A Tale for the Time Being

A Tale for the Time Being

by

Ruth Ozeki

Teachers and parents! Our Teacher Edition on A Tale for the Time Being makes teaching easy.
Jiko is Nao’s 104-year-old great-grandmother. Nao describes her as an anarchist-feminist Buddhist nun. Jiko decided to become a nun after her gentle, philosophical son, Haruki #1, was drafted into the military during World War II and died as a kamikaze pilot. Jiko tells Nao that her sorrow felt like a “whale” behind her chest, and by becoming a nun, she slowly “learned how to open up her heart so the whale could swim away.” Jiko knows that Nao is hurting, too, from all the troubles in her life—so she teaches Nao zazen (Zen Buddhist meditation) as a coping mechanism. Nao and Jiko become very close when Nao stays with Jiko at her temple over her summer vacation. Jiko talks to Nao about some Zen Buddhist principles that she values, like the importance of the present moment and the impermanence of all things. Nao feels loved and blessed when they are together. Jiko seems to know when Nao and Haruki feel defeated by life and are on the verge of committing suicide. She calls them to her temple when she is on her deathbed, and her final word to them is to live. Both of them love and respect her and take her advice to heart.

Jiko Yasutani Quotes in A Tale for the Time Being

The A Tale for the Time Being quotes below are all either spoken by Jiko Yasutani or refer to Jiko Yasutani. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Time, Impermanence, and the Present  Theme Icon
).
Part I, Chapter 3: Nao Quotes

“But Granny, it’s going to take forever!”

“Well, we must try even harder, then.”

We?!

“Of course, dear Nao. You must help me.”

“No way!” I told Granny. “Forget it! I’m no fucking bosatsu…”

[…] I think maybe she was saying a blessing for me just then, too. I didn’t mind. It made me feel safe, like I knew no matter what happened, Granny was going to make sure I got onto that elevator.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani (speaker)
Page Number: 18-19
Explanation and Analysis:

But since these are my last days on earth, I want to write something important. […] I want to leave something real behind.

But what can I write about that’s real? Sure, I can write about all the bad shit that’s happened to me, and my feelings about my dad and my mom and my so-called friends, but I don’t particularly want to.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani, Tomoko / Nao’s Mother, Babette, Kayla
Page Number: 22
Explanation and Analysis:

What if you never even found this book, because somebody chucked it in the trash or recycled it before it got to you? Then old Jiko’s stories truly will be lost forever, and I’m just sitting here wasting time talking to the inside of a dumpster. […]

Okay, here’s what I’ve decided. I don’t mind the risk, because the risk makes it more interesting. And I don’t think old Jiko will mind, either, because being
a Buddhist, she really understands impermanence and that everything changes and nothing lasts forever.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Jiko Yasutani, Oliver
Page Number: 27
Explanation and Analysis:
Part II, Chapter 6: Nao Quotes

It’s the cold fish dying in your stomach feeling. You try to forget about it, but as soon as you do, the fish starts flopping around under your heart and reminds you that something truly horrible is happening.

Jiko felt like that when she learned that her only son was going to be killed in the war. […] In fact, she said she had lots of fishes, […] but the biggest fish of all belonged to Haruki #1, and it was more like the size of a whale. She also said that after she became a nun and renounced the world, she learned how to open up her heart so that the whale could swim away. I'm trying to learn how to do that, too.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Jiko Yasutani, Haruki #1 Yasutani
Page Number: 180
Explanation and Analysis:
Part II, Chapter 8: Nao Quotes

Over and over, I ran at the sea, beating it until I was so tired I could barely stand. And then the next time I fell down, I just lay there and let the waves wash over me, and I wondered what would happen if I stopped trying to get
back up. Just let my body go. Would I be washed out to sea? The sharks would eat my limbs and organs. Little fish would feed on my fingertips. My beautiful white bones would fall to the bottom of the ocean, where anemones
would grow upon them like flowers. Pearls would rest in my eye sockets.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani
Related Symbols: Waves/Tsunami
Page Number: 193
Explanation and Analysis:
Part II, Chapter 9: Ruth Quotes

The Earthquake Catfish is not solely a malevolent fish, despite the havoc and calamity it can wreak. It has benevolent aspects as well. A subspecies of the
Earthquake catfish is […] World-Rectifying Catfish,
which is able to heal the political and economic corruption in society by shaking things up. […]

The World-Rectifying Catfish targeted the business class, the 1 percent […].
The angry catfish would cause an earthquake, wreaking havoc and destruction, and in order to rebuild, the wealthy would have to let go of their assets, which would create jobs […] for the working classes.

Related Characters: Naoko “Nao” Yasutani, Ruth, Jiko Yasutani, Oliver
Page Number: 198-199
Explanation and Analysis:
Part II, Chapter 13: Haruki #1’s Letters Quotes

Choosing this death has various benefits associated with it. First, and most important, it guarantees a posthumous promotion of two ranks, which of course is meaningless, but it comes with a substantial increase in the pension paid to you upon my death. […]

So that is one benefit, and it is practical. The other benefit is perhaps more philosophical. By volunteering to sortie, I have now regained a modicum of agency over the time remaining in my life. Death in a ground offensive or bombing attack seems random and imprecise. This death is not. It is pure, clean, and purposeful. I will be able to control and therefore appreciate, intimately and exactly, the moments leading up to my death.

Related Characters: Haruki #1 Yasutani (speaker), Jiko Yasutani
Page Number: 256-257
Explanation and Analysis:

Today during a test flight, I remembered Miyazawa Kenji's wonderful tale about the Crow Wars. […] [As] I was soaring in formation at an altitude of two thousand meters, I recalled the Crow Captain lifting off from his honey locust tree, and taking to wing to do battle. I am Crow! I thought, ecstatically. The visibility was good, and since this was the very last of the special training
flights, I flew in all directions to my heart’s content.

Related Characters: Haruki #1 Yasutani (speaker), Naoko “Nao” Yasutani, Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani
Related Symbols: Crows
Page Number: 258
Explanation and Analysis:
Part III, Chapter 3: Nao Quotes

[…] I climbed up on [my chair] and then onto my desk, and I stood there, tall and straight. Then, when everybody was looking, I flipped back my hoodie.

A gasp went around the room that sent shivers up my spine. The supapawa of my bald and shining head radiated through the classroom and out into the world, a bright bulb, a beacon, beaming light into every crack of darkness on the earth and blinding all my enemies. I put my fists on my hips and watched them tremble, holding up their arms to shield their eyes from my unbearable brightness. I opened my mouth and a piercing cry broke from my throat like an eagle, shaking the earth and penetrating into every corner of the universe. I watched my classmates press their hands over their ears, and saw the blood run through their fingers as their eardrums shattered.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani
Page Number: 287-288
Explanation and Analysis:
Part III, Chapter 7: Haruki #1’s Secret French Diary Quotes

I have written to you of my decision to die. Here is what I did not tell you. […] [T]he ticking of the clock is the only sound I am able to hear now. Second by second, minute by minute…tick, tick, tick…the small, dry sounds fill every crevice of silence. […] [M]y being is attuned only to one thing, the relentless rhythm of time, marching toward my death.

If I could only smash the clock and stop time from advancing! […] I can almost feel the sturdy metal body crumpling beneath my hands, the glass fracturing, the case cracking open, my fingers digging into the guts, spilling springs and delicate gearing. But no, there is no […] way of stopping time, and so I lie here, paralyzed, listening to the last moments of my life tick by.

I don’t want to die, Maman! I don’t want to die!

Related Characters: Haruki #1 Yasutani (speaker), Naoko “Nao” Yasutani, Jiko Yasutani
Related Symbols: Watches/Clocks
Page Number: 322
Explanation and Analysis:
Part III, Chapter 9: Nao Quotes

But the fact is, you’re a lie. You’re just another stupid story I made up out of
thin air because I was lonely and needed someone to spill my guts to. I wasn’t
ready to die yet and needed a raison d’etre. I shouldn’t be mad at you but I am! Because now you’re letting me down, too.

The fact is, I’m all alone.

[…] Everyone I believed in is dying. My old Jiko is dying, my dad is probably already dead by now, and I don’t even believe in myself anymore.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani
Page Number: 340
Explanation and Analysis:
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A Tale for the Time Being PDF

Jiko Yasutani Quotes in A Tale for the Time Being

The A Tale for the Time Being quotes below are all either spoken by Jiko Yasutani or refer to Jiko Yasutani. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Time, Impermanence, and the Present  Theme Icon
).
Part I, Chapter 3: Nao Quotes

“But Granny, it’s going to take forever!”

“Well, we must try even harder, then.”

We?!

“Of course, dear Nao. You must help me.”

“No way!” I told Granny. “Forget it! I’m no fucking bosatsu…”

[…] I think maybe she was saying a blessing for me just then, too. I didn’t mind. It made me feel safe, like I knew no matter what happened, Granny was going to make sure I got onto that elevator.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani (speaker)
Page Number: 18-19
Explanation and Analysis:

But since these are my last days on earth, I want to write something important. […] I want to leave something real behind.

But what can I write about that’s real? Sure, I can write about all the bad shit that’s happened to me, and my feelings about my dad and my mom and my so-called friends, but I don’t particularly want to.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani, Tomoko / Nao’s Mother, Babette, Kayla
Page Number: 22
Explanation and Analysis:

What if you never even found this book, because somebody chucked it in the trash or recycled it before it got to you? Then old Jiko’s stories truly will be lost forever, and I’m just sitting here wasting time talking to the inside of a dumpster. […]

Okay, here’s what I’ve decided. I don’t mind the risk, because the risk makes it more interesting. And I don’t think old Jiko will mind, either, because being
a Buddhist, she really understands impermanence and that everything changes and nothing lasts forever.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Jiko Yasutani, Oliver
Page Number: 27
Explanation and Analysis:
Part II, Chapter 6: Nao Quotes

It’s the cold fish dying in your stomach feeling. You try to forget about it, but as soon as you do, the fish starts flopping around under your heart and reminds you that something truly horrible is happening.

Jiko felt like that when she learned that her only son was going to be killed in the war. […] In fact, she said she had lots of fishes, […] but the biggest fish of all belonged to Haruki #1, and it was more like the size of a whale. She also said that after she became a nun and renounced the world, she learned how to open up her heart so that the whale could swim away. I'm trying to learn how to do that, too.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Jiko Yasutani, Haruki #1 Yasutani
Page Number: 180
Explanation and Analysis:
Part II, Chapter 8: Nao Quotes

Over and over, I ran at the sea, beating it until I was so tired I could barely stand. And then the next time I fell down, I just lay there and let the waves wash over me, and I wondered what would happen if I stopped trying to get
back up. Just let my body go. Would I be washed out to sea? The sharks would eat my limbs and organs. Little fish would feed on my fingertips. My beautiful white bones would fall to the bottom of the ocean, where anemones
would grow upon them like flowers. Pearls would rest in my eye sockets.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani
Related Symbols: Waves/Tsunami
Page Number: 193
Explanation and Analysis:
Part II, Chapter 9: Ruth Quotes

The Earthquake Catfish is not solely a malevolent fish, despite the havoc and calamity it can wreak. It has benevolent aspects as well. A subspecies of the
Earthquake catfish is […] World-Rectifying Catfish,
which is able to heal the political and economic corruption in society by shaking things up. […]

The World-Rectifying Catfish targeted the business class, the 1 percent […].
The angry catfish would cause an earthquake, wreaking havoc and destruction, and in order to rebuild, the wealthy would have to let go of their assets, which would create jobs […] for the working classes.

Related Characters: Naoko “Nao” Yasutani, Ruth, Jiko Yasutani, Oliver
Page Number: 198-199
Explanation and Analysis:
Part II, Chapter 13: Haruki #1’s Letters Quotes

Choosing this death has various benefits associated with it. First, and most important, it guarantees a posthumous promotion of two ranks, which of course is meaningless, but it comes with a substantial increase in the pension paid to you upon my death. […]

So that is one benefit, and it is practical. The other benefit is perhaps more philosophical. By volunteering to sortie, I have now regained a modicum of agency over the time remaining in my life. Death in a ground offensive or bombing attack seems random and imprecise. This death is not. It is pure, clean, and purposeful. I will be able to control and therefore appreciate, intimately and exactly, the moments leading up to my death.

Related Characters: Haruki #1 Yasutani (speaker), Jiko Yasutani
Page Number: 256-257
Explanation and Analysis:

Today during a test flight, I remembered Miyazawa Kenji's wonderful tale about the Crow Wars. […] [As] I was soaring in formation at an altitude of two thousand meters, I recalled the Crow Captain lifting off from his honey locust tree, and taking to wing to do battle. I am Crow! I thought, ecstatically. The visibility was good, and since this was the very last of the special training
flights, I flew in all directions to my heart’s content.

Related Characters: Haruki #1 Yasutani (speaker), Naoko “Nao” Yasutani, Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani
Related Symbols: Crows
Page Number: 258
Explanation and Analysis:
Part III, Chapter 3: Nao Quotes

[…] I climbed up on [my chair] and then onto my desk, and I stood there, tall and straight. Then, when everybody was looking, I flipped back my hoodie.

A gasp went around the room that sent shivers up my spine. The supapawa of my bald and shining head radiated through the classroom and out into the world, a bright bulb, a beacon, beaming light into every crack of darkness on the earth and blinding all my enemies. I put my fists on my hips and watched them tremble, holding up their arms to shield their eyes from my unbearable brightness. I opened my mouth and a piercing cry broke from my throat like an eagle, shaking the earth and penetrating into every corner of the universe. I watched my classmates press their hands over their ears, and saw the blood run through their fingers as their eardrums shattered.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani
Page Number: 287-288
Explanation and Analysis:
Part III, Chapter 7: Haruki #1’s Secret French Diary Quotes

I have written to you of my decision to die. Here is what I did not tell you. […] [T]he ticking of the clock is the only sound I am able to hear now. Second by second, minute by minute…tick, tick, tick…the small, dry sounds fill every crevice of silence. […] [M]y being is attuned only to one thing, the relentless rhythm of time, marching toward my death.

If I could only smash the clock and stop time from advancing! […] I can almost feel the sturdy metal body crumpling beneath my hands, the glass fracturing, the case cracking open, my fingers digging into the guts, spilling springs and delicate gearing. But no, there is no […] way of stopping time, and so I lie here, paralyzed, listening to the last moments of my life tick by.

I don’t want to die, Maman! I don’t want to die!

Related Characters: Haruki #1 Yasutani (speaker), Naoko “Nao” Yasutani, Jiko Yasutani
Related Symbols: Watches/Clocks
Page Number: 322
Explanation and Analysis:
Part III, Chapter 9: Nao Quotes

But the fact is, you’re a lie. You’re just another stupid story I made up out of
thin air because I was lonely and needed someone to spill my guts to. I wasn’t
ready to die yet and needed a raison d’etre. I shouldn’t be mad at you but I am! Because now you’re letting me down, too.

The fact is, I’m all alone.

[…] Everyone I believed in is dying. My old Jiko is dying, my dad is probably already dead by now, and I don’t even believe in myself anymore.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani
Page Number: 340
Explanation and Analysis: