Absalom, Absalom!
by William Faulkner
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Henry Sutpen Character Analysis

Henry Sutpen is Thomas Sutpen’s son. He’s an impressionable young man who becomes close friends with Charles Bon (who, unbeknownst to Henry, is Sutpen’s illegitimate son) when the two meet while attending the University of Mississippi. Bon’s refined, cosmopolitan sensibilities enchant Henry, and he soon takes to imitating his style and dress—all the while failing to realize that Bon is his half-brother. In fact, Henry is so enamored of Bon that he goes out of his way to encourage Bon’s courtship of Judith, Henry’s sister—and Bon’s half-sister. In this way, Henry is involved in an incest conflict with Bon and Judith. There are hints throughout the book that Henry and Judith’s sibling relationship is closer than natural, and it’s possible that Henry’s initial enthusiasm for Bon and Judith’s engagement—even before he knows Bon is their half-sibling—could reflect Henry’s unconscious desire to wed his own sister. After Sutpen reveals to Henry the truth of Bon’s identity, Henry initially rejects his birthright, sides with Bon, and even comes to accept Bon and Judith’s incestuous engagement. However, Henry later betrays and murders Bon outside the gate to Sutpen’s Hundred after Sutpen discloses the truth of Bon’s mixed ancestry—apparently finding the idea of Judith marrying a Black man more horrifying than the prosect of incest. After the murder, Henry goes into hiding, only returning to Sutpen’s Hundred as an old man to die there. Clytie cares for him, hiding him away in the old house until Rosa and Quentin discover him there at the end of the story. When Rosa later returns to the house to bring Henry medical attention, Clytie mistakes the ambulance for the authorities come to finally hang Henry for Bon’s murder. She then lights the house on fire, killing herself and Henry.

Henry Sutpen Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Henry Sutpen or refer to Henry Sutpen. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).

Chapter 3 Quotes

That’s what Miss Rosa heard. Nobody knows what she thought.

Related Characters: Mr. Compson (speaker), General Compson, Quentin Compson, Rosa Coldfield, Henry Sutpen, Thomas Sutpen, Charles Bon, Ellen Coldfield
Page Number and Citation: 62
Explanation and Analysis:
While waiting for it to be time for him to return to Rosa Coldfield’s house, where she’ll tell Quentin more of her story about her longstanding grudge against Thomas Sutpen, Quentin listens to Mr. Compson tell his own story about Sutpen, which he’s pieced together through details his own father (General Compson) told him. At this point in the story, Mr. Compson has just gotten to the argument that Henry Sutpen and Thomas Sutpen get into one fateful Christmas Eve. People know what came of the argument—Henry Sutpen renounced his birthright and left Sutpen’s Hundred with his close friend Charles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qu

Chapter 4 Quotes

“[…] Oh he was shrewd, this man whom for weeks now Henry was realising that he knew less and less, this stranger immersed and oblivious now in the formal, almost ritual, preparations for the visit, finicking almost like a woman over the fit of the new coat which he would have ordered for Henry, forced Henry to accept for this occasion, by means of which the entire impression which Henry was to receive from the visit would be established before they even left the house, before Henry ever saw the woman: and Henry, the countryman, the bewildered, with the subtle tide already setting beneath him toward the point where he must either betray himself and his entire upbringing and thinking, or deny the friend for whom he had already repudiated home and kin and all […].”

Related Characters: Mr. Compson (speaker), Quentin Compson, Henry Sutpen, Charles Bon, Thomas Sutpen, Charles Bon’s Mistress
Page Number and Citation: 90
Explanation and Analysis:
In this passage, which is told from Mr. Compson’s perspective, Mr. Compson continues to relate to Quentin his version of Thomas Sutpen’s life and the tragedies that undid the Sutpen dynasty. Here, Mr. Compson speculates on what happened during the trip to Bon’s home in New Orleans that Bon and Henry took after Henry renounced his family and fled Sutpen’s Hundred following his argument with Sutpen on Christmas Eve. Mr. Compson crafts a narrative where Bon, following Henry’s break with his family, now has Henry in the palm of his hand: Henry rejected his family out of loyalty to Bon, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus.

Chapter 8 Quotes

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Henry Sutpen, Judith Sutpen, Thomas Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number and Citation: 285
Explanation and Analysis:
This passage is Bon’s response to Henry after Henry pleads with Bon not to marry Judith—Henry’s sister and Bon’s half-sister. Despite Henry’s earlier acceptance of Bon’s plan to go through with the incestuous marriage (which, in this version of the story, he formulates in order to get back at Sutpen for abandoning him and then failing to acknowledge him as his son), Henry rescinds his approval after learning of Bon’s mixed-race ancestry. Here, Bon shifts the blame away from himself and toward Sutpen. For the past four years, ever since Henry first brought Bon home to visit Sutpen’s Hundred (at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel v

Chapter 9 Quotes

“Yes. I remember your grandpaw. You go up there and make her come down. Make her go away from here. Whatever he done, me and Judith and him have paid it out. You go and get her. Take her away from here.”

Related Characters: Clytie (speaker), Charles Bon, Thomas Sutpen, General Compson, Quentin Compson, Rosa Coldfield, Judith Sutpen, Henry Sutpen
Page Number and Citation: 296
Explanation and Analysis:
Quentin has accompanied Miss Rosa to Sutpen’s derelict mansion, where Miss Rosa claims someone is hiding upstairs (that someone turns out to be the dying Henry Sutpen, who has been a fugitive for the past 43 years, ever since he murdered Charles Bon). Clytie, Sutpen’s daughter by one of his enslaved women, tries to stop Miss Rosa from walking upstairs to find (and, Clytie seems to fear, murder) Henry. She calls on Quentin to help her after a determined and scornful Rosa defies Clytie, knocking her to the ground when Clytie tries to stand in Rosa’s way. Clytie urges Quentin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequ

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number and Citation: 303
Explanation and Analysis:
This exchange between Quentin Compson and his roommate Shreve concludes the novel. Quentin and Shreve have finished working through Quentin’s telling of the story of Sutpen. The activity took the form of a back-and-forth exchange wherein Quentin would tell sections of the story to Shreve, and then Shreve would respond by repeating back bits of the story to ensure that he grasped what Quentin had just told him, peppering his speech with glib jokes that emphasized his ignorance about the story’s subjects and region. Now Shreve poses one final question to Quentin: “Why do you hate the South?” Shreve’s question Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed p
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Henry Sutpen Character Timeline in Absalom, Absalom!

The timeline below shows where the character Henry Sutpen appears in Absalom, Absalom!. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Storytelling, Perspective, and Truth  Theme Icon
Miss Rosa is talking about Colonel Sutpen, who arrived here “out of nowhere,” accompanied by “a band of strange niggers,” and constructed... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...hid from Confederate soldiers in his attic and later starved to death there. Her nephew Henry served in the same company as his sister, Judith’s, fiancé. Henry later shot the fiancé... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...picked Quentin for the job because his grandfather (General Compson) was the closest thing Colonel Sutpen had to a real friend. It’s her way of keeping the family secrets within the... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
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The narrative returns to Rosa’s story, conveyed in Rosa’s own words. Colonel Sutpen “wasn’t a gentleman,” she notes. He arrived in Yoknapatawpha County with just his horse and... (full context)
Storytelling, Perspective, and Truth  Theme Icon
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Rosa explains that marrying Ellen didn’t make Sutpen into “a gentleman”—not that he’d wanted to be one. He just needed the Coldfield name... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...her choices, she tells Quentin. After all, she had 20 years to see what Thomas Sutpen had been up to. Not that Rosa witnessed Thomas’s schemes firsthand—the raree show he set... (full context)
The South  Theme Icon
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...that Heaven saw fit to let us lose?” He says it isn’t. Rosa laments Thomas Sutpen’s choosing her family, of all people he could’ve chosen, to bring down with him. She... (full context)
Storytelling, Perspective, and Truth  Theme Icon
...laments having been too young at the time for the story of Ellen, Judith, and Henry to be more than “an ogre-tale.” When Ellen, before her death, asked Rosa to protect... (full context)
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The Limits of Ambition  Theme Icon
Rosa will always remember the first time she saw Thomas and Ellen’s children, Judith and Henry, arrive in the carriage. She’d been three and had woken up that morning anticipating their... (full context)
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Rosa and Mr. Coldfield go to Sutpen’s Hundred (his estate) once a year to have dinner, and Ellen and the children come... (full context)
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The South  Theme Icon
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Ellen asks the spectators to leave so she and Sutpen can talk in private. Then she asks Sutpen where Judith is. He claims not to... (full context)
Chapter 2 
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
...time to listen to Miss Rosa. Mr. Compson describes to Quentin the occasion of Colonel Sutpen’s arrival. In Mr. Compson’s telling, Sutpen arrives in town on a Sunday morning in June.... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
Sutpen is 25 when he arrives in Jefferson, but this is impossible to tell, as he’s... (full context)
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Later, the townspeople find out that Sutpen has bought 100 square miles of untouched land in town from a Chickasaw Indian agent,... (full context)
The South  Theme Icon
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Stories about “Sutpen’s wild negroes” spread after people observe a band of Sutpen’s enslaved men, who speak no... (full context)
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Not long after, Sutpen starts to invite men to his land, Sutpen’s Hundred, to hunt, drink, play cards, and... (full context)
The Limits of Ambition  Theme Icon
Sutpen begins the next “phase” of his plan three years after the mansion’s completion, walking into... (full context)
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The Limits of Ambition  Theme Icon
Sutpen then abruptly leaves Jefferson for the second time. However, things are different upon his second... (full context)
The Limits of Ambition  Theme Icon
One day, the sheriff and a group of men head to Sutpen’s Hundred to arrest Sutpen, figuring he must have made his fortune illegally. On their way... (full context)
Storytelling, Perspective, and Truth  Theme Icon
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Ellen and Sutpen’s wedding takes place in the Methodist church in June of 1838, exactly five years after... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
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...at the wedding. It’s a grand affair, something “the aunt” convinced Mr. Coldfield to fund. Sutpen didn’t ask for a big wedding but welcomed it, wanting everyone to see “the stainless... (full context)
The Limits of Ambition  Theme Icon
...of dirt at her, and the crowd watches as she “shrink[s] into the shelter of [Sutpen’s] arm.” Sutpen leads Ellen into the carriage. Nobody throws anything else. Mr. Compson, in the... (full context)
Chapter 3
Storytelling, Perspective, and Truth  Theme Icon
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Mr. Compson continues his telling of Sutpen’s story. He explains that Rosa went to live with Judith at Sutpen’s Hundred after Mr.... (full context)
Storytelling, Perspective, and Truth  Theme Icon
...supplying her with the opportunity to observe her sister’s dying request.” Mr. Compson explains that Sutpen returned in 1866 to find Rosa living there with Judith and Clytie (short for Clytemnestra,... (full context)
Storytelling, Perspective, and Truth  Theme Icon
Mr. Compson shifts his focus to Rosa’s childhood visits to Sutpen’s Hundred with her spinster aunt. During these visits, Rosa is ordered to play with her... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
...the time Rosa is 10, the spinster aunt has run away, and so Rosa visits Sutpen’s Hundred once per year with her father—Mr. Coldfield insists on it, though Rosa doesn’t know... (full context)
Storytelling, Perspective, and Truth  Theme Icon
...never explains his decision. It could be that there’s no point now that Judith and Henry are grown up and Henry is away at college in Oxford, Mississippi. (full context)
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
Rosa won’t see Sutpen again for many years, but she sees a lot more of Judith and Ellen. Ellen... (full context)
Storytelling, Perspective, and Truth  Theme Icon
...head to Memphis to buy Judith clothing for her trousseau. This is the year after Henry goes off to college and after he brought his friend Charles Bon, who is from... (full context)
The South  Theme Icon
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Rosa didn’t see Henry the winter he and Charles Bon were home from school, though she heard of all... (full context)
Storytelling, Perspective, and Truth  Theme Icon
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...Rosa’s clothes or the house’s décor. It’s 1860 now, and war is inevitable. Meanwhile, the Sutpen family starts to feel the dark end their shared “destiny” is leading them toward, though... (full context)
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Rosa hasn’t seen Charles Bon at this point. Bon is a few years older than Henry and a bit too old to be in college. He also feels out of place... (full context)
Storytelling, Perspective, and Truth  Theme Icon
...town all about Judith’s engagement to Charles Bon. Then, one day, something happens: Bon and Henry leave without saying a word, and Ellen shuts herself in the dark room and doesn’t... (full context)
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Everyone in town attributes Henry’s abrupt departure to his youth or his being a Sutpen. Meanwhile, Judith and Sutpen continue... (full context)
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Despite Henry’s abrupt departure, Rosa carries on as though nothing is wrong, continuing to sew Judith’s wedding... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
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...regiment leave Jefferson because Mr. Coldfield forbids her from doing so. But it isn’t because Sutpen is part of it—Rosa’s father objected to the war long before it was actually declared.... (full context)
The South  Theme Icon
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...the store since it was looted. Meanwhile, Ellen has been dead for two years, and Henry has since vanished. (full context)
Storytelling, Perspective, and Truth  Theme Icon
Though going to live with Judith at Sutpen’s Hundred would be the most practical choice for Rosa, she doesn’t do this at first.... (full context)
Chapter 4
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
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Social Taboos, Racism, and Inherited Trauma  Theme Icon
...still holding the letter, sits with Quentin on the veranda. Continuing his story about the Sutpen saga, he muses that Henry gave up his birthright and financial security out of love... (full context)
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It was Henry, Mr. Compson explains, who held all the cards. Judith didn’t know what happened in the... (full context)
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Bon, like Sutpen, arrived seemingly without a past, and he mystifies Mr. Compson. Though he easily charmed Judith... (full context)
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Bon loved Judith—though, Mr. Compson adds, Sutpen would learn that Bon had professed his love to others before Judith. Mr. Compson explains... (full context)
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Henry, Mr. Compson declares, was “the provincial, the clown almost,” who got carried away and acted... (full context)
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Mr. Compson suggests that Henry witnessed the entirety of Judith and Bon’s courtship, for there was no time or opportunity... (full context)
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Mr. Compson continues his story. After Henry and Bon leave that Christmas morning, Judith doesn’t see Bon for four years. And during... (full context)
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In June, after school wraps up, Bon and Henry arrive at Sutpen’s Hundred, planning to spend a couple days there before continuing on to... (full context)
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Mr. Compson speculates that if Henry had only gone with Bon to New Orleans instead of waiting until the next summer... (full context)
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In Mr. Compson’s telling, after that Christmas, Judith starts sending letters to Bon, and Henry reads them “without jealousy,” and in the process he becomes “the body which was to... (full context)
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The Christmas of 1860, Bon and Henry return to Sutpen’s Hundred. By this point, Ellen has already told everyone in town about... (full context)
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Mr. Compson imagines how Bon would have come clean to Henry—all the “calculation” that went into it. It wouldn’t be the fact of Bon’s mistress and... (full context)
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Mr. Compson imagines Bon leading Henry to a brothel in New Orleans, scandalizing Henry, and Bon trying gently to defend his... (full context)
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What happened four years later, Mr. Compson argues, should have happened the day Bon brought Henry to the brothel. But it doesn’t happen that way. Instead, Henry waits four years for... (full context)
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Mr. Compson’s story continues. That spring, Bon and Henry return north to Mississippi. Bull Run has already been fought, and they join a company... (full context)
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...her to unchastity,” Mr. Compson argues. And she couldn’t have known the truth about why Sutpen prohibited the marriage. Had she known about the other woman, she might have solved the... (full context)
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Mr. Compson continues his story. Henry and Bon go off to war, and Bon is made lieutenant (though Mr. Compson doubts... (full context)
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Ellen dies and is buried under a massive marble monument Sutpen brought from Charleston, South Carolina. Then Judith’s grandfather Mr. Coldfield dies, having starved to death... (full context)
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...Judith received this letter. They made the veil from scraps of fabrics. Maybe Bon showed Henry the letter before sending it, Mr. Compson suggests. But maybe he didn’t. Maybe he simply... (full context)
Chapter 5
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...the people who talk about her can’t describe what Rosa did once she arrived at Sutpen’s Hundred—how she approached the “rotting” place, its dilapidated, empty state somehow “more profound than ruin.”... (full context)
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...not seeing it before, and she also feels foolish for coming here expecting to see Henry “emerge from some door” as though nothing has happened and urging her to “wake up,”... (full context)
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...the subject, redirecting the story backward in time to the summer after the first Christmas Henry brought Bon home. In this memory, Mr. Coldfield sends Rosa to stay with Ellen. Sutpen... (full context)
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...a bunch of “paltry reasons, all untrue, and be believed” for why Rosa stays at Sutpen’s Hundred following Bon’s death. They’ll say she stays for food, though she could easily have... (full context)
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...women feed them what they can, though they are afraid of them. They talk about Sutpen and about the war ending, and what will happen once he returns: how they’ll begin... (full context)
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Sutpen returns in January, and he and Rosa are engaged within three months. (Rosa, in the... (full context)
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Sutpen arrives home and greets Judith, who remains rigid and silent. The two of them speak... (full context)
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Rosa and the others hardly see Sutpen that winter; he’s often gone all day. It’s that season when they learn the meaning... (full context)
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Then one day, while working in the garden, Rosa looks up and sees Sutpen looking back at her. (In the present, she’s adamant that he didn’t give her a... (full context)
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After the engagement, Sutpen doesn’t look at Rosa again. She feels she could have gone home, and he wouldn’t... (full context)
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Meanwhile, nobody sets a date for the wedding. One day, Sutpen insults Rosa, yelling for her to “come” to him—after not addressing her once since he... (full context)
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But, Rosa assures Quentin, she did forgive Sutpen for the insult. In fact, she feels she “had nothing to forgive” in the first... (full context)
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...and considers how he, too, cannot walk through “that door.” He imagines the interaction between Henry and Judith when Henry told Judith about Bon’s murder. Then Rosa interrupts Quentin’s daydreaming to... (full context)
Chapter 6
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...how Rosa’s being left a penniless orphan following Mr. Coldfield’s death led her to Thomas Sutpen for security. (full context)
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Shreve’s account also sheds light on the insult that caused Rosa to leave Sutpen’s Hundred: Sutpen suggested he and Rosa have sex before marrying, and if Rosa became pregnant... (full context)
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Shreve continues to clarify points of the story Quentin has told him. After turning Henry against Bon, prohibiting Bon’s marriage to Judith, poisoning Henry against Bon, and “doom[ing Judith] to... (full context)
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...shifts to a different perspective (it isn’t clear whose), picking up after Rosa’s departure from Sutpen’s Hundred. Sutpen, at some point, begins a sexual relationship with Milly, the granddaughter of Wash... (full context)
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Milly becomes pregnant. After she gives birth in the stable, Sutpen insults her, proclaiming, “Well, Milly, too bad you’re not a mare like Penelope. Then I... (full context)
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In the present, Shreve halts his retelling of the Sutpen saga to ask about a story Quentin told him about hunting quail with Mr. Compson.... (full context)
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...Quentin into the cedars, and it’s there that Quentin sees the gravestones of Ellen Coldfield Sutpen and Thomas Sutpen. Mr. Compson explains that Sutpen bought them when Judith informed him of... (full context)
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As Mr. Compson speaks, Quentin can imagine Sutpen leading his suffering troops into Pennsylvania. Then he led them through the Cumberland Gap, the... (full context)
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...the other three gravestones, which belong to Charles Bon, Charles Etienne Saint-Valery Bon, and Judith Sutpen. Mr. Compson urges Quentin to think about it: “Who would have paid for them?” Quentin... (full context)
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...her room. The town knows of Charles Etienne’s arrival and thinks they now understand why Henry murdered Bon, though Quentin’s grandfather doesn’t quite connect the young boy with Bon’s widow, the... (full context)
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...money to fund his journey. She says she’ll tell people around town that he is Henry’s son. But Charles Etienne refuses. When he calls her Miss Sutpen, she asks him to... (full context)
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...that there was someone else living there—after all, Judith and Bon are both dead, and Henry is still on the run. Was there really someone else living in the cabin when... (full context)
Chapter 7
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...theatre, isn’t it.” Quentin says nothing, frozen. Then he starts to tell another story about Sutpen, which picks up during Sutpen’s second year in Mississippi. The architect Sutpen hired to design... (full context)
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Quentin’s story moves back in time to summarize Sutpen’s origins. Sutpen is born in 1808 in the mountains of West Virginia. He has many... (full context)
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Sutpen’s father drinks heavily, and his “mountain drinking manners” get him thrown out of bars in... (full context)
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...on a plantation in Tennessee that’s almost identical to the mountain cabin they left behind. Sutpen doesn’t know where he comes from or where he’s moved to; he’s simply “there, surrounded... (full context)
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The man’s insult doesn’t sadden or anger Sutpen. He calmly runs into the woods and crawls inside the cave-like space under a fallen... (full context)
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Eventually dinner time approaches, and Sutpen grows hungry. He walks toward his family’s cabin and sees his sister outside, wearing an... (full context)
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Sutpen apparently conveyed this story of his youth to Quentin’s grandfather as they waited for Sutpen’s... (full context)
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Sutpen told Quentin’s grandfather that he attended school for a few months when he was 13... (full context)
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Quentin’s story of Sutpen’s origins continues. Sutpen works his way up in the West Indies, overseeing a sugarcane plantation... (full context)
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...interrupted him: “I said he stopped.” Shreve protests the story’s many remaining loose ends and Sutpen’s many omissions, complaining about Sutpen’s purported inability to remember how he got to Haiti, how... (full context)
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Quentin tells Shreve that it took Sutpen 30 years to continue telling the story to Quentin’s grandfather, perhaps because Sutpen was too... (full context)
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Shreve interjects at this point to ask about Sutpen’s shady business dealings and how Mr. Coldfield was involved in them. Quentin only knows vague... (full context)
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Shreve urges Quentin to continue the story of Sutpen’s “design,” and Quentin obliges, telling the story Sutpen resumed telling to Quentin’s grandfather 30 years... (full context)
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Back in the past, as Sutpen tells his story to Quentin’s grandfather, he tries to explain his choice to disown his... (full context)
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...When he returns, he urges Quentin to pick up the story on the Christmas that Henry brought Charles Bon home to Sutpen’s Hundred for Christmas, during which Sutpen—“the demon”—recognized “the face... (full context)
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Quentin explains that General Compson thinks that Sutpen probably named Charles Bon himself, just as he’d named all his other children—“that entire fecundity... (full context)
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Shreve interrupts Quentin to ask why Quentin’s father told Quentin that the fight between Sutpen and Henry (and the reason Sutpen prohibited the marriage between Bon and Judith) was about... (full context)
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...his story. Upon realizing that Bon is the son he abandoned in the West Indies, Sutpen doesn’t think of Bon’s arrival as “the sins of the father come home to roost.”... (full context)
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After Christmas, Henry and Bon return to Oxford for school, and Bon’s letters to Judith start to arrive... (full context)
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Whatever Sutpen went to New Orleans to accomplish doesn’t work out, apparently, and Bon returns to Sutpen’s... (full context)
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Sutpen, upon returning home from the war, goes to see Quentin’s grandfather to see if he... (full context)
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Vaguely and cryptically, Sutpen goes into more detail about the “first choice” which made it necessary to make this... (full context)
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Shreve clarifies that Sutpen “chose lechery,” making a joke that he would do the same. Then he asks Quentin... (full context)
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From Sutpen, Quentin’s grandfather learns that Sutpen rode to Quentin’s grandfather’s old regiment’s headquarters and spoke to... (full context)
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...the story to Shreve. At this point, the narrative perspective becomes unclear as it describes Sutpen returning home from the war. He finds out that Henry murdered Bon, and he briefly... (full context)
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The narrative (from a different but still unclear perspective) then documents Quentin’s father’s thoughts on Sutpen’s actions in the aftermath of Bon’s death. Mr. Compson speculates that Sutpen wasn’t “concerned […]... (full context)
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Quentin’s story picks up with Sutpen’s efforts to regain his wealth following the Civil War. He and Wash Jones operate a... (full context)
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Meanwhile, Sutpen begins a sexual relationship with Wash Jones’s granddaughter, Milly. Wash accepts the situation initially, delivering... (full context)
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Sometime later, Judith hears Sutpen leave the house and figures he’s headed toward the stable. It’s unclear how much she... (full context)
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...down the midwife who fills in the details of the events that led up to Sutpen’s death. Sutpen apparently went to the stable where Wash’s granddaughter and the baby she’d just... (full context)
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News of Wash’s murder of Sutpen spreads around town. Quentin’s grandfather, Major de Spain (the sheriff), and a group of other... (full context)
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In the present, Shreve expresses disbelief that Sutpen, after wanting a son for so many years, could insult Milly, taunting Wash Jones into... (full context)
Chapter 8
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...a college sitting room.  Shreve continues to make sense of Quentin’s story. He speculates that Sutpen sent for Henry and told him that Judith and Bon couldn’t marry because Bon was... (full context)
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...the library that day. Shreve says that it wasn’t just the fact that Bon was Henry and Judith’s brother that Sutpen disclosed to Henry—Sutpen also told Henry that Bon knew about... (full context)
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In Shreve and Quentin’s retelling of the story, the lawyer sends a letter to Henry Sutpen, introducing Bon to Henry as the son of a widowed gentlewoman (not as Henry’s... (full context)
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...“going to talk about love.” In Shreve’s telling of the story, he imagines Bon teaching Henry how to lounge around in a dressing gown and slippers, “such as woman wore,” wearing... (full context)
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Shreve and Quentin continue their story, picking up the Christmas that Henry invites Bon to accompany him to Sutpen’s Hundred. Shreve speculates what Bon’s intentions were with... (full context)
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...have executed her own scheme to marry Judith to Bon, something she’d been planning since Henry first mentioned Bon in one of his letters home. In Shreve’s telling, Ellen goes out... (full context)
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Quentin and Shreve’s story of Henry and Bon continues. Henry and Bon return to Sutpen’s Hundred—Bon’s second visit—the following June. This... (full context)
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Then Bon returns home to New Orleans. He never learns if Sutpen was actually there. In Shreve’s version of the story, Bon confirms the truth of the... (full context)
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Bon returns to school, where Henry is waiting for him. It’s at this point (Shreve guesses) that Bon finally starts writing... (full context)
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Then (in Shreve’s telling), it’s Christmas once more, and Bon and Henry return to Sutpen’s Hundred. Bon expects that this will be the visit that Sutpen acknowledges... (full context)
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...Quentin sit together in silence. It’s not even clear which of them has been retelling Sutpen’s story, nor does it matter. Their shared retelling of the story transports them back in... (full context)
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It’s 1860 now, and Bon and Henry go to Bon’s home in New Orleans together. Henry meets Bon’s mother, “the Haiti-born daughter... (full context)
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...there are two presidents. Then the Civil War begins. Shreve and Quentin imagine the conversation Henry and Bon must have had around that time. Henry, they imagine, must be shocked that... (full context)
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Henry doesn’t disapprove of Bon’s plan. Instead, he tells Bon he needs time to get used... (full context)
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At this point, Quentin and Shreve imagine Bon and Henry fighting in the Battle of Shiloh. Shreve insists that Mr. Compson was wrong about one... (full context)
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...Judith, realizes why he hasn’t been able to decide: he’s still holding out hope that Sutpen will acknowledge him as his son. He would abandon his plans altogether if he were... (full context)
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...the war, and Bon has finally made up his mind to marry Judith. He tells Henry, and Henry is relieved—not about the incest, but that finally a decision has been reached... (full context)
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In March of 1865, Bon and Henry’s troop is still in Carolina when Lee sends some troops down for reinforcement. Bon sees... (full context)
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The action returns to 1865, just after the colonel (Sutpen) has summoned Henry to his tent. It’s been four years since Henry has seen his... (full context)
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At some point, Henry leaves the tent and returns to the tent he shares with Bon. Bon notices that... (full context)
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Bon is crushed that Sutpen didn’t even send for him. He says that all Sutpen needed to do was acknowledge... (full context)
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Bon pushes his pistol toward Henry and orders Henry to shoot him then. Henry refuses, claiming that Bon is his brother.... (full context)
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In Shreve and Quentin’s retelling, it’s possible that Bon and Henry rode to Sutpen’s Hundred together, approaching the gate side by side. Judith and Clytie heard... (full context)
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...Judith had given him and replaced it with a picture of Bon’s mistress. For if Henry meant what he said—that it was Bon’s being part Black that was what made him... (full context)
Chapter 9
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...to breathe,” and Quentin’s “blood surge[s] and r[uns] warmer, warmer.” Still discussing the story of Henry and Bon, Quentin remarks that Henry and Bon were in the University of Mississippi’s tenth... (full context)
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As Quentin and Miss Rosa approach Sutpen’s Hundred, Miss Rosa notes that they’re “on the Domain. On his land, his and Ellen’s... (full context)
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With no clear transition, the narrative shifts back to Quentin and Rosa’s trip to Sutpen’s Hundred earlier that night. Quentin enters an empty room and sees a man with a... (full context)
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...to Shreve and Quentin’s cold dorm room in Cambridge. Shreve expresses disbelief that after encountering Henry after all these years, Miss Rosa waited another three months to come back and finish... (full context)
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...Quentin relate the rest of the story. Three months after Miss Rosa and Quentin discover Henry in the old house, Rosa calls an ambulance to transport Henry to town. Perhaps (Shreve... (full context)
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...Rosa screaming at them to look up at the second-story window, where the figure of a man stares down at them. (In the present, Quentin imagines that Clytie might have appeared in... (full context)
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Shreve laments how each Sutpen met their end: Charles Bon and his mother killed “old Tom,” Charles Bon and Bon’s... (full context)