Absalom, Absalom!

by

William Faulkner

Teachers and parents! Our Teacher Edition on Absalom, Absalom! makes teaching easy.

Quentin Compson Character Analysis

Quentin Compson is one of the book’s main characters, though he hardly speaks any words of his own. His primary function is to listen to, absorb, and pass down the stories that Mr. Compson and Miss Rosa tell him about Thomas Sutpen. When he later begins his studies at Harvard, he tells the stories of Sutpen to his roommate, Shreve, and listens as Shreve relates the stories back to him. As a Canadian, Shreve doesn’t grasp the weight and significance the stories hold for Quentin, who was born and raised in the South. Meanwhile, Quentin’s relationship to the South is complicated, haunted, and the source of much anguish for him. Indeed, the novel’s recurring imagery of ghosts, demons, and other supernatural entities reflects the symbolic “curse” that the inability to acknowledge the enduring legacy of slavery has cast on the region and its inhabitants. The story that Quentin tells Shreve ends with Rosa and Quentin traveling to Sutpen’s Hundred and finding Henry Sutpen hidden in the old house there. Later, Clytie lights the house on fire, killing herself and Henry and symbolically ending Sutpen’s “design.” After Quentin finishes telling his story, Shreve demands to know why Quentin “hates” the South, and the novel ends with Quentin protesting to Shreve—and later to himself—that he does not hate it.

Quentin Compson Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Quentin Compson or refer to Quentin Compson. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).
Chapter 1 Quotes

Then hearing would reconcile and he would seem to listen to two separate Quentins now—the Quentin Compson preparing for Harvard in the South, the deep South dead since 1865 and peopled with garrulous outraged baffled ghosts, listening, having to listen, to one of the ghosts which had refused to lie still even longer than most had, telling him about old ghost-times;

Related Characters: Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 3
Explanation and Analysis:

His childhood was full of them; his very body was an empty hall echoing with sonorous defeated names; he was not a being, an entity, he was a commonwealth. He was a barracks filled with stubborn back-looking ghosts still recovering, even forty-three years afterward, from the fever which had cured the disease, waking from the fever without even knowing that it had been the fever itself which they had fought against and not the sickness, looking with stubborn recalcitrance backward beyond the fever and into the disease with actual regret, weak from the fever yet free of the disease and not even aware that the freedom was that of impotence.

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 6
Explanation and Analysis:

Maybe you have to know anybody awful well to love them but when you have hated somebody for forty-three years you will know them awful well so maybe it’s better then maybe it’s fine then because after forty-three years they cant any longer surprise you or make you either very contented or very mad.

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 9
Explanation and Analysis:
Chapter 2  Quotes

It was a day of listening too—the listening, the hearing in 1909 even yet mostly that which he already knew since he had been born in and still breathed the same air in which the church bells had rung on that Sunday morning in 1833 […].

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson, Mr. Compson
Page Number: 22
Explanation and Analysis:

He might not have gone out of his way to keep Sutpen in jail, but doubtless the best possible moral fumigation which Sutpen could have received at the time in the eyes of his fellow citizens was the fact that Mr Coldfield signed his bond—something he would not have done to save his own good name even though the arrest had been a direct result of the business between himself and Sutpen—that affair which, when it reached a point where his conscience refused to sanction it, he had withdrawn from and let Sutpen take all the profit, refusing even to allow Sutpen to reimburse him for the loss which, in withdrawing, he had suffered, though he did permit his daughter to marry this man of whose actions his conscience did not approve. This was the second time he did something like that.

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Ellen Coldfield, Goodhue Coldfield
Page Number: 38-39
Explanation and Analysis:
Chapter 3 Quotes

He brought the two women deliberately; he probably chose them with the same care and shrewdness with which he chose the other livestock—the horses and mules and cattle—which he bought later on.

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Clytie
Related Symbols: Sutpen’s Design
Page Number: 48
Explanation and Analysis:

That’s what Miss Rosa heard. Nobody knows what she thought.

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Charles Bon, Henry Sutpen, Rosa Coldfield, Quentin Compson, Ellen Coldfield, General Compson
Page Number: 62
Explanation and Analysis:
Chapter 4 Quotes

There was no time, no interval, no niche in the crowded days when he could have courted Judith. You can not even imagine him and Judith alone together. Try to do it and the nearest you can come is a projection of them while the two actual people were doubtless separate and elsewhere—two shades pacing, serene and untroubled by flesh, in a summer garden […].

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Charles Bon, Judith Sutpen, Rosa Coldfield, Quentin Compson
Page Number: 77
Explanation and Analysis:

“[…] Oh he was shrewd, this man whom for weeks now Henry was realising that he knew less and less, this stranger immersed and oblivious now in the formal, almost ritual, preparations for the visit, finicking almost like a woman over the fit of the new coat which he would have ordered for Henry, forced Henry to accept for this occasion, by means of which the entire impression which Henry was to receive from the visit would be established before they even left the house, before Henry ever saw the woman: and Henry, the countryman, the bewildered, with the subtle tide already setting beneath him toward the point where he must either betray himself and his entire upbringing and thinking, or deny the friend for whom he had already repudiated home and kin and all […].”

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Charles Bon, Henry Sutpen, Quentin Compson, Charles Bon’s Mistress
Page Number: 90
Explanation and Analysis:
Chapter 5 Quotes

That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Quentin Compson, Mr. Compson
Page Number: 115
Explanation and Analysis:

Now you will ask me why I stayed there. I could say, I do not know, could give ten thousand paltry reasons, all untrue, and be believed:—

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Charles Bon, Quentin Compson, Mr. Compson, Goodhue Coldfield
Page Number: 123
Explanation and Analysis:
Chapter 6 Quotes

Tell about the South. What’s it like there. What do they do there. Why do they live there. Why do they live at all […]

Related Characters: Quentin Compson, Shreve McCannon
Page Number: 142
Explanation and Analysis:

“Yes,” Quentin said. He sounds just like Father he thought, glancing (his face quiet, reposed, curiously almost sullen) for a moment at Shreve leaning forward into the lamp, his naked torso pink-gleaming and baby-smooth, cherubic, almost hairless, the twin moons of his spectacles glinting against his moonlike rubicund face, smelling (Quentin) the cigar and the wistaria, seeing the fireflies blowing and winking in the September dusk.

Related Characters: Quentin Compson (speaker), Mr. Compson, Shreve McCannon
Page Number: 147-148
Explanation and Analysis:

But you were not listening, because you knew it all already, had learned, absorbed it already without the medium of speech somehow from having been born and living beside it, with it, as children will and do […]

Related Characters: Quentin Compson (speaker), Thomas Sutpen, Shreve McCannon
Page Number: 172
Explanation and Analysis:
Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Mr. Compson
Related Symbols: Sutpen’s Design
Page Number: 176
Explanation and Analysis:

“His trouble was innocence. All of a sudden he discovered, not what he wanted to do but what he just had to do, had to do it whether he wanted to or not, because if he did not do it he knew that he could never live with himself for the rest of his life […].”

Related Characters: Quentin Compson (speaker), Thomas Sutpen, General Compson, Shreve McCannon
Related Symbols: Sutpen’s Design , Doors and Gates
Page Number: 178
Explanation and Analysis:
Chapter 8 Quotes

There would be no deep breathing tonight.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 235
Explanation and Analysis:

That was why it did not matter to either of them which one did the talking, since it was not the talking alone which did it, performed and accomplished the overpassing, but some happy marriage of speaking and hearing wherein each before the demand, the requirement, forgave condoned and forgot the faulting of the other—faultings both in the creating of this shade whom they discussed (rather, existed in) and in the hearing and sifting and discarding the false and conserving what seemed true, or fit the preconceived—in order to overpass to love, where there might be paradox and inconsistency but nothing fault nor false.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 253
Explanation and Analysis:

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Thomas Sutpen, Henry Sutpen, Judith Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number: 285
Explanation and Analysis:
Chapter 9 Quotes

Wait. Listen. I’m not trying to be funny, smart. I just want to understand it if I can and I dont know how to say it better. Because it’s something my people haven’t got. Or if we have got it, it all happened long ago across the water and so now there aint anything to look at every day to remind us of it. We dont live among defeated grandfathers and freed slaves […] and bullets in the dining room table and such, to be always reminding us to never forget.

Related Characters: Shreve McCannon (speaker), Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 289
Explanation and Analysis:

“Yes. I remember your grandpaw. You go up there and make her come down. Make her go away from here. Whatever he done, me and Judith and him have paid it out. You go and get her. Take her away from here.”

Related Characters: Clytie (speaker), Thomas Sutpen, Charles Bon, Henry Sutpen, Judith Sutpen, Rosa Coldfield, Quentin Compson, General Compson
Page Number: 296
Explanation and Analysis:

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number: 303
Explanation and Analysis:
Get the entire Absalom, Absalom! LitChart as a printable PDF.
Absalom, Absalom! PDF

Quentin Compson Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Quentin Compson or refer to Quentin Compson. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).
Chapter 1 Quotes

Then hearing would reconcile and he would seem to listen to two separate Quentins now—the Quentin Compson preparing for Harvard in the South, the deep South dead since 1865 and peopled with garrulous outraged baffled ghosts, listening, having to listen, to one of the ghosts which had refused to lie still even longer than most had, telling him about old ghost-times;

Related Characters: Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 3
Explanation and Analysis:

His childhood was full of them; his very body was an empty hall echoing with sonorous defeated names; he was not a being, an entity, he was a commonwealth. He was a barracks filled with stubborn back-looking ghosts still recovering, even forty-three years afterward, from the fever which had cured the disease, waking from the fever without even knowing that it had been the fever itself which they had fought against and not the sickness, looking with stubborn recalcitrance backward beyond the fever and into the disease with actual regret, weak from the fever yet free of the disease and not even aware that the freedom was that of impotence.

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 6
Explanation and Analysis:

Maybe you have to know anybody awful well to love them but when you have hated somebody for forty-three years you will know them awful well so maybe it’s better then maybe it’s fine then because after forty-three years they cant any longer surprise you or make you either very contented or very mad.

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 9
Explanation and Analysis:
Chapter 2  Quotes

It was a day of listening too—the listening, the hearing in 1909 even yet mostly that which he already knew since he had been born in and still breathed the same air in which the church bells had rung on that Sunday morning in 1833 […].

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson, Mr. Compson
Page Number: 22
Explanation and Analysis:

He might not have gone out of his way to keep Sutpen in jail, but doubtless the best possible moral fumigation which Sutpen could have received at the time in the eyes of his fellow citizens was the fact that Mr Coldfield signed his bond—something he would not have done to save his own good name even though the arrest had been a direct result of the business between himself and Sutpen—that affair which, when it reached a point where his conscience refused to sanction it, he had withdrawn from and let Sutpen take all the profit, refusing even to allow Sutpen to reimburse him for the loss which, in withdrawing, he had suffered, though he did permit his daughter to marry this man of whose actions his conscience did not approve. This was the second time he did something like that.

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Ellen Coldfield, Goodhue Coldfield
Page Number: 38-39
Explanation and Analysis:
Chapter 3 Quotes

He brought the two women deliberately; he probably chose them with the same care and shrewdness with which he chose the other livestock—the horses and mules and cattle—which he bought later on.

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Clytie
Related Symbols: Sutpen’s Design
Page Number: 48
Explanation and Analysis:

That’s what Miss Rosa heard. Nobody knows what she thought.

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Charles Bon, Henry Sutpen, Rosa Coldfield, Quentin Compson, Ellen Coldfield, General Compson
Page Number: 62
Explanation and Analysis:
Chapter 4 Quotes

There was no time, no interval, no niche in the crowded days when he could have courted Judith. You can not even imagine him and Judith alone together. Try to do it and the nearest you can come is a projection of them while the two actual people were doubtless separate and elsewhere—two shades pacing, serene and untroubled by flesh, in a summer garden […].

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Charles Bon, Judith Sutpen, Rosa Coldfield, Quentin Compson
Page Number: 77
Explanation and Analysis:

“[…] Oh he was shrewd, this man whom for weeks now Henry was realising that he knew less and less, this stranger immersed and oblivious now in the formal, almost ritual, preparations for the visit, finicking almost like a woman over the fit of the new coat which he would have ordered for Henry, forced Henry to accept for this occasion, by means of which the entire impression which Henry was to receive from the visit would be established before they even left the house, before Henry ever saw the woman: and Henry, the countryman, the bewildered, with the subtle tide already setting beneath him toward the point where he must either betray himself and his entire upbringing and thinking, or deny the friend for whom he had already repudiated home and kin and all […].”

Related Characters: Mr. Compson (speaker), Thomas Sutpen, Charles Bon, Henry Sutpen, Quentin Compson, Charles Bon’s Mistress
Page Number: 90
Explanation and Analysis:
Chapter 5 Quotes

That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Quentin Compson, Mr. Compson
Page Number: 115
Explanation and Analysis:

Now you will ask me why I stayed there. I could say, I do not know, could give ten thousand paltry reasons, all untrue, and be believed:—

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Charles Bon, Quentin Compson, Mr. Compson, Goodhue Coldfield
Page Number: 123
Explanation and Analysis:
Chapter 6 Quotes

Tell about the South. What’s it like there. What do they do there. Why do they live there. Why do they live at all […]

Related Characters: Quentin Compson, Shreve McCannon
Page Number: 142
Explanation and Analysis:

“Yes,” Quentin said. He sounds just like Father he thought, glancing (his face quiet, reposed, curiously almost sullen) for a moment at Shreve leaning forward into the lamp, his naked torso pink-gleaming and baby-smooth, cherubic, almost hairless, the twin moons of his spectacles glinting against his moonlike rubicund face, smelling (Quentin) the cigar and the wistaria, seeing the fireflies blowing and winking in the September dusk.

Related Characters: Quentin Compson (speaker), Mr. Compson, Shreve McCannon
Page Number: 147-148
Explanation and Analysis:

But you were not listening, because you knew it all already, had learned, absorbed it already without the medium of speech somehow from having been born and living beside it, with it, as children will and do […]

Related Characters: Quentin Compson (speaker), Thomas Sutpen, Shreve McCannon
Page Number: 172
Explanation and Analysis:
Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Mr. Compson
Related Symbols: Sutpen’s Design
Page Number: 176
Explanation and Analysis:

“His trouble was innocence. All of a sudden he discovered, not what he wanted to do but what he just had to do, had to do it whether he wanted to or not, because if he did not do it he knew that he could never live with himself for the rest of his life […].”

Related Characters: Quentin Compson (speaker), Thomas Sutpen, General Compson, Shreve McCannon
Related Symbols: Sutpen’s Design , Doors and Gates
Page Number: 178
Explanation and Analysis:
Chapter 8 Quotes

There would be no deep breathing tonight.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 235
Explanation and Analysis:

That was why it did not matter to either of them which one did the talking, since it was not the talking alone which did it, performed and accomplished the overpassing, but some happy marriage of speaking and hearing wherein each before the demand, the requirement, forgave condoned and forgot the faulting of the other—faultings both in the creating of this shade whom they discussed (rather, existed in) and in the hearing and sifting and discarding the false and conserving what seemed true, or fit the preconceived—in order to overpass to love, where there might be paradox and inconsistency but nothing fault nor false.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 253
Explanation and Analysis:

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Thomas Sutpen, Henry Sutpen, Judith Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number: 285
Explanation and Analysis:
Chapter 9 Quotes

Wait. Listen. I’m not trying to be funny, smart. I just want to understand it if I can and I dont know how to say it better. Because it’s something my people haven’t got. Or if we have got it, it all happened long ago across the water and so now there aint anything to look at every day to remind us of it. We dont live among defeated grandfathers and freed slaves […] and bullets in the dining room table and such, to be always reminding us to never forget.

Related Characters: Shreve McCannon (speaker), Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 289
Explanation and Analysis:

“Yes. I remember your grandpaw. You go up there and make her come down. Make her go away from here. Whatever he done, me and Judith and him have paid it out. You go and get her. Take her away from here.”

Related Characters: Clytie (speaker), Thomas Sutpen, Charles Bon, Henry Sutpen, Judith Sutpen, Rosa Coldfield, Quentin Compson, General Compson
Page Number: 296
Explanation and Analysis:

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number: 303
Explanation and Analysis: