Motifs
A Tale of Two Cities
by Charles Dickens

A Tale of Two Cities: Motifs 5 key examples

Definition of Motif

A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the central themes of a book... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of... read full definition
Motifs
Explanation and Analysis—Dickensian Doubles:

A Tale of Two Cities is full of doubles, from the eponymous two cities to the polar opposite personalities of Lucie Manette and Madame Defarge. Doubles are a motif that recurs throughout the novel, both in its characters and its plot structure.

Motifs
Explanation and Analysis—Resurrection Men:

The motif of resurrection recurs frequently throughout A Tale of Two Cities. Dr. Manette is “recalled to life” after his long imprisonment in the Bastille.

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Book 2, Chapter 15
Explanation and Analysis—Domesticity, Destruction:

Throughout A Tale of Two Cities, Dickens uses the motif of threads and knitting to comment on the relationship between history and the actions of individuals. Both Lucie Manette and Madame Defarge are weavers, though their threads hold very different symbolic implications. In Book 2, Chapter 21, Lucie weaves a golden thread of harmonious domesticity:

Ever busily winding the golden thread which bound her husband, and her father, and herself, and her old directress and companion, in a life of quiet bliss, Lucie sat in the still house […] listening to the echoing footsteps of years.

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Book 2, Chapter 21
Explanation and Analysis—Echoing Footsteps:

Dickens uses the motif of echoes to foreshadow the coming revolution and to illustrate how seemingly small actions, made by individuals, can echo throughout time. The house where the Manettes live has a corner that is “a wonderful place for echoes." Initially, it seems that the echoing capabilities of this corner are literal—by some accident of construction, footsteps on the street are easily audible inside if residents sit in the right location. However, as the novel progresses, the echoes gain greater symbolic significance:

But, there were other echoes, from a distance, that rumbled menacingly in the corner […] they began to have an awful sound, as of a great storm in France with a dreadful sea rising.

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Explanation and Analysis—Domesticity, Destruction:

Throughout A Tale of Two Cities, Dickens uses the motif of threads and knitting to comment on the relationship between history and the actions of individuals. Both Lucie Manette and Madame Defarge are weavers, though their threads hold very different symbolic implications. In Book 2, Chapter 21, Lucie weaves a golden thread of harmonious domesticity:

Ever busily winding the golden thread which bound her husband, and her father, and herself, and her old directress and companion, in a life of quiet bliss, Lucie sat in the still house […] listening to the echoing footsteps of years.

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Book 3, Chapter 3
Explanation and Analysis—Shadowy Secrets:

Dickens uses the motif of shadows to suggest the existence of hidden secrets and hint at future events. One instance of this motif is in Book Three, Chapter Three, “The Shadow,” when Dickens describes Madame Defarge’s reaction to Lucie’s child:

The shadow attendant on Madame Defarge and her party seemed to fall so threatening and dark on the child, that her mother instinctively kneeled on the ground beside her, and held her to her breast.

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