into Scotty’s arm through a tube, and Ann explains that the doctor said Scotty needed nourishment. Ann doesn’t understand why Scotty won’t wake up, but Howard assures her that their son will be okay, and that Dr. Francis knows what he’s doing.
Howard arrives back at the hospital to find his son looking sicker than before. The glucose bottle running to Scotty’s arm is a sign that something is very wrong, as he’s unable to eat or drink on his own. Nevertheless, Howard reassures his wife that Scotty will be alright, because they’re both eager to believe Dr. Francis’ assertion that Scotty will be fine. This situation has completely disrupted the couple’s formerly happy, easygoing life, and they want to cling onto whatever semblance of normalcy they can.
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Howard encourages Ann to go home and rest, but he warns her about “this creep” who keeps calling the house. Ann asks who it is, but Howard doesn’t know—it’s probably someone with nothing else to do. Ann refuses to go home, but Howard continues to say that she should, reminding her that Dr. Francis has everything under control.
Despite her husband’s efforts, Ann isn’t as able to believe that Scotty will be fine. She’s more outwardly concerned than Howard is, and seems less trusting of Dr. Francis. Meanwhile, Howard tells her that the person calling the house is a “creep,” which makes Ann suspicious of the caller before she’s even heard his voice. She doesn’t realize that the caller is likely the same baker she spoke to the other day, which adds another layer to the miscommunication Howard has already had with the caller. 
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A nurse comes in and checks on Scotty. She says that he’s stable, and that the doctor will be in to see him soon. Howard tells the nurse that he’s been encouraging Ann to go home and rest after Dr. Francis makes his rounds, and the nurse says that they should feel free to do so. Ann explains that she’s anxious to speak with the doctor, because she doesn’t think that Scotty should be sleeping like this. As the nurse leaves the room, Howard massages Ann’s neck to comfort her. But as he watches Scotty breathe, he begins to feel really afraid for the first time since he got the call from Ann about the accident. He sternly tells himself that Scotty is going to be fine.
Here, both Howard and Ann are struggling to accept that they can’t change what’s going on—just as they couldn’t predict or prevent Scotty’s accident, nothing they can say or do will make Scotty wake up. The couple has different ways of coping with this lack of control: while Howard tries to stay positive and reassure his wife, Ann openly expresses her worries. Clearly, though, both parents are distraught at the idea that something is seriously wrong with their son. Whereas their bond with him was once something comforting and fulfilling in their lives, now it's a source of pain.
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Dr. Francis comes in and greets Ann and Howard. He checks Scotty and writes on the chart. Howard asks what’s the matter with Scotty, and Ann asks why he won’t wake up. The doctor is handsome and wearing a suit. He says that Scotty will be fine, but he could be better—he wishes Scotty would wake up and then says that Scotty “should wake up pretty soon.” Scotty is fine, except for a hairline fracture on his skull and a mild concussion. This kind of sleeping sometimes happens in shock cases.
The description of Dr. Francis’s suit and handsome looks characterize him as professional and even charming. His appearance would suggest that he’s a trustworthy authority figure in the hospital, someone whom the Weisses can believe in and rely on for comfort during this traumatic time. His reassurances, however, are gradually becoming less clear. His sentences contradict one another: Scotty is fine and “should wake up pretty soon,” but he also has a concussion and fractured skull. As a result, Dr. Francis’s medical advice is more confusing and stressful than it is reassuring. Ann and Howard want certainty about their son’s condition one way or the other, but Dr. Francis is unable to give this to them.
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Quotes
Howard asks if this is a coma, but Dr. Francis says that he wouldn’t call it that—it’s more of a restorative sleep. When Ann suggests that “It’s a coma […] Of sorts,” the doctor explains that a coma is prolonged over days or weeks, and Scotty isn’t in that condition, or at least not yet. He says he’s “certain” and “betting” that Scotty will wake up soon, and Ann shouldn’t worry. She and Howard should both feel free to leave the hospital if they need to.
Dr. Francis continues his attempts to reassure Ann and Howard, but his words become more confused. He says he’s “certain” Scotty will wake up soon, but he immediately walks this back by saying that he’s “betting” Scotty will wake. He’s also reluctant to diagnose Scotty’s condition as a coma, yet he doesn’t give the Weisses any alternative explanation for why their son has been asleep for so long. As a doctor, Dr. Francis can’t have full certainty about or control over anything that happens to his patients, any more than Scotty or his parents had control over the accident. However, Dr. Francis fails to fully empathize with Ann and Howard about their fears or to comfort them, perhaps because he’s trying to conceal his own uncertainty about Scotty’s condition.
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Ann feels Scotty’s forehead and is concerned that he’s so cold. Howard says that Scotty is just in shock, and Dr. Francis would’ve said something if he wasn’t okay. Howard holds Ann’s hand for a while. Ann tells him she’s been praying for Scotty, and that she hadn’t prayed in so long she’d nearly forgotten how. She suggests that Howard should pray, too, but he says that he already has. Ann feels for the first time that she and her husband are in this together—up until now, she felt like this situation was only affecting her and Scotty.
Ann’s concern over how cool Scotty’s forehead is foreshadows a greater problem with his health—it’s almost as if the warmth and vitality of life has been drained out of him. This is a stark contrast to the way Scotty was before the accident: a healthy little boy walking to school and sharing a bag of potato chips with his friend. The rapid change in Scotty’s condition speaks to life’s unpredictable and chaotic nature. Meanwhile, Ann admits to herself that she hadn’t even considered Howard’s feelings before this moment, which perhaps hints at a gap in communication and understanding in the couple’s relationship. Rather than turning to each other for comfort, they’ve both felt isolated in their trauma and fear.
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Quotes
A radiologist comes in to take Scotty for another scan. Ann protests—she thought they’d done all the X-rays they needed to. But the radiologist says that they need to do more, and they also need to do a brain scan. Ann is worried, but the radiologist assures her that “it’s perfectly normal procedure in cases like this.” Ann and Howard accompany the orderlies, who’ve put Scotty on a gurney, to the scan. When it’s over, Ann and Howard take the elevator back up and return to Scotty’s bedside.
Here, the radiologist’s call for more in-depth tests contradicts with Dr. Francis’s continued assurances that Scotty is fine. Though the radiologist tells Ann that a brain scan is a “perfectly normal procedure in cases like this,” he doesn’t specify what “cases like this” means. In reality, Scotty’s case seems to be mystifying the doctors as well as his parents, and the radiologist’s words don’t comfort Ann and Howard any more than Dr. Francis’s have.
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Ann and Howard wait all day, and Scotty still doesn’t wake up. When Dr. Francis does his rounds, he affirms again that Scotty will wake up at any time. A woman from the lab comes to take some of Scotty’s blood. Ann doesn’t understand why they’re doing tests, but the woman says that she just does what she’s told. She asks what happened to Scotty, and Howard explains that he was hit by a car. When the woman is gone, Ann says, “I want some answers from these people.” Howard says nothing and closes his eyes to take a nap.
Ann and Howard’s interaction with the woman who comes to take Scotty’s blood is another example of their failure to connect with the hospital staff. Ann is becoming increasingly frustrated that no one they talk to has any answers for them about Scotty’s condition—either because they don’t know, or because, like Dr. Francis, they’re trying to draw conclusions about a situation that they don’t completely understand. Either way, the lack of clarity makes Ann and Howard feel powerless, confused, and isolated.
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Meanwhile, Ann goes to the window and looks out at the parking lot. She sees a woman getting into a car and wishes she was that woman—that she could drive away and find Scotty waiting for her someplace else. Later, Howard wakes and joins Ann at the window. They understand each other without saying anything, because “the worry [has] made them transparent.”
Ann’s wish to be the woman getting into the car in the parking lot shows her desire to escape her situation—but it’s also another failure to empathize with other people’s lives. Given that this woman was also at the hospital, it’s possible that she’s struggling with something just as traumatic as Scotty’s accident. Meanwhile, Howard and Ann are able to nonverbally connect and understand each other for the first time in the story. Their shared worry over Scotty has caused them to become “transparent” with each other—and in this way, tragedy has actually brought them closer together.
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Quotes
When Dr. Francis returns—this time wearing a different suit—he says that Scotty should’ve woken by now, and he doesn’t know why he’s still unconscious. He says that all of Scotty’s vital signs are fine, so he still thinks that Scotty will wake up soon. This time, when Ann says that it’s a coma, the doctor says that they’ll call it that until Scotty wakes up. When Dr. Francis offers to have a nurse stationed in the room so that Howard and Ann can go get something to eat, Ann replies that she can’t eat anything. As the doctor leaves, he says that Scotty will be “over the hill” once he wakes up.
This time, when Dr. Francis returns, he seems much less authoritative than before. He’s still wearing a suit, but this is no longer enough to project a façade of competence and trustworthiness. He can’t tell Ann and Howard that their son is going to be alright as confidently as he once did, yet he still doesn’t give the Weisses any straight answers about Scotty’s condition. In fact, Ann is the one to declare that her son is in a coma—Dr. Francis merely agrees to call it that, rather than giving his own formal diagnosis. He can’t offer comfort or clarity to Ann and Howard, so he tries to offer them practical help instead, assigning a nurse to Scotty’s room so that they can get something to eat. In addition, his word choice of “over the hill” is a bit unsettling in this context: although he likely means that Scotty will already have overcome the worst of his injuries when he wakes up from coma, the term “over the hill” is often used to describe someone who is elderly and past their prime. In this way, Dr. Francis’s words subtly (and perhaps unintentionally) hint that Scotty is no longer the same little boy he used to be, and that he’ll never be the same.
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Howard suggests that one of them should go to the house and feed the dog. Ann says that they can call the neighbors and tell them to feed the dog, but Howard insists that she should go. Finally, she agrees, hoping that Scotty will finally wake up if she stops watching him. Ann understands that Howard wants to be alone for a while and not have to talk about his worries.
Ann doesn’t want to leave Scotty to go home and feed the dog, but she finally agrees because she knows that Howard needs to be alone. This is another sign that her connection with Howard has been strengthened since the beginning of this ordeal: she’s gone from not considering how this situation affects Howard at all, to understanding him better and realizing when he needs space.
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After some more hesitation, Ann finally leaves Scotty’s hospital room, but she gets lost while looking for the elevator. She ends up in a small waiting room, where a “Negro family”—a woman, a man, and a teenaged girl—is sitting. The mother quickly gets up when she sees Ann and asks if there’s news about Franklin. Ann explains that she was just looking for the elevator, and the man gives her directions. Feeling compelled to explain herself, Ann tells the man that her son was hit by a car. He has a “little skull fracture” and there “might be some kind of coma,” Ann explains, but he’ll be fine.
When Ann sees the family in the waiting room, they immediately press her for answers about Franklin’s condition, which mirrors Ann’s desperation for answers about Scotty’s health. She feels bad that she’s interrupted them and shares her own struggle with the family, as if trying to comfort them by letting them know that they aren’t alone. She downplays her concerns about Scotty, saying that there “might be some kind of coma,” despite her concerns in the hospital room earlier, showing her need to believe Dr. Francis’ reassurances. It could even be the case that she’s minimizing Scotty’s injuries to make the family feel better about Franklin, as though her own feigned calmness will make them feel calm as well. Notably, the language that the story uses to describe Franklin’s family (a “Negro family”) indicates that this story is set in a past era, as “negro” is now considered an outdated and offensive term for a Black person. Ann and Howard, meanwhile, are implied to be white (their surname, Weiss, means “white” in German). Thus, given the implied historical context of the story, the divide between Ann and this family is magnified by racial differences.
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The man tells Ann that his son, Franklin, is in surgery after being stabbed during a fight that he was watching at a party, and now the family is hoping and praying. Ann wants to talk more to these people, who are “in the same kind of waiting she was in,” but she doesn’t know how to begin. She leaves.
Ann recognizes that she and Franklin’s family are “in the same kind of waiting”—that is, they’re both stuck in a kind of limbo where they’re fearing for their sons’ lives and unsure of what the future holds. Her desire to connect with these strangers in the hospital is much more intense than her need for small talk with the baker was—her desire to talk with them is informed by her understanding of their mutual struggles, rather than by politeness.
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Quotes
When Ann gets home, she feeds the dog and makes tea. The phone rings, and she asks if it’s about Scotty. The caller says it “has to do with Scotty” and asks Ann if she’s forgotten, then hangs up. Ann calls the hospital and demands to know how her son is, and then she asks to speak to Howard. She tells Howard that someone called and said it was about Scotty, but Howard says there’s been no change in Scotty’s condition.
Here, Ann performs everyday tasks like feeding the dog and making tea—yet going about her routine doesn’t seem to give her any sense of stability or normalcy. She is immediately on-edge and incredulous when the caller mentions her son, assuming that there’s been a development in Scotty’s condition. Readers can infer that this caller is the same one who Howard spoke to earlier, meaning that this is the baker calling to remind the Weisses about Scotty’s birthday cake. But the immense stress that Ann is under creates a gap in communication between her and the baker, as she’s lost the ability to process information that isn’t related to Scotty’s accident. In this way, the accident forced Ann to completely disconnect from her old life in a matter of days, again reflecting the lack of control that people have over their circumstances.
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Howard then advises Ann to ignore the call and come back to the hospital when she’s rested. Then, they can speak with the doctor, who’s coming at eight that morning. Ann says that there was a noise in the background on the phone call she got, but Howard can’t remember if there was a sound in the background of his call. He says that the caller must be a psychopath who found out about Scotty somehow. He advises Ann to take a bath and come back.
The miscommunication between the caller and the couple has escalated to the point that Howard now thinks the caller must be a psychopath—the Weisses have progressed from being frustrated with the caller to being furious and even afraid. Ann is even trying to figure out details about the caller by deciphering noises in the background of the call. Rather than communicating openly with each other, the two parties misunderstand each other (the Weisses are too distracted to remember the birthday cake, and the baker has no idea that Scotty was in an accident). As a result, they’re unable to connect or empathize with one another.
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When Ann drives back to the hospital later that morning, she thinks about Franklin’s family. She pictures the teenaged girl and thinks of telling her not to have children. But when Ann gets to the hospital, the family is gone—the only traces of them are the fast-food wrappers and cigarette butts they left behind. Ann asks the nurse about Franklin, and the nurse says tells her that he died. The nurse asks if Ann is a friend of the family, and Ann says no, she’d just met them and wondered, because her own son is in the hospital.
When Ann learns that Franklin has died, it foreshadows a tragedy to come for her. It’s unsettling for her to see that the family, whose pain reminded her of her own struggles, has left the hospital with bad news. Furthermore, Ann’s thought about telling Franklin’s teenaged sister not to have children shows how disillusioned and cynical she’s become over the course of the story. Mere days ago, she seemed to assume that everyone has a family whom they value, the same way she values hers. But now, she is frightened by the idea of a young woman having kids, because she is beginning to associate family with loss rather than togetherness and fulfillment.
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In the hospital room, Howard is standing at the window and turns when Ann comes in. Ann asks how Scotty is, and Howard says that Dr. Francis came by early in the morning with a neurologist. When Ann demands to know what they said, Howard explains that they think they’re going to operate, but he then corrects himself, affirming that “they are going to operate.” They can’t figure out what’s wrong with Scotty, but it’s something to do with his skull fracture. Howard tried to call Ann earlier about it, but she’d already left the house. “Oh God,” Ann says.
Howard’s uncertain words about whether the doctors will operate (he switches from saying that the doctors think they’re going to operate to saying “they are going to operate”) reflect Dr. Francis’s lack of clarity in explaining Scotty’s case to the Weisses. Even now that they’ve decided to operate, the doctors aren’t sure what’s wrong with Scotty, so Ann and Howard have no more certainty than they did before. They are left in confusion and are totally out of control of the situation—a state that would’ve been unthinkable to them in the easy life that they lived before Monday morning.
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Quotes
Suddenly, Howard notices that Scotty has opened his eyes, then closed them. When Scotty opens them again, he stares straight ahead for a moment, then looks at his parents, then away again. Ann and Howard move to the bed and speak to Scotty, squeezing his hand and kissing his forehead. Scotty stares blankly back at them without recognition. Then, his eyes scrunch closed, and he howls until he’s completely out of breath. His face relaxes, and he dies.
The moment of Scotty’s death is sudden and shocking, just as the rest of the events of the story have been for Ann and Howard. Although they’ve been in limbo in the hospital for quite some time now, Dr. Francis and the rest of the hospital staff have failed to inform them of the seriousness of Scotty’s condition—indeed, they may not have known themselves. And now, as a result, the Weisses are likely blindsided by Scotty’s unexpected death. There’s no way for them to control the situation or even understand what’s happening until their son has taken his last breath.
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The doctors say that Scotty suffered from a hidden occlusion, and that it’s a rare circumstance. Maybe they could’ve saved him if they’d operated immediately, but probably not, since all of Scotty’s tests looked normal and the doctors wouldn’t have known what to look for. Dr. Francis, shaken, tells Ann and Howard how sorry he is. He takes them into a doctor’s lounge, where another doctor is sitting in delivery room scrubs, but the doctor leaves when he sees them enter. Dr. Francis embraces Ann while Howard weeps in the bathroom with the door open. When Howard stops crying, he makes some calls. Dr. Francis asks if there’s anything else he can do, and Howard shakes his head.
Only after Scotty’s death is Dr. Francis able to really connect with Ann and Howard and sympathize with them. After being uncommunicative and overly optimistic with the couple during Scotty’s coma, Dr. Francis finally apologizes and is able to provide a small amount of comfort for the couple. Indeed, Dr. Francis is visibly shaken by what’s just happened, suggesting that losing a young patient was traumatic for him as well. When Dr. Francis takes the couple into the lounge, the other doctor wearing delivery room scrubs is a reminder that births are occurring in the hospital at the same time as Scotty’s death. This underscores the fact that Scotty was killed on his birthday, and it’s also a reminder of the cycle of life—and the delicate balance of joy and tragedy—that Scotty’s birth and death were a part of.
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Dr. Francis walks Ann and Howard out of the hospital. Ann says that she doesn’t want to leave Scotty there—it feels wrong. Hearing how this statement sounds, she thinks it’s unfair that it seems like something a character on television show would say after a death. She wants to use her own words. “For some reason,” Ann thinks of Franklin’s mother’s head falling onto her shoulder. Dr. Francis says that there are still some questions to clear up, and Howard asks if they’re doing an autopsy. Dr. Francis nods. Howard says he understands, but then says, “Oh, Jesus. No, I don’t understand, doctor.” Dr. Francis says that he’s very sorry. He holds Ann, and she thinks that he’s full of goodness.
Ann’s reaction to leaving the hospital without Scotty is one of total shock and horror. But in this moment, rather than thinking of herself, she thinks of Franklin’s mother’s head falling to her shoulder. Despite the fact that Franklin’s mother is a total stranger, Ann feels connected to her now that she, too, has experienced the tragedy of losing a child. In this way, even vaguely knowing of someone else who’s gone through the same hardship is comforting for Ann, as it makes her feel less alone. Howard is initially more composed, but he breaks down when Dr. Francis brings up an autopsy. Howard’s horror at the idea of this causes him to say that he doesn’t understand what’s happening—it’s difficult for him to even process this kind of tragedy, as losing his young son probably seemed impossible to him before the accident.
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When the couple gets home, Howard begins to put some of Scotty’s things in a box, but he breaks down and cries. Ann puts his head in her lap and says, “He’s gone and now we’ll have to get used to that. To being alone.” Later, Ann calls her family. During each call she speaks quickly, then cries for a minute, then explains what happened and the arrangements. Howard goes outs to the garage with the box of Scotty’s things and sees Scotty’s bicycle. He kneels beside it in grief.
Ann tells Howard that they’ll have to get used to “being alone” now that Scotty has died—they must now adjust their identities and lifestyles to reflect the fact that they went from being parents to being childless in a matter of days. Meanwhile, Ann’s conversations with her family members are short, and they don’t seem to afford her the kind of comfort she’s looking for amid her grief—nor does it solve her problem of “being alone.” In the meantime, seeing Scotty’s possessions seems to make his death feel more real for Howard, as though being reminded of the very different life they led only days earlier makes the tragedy of losing Scotty all the more poignant.
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The phone rings, and Ann answers. The voice says, “Your Scotty, I got him ready for you,” and then asks Ann if she’s forgotten. She calls him an “evil bastard.” After midnight, the phone rings again. Howard answers it, but the caller hangs up. Ann says she’d like to shoot the caller, to which Howard says, “Ann, my God.” Ann asks again if there was noise in the background, and Howard says that there was a radio playing. Ann suddenly realizes that it was the baker calling about the cake this whole time. She asks Howard to drive her to the bakery so that she can confront the baker.
Ann’s rage at the baker is a way for her to express her rage at the situation in general—prior to the accident, when life was going smoothly, she would have never forgotten to pick up her son’s birthday cake. She forgot because her son was dying, and the shock of the accident removed everything else from her mind. Now that she realizes who the caller is, she wants to confront him for making their past days even more stressful with his cryptic messages. She hasn’t been able to control anything about Scotty’s death, but she feels as though she can do something about the baker’s hostility.
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When Ann and Howard get to the shopping center, it’s dark, but the lights are still on in the back room of the bakery. They knock on the front door, but the baker doesn’t seem to hear. Then, they drive around the back and knock on the back door, and the baker lets them in. He says that they’re closed for business and asks what the couple wants. Given that it’s midnight, he asks if they’re drunk, but then he recognizes Ann. She reminds him that she’s Scotty’s mother.
When Ann and Howard arrive at the bakery, they have trouble getting in because it’s the middle of the night and the doors are locked, obstacles that underscore how out-of-the-ordinary Ann’s behavior is. When Ann introduces herself as Scotty’s mother, she’s making a statement about still being a mother even after her son’s death, as she seemingly wants to hold onto the sense of meaning and identity that being a parent gave her. But this isn’t a statement that the baker can understand, as the miscommunication and subsequent gap in understanding between the couple and the baker prevents him from empathizing with what they’re going through.
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The baker asks Ann if she wants the cake now, since it’s been sitting here for three days. Ann is very angry, and her anger makes her feel bigger than the men in the room with her. The baker says that he doesn’t want to argue, and he’ll give the cake to her at half price. He busy, and he spent time and money on that cake. The baker works 16 hours a day, and at night. Ann points out that he makes phone calls at night too, and she calls him a “bastard.” The baker looks at Howard and says, “careful, careful.”
Initially, the encounter between Ann and the baker is hostile. The baker is angry because he assumes that Ann’s failure to pick up the cake was due to sheer carelessness, and making the cake cost him time and money. At the same time, Ann is angry because the phone calls the baker made to her and Howard brought them even more stress and uncertainty in a moment of crisis. Their hostility toward each other results from them being unable to connect, because both the couple and the baker have made assumptions and misunderstood each other’s perspectives.
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Ann tells the baker that her son is dead, and that they’ve been at his bedside this whole time. She's angry, and she says spitefully that the baker couldn’t have known that her son was dying. Suddenly, her anger goes away, and she begins to cry, saying that it isn’t fair. Howard looks at the baker and says, “Shame on you.”
Ann and Howard seem to view the baker as a hostile outsider, so they don’t feel guilty taking their anger out on him. The couple’s vulnerability in the face of their tragedy may allow the baker to understand and empathize with them better, as the circumstance behind Ann’s failure to pick up the cake is a piece of information that he didn’t have before.
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The baker comes out from behind the counter and gets chairs for Ann and Howard, inviting them to sit down. Ann tells the baker that she wanted to kill him when he was calling. Joining the couple at the table, the baker apologizes. He explains that he’s just a baker, and maybe once he was a different kind of person, but he’s forgotten how to be that person. He has no children of his own, so he can’t imagine what Ann and Howard are going through. He asks them to forgive him. He tells the couple that he’s not a bad person, but he no longer knows how to act.
Now that Ann and Howard have explained their tragedy, the baker is able to connect with them over his own struggles. His decision to share his personal challenges with them, instead of just listening to theirs, helps Ann and Howard understand why the baker was calling them the way he did—he wasn’t a psychopath, but a lonely, angry man. The baker, like the Weisses, is childless, so he can understand their newfound loneliness perhaps better than anyone else in their lives can. In this way, even though the baker is a relative stranger to Ann and Howard, his small gesture of kindness in relating to them goes a long way.
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The baker then gets up to make coffee for Ann and Howard, and he gives them hot buttered cinnamon rolls. He says they have to eat and go on, explaining that “eating is a small, good thing in a time like this.” Ann is suddenly hungry, and she eats three rolls. Sitting with the couple, the baker tells them about his loneliness, doubts, and limitations. Ann and Howard are tired, but they listen. He tells them about the endless weddings and birthdays he’s baked for, and how he appreciates being able to feed people. The baker then gives the couple a loaf of delicious dark bread, and they eat what they can. Ann and Howard stay at the bakery until the morning, talking and eating with the baker.
The baker tells Ann and Howard about the difficulty of growing older without children and constantly baking for other people’s birthday parties and weddings without experiencing these milestones himself. He’s watched the cycle of life for many other people through his career as a baker, yet he’s never been able to experience marriage or parenthood for himself. Given Ann’s initial negative judgement of him, the baker is an unlikely figure to comfort Ann and Howard, but he gives them the greatest compassion they’ve received in the story by feeding them and talking with them through the night. The baker suggestion that “a small, good thing”—whether a comforting sentiment from a stranger or a warm meal—can become exceptionally meaningful during a trying time seems to prove true for the Weisses. And even though Ann and Howard’s tragedy has plunged them into despair and loneliness, the story ends on an optimistic note. The couple’s connection with the baker suggests that tragedy doesn’t have to tear people apart—it can just as easily bring them together.
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