Absalom, Absalom!
by William Faulkner
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Mr. Compson Character Analysis

Mr. Compson is Quentin’s father and one of the book’s main narrative voices. His father, General Compson, was Thomas Sutpen’s only friend in Mississippi, and he passes down stories of his interactions with Sutpen and the stories Sutpen has told him about his life to Mr. Compson, who in turn tells these stories to Quentin. Though Mr. Compson speaks with authority on the subject of Sutpen, much of what he knows of the man and his life he has not experienced firsthand, thus his account of the Sutpen saga is inherently incomplete and subjective.

Mr. Compson Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Mr. Compson or refer to Mr. Compson. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).

Chapter 2  Quotes

It was a day of listening too—the listening, the hearing in 1909 even yet mostly that which he already knew since he had been born in and still breathed the same air in which the church bells had rung on that Sunday morning in 1833 […].

Related Characters: Quentin Compson, Thomas Sutpen, Rosa Coldfield, Mr. Compson
Page Number and Citation: 22
Explanation and Analysis:
Quentin is sitting outside with his father, Mr. Compson, waiting for it to be time to return to Miss Rosa Coldfield’s house so she can continue telling him her story about the Coldfield family’s history with Thomas Sutpen and the grudge she’s held against Sutpen for the past 43 years. The story’s narration traces Quentin’s thoughts as he contemplates Miss Rosa’s story, the act of listening, and the way the South’s past continues to haunt its present. Though Quentin is listening to Miss Rosa’s story in the novel’s present (1909) and was born well after the Confederacy lost the Civil Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur lab

He might not have gone out of his way to keep Sutpen in jail, but doubtless the best possible moral fumigation which Sutpen could have received at the time in the eyes of his fellow citizens was the fact that Mr Coldfield signed his bond—something he would not have done to save his own good name even though the arrest had been a direct result of the business between himself and Sutpen—that affair which, when it reached a point where his conscience refused to sanction it, he had withdrawn from and let Sutpen take all the profit, refusing even to allow Sutpen to reimburse him for the loss which, in withdrawing, he had suffered, though he did permit his daughter to marry this man of whose actions his conscience did not approve. This was the second time he did something like that.

Related Characters: Mr. Compson (speaker), Quentin Compson, Goodhue Coldfield, Thomas Sutpen, Ellen Coldfield, Rosa Coldfield
Page Number and Citation: 38-39
Explanation and Analysis:
Quentin Compson is waiting for it to be time for him to return to Miss Rosa Coldfield’s house so she can continue telling him her story about Thomas Sutpen. As he waits, his father, Mr. Compson, tells his own account of Thomas Sutpen’s early years in Jefferson, Mississippi. Mr. Compson didn’t witness the events he describes here firsthand—rather, he is telling a version of the story based on the story that his own father, General Compson (who had been Sutpen’s only friend) told him. Here, Mr. Compson talks about Rosa’s father’s early dealings with Sutpen, and how their relationship solidified Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisc

Chapter 3 Quotes

He brought the two women deliberately; he probably chose them with the same care and shrewdness with which he chose the other livestock—the horses and mules and cattle—which he bought later on.

Related Characters: Mr. Compson (speaker), Rosa Coldfield, Quentin Compson, Clytie, Thomas Sutpen
Related Symbols: Sutpen’s Design
Page Number and Citation: 48
Explanation and Analysis:
While waiting for it to be time to return to Miss Rosa Coldfield’s house to continue listening to her tell her story, Quentin listens to his father, Mr. Compson, tell his own story about Sutpen. Mr. Compson has just noted that an enslaved girl, Clytie, who lived on Sutpen’s estate, was in fact Sutpen’s daughter with one of the enslaved women he brought with him when he first came to Jefferson, Mississippi. Mr. Compson specifies that Sutpen “deliberately” brought the women with him, speculating that he “chose them with the same care and shrewdness with which he chose the other Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium.

That’s what Miss Rosa heard. Nobody knows what she thought.

Related Characters: Mr. Compson (speaker), General Compson, Quentin Compson, Rosa Coldfield, Henry Sutpen, Thomas Sutpen, Charles Bon, Ellen Coldfield
Page Number and Citation: 62
Explanation and Analysis:
While waiting for it to be time for him to return to Rosa Coldfield’s house, where she’ll tell Quentin more of her story about her longstanding grudge against Thomas Sutpen, Quentin listens to Mr. Compson tell his own story about Sutpen, which he’s pieced together through details his own father (General Compson) told him. At this point in the story, Mr. Compson has just gotten to the argument that Henry Sutpen and Thomas Sutpen get into one fateful Christmas Eve. People know what came of the argument—Henry Sutpen renounced his birthright and left Sutpen’s Hundred with his close friend Charles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qu

Chapter 4 Quotes

There was no time, no interval, no niche in the crowded days when he could have courted Judith. You can not even imagine him and Judith alone together. Try to do it and the nearest you can come is a projection of them while the two actual people were doubtless separate and elsewhere—two shades pacing, serene and untroubled by flesh, in a summer garden […].

Related Characters: Mr. Compson (speaker), Rosa Coldfield, Charles Bon, Thomas Sutpen, Judith Sutpen, Quentin Compson
Page Number and Citation: 77
Explanation and Analysis:
This passage is told from Mr. Compson’s perspective as he continues his version of the Sutpen story as Quentin waits for it to be time to return to Miss Rosa’s house. Here, Mr. Compson expresses his doubts about the romance between Bon and Judith being genuine. According to Mr. Compson, there was simply no opportunity for any feelings of love to develop between Bon and Judith. They’d hardly had the chance to be alone together—or at least, Mr. Compson “can not even imagine [Bon] and Judith alone together.” Instead, one can only imagine “a projection of them while the two Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libe

“[…] Oh he was shrewd, this man whom for weeks now Henry was realising that he knew less and less, this stranger immersed and oblivious now in the formal, almost ritual, preparations for the visit, finicking almost like a woman over the fit of the new coat which he would have ordered for Henry, forced Henry to accept for this occasion, by means of which the entire impression which Henry was to receive from the visit would be established before they even left the house, before Henry ever saw the woman: and Henry, the countryman, the bewildered, with the subtle tide already setting beneath him toward the point where he must either betray himself and his entire upbringing and thinking, or deny the friend for whom he had already repudiated home and kin and all […].”

Related Characters: Mr. Compson (speaker), Charles Bon’s Mistress, Henry Sutpen, Quentin Compson, Charles Bon, Thomas Sutpen
Page Number and Citation: 90
Explanation and Analysis:
In this passage, which is told from Mr. Compson’s perspective, Mr. Compson continues to relate to Quentin his version of Thomas Sutpen’s life and the tragedies that undid the Sutpen dynasty. Here, Mr. Compson speculates on what happened during the trip to Bon’s home in New Orleans that Bon and Henry took after Henry renounced his family and fled Sutpen’s Hundred following his argument with Sutpen on Christmas Eve. Mr. Compson crafts a narrative where Bon, following Henry’s break with his family, now has Henry in the palm of his hand: Henry rejected his family out of loyalty to Bon, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus.

Chapter 5 Quotes

That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.

Related Characters: Rosa Coldfield (speaker), Mr. Compson, Quentin Compson, Thomas Sutpen
Page Number and Citation: 115
Explanation and Analysis:
Miss Rosa continues to tell Quentin the story of her and her family’s history with Sutpen. Here, before the section where she goes into greater detail about her own quasi-romantic relationship with Sutpen, she meditates on the nature of remembering in general, and on the impossibility of reaching anything near to the full truth where history is concerned. Miss Rosa describes “the substance of remembering” as instinctual, emotional, and rooted in the senses. Memory is ephemeral and fleeting and not something with an underlying sense of logic: it is “not mind, not thought.” Because of this, it is more appropriate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur la

Now you will ask me why I stayed there. I could say, I do not know, could give ten thousand paltry reasons, all untrue, and be believed:—

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Quentin Compson, Goodhue Coldfield, Charles Bon, Mr. Compson
Page Number and Citation: 123
Explanation and Analysis:
In this quote, Miss Rosa tries to defend and explain her choice to stay at Sutpen’s Hundred following the death of her father (Goodhue Coldfield) and the murder of Charles Bon. This becomes a pattern across the sections she narrates. It was Rosa’s choice to stay at Sutpen’s Hundred that indirectly led to her brief engagement to Sutpen, which led to Sutpen insulting her, which led to her fleeing the estate and living out the rest of her years as an embittered shut-in. Thus, it makes sense that Rosa would simultaneously try to justify her choice and also berate herself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut mi

Chapter 6 Quotes

“Yes,” Quentin said. He sounds just like Father he thought, glancing (his face quiet, reposed, curiously almost sullen) for a moment at Shreve leaning forward into the lamp, his naked torso pink-gleaming and baby-smooth, cherubic, almost hairless, the twin moons of his spectacles glinting against his moonlike rubicund face, smelling (Quentin) the cigar and the wistaria, seeing the fireflies blowing and winking in the September dusk.

Related Characters: Quentin Compson (speaker), Mr. Compson, Shreve McCannon
Page Number and Citation: 147-148
Explanation and Analysis:
Quentin and Shreve are in their dorm room at Harvard, and Quentin listens as Shreve repeats back to him the story of Sutpen that Quentin has just told him. As Shreve speaks, Quentin observes how much “like Father” (Mr. Compson) Shreve sounds. This is because Quentin himself, when he related the story to Shreve, drew from the language and tone that Mr. Compson used when he first told the story to Quentin. Quentin’s observation thus reinforces the novel’s broader examination of the ways in which storytelling influences and creates truth. In the novel, words and speech aren’t ephemeral things—they are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusa

Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Quentin Compson, Rosa Coldfield, Mr. Compson, Thomas Sutpen
Related Symbols: Sutpen’s Design
Page Number and Citation: 176
Explanation and Analysis:
Quentin is at Harvard, telling his roommate Shreve the story of Sutpen that Mr. Compson and Miss Rosa Coldfield related to him in the first half of the novel. For the most part, the scenes between Quentin and Shreve consist of Shreve retelling excerpts of the Sutpen story that he’s already heard from Quentin and then turning to Quentin for clarification that he’s understood everything correctly. Shreve also interjects with glib (sometimes to the point of being disrespectful) commentary about the South that expresses his amusement at some of the more unbelievable elements of Quentin’s story and highlights his outsider’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui
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Mr. Compson Character Timeline in Absalom, Absalom!

The timeline below shows where the character Mr. Compson appears in Absalom, Absalom!. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
When Quentin returns home that evening, he asks his father , Mr. Compson, why Miss Rosa chose him to tell her story to. Mr. Compson... (full context)
Chapter 2 
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
The summer air smells of wistaria. It’s twilight, and Quentin sits outside with his father , Mr. Compson, waiting for it to be time to listen to Miss Rosa. Mr.... (full context)
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...desperate for a meal after going days without food. General Compson once told his son, Quentin’s father , that Sutpen didn’t raise his voice to his enslaved men—instead, he controlled them by... (full context)
The Limits of Ambition  Theme Icon
...the shelter of [Sutpen’s] arm.” Sutpen leads Ellen into the carriage. Nobody throws anything else. Mr. Compson , in the present, suspects that Ellen likely erased her memory of that evening with... (full context)
Chapter 3
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Mr. Compson continues his telling of Sutpen’s story. He explains that Rosa went to live with Judith... (full context)
Storytelling, Perspective, and Truth  Theme Icon
Rosa, Mr. Compson suggests, may have seen Mr. Coldfield’s death as “fate itself supplying her with the opportunity... (full context)
Storytelling, Perspective, and Truth  Theme Icon
Mr. Compson shifts his focus to Rosa’s childhood visits to Sutpen’s Hundred with her spinster aunt. During... (full context)
Storytelling, Perspective, and Truth  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...Judith. Nor does she feel sorry for herself. (When Ellen told Quentin’s grandmother about Bon, Mr. Compson explains to Quentin, Quentin’s grandmother felt it sounded like a bad “fairy tale,” though Rosa... (full context)
Storytelling, Perspective, and Truth  Theme Icon
...Rosa, she doesn’t do this at first. Though Ellen had asked Rosa to protect Judith, Mr. Compson speculates that Rosa must have felt that Judith didn’t need any protection. According to Mr.... (full context)
Chapter 4
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...her parasol with her when she emerges from the house to greet him, he predicts. Mr. Compson appears just then, interrupting Quentin’s daydreaming to bring him a letter. He suggests that Quentin... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Mr. Compson , still holding the letter, sits with Quentin on the veranda. Continuing his story about... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
It was Henry, Mr. Compson explains, who held all the cards. Judith didn’t know what happened in the study on... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Bon, like Sutpen, arrived seemingly without a past, and he mystifies Mr. Compson . Though he easily charmed Judith and Henry, he immediately became “completely enigmatic” and “withdrawn”... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Bon loved Judith—though, Mr. Compson adds, Sutpen would learn that Bon had professed his love to others before Judith. Mr.... (full context)
Storytelling, Perspective, and Truth  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Henry, Mr. Compson declares, was “the provincial, the clown almost,” who got carried away and acted irrationally. Mr.... (full context)
Storytelling, Perspective, and Truth  Theme Icon
Mr. Compson suggests that Henry witnessed the entirety of Judith and Bon’s courtship, for there was no... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
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Mr. Compson continues his story. After Henry and Bon leave that Christmas morning, Judith doesn’t see Bon... (full context)
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...in New Orleans—where Sutpen has already gone, though nobody knows that’s where he went. ( Mr. Compson speculates that Bon must have realized that this is his chance to woo Judith.) Of... (full context)
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Mr. Compson speculates that if Henry had only gone with Bon to New Orleans instead of waiting... (full context)
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In Mr. Compson ’s telling, after that Christmas, Judith starts sending letters to Bon, and Henry reads them... (full context)
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...and leaves Sutpen’s Hundred, though he doesn’t have to—he leaves out of love for Bon. Mr. Compson guesses that Bon would’ve asked Henry what Sutpen said to cause the fight (though, Mr.... (full context)
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Mr. Compson imagines how Bon would have come clean to Henry—all the “calculation” that went into it.... (full context)
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Mr. Compson imagines Bon leading Henry to a brothel in New Orleans, scandalizing Henry, and Bon trying... (full context)
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What happened four years later, Mr. Compson argues, should have happened the day Bon brought Henry to the brothel. But it doesn’t... (full context)
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Mr. Compson ’s story continues. That spring, Bon and Henry return north to Mississippi. Bull Run has... (full context)
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In the present, Judith remains a mystery to Mr. Compson : it’s not as though Bon tried to “corrupt her to unchastity,” Mr. Compson argues.... (full context)
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Mr. Compson continues his story. Henry and Bon go off to war, and Bon is made lieutenant... (full context)
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...in his attic, and Judith likely invites Miss Rosa to come live with her ( Mr. Compson guesses). Miss Rosa declines the offer, apparently waiting for Judith to receive a letter from... (full context)
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In the present, Mr. Compson hands the letter to Quentin. Quentin takes it and opens it carefully, as though it’s... (full context)
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In the present, Quentin finishes reading the letter. Mr. Compson explains that Clytie and Judith got to work making Judith’s wedding gown after Judith received... (full context)
Chapter 6
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...sitting in their dorm room at Harvard. An opened letter sits on the table—it’s from Quentin’s father , announcing Miss Rosa’s recent death and burial. She had been in a coma for... (full context)
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...Quentin observes Shreve, “naked torso pink-gleaming and baby-smooth, cherubic, almost hairless.” Of course, Shreve, unlike Mr. Compson , knows about what happened after Quentin “came back” from Sutpen’s Hundred that night. (full context)
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...the Sutpen saga to ask about a story Quentin told him about hunting quail with Mr. Compson . The narrative shifts away from the ambiguous narrator and back to Quentin’s perspective as... (full context)
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Mr. Compson leads Luster and Quentin into the cedars, and it’s there that Quentin sees the gravestones... (full context)
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As Mr. Compson speaks, Quentin can imagine Sutpen leading his suffering troops into Pennsylvania. Then he led them... (full context)
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Quentin asks Mr. Compson about the other three gravestones, which belong to Charles Bon, Charles Etienne Saint-Valery Bon, and... (full context)
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Mr. Compson next describes an afternoon in the summer of 1870—the summer Judith sold the store. In... (full context)
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The narrative shifts back to Quentin’s perspective as he, Mr. Compson , and Luster look on the gravestones while Mr. Compson tells the story of Charles... (full context)
Chapter 7
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As Quentin speaks, Shreve jokingly remarks that Quentin sounds just like his father . This prompts Quentin to sink into an internal, rambling, stream-of-consciousness meditation on himself, his... (full context)
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...as he’d named all his other children—“that entire fecundity of dragons’ teeth,” which is how Quentin’s father refers to Sutpen’s collective children. (full context)
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Shreve interrupts Quentin to ask why Quentin’s father told Quentin that the fight between Sutpen and Henry (and the reason Sutpen prohibited the... (full context)
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The narrative (from a different but still unclear perspective) then documents Quentin’s father ’s thoughts on Sutpen’s actions in the aftermath of Bon’s death. Mr. Compson speculates that... (full context)
Chapter 8
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...Bon must have taken Henry to see Bon’s mistress and Charles Etienne (this is what Mr. Compson thinks happened, too). But Shreve and Quentin don’t think the visit bothered Henry as much... (full context)
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...and Shreve imagine Bon and Henry fighting in the Battle of Shiloh. Shreve insists that Mr. Compson was wrong about one detail of his story—it was Henry who was wounded in this... (full context)
Chapter 9
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...a lot of people who have died,” and then he finally picks up the letter Mr. Compson sent him and finishes reading it. (full context)
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In his letter, Mr. Compson expresses his hope that in death, Miss Rosa hasn’t escaped “the objects of the outrage... (full context)