Absalom, Absalom!
by William Faulkner
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Judith Sutpen Character Analysis

Judith Sutpen is Thomas Sutpen and Ellen Coldfield’s daughter. She becomes engaged to Henry’s college friend Charles Bon (who is actually their half-brother, unbeknownst to Judith or Henry) after Henry brings Bon to Sutpen’s Hundred for Christmas one year. It’s unclear whether Judith ever learns the truth about Bon’s identity. Throughout the book, it’s stated that Judith and Sutpen have an unspoken understanding of each other, so it’s possible that Judith senses—if only subconsciously—Bon’s connection to their family. Furthering the novel’s central incest plot, it’s also hinted that Judith and Henry are closer than siblings ought to be. Indeed, the book also loosely suggests that Henry’s eager enthusiasm for Judith and Bon’s engagement could be an expression of his unconscious wish to wed his own sister. After Henry discovers the truth about Bon’s mixed-race ancestry, he prohibits Bon from marrying Judith. In order to prevent the marriage, he shoots and kills Bon outside the gates to Sutpen’s Hundred as Judith looks on in her wedding dress. After Bon’s death, Judith discovers a photo of Bon’s mistress in the metal frame she gave him. In Quentin and Shreve’s imagined version of events, Bon planted the photo intentionally so that Judith would know not to grieve him. Judith continues to live at Sutpen’s Hundred with Clytie and Rosa after Bon’s death. Following Bon and his mistress’s deaths, Judith cares for Charles Etienne, the son Bon had with his mistress. She nurses Charles Etienne when he is sick with yellow fever before succumbing to the illness herself.

Judith Sutpen Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Judith Sutpen or refer to Judith Sutpen. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).

Chapter 4 Quotes

There was no time, no interval, no niche in the crowded days when he could have courted Judith. You can not even imagine him and Judith alone together. Try to do it and the nearest you can come is a projection of them while the two actual people were doubtless separate and elsewhere—two shades pacing, serene and untroubled by flesh, in a summer garden […].

Related Characters: Mr. Compson (speaker), Rosa Coldfield, Charles Bon, Thomas Sutpen, Judith Sutpen, Quentin Compson
Page Number and Citation: 77
Explanation and Analysis:
This passage is told from Mr. Compson’s perspective as he continues his version of the Sutpen story as Quentin waits for it to be time to return to Miss Rosa’s house. Here, Mr. Compson expresses his doubts about the romance between Bon and Judith being genuine. According to Mr. Compson, there was simply no opportunity for any feelings of love to develop between Bon and Judith. They’d hardly had the chance to be alone together—or at least, Mr. Compson “can not even imagine [Bon] and Judith alone together.” Instead, one can only imagine “a projection of them while the two Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libe

Chapter 5 Quotes

I waited for him exactly as Judith and Clytie waited for him: because now he was all we had, all that gave us any reason for continuing to exist, to eat food and sleep and wake and rise again: knowing that he would need us, knowing as we did (who knew him) that he would begin at once to salvage what was left of Sutpen’s Hundred and restore it.

Related Characters: Rosa Coldfield (speaker), Judith Sutpen, Thomas Sutpen, Clytie
Related Symbols: Sutpen’s Design
Page Number and Citation: 124
Explanation and Analysis:
This passage is an excerpt from one of Rosa’s longer monologues during which she relates to Quentin the story of Thomas Sutpen’s rise and fall and the havoc he wreaked on her family. Here, she describes how life went on after she started living at Sutpen’s Hundred following Henry’s murder of Charles Bon. At this point, Sutpen is still away serving in the Civil War, and his estate (like all the estates in the region) has suffered in his absence. Clytie, Judith, and Rosa make do the best they can in Sutpen’s absence, but they exist in a sort of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaq

Chapter 8 Quotes

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Henry Sutpen, Judith Sutpen, Thomas Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number and Citation: 285
Explanation and Analysis:
This passage is Bon’s response to Henry after Henry pleads with Bon not to marry Judith—Henry’s sister and Bon’s half-sister. Despite Henry’s earlier acceptance of Bon’s plan to go through with the incestuous marriage (which, in this version of the story, he formulates in order to get back at Sutpen for abandoning him and then failing to acknowledge him as his son), Henry rescinds his approval after learning of Bon’s mixed-race ancestry. Here, Bon shifts the blame away from himself and toward Sutpen. For the past four years, ever since Henry first brought Bon home to visit Sutpen’s Hundred (at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel v

Chapter 9 Quotes

“Yes. I remember your grandpaw. You go up there and make her come down. Make her go away from here. Whatever he done, me and Judith and him have paid it out. You go and get her. Take her away from here.”

Related Characters: Clytie (speaker), Charles Bon, Thomas Sutpen, General Compson, Quentin Compson, Rosa Coldfield, Judith Sutpen, Henry Sutpen
Page Number and Citation: 296
Explanation and Analysis:
Quentin has accompanied Miss Rosa to Sutpen’s derelict mansion, where Miss Rosa claims someone is hiding upstairs (that someone turns out to be the dying Henry Sutpen, who has been a fugitive for the past 43 years, ever since he murdered Charles Bon). Clytie, Sutpen’s daughter by one of his enslaved women, tries to stop Miss Rosa from walking upstairs to find (and, Clytie seems to fear, murder) Henry. She calls on Quentin to help her after a determined and scornful Rosa defies Clytie, knocking her to the ground when Clytie tries to stand in Rosa’s way. Clytie urges Quentin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequ
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Judith Sutpen Character Timeline in Absalom, Absalom!

The timeline below shows where the character Judith Sutpen appears in Absalom, Absalom!. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Storytelling, Perspective, and Truth  Theme Icon
...He married Miss Rosa’s much-older sister Ellen and had a son (Henry) and a daughter (Judith) with her. His children should’ve cared for him in old age, but instead “they destroyed... (full context)
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...starved to death there. Her nephew Henry served in the same company as his sister, Judith’s, fiancé. Henry later shot the fiancé at the house the night before the wedding while... (full context)
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...die “in that house for which she had exchanged pride and peace,” with the daughter (Judith) who was widowed despite never being a bride, and the son (Henry), “a murderer and... (full context)
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...up was kept secret from the women. Rosa saw a lot during those years, like Judith’s marriage being prohibited for seemingly no reason, and Henry “practically fling[ing] the bloody corpse of... (full context)
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Rosa laments having been too young at the time for the story of Ellen, Judith, and Henry to be more than “an ogre-tale.” When Ellen, before her death, asked Rosa... (full context)
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Rosa will always remember the first time she saw Thomas and Ellen’s children, Judith and Henry, arrive in the carriage. She’d been three and had woken up that morning... (full context)
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...to see Ellen. In this story, she is four and asks her father which room Judith is in, when she really means to ask what Judith saw when she saw “the... (full context)
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...to leave so she and Sutpen can talk in private. Then she asks Sutpen where Judith is. He claims not to know, and he isn’t lying—rather, “his own triumph” has blinded... (full context)
Chapter 3
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...Compson continues his telling of Sutpen’s story. He explains that Rosa went to live with Judith at Sutpen’s Hundred after Mr. Coldfield died in 1864. It had been Ellen’s dying wish... (full context)
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...request.” Mr. Compson explains that Sutpen returned in 1866 to find Rosa living there with Judith and Clytie (short for Clytemnestra, the daughter Sutpen had with one of the enslaved women... (full context)
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...the four or five times per year that Ellen would visit Mr. Coldfield’s house with Judith and Henry, the spinster aunt would create an atmosphere of “conspiracy,” in which Mr. Coldfield... (full context)
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...Mr. Coldfield never explains his decision. It could be that there’s no point now that Judith and Henry are grown up and Henry is away at college in Oxford, Mississippi. (full context)
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Rosa won’t see Sutpen again for many years, but she sees a lot more of Judith and Ellen. Ellen is in her late thirties now and thriving, having finally accepted what’s... (full context)
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The summer that Judith is 17, she and Ellen head to Memphis to buy Judith clothing for her trousseau.... (full context)
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...about him. Ellen seems to consider it a given that a romance will develop between Judith and Bon. (full context)
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Hearing Ellen talk about Bon, Rosa—“the spinster doomed for life at sixteen”—isn’t jealous of Judith. Nor does she feel sorry for herself. (When Ellen told Quentin’s grandmother about Bon, Mr.... (full context)
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Ellen has been telling the town all about Judith’s engagement to Charles Bon. Then, one day, something happens: Bon and Henry leave without saying... (full context)
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...in town attributes Henry’s abrupt departure to his youth or his being a Sutpen. Meanwhile, Judith and Sutpen continue to ride into town together and act normal, which means the argument... (full context)
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Despite Henry’s abrupt departure, Rosa carries on as though nothing is wrong, continuing to sew Judith’s wedding dress. Then the Civil War begins, and Colonel Sartoris and Sutpen’s regiment heads to... (full context)
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Though going to live with Judith at Sutpen’s Hundred would be the most practical choice for Rosa, she doesn’t do this... (full context)
Chapter 4
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...was “at least an intending bigamist even if not an out and out blackguard,” and Judith would find a picture of Bon’s wife and child on his dead body. And out... (full context)
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It was Henry, Mr. Compson explains, who held all the cards. Judith didn’t know what happened in the study on Christmas Eve and wouldn’t know until they... (full context)
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...Sutpen, arrived seemingly without a past, and he mystifies Mr. Compson. Though he easily charmed Judith and Henry, he immediately became “completely enigmatic” and “withdrawn” the moment he realized Sutpen would... (full context)
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Bon loved Judith—though, Mr. Compson adds, Sutpen would learn that Bon had professed his love to others before... (full context)
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...who got carried away and acted irrationally. Mr. Compson ponders whether Henry’s protective attitude toward Judith’s virginity may in fact have been “the pure and perfect incest,” in which Henry “destroy[ed]”... (full context)
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Mr. Compson suggests that Henry witnessed the entirety of Judith and Bon’s courtship, for there was no time or opportunity for them to have been... (full context)
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Mr. Compson continues his story. After Henry and Bon leave that Christmas morning, Judith doesn’t see Bon for four years. And during that time, Bon doesn’t send Judith a... (full context)
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...(Mr. Compson speculates that Bon must have realized that this is his chance to woo Judith.) Of course, by this point Sutpen must have already found out about “the octoroon mistress... (full context)
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In Mr. Compson’s telling, after that Christmas, Judith starts sending letters to Bon, and Henry reads them “without jealousy,” and in the process... (full context)
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...return to Sutpen’s Hundred. By this point, Ellen has already told everyone in town about Judith and Bon’s engagement. Then the outburst on Christmas Eve happens, and Henry and Bon leave... (full context)
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...some of their peers have organized at college. Henry (in Mr. Compson’s telling) writes to Judith to update her about his and Bon’s situation. Meanwhile, Henry doesn’t let Bon out of... (full context)
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In the present, Judith remains a mystery to Mr. Compson: it’s not as though Bon tried to “corrupt her... (full context)
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...and is buried under a massive marble monument Sutpen brought from Charleston, South Carolina. Then Judith’s grandfather Mr. Coldfield dies, having starved to death in his attic, and Judith likely invites... (full context)
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...speaking. From reading the letter, he assures Quentin, Quentin will understand that Bon did love Judith, though the letters that came before this one were full of floral and romantic—yet ultimately... (full context)
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...of the hardship and suffering he’s experienced serving in the war. Then he declares to Judith, “We have waited long enough.” But Bon can’t say when he’ll be back. Cryptically, Bon... (full context)
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Bon’s letter continues, restating that he can’t tell Judith when he’ll be back. He notes that he wrote his letter “with the best […]... (full context)
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In the present, Quentin finishes reading the letter. Mr. Compson explains that Clytie and Judith got to work making Judith’s wedding gown after Judith received this letter. They made the... (full context)
Chapter 5
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...with her “Sutpen coffee-colored face,” like that of a “sphinx.” Then Rosa calls out to Judith but receives no answer. (full context)
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...shout for Clytie not to touch her, and call her the n-word. Rosa remembers how Judith and Clytie would play together and even sleep in the same bed together as children,... (full context)
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...did love him, it would be as a mother’s love for a child—not the way Judith loved him (or how everyone thought Judith loved him). She never even saw him outside... (full context)
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Rosa’s story flashes forward to the day she arrives at Sutpen’s Hundred following Bon’s murder. Judith encounters Rosa standing before “the closed door which [Rosa] was not to enter.” Then Judith... (full context)
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Rosa, Judith, and Clytie carry the coffin out of the house that afternoon. Judith’s face is blank... (full context)
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...waits for Sutpen to return—not to marry him, as the townspeople will say—but because for Judith, Clytie, and Rosa, he’s “the only reason for continuing to exist,” for the women know... (full context)
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...rebuilding Sutpen’s Hundred. They talk about Henry, albeit “quietly.” They never speak of Bon, though Judith sometimes goes to clear the leaves from his grave. (full context)
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Sutpen arrives home and greets Judith, who remains rigid and silent. The two of them speak in clipped sentences, with Judith... (full context)
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...how he, too, cannot walk through “that door.” He imagines the interaction between Henry and Judith when Henry told Judith about Bon’s murder. Then Rosa interrupts Quentin’s daydreaming to tell him... (full context)
Chapter 6
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...the story Quentin has told him. After turning Henry against Bon, prohibiting Bon’s marriage to Judith, poisoning Henry against Bon, and “doom[ing Judith] to spinsterhood” by manipulating Henry into murdering. Bon,... (full context)
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...kills Sutpen with a scythe. The body is found later that night and returned to Judith, who decides he should be buried in a cedar grove at the Methodist church where... (full context)
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...of Ellen Coldfield Sutpen and Thomas Sutpen. Mr. Compson explains that Sutpen bought them when Judith informed him of Ellen’s death. He ordered them from Italy, wanting only the finest quality.... (full context)
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...about the other three gravestones, which belong to Charles Bon, Charles Etienne Saint-Valery Bon, and Judith Sutpen. Mr. Compson urges Quentin to think about it: “Who would have paid for them?”... (full context)
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Mr. Compson next describes an afternoon in the summer of 1870—the summer Judith sold the store. In Mr. Compson’s telling, Quentin’s grandfather witnesses the arrival of Bon’s mistress—whom... (full context)
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After Bon’s widow and her child, Charles Etienne, return to New Orleans, Clytie (or maybe Judith) keeps tabs on them and goes to New Orleans to fetch Charles Etienne after Bon’s... (full context)
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Quentin’s grandfather isn’t sure who—Judith or Clytie—tells Charles Etienne he must be Black.  Before this, the concept of race was... (full context)
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Five years later, Judith, now in her forties, goes to the courthouse to retrieve Charles Etienne, who is handcuffed... (full context)
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Judith waits outside Quentin’s grandfather’s office while Charles Etienne and Quentin’s grandfather speak. Quentin’s grandfather asks... (full context)
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...Charles Etienne’s son in the old slave cabin on land that Charles Etienne rents from Judith. He fixes up the cabin and lives there with his family, flaunting his wife’s dark... (full context)
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Judith pleads with Charles Etienne to renounce his wife and child (Jim Bond) and go to... (full context)
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But nobody really knows what words Judith and Charles Etienne exchanged that day; certainly, Quentin’s grandfather doesn’t know. He only knows the... (full context)
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Charles Etienne later falls ill with yellow fever. Judith moves him into the house and cares for him, and eventually she catches the disease... (full context)
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...expresses disbelief that “Aunt Rosa” could think that there was someone else living there—after all, Judith and Bon are both dead, and Henry is still on the run. Was there really... (full context)
Chapter 7
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...fight between Sutpen and Henry (and the reason Sutpen prohibited the marriage between Bon and Judith) was about Bon’s relationship with his mistress (using an outdated racial term to describe her).... (full context)
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...stay in his house for the duration of the vacation. Ellen arranges for Bon and Judith’s engagement even before Bon arrives—she might have gotten the idea in her head from the... (full context)
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After Christmas, Henry and Bon return to Oxford for school, and Bon’s letters to Judith start to arrive at Sutpen’s Hundred. Ellen, meanwhile, starts spreading news of the supposed “engagement”... (full context)
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...his discussion with Quentin’s grandfather about what to do about Bon’s reappearance and intentions with Judith. (full context)
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Sometime later, Judith hears Sutpen leave the house and figures he’s headed toward the stable. It’s unclear how... (full context)
Chapter 8
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...sense of Quentin’s story. He speculates that Sutpen sent for Henry and told him that Judith and Bon couldn’t marry because Bon was their brother, and Henry instantly replied, “You lie.”... (full context)
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...that day. Shreve says that it wasn’t just the fact that Bon was Henry and Judith’s brother that Sutpen disclosed to Henry—Sutpen also told Henry that Bon knew about this all... (full context)
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Shreve, in the present, guesses that Ellen must have executed her own scheme to marry Judith to Bon, something she’d been planning since Henry first mentioned Bon in one of his... (full context)
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...to confirm the truth once and for all. On this visit, Bon continues to court Judith, and they exchange their first kiss—but nothing else happens. Henry and Bon leave two days... (full context)
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...for him. It’s at this point (Shreve guesses) that Bon finally starts writing letters to Judith, with “Charles Bon” written clearly on the outside for Sutpen to see. Bon wonders if... (full context)
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...Quentin’s imagined version of the story, she already knows that Bon is “in love” with Judith—Henry doesn’t even need to tell her. Shreve and Quentin imagine that Bon must have taken... (full context)
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...be shocked that Bon is still planning to go through with his plan to marry Judith to get back at Sutpen. Bon, in their retelling, explains that he waited years for... (full context)
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...the idea of Bon marrying their sister. Then it’s Christmas 1861. They haven’t heard from Judith because Henry still won’t let Judith write to Bon. The University Grays are organizing on... (full context)
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...die so that Henry won’t have to find out what Bon plans to do about Judith. Bon pleads with Henry to just tell him it’s okay for him to go to... (full context)
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...way into Carolina. Bon, who has still not decided what he wants to do about Judith, realizes why he hasn’t been able to decide: he’s still holding out hope that Sutpen... (full context)
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...all but lost the war, and Bon has finally made up his mind to marry Judith. He tells Henry, and Henry is relieved—not about the incest, but that finally a decision... (full context)
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...him but doesn’t. After this—and after Henry has given his permission for Bon to marry Judith—Bon writes to Judith to tell her that it’s time for them to marry. Henry reads... (full context)
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...a pause, Sutpen tells Henry that he knows Henry has agreed to let Bon marry Judith. Henry says nothing. Sutpen tells Henry he can’t let the marriage happen—not because of the... (full context)
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...all Sutpen needed to do was acknowledge him as his son. He would’ve stopped pursuing Judith right then and there; Sutpen didn’t need to disclose Bon’s Black ancestry to Henry to... (full context)
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...as Bon pleads with him to shoot him. Henry pleads with Bon not to marry Judith, but Bon is adamant that Henry will have to stop him. (full context)
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...that Bon and Henry rode to Sutpen’s Hundred together, approaching the gate side by side. Judith and Clytie heard the shot ring out when Henry shot Bon. Wash Jones helped them... (full context)
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Shreve, in the present, speculates that Bon was trying to protect Judith when he removed Judith’s picture from the metal case Judith had given him and replaced... (full context)
Chapter 9
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...end: Charles Bon and his mother killed “old Tom,” Charles Bon and Bon’s mistress killed Judith, and Charles Bon and Clytie killed Henry. Shreve notes that just one Sutpen remains now:... (full context)