A Taste of Honey
by Shelagh Delaney

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Helen Character Analysis

At the age of forty, Helen leads an unstable life that revolves around drinking and her romantic relationships with lovers, whom she depends on financially. Characterized by a domineering attitude and a tendency to follow only her selfish whims without considering the effects of her actions on others, Helen has an ambivalent relationship with her daughter Jo. While she occasionally demonstrates heartfelt concern for Jo’s troubles, she seems incapable of making decisions that will actually serve Jo’s interests or make her daughter feel loved and supported. Likewise, she seems to have an ambivalent relationship to money; she looks down on poverty even though she herself is incapable of providing for herself or her daughter. She therefore abandons her daughter midway through the play to live with Peter, her new lover; despite seeming to have a vague distaste for him, she needs his money. Her insensitive attitude toward Geof, and, later, toward the information that Jo’s child is the product of an interracial relationship, demonstrates her inability to accept behaviors that deviate from what she considers to be acceptable social behavior. While her intolerance and aggressiveness often prove harmful to others, she rarely seems concerned with anyone’s feelings but her own.

Helen Quotes in A Taste of Honey

The A Taste of Honey quotes below are all either spoken by Helen or refer to Helen. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Care and Responsibility Theme Icon
).

Act 1: Scene 1 Quotes

HELEN: When I find somewhere for us to live I have to consider something far more important than your feelings . . . the rent. It’s all I can afford.

JO: You can afford something better than this old ruin.

HELEN: When you start earning you can start moaning.

JO: Can’t be soon enough for me. I’m old and my shoes let water . . . what a place. . . and we’re supposed to be living off her immoral earnings.

HELEN: I’m careful. Anyway, what’s wrong with this place? Everything in it’s falling apart, it’s true, and we’ve no heating—but there’s a lovely view of the gasworks, we share a bathroom with the community and this wallpaper’s contemporary. What more do you want? Anyway it’ll do for us.

Related Characters: Jo (speaker), Helen (speaker)
Page Number and Citation: 7
Explanation and Analysis:
The opening lines of A Taste of Honey show Helen and her seventeen-year-old daughter Jo entering their new apartment, which Helen has rented once again without making Jo part of the decision-making process in any way. Helen’s attitude toward the apartment is ambiguous. On the one hand, she counters her daughter’s critiques by defending the various advantages that the apartment supposedly has, such as the view and the bathroom. This attitude of satisfaction culminates in her rhetorical question: “What more do you want?” which aims to discredit her daughter’s complaints, attacking them as unfounded and unreasonable. On the other hand, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta

JO: I’m going to unpack my bulbs. I wonder where I can put them.

HELEN: I could tell you.

JO: They’re supposed to be left in a cool, dark place.

HELEN: That’s where we all end up sooner or later. Still, it’s no use worrying, is it?

JO: I hope they bloom. Always before when I’ve tried to fix up a window box nothing’s ever grown in it.

HELEN: Why do you bother?

JO: It’s nice to see a few flowers, isn’t it?

Related Characters: Helen (speaker), Jo (speaker)
Related Symbols: Jo’s Flower Bulbs
Page Number and Citation: 11
Explanation and Analysis:
As Jo and her mother begin to unpack, Jo finds flower bulbs that she wants to use to liven up the apartment. The two women’s reaction to these bulbs reveals a stark contrast between Helen and Jo’s attitudes toward life. Whereas Jo wants to make their general living conditions more pleasant and to take care of something besides herself, Helen finds such efforts senseless. She does not understand why her daughter would want to engage in an enterprise that requires so much effort and has failed in the past. This highlights Helen’s lack of interest in enjoying some simple, natural Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non in

JO: See yourself. I’ve got to find somewhere for my bulbs.

HELEN: See yourself! Do everything yourself. That’s what happens. You bring’em up and they turn round and talk to you like that. I would never have dared talk to my mother like that when I was her age. She’d have knocked me into the middle of next week. Oh! my head. Whenever I walk, you know how it is! What a journey! I never realized this city was so big. Have we got any aspirins left, Jo?

Related Characters: Helen (speaker), Jo (speaker)
Related Symbols: Jo’s Flower Bulbs
Page Number and Citation: 12
Explanation and Analysis:
When Helen asks Jo to go see if the water for her coffee is boiling, Jo asks her to do so herself while she takes care of her plants. Helen reacts with exaggerated indignation to what she considers Jo’s defiance, calling her daughter selfish and ungrateful. Helen’s aggressive words iterate commonplace tropes about rebellious children who fail to respect their parents. This is highly ironic within the context of Jo and Helen’s relationship, which is far from traditional because of the instability of their lives and because Helen has failed to instill either respect or a sense of gratitude in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro p

JO: Anyway I’m not getting married like you did.

HELEN: Oh!

JO: I’m too young and beautiful for that.

HELEN: Listen to it! Still, we all have funny ideas at that age, don’t we—makes no difference though, we all end up same way sooner or later.

Related Characters: Helen (speaker), Jo (speaker)
Related Symbols: Engagement Rings
Page Number and Citation: 13
Explanation and Analysis:
After Jo and her mother discuss the possibility of Jo working in a bar and thus, according to Helen, potentially “ruining” her life, Jo accuse Helen of already ruining her own. She concludes that she does not want to get married and end up like her mother. Helen’s ironic comment about her daughter’s hopes suggests that she herself has no hope that Jo will make the right decisions in her life, or even that she is special at all. Instead, she believes that everyone ends up “the same way.” This comment might indicate death, since everyone is bound to die, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut.

HELEN: […] Have you ever thought of going to a proper art school and getting a proper training?

JO: It’s too late.

HELEN: I’ll pay. You’re not stupid. You’ll soon learn.

JO: I’ve had enough of school. Too many different schools and too many different places.

HELEN: You’re wasting yourself.

JO: So long as I don’t waste anybody else. Why are you so suddenly interested in me, anyway? You’ve never cared much before about what I was doing or what I was trying to do or the difference between them.

HELEN: I know, I’m a cruel, wicked woman.

Related Characters: Jo (speaker), Helen (speaker)
Page Number and Citation: 15
Explanation and Analysis:
After Helen discovers Jo’s drawings and realizes that her daughter has talent, she becomes enthusiastic and offers to pay for her artistic education. Jo’s refusal to let her do so is stubborn and frustrating, given that attending school could potentially give her better opportunities in life. It also reveals the lasting consequences that Helen’s upbringing has had on her daughter. Jo decides not to go to school because she is tired of the instability of her life, which is the result of Helen’s precarious financial decisions and of their constant moving. Jo decides that she would rather achieve financial independence Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

PETER: Is she always like this?

HELEN: She’s jealous . . .

PETER: That’s something I didn’t bargain for.

HELEN: Can’t bear to see me being affectionate with anybody.

JO: You’ve certainly never been affectionate with me.

PETER: Still, she’s old enough to take care of herself.

Related Characters: Jo (speaker), Peter Smith (speaker), Helen (speaker)
Related Symbols: Engagement Rings
Page Number and Citation: 19
Explanation and Analysis:
When Jo first meets Peter, he is flirting with her mother and ultimately asks Helen to marry him. Despite her weak efforts at rejecting him, Helen visibly enjoys her lover’s advances and interacts playfully with him. Jo decides to stay in the room and try to interrupt their conversation as often as possible, which makes Helen conclude that she is jealous. Jo’s interference in Peter and Helen’s relationship reveals her desire for attention—a desire that is not egotistical and self-absorbed but, rather, the reflection of the very real threat that Helen might once again abandon her for one of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invento

Act 1: Scene 2 Quotes

HELEN: […] There’s two w’s in your future. Work or want, and no Arabian Knight can tell you different. We’re all at the steering wheel of our own destiny. Careering along like drunken drivers. I’m going to get married. [The news is received in silence.] I said, I’m going to get married.

JO: Yes, I heard you the first time. What do you want me to do, laugh and throw pennies?

Related Characters: Jo (speaker), Helen (speaker), Peter Smith
Related Symbols: Engagement Rings
Page Number and Citation: 29
Explanation and Analysis:
When Jo sees an advertisement in a magazine for an Arabian mystic who can read people’s destinies, she mentions it to her mother. This leads Helen to give Jo a speech about life, telling her that there is no point in consulting so-called mystics and that she should rely only on her own discipline. Helen’s vision of life involves a paradoxical mix of control and ignorance. While she claims that Jo should take control of her life and that hard work is the only means for survival, she also accepts that this appearance of control can be entirely blind or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint ap

HELEN: There’s plenty of food in the kitchen.

JO: You should prepare my meals like a proper mother.

HELEN: Have I ever laid claim to being a proper mother? If you’re too idle to cook your own meals you’ll just have to cut food out of your diet altogether. That should help you lose a bit of weight, if nothing else.

PETER: She already looks like a bad case of malnutrition.

Related Characters: Helen (speaker), Jo (speaker), Peter Smith (speaker)
Page Number and Citation: 35
Explanation and Analysis:
As Helen and Peter are about to leave the apartment to go celebrate their engagement, they both say they are hungry and, when Jo says she is too, Helen claims that she has no responsibility to feed her. Helen’s typical way of avoiding her responsibilities is to attack her daughter. Here, to avoid being reminded that she has a duty to provide for her only child, she calls Jo idle and implies that it is her own fault if she does not have enough food. While Helen’s reactions are often crude and insensitive, demonstrating a lack of interest in Jo’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

HELEN: You stupid little devil! What sort of a wife do you think you’d make? You’re useless. It takes you all your time to look after yourself. I suppose you think you’re in love. Anybody can fall in love, do you know that? But what do you know about the rest of it?

JO: Ask yourself.

HELEN: You know where that ring should be? In the ashcan with everything else. Oh! I could kill her, I could really.

JO: You don’t half knock me about. I hope you suffer for it.

HELEN: I’ve done my share of suffering if I never do any more. Oh Jo, you're only a kid. Why don’t you learn from my mistakes? It takes half your life to learn from your own.

Related Characters: Jo (speaker), Helen (speaker), Peter Smith, Jimmie (“The Boy”)
Related Symbols: Engagement Rings
Page Number and Citation: 41
Explanation and Analysis:
When Helen learns that Jo has gotten engaged to her boyfriend, she reacts with anger and frustration. This is one of the few moments in the play when Helen tries to reason with Jo as best she can and sincerely expresses a desire to help her daughter make the right decision. Despite Helen’s frequent aggression, insults, and threats of physical violence, in this moment she also tries to impart wisdom to Jo and to reason with her. She argues that love and long-term commitment are two separate things, and that Jo is too young to become stuck in marriage. Jo’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime.

HELEN: I don’t suppose you’re sorry to see me go.

JO: I’m not sorry and I’m not glad.

HELEN: You don’t know what you do want.

JO: Yes, I do. I’ve always known what I want.

HELEN: And when it comes your way will you recognize it?

JO: Good luck, Helen.

Related Characters: Jo (speaker), Helen (speaker), Peter Smith
Related Symbols: Engagement Rings
Page Number and Citation: 44
Explanation and Analysis:
When Helen leaves the apartment to go get married to Peter, she assumes that Jo is not upset by her departure. Jo’s equivocal words suggest precisely the opposite. While Jo admits that she is not sorry, thus seemingly confirming her mother’s opinion, she also adds that she is not glad, either. This serves as a subtle, yet noticeable hint that she does actually care for her mother, and that at least part of her would have wanted her to stay. Helen’s failure to notice this suggests that she is incapable of understanding her daughter’s true feelings—or, perhaps, that she does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta p

Act 2: Scene 1 Quotes

JO: This place stinks. [Goes over to the door. Children are heard singing in the street.] That river, it’s the colour of lead. Look at that washing, it’s dirty, and look at those filthy children.

GEOF: It’s not their fault.

JO: It’s their parents’ fault. There’s a little boy over there and his hair, honestly, it’s walking away. And his ears. Oh! He’s a real mess! He never goes to school. He just sits on that front doorstep all day. I think he’s a bit deficient.

[The children’s voices die away. A tugboat hoots.]

His mother ought not to be allowed.

GEOF: Who?

JO: His mother. Think of all the harm she does having children.

Related Characters: Geoffrey Ingram (speaker), Jo (speaker), Helen
Related Symbols: Children’s Singing and Nursery Rhymes
Page Number and Citation: 54
Explanation and Analysis:
Throughout the play, most characters comment on how dirty and dilapidated Jo’s apartment and neighborhood are. Jo’s own criticism is not meant as mere observation or as a simple complaint. Rather, she understands that the circumstances people live in are the result of their parentage. Her criticism, then, is personal as well as social. It reflects her disgust with her environment but brings to light an important reality: the fact that people’s upbringing influences their education and opportunities. After watching a child who seems affected by a mental disability, Jo concludes that his mother is responsible for a lot of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Qui

HELEN: Well, come on, let’s have a look at you. [JO turns away.] What’s up? We’re all made the same, aren’t we?

JO: Yes we are.

HELEN: Well then. Can you cut the bread on it yet? [JO turns.] Yes, you’re carrying it a bit high, aren’t you? Are you going to the clinic regularly? Is she working?

Related Characters: Helen (speaker), Jo (speaker), Geoffrey Ingram
Page Number and Citation: 61
Explanation and Analysis:
After Geof tells Helen that Jo is pregnant, Helen comes to the apartment to scold Jo as much as help her. While she initially refuses to accept her responsibilities as a mother, she also proves curious about Jo’s pregnancy and wants to observe her daughter’s stomach. This dialogue shows Helen trying to bond with Jo over the shared experience of being pregnant and giving birth. Her comment that “[w]e’re all made the same” suggests that the two of them are united by a unique female bond, relating to the very nature of their bodies. On a more abstract level, it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfere

HELEN: You couldn’t wait, could you? Now look at the mess you’ve landed yourself in.

JO: I’ll get out of it, without your help.

HELEN: You had to throw yourself at the first man you met, didn’t you?

JO: Yes, I did, that’s right.

HELEN: You’re man mad.

JO: I’m like you.

HELEN: You know what they’re calling you round here? A silly little whore!

JO: Well, they all know where I get it from too.

Related Characters: Jo (speaker), Helen (speaker)
Page Number and Citation: 62
Explanation and Analysis:
Before offering Jo money to help her throughout her pregnancy, Helen accuses her of being foolish and misguided. Her various judgments (“man mad,” “a silly little whore”) demonstrate her preoccupation with social categories and for her daughter’s reputation. Instead of helping Jo, these comments are insulting, aiming to add shame and public dishonor to Jo’s pre-existing list of troubles. Jo’s reaction is not to justify her choices but rather to declare her independence from Helen’s judgment while also comparing herself directly to her mother, who is guilty of exactly the same things as Jo. Jo’s resistance to Helen’s attacks shows, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

JO: It’s taken you a long time to come round to this, hasn’t it?

HELEN: What?

JO: The famous mother-love act.

HELEN: I haven’t been able to sleep for thinking about you since he came round to our house.

JO: And your sleep mustn’t be disturbed at any cost.

Related Characters: Helen (speaker), Jo (speaker), Geoffrey Ingram
Page Number and Citation: 64
Explanation and Analysis:
When Helen asks Jo about her finances, arguing that she should not suffer from any economic problems, Jo reacts aggressively, noting that her mother has never shown such concern for her throughout her life. In this case, too, Helen’s actions do not necessarily reflect true care for another human. Indeed, the only reason for her presence in Jo’s apartment is because Geof decided to inform her of Jo’s pregnancy. The fact that Geof had to reach out to Helen during this trying time, when Jo has been living alone, only emphasizes Helen’s utter detachment from Jo’s life. Furthermore, Helen does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debit

Act 2: Scene 2 Quotes

JO: You know, some people like to take out an insurance policy, don’t they?

GEOF: I’m a bit young for you to take out one on me.

JO: No. You know, they like to pray to the Almighty just in case he turns out to exist when they snuff it.

GEOF [brushing under the sofa]: Well, I never think about it. You come, you go. It’s simple.

JO: It’s not, it’s chaotic—a bit of love, a bit of lust and there you are. We don’t ask for life, we have it thrust upon us.

GEOF: What’s frightened you? Have you been reading the newspapers?

JO: No, I never do. Hold my hand, Geof.

Related Characters: Helen (speaker), Jo (speaker)
Related Symbols: Jo’s Flower Bulbs
Page Number and Citation: 71
Explanation and Analysis:
When Geof cleans the apartment, he discovers Jo’s flower bulbs under the sofa. These are the same bulbs that Jo had brought with her to the apartment on the day she and Helen moved in and had planned to decorate it with. When Jo discovers that her bulbs are now dead, she reflects on death and the unpredictability of life. Jo realizes that death is so frightening that it can be useful to have hope in something, such as the existence of God, to make its inevitability more tolerable. While it remains unclear whether she plans to try to believe Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volu

GEOF: That doesn’t mean to say it’s the truth. Do people ever tell the truth about themselves?

JO: Why should she want to spin me a yarn like that?

GEOF: She likes to make an effect.

JO: Like me?

GEOF: You said it. You only have to let your hair grow for a week for Helen to think you’re a cretin.

Related Characters: Geoffrey Ingram (speaker), Jo (speaker), Helen
Page Number and Citation: 73
Explanation and Analysis:
When Geof discovers that Jo believes her father was intellectually challenged (what Jo previously called an “idiot”), he finds the idea preposterous and assumes that Helen was lying when she told Jo the story. Despite Jo’s frequent criticism of her mother and her seemingly lucid knowledge of Helen’s flaws, she is surprised to think that Helen could have lied to her. Jo’s independence of thought thus proves limited, as Geof is capable of making her see her mother—and her own self—from a different perspective. Indeed, Geof proves to Jo that both Helen and she enjoy dramatizing their lives, exaggerating their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum.

HELEN: What an arty little freak! I wasn’t rude to him. I never said a word. I never opened my mouth.

JO: Look, he’s the only friend I’ve got, as a matter of fact.

HELEN: Jo! I thought you could find yourself something more like a man.

JO: Why were you so nasty to him?

HELEN: I wasn’t nasty to him. Besides, I couldn’t talk to you in front of him, could I? Hey, wait till you see these things for the baby.

JO: You hurt people’s feelings and you don’t even notice.

Related Characters: Jo (speaker), Helen (speaker), Geoffrey Ingram
Page Number and Citation: 79
Explanation and Analysis:
When Helen returns to the apartment after Peter has left her, she insults Geof and makes him leave the apartment. Jo attempts to defend her friend and to make her mother understand that her epithets for Geof, which depict him as an effeminate “freak,” are harmful. However, Jo’s attitude is naïve. While she believes that her mother merely doesn’t notice when she hurts people, she does not understand that Helen is intentionally trying to provoke Geof in order to make him leave—which she ultimately succeeds in doing. Helen does not want to discuss Geof’s presence. Instead, she tries to change Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserun

JO: So we’re back where we started. And all those months you stayed away from me because of him! Just like when I was small.

HELEN: I never thought about you! It’s a funny thing, I never have done when I’ve been happy. But these last few weeks I’ve known I should be with you.

JO: So you stayed away.

HELEN: Yes. I can’t stand trouble.

JO: Oh, there’s no trouble. I’ve been performing a perfectly normal, healthy function. We’re wonderful! Do you know, for the first time in my life I feel really important. I feel as though I could take care of the whole world. I even feel as though I could take care of you, too!

Related Characters: Jo (speaker), Helen (speaker), Geoffrey Ingram, Peter Smith
Related Symbols: Engagement Rings
Page Number and Citation: 81
Explanation and Analysis:
By the end of A Taste of Honey, Jo and Helen are living together again, just as they were at the beginning of the play. Jo realizes that this situation is one that she has experienced repeatedly throughout her life, as time and again her mother has left her for her boyfriends and then returned when those relationships have failed. Helen’s present return, then, cannot be a reflection of any long-term commitment. Helen does not try to contradict her daughter. Rather, she emphasizes her independence from any motherly responsibilities, as she explains that her happiness is completely separate from Jo’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laboru
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Helen Character Timeline in A Taste of Honey

The timeline below shows where the character Helen appears in A Taste of Honey. The colored dots and icons indicate which themes are associated with that appearance.
Act 1: Scene 1
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Rebellion and Independence Theme Icon
Helen and her daughter Jo are carrying luggage into their new apartment. Jo, who is seeing... (full context)
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Seemingly indifferent to Jo’s remarks, Helen asks her daughter for alcohol. Jo grudgingly hands her a whisky bottle while Helen complains... (full context)
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...the two of them try to figure out if the apartment has a heating system, Helen tries to convince Jo to drink, but Jo says she doesn’t like the smell. When... (full context)
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Jo keeps complaining about the apartment’s state and, when Helen agrees that it is indeed in bad shape, Jo says that her mother never thinks... (full context)
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When Jo asks if young people live next door, Helen says that she is not sure but notes that Jo might be able to find... (full context)
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...the river and that the nearby slaughterhouse will probably smell in the summer, to which Helen cynically replies that the entire city smells. Helen complains about cold air passing through the... (full context)
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...to use to make the apartment look prettier, saying that she hopes they bloom, but Helen doesn’t understand why her daughter is going to so much trouble. She tells Jo to... (full context)
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After asking Jo if she has any aspirins left, Helen notes matter-of-factly that this new move will make Jo’s journey to school much longer. However,... (full context)
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Upset at her mother’s uncaring attitude, Jo says that Helen could probably do a better job of ruining her... (full context)
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Jo recalls a dream about her mother that she had the previous night. Policemen were digging in a garden and found her... (full context)
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When Helen begins to organize some of their belongings, she sees drawings that Jo has made and... (full context)
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Jo asks Helen why they had to move yet again. Before her mother has a chance to answer,... (full context)
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Seemingly resigned, Jo decides to go bathe and Helen tells her the communal bathroom is at the end of the hallway. When Jo notes... (full context)
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Peter suddenly walks in, boldly, with a cigar in his mouth. Helen is surprised to see him and asks him how he found her address, and after... (full context)
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Full of underlying anger, Jo tells Peter that Helen must never have mentioned to him that she had a daughter. While both Helen and... (full context)
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When Peter notices that Helen’s nose is damp, he gives her a tissue to blow her nose and she does.... (full context)
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Finally, Peter nonchalantly asks Helen to marry him. Surprised, Helen tells him she is too old for him, but Peter... (full context)
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...by sitting down and thus keeping them from talking. Peter complains about Jo’s attitude and Helen says she is jealous because she doesn’t like seeing her mother behave affectionately toward other... (full context)
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Jo says that Helen should be in bed and asks if Peter is going to leave. Helen decides that... (full context)
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Helen goes to bed, saying that they can always take care of cleaning tomorrow. Jo, who... (full context)
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Jo ironically says that Helen should have made Peter stay, since it is not the first time her mother has... (full context)
Act 1: Scene 2
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Jimmie asks Jo what her mother will say and Jo says that she will probably laugh. Jimmie does not understand why... (full context)
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...has a pretty neck and Jo tries to hide the ring away, so that her mother will not see it and laugh at her. She tells Jimmie that she is leaving... (full context)
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When Jo enters her apartment, Helen notices that Jo is late and says that her eyes betray the fact that she... (full context)
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Jo asks Helen to look up in a magazine what is playing at the cinema tomorrow. Helen criticizes... (full context)
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Suddenly, Jo asks her mother what her birthdate is and Helen admits she doesn’t know, ironically saying she has always... (full context)
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...the magazine, Jo notices a commercial for an Arabian mystic who reads people’s destinies, and Helen makes a speech about the only two things that matter in life: work and want.... (full context)
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Jo initially remains silent when she hears about her mother’s engagement. However, after Helen incites her to react, Jo says she cannot possibly feel happy... (full context)
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...of chocolates. While he looks uncomfortable, Jo ironically calls him “Daddy” and Peter realizes that Helen has already told Jo the news. Helen compliments Peter on how handsome he looks and... (full context)
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...father. Suddenly, in a fit of mixed tears and laughter, she attacks him physically and Helen re-enters the room, telling Jo to leave Peter alone. Peter asks Helen why she cannot... (full context)
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Peter and Helen then announce that they are celebrating the fact that Peter has bought a house, which... (full context)
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...find young women attractive. At the same time, he notes that he does not find Helen old. (full context)
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Jo asks him why he is marrying Helen and Peter asks her why he shouldn’t, to which Jo gives him a frustrated, obscure... (full context)
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Peter, who has by now become impatient, is about to tell Helen he will wait for her in the pub, but Helen suddenly appears, looking for her... (full context)
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Jo asks Helen why she is marrying Peter, and Helen says that it has to do with his... (full context)
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When Helen and Peter say they are hungry, Jo, trying to remind her mother of her responsibilities,... (full context)
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...the couple he just saw exiting the building and Jo tells him it was her mother and her new fiancé. Jimmie notes that Jo would be a lovely bridesmaid but Jo... (full context)
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...is going someplace warm with the Navy, which Jimmie says he is. Seemingly obsessed with Helen, Jo continues interrogating Jimmie about her mother, asking him if he finds Helen beautiful and... (full context)
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Helen is bearing boxes full of wedding clothes and is excitedly telling Jo to hurry up.... (full context)
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 While getting ready, Helen suddenly notices that Jo is trying to hide something. Aggressive in her curiosity, she finally... (full context)
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Helen, who seems truly distraught at her daughter’s decision, suddenly softens in an effort to convince... (full context)
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Jo changes the subject to her cold, saying this too is Helen’s fault. She asks her mother for some water but Helen hands her whiskey, which leads... (full context)
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Before Helen leaves, Jo asks Helen what her father was like. Helen ends up revealing to Jo... (full context)
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Disappointed with what her mother has just told her, Jo complains about her father’s story, but Helen retorts that it... (full context)
Act 2: Scene 1
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...he shouldn’t worry about her, but Geof says he likes her. He asks about her mother and Jo gives vague information about Helen’s plan to marry a man and live in... (full context)
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Helen suddenly enters the apartment, loudly asking for Jo and calling Geof Romeo, while Geof, in... (full context)
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Geof complains to Helen that Jo never leaves the apartment, which is the main reason he asked for Helen’s... (full context)
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Helen makes ironic comments about Jo’s boyfriend’s absence and Geof, in turn, attacks Helen for being... (full context)
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Helen chases Jo through the room while attacking her verbally for the dreadful situation she has... (full context)
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Geof tells the women to stop yelling, to which Helen replies that they enjoy it. Helen proceeds to give Jo a speech about the importance... (full context)
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After Geof leaves, Helen laments Jo’s thinness and, in a pacifying voice, tells her that she didn’t come here... (full context)
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Peter then enters the apartment, drunk, aggressive, and angry at having to wait for Helen outside in such a dirty neighborhood. While Helen replies equally aggressively, telling him to go... (full context)
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...the kitchen to look for drinks, crashes into objects, and re-enters the room. He mocks Helen’s appearance, ultimately calling her a “sour-faced old bitch” and asking her to come out for... (full context)
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Helen calls Peter a drunkard and tells him to leave. When Peter notices that Helen is... (full context)
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Jo chats with her mother about Peter’s state, asking her how long he has been like this, but Helen changes... (full context)
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Taking on a more sincere, compassionate tone, Helen asks Jo to come stay with her, but Jo refuses, which leads Helen to attack... (full context)
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Peter then enters the apartment again, more sober but also more hostile. Helen keeps offering to take care of Jo, but Jo argues that her mother should have... (full context)
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Helen says that she does not want Jo to stay in such a repulsive neighborhood but... (full context)
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After Peter and Helen leave, Geof is at least relieved that Helen has left Jo money but Jo explains... (full context)
Act 2: Scene 2
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...Jo down she admires his hands, saying that she used to try to hold her mother’s hands but that Helen would always pull away from her. Jo notes that Helen always... (full context)
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...her father was both an Irishman and an idiot. She summarizes the story that her mother told her, explaining that Helen had sex with an idiot because she never had sex... (full context)
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...this is clearly an untrue story. He asks her if she can actually imagine her mother going out with an “idiot” and Jo admits that Geof is probably right: Helen would... (full context)
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...consider giving her baby up for adoption. He wonders if Jo might feel differently about motherhood once her baby is born but Jo denies that possibility. Geof then asks her if... (full context)
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Helen suddenly enters the apartment, carrying luggage in the same way she did at the very... (full context)
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Geof joins the conversation and Helen is shocked to note that he is still there, although she also expected it. She... (full context)
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Helen then changes the subject, asking for a cup of tea and complaining that her suitcases... (full context)
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Helen then directly asks Geof to leave, saying she wants to talk to her daughter, and... (full context)
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Helen feigns surprise at Geof’s departure and Jo attacks her for being rude. Helen defends herself,... (full context)
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Jo asks Helen to stop being mean to Geof and inquires whether Peter has kicked her out. Instead... (full context)
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While Helen seems contemptuous of Jo’s lack of definite plans, Jo criticizes her mother’s attitude of superiority,... (full context)
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Helen finally reveals that Peter left her for another woman, and Jo cannot believe that the... (full context)
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Helen tells Jo that she has ordered a baby cot for her. When Jo shows her... (full context)
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Helen then asks Geof to throw out the wicker basket, saying she refuses to put her... (full context)
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...she wanted him with her during labor, since that would keep her from feeling scared. Helen finds the idea of a man’s presence during childbirth revolting, but Geof argues that husbands... (full context)
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Helen goes to sit by Jo’s side and Jo asks her if childbirth is painful. Helen... (full context)
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Jo then worries about where Helen is going to sleep but Helen tells her not to worry. As she is wondering... (full context)
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Helen then hears children singing outside and recalls her own childhood. She gives a long speech... (full context)
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Jo then announces that her baby is going to be black. Taken by surprise, Helen at first doesn’t understand what Jo is saying and thinks Jo is merely giving in... (full context)
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Irritated, Jo tells Helen that she can leave if she is not satisfied with the situation. Helen gets ready... (full context)
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Before leaving the apartment in a rush, Helen concludes that what she will with the baby is to “put it on the stage... (full context)