Absalom, Absalom!
by William Faulkner
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Quentin Compson Character Analysis

Quentin Compson is one of the book’s main characters, though he hardly speaks any words of his own. His primary function is to listen to, absorb, and pass down the stories that Mr. Compson and Miss Rosa tell him about Thomas Sutpen. When he later begins his studies at Harvard, he tells the stories of Sutpen to his roommate, Shreve, and listens as Shreve relates the stories back to him. As a Canadian, Shreve doesn’t grasp the weight and significance the stories hold for Quentin, who was born and raised in the South. Meanwhile, Quentin’s relationship to the South is complicated, haunted, and the source of much anguish for him. Indeed, the novel’s recurring imagery of ghosts, demons, and other supernatural entities reflects the symbolic “curse” that the inability to acknowledge the enduring legacy of slavery has cast on the region and its inhabitants. The story that Quentin tells Shreve ends with Rosa and Quentin traveling to Sutpen’s Hundred and finding Henry Sutpen hidden in the old house there. Later, Clytie lights the house on fire, killing herself and Henry and symbolically ending Sutpen’s “design.” After Quentin finishes telling his story, Shreve demands to know why Quentin “hates” the South, and the novel ends with Quentin protesting to Shreve—and later to himself—that he does not hate it.

Quentin Compson Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Quentin Compson or refer to Quentin Compson. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).

Chapter 1 Quotes

Then hearing would reconcile and he would seem to listen to two separate Quentins now—the Quentin Compson preparing for Harvard in the South, the deep South dead since 1865 and peopled with garrulous outraged baffled ghosts, listening, having to listen, to one of the ghosts which had refused to lie still even longer than most had, telling him about old ghost-times;

Related Characters: Quentin Compson, Rosa Coldfield
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 3
Explanation and Analysis:
This passage happens early in the story. Quentin is sitting in Miss Rosa’s stifling office as she tells him the story of her family’s history with Thomas Sutpen, the novel’s antagonist. For the past 43 years, Miss Rosa has held a grudge against Sutpen for destroying her family, and for reasons that Quentin has yet to (nor will ever) understand, she’s decided it’s finally time to lift the burden of that grudge from her shoulders by telling her story—and she’s selected Quentin as her audience. This passage illustrates Quentin’s shifting focus as he listens to Miss Rosa speak. As she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam dolorem

His childhood was full of them; his very body was an empty hall echoing with sonorous defeated names; he was not a being, an entity, he was a commonwealth. He was a barracks filled with stubborn back-looking ghosts still recovering, even forty-three years afterward, from the fever which had cured the disease, waking from the fever without even knowing that it had been the fever itself which they had fought against and not the sickness, looking with stubborn recalcitrance backward beyond the fever and into the disease with actual regret, weak from the fever yet free of the disease and not even aware that the freedom was that of impotence.

Related Characters: Rosa Coldfield, Thomas Sutpen, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 6
Explanation and Analysis:
As Quentin Compson listens to Rosa Coldfield tell her story about the long-dead Thomas Sutpen and the curse he supposedly cast on her family, he thinks about all the “stubborn back-looking ghosts” who have kept the dead alive. Quentin has lived in the South all his life, and though he was born well after the Confederacy’s loss of the Civil War and the emancipation of the region’s enslaved people, the legacy of that haunting past lives on in a lingering pre-war culture and the people of that era who stubbornly try to sustain a former way of life (“the fever Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Si

Maybe you have to know anybody awful well to love them but when you have hated somebody for forty-three years you will know them awful well so maybe it’s better then maybe it’s fine then because after forty-three years they cant any longer surprise you or make you either very contented or very mad.

Related Characters: Rosa Coldfield, Quentin Compson, Thomas Sutpen
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 9
Explanation and Analysis:
Quentin Compson listens to Rosa Coldfield tell her story about Thomas Sutpen, his rise and fall, and the havoc he wreaked on the Coldfield family. It’s a story she’s been keeping to herself for decades—ever since Sutpen insulted her and she returned to her late father’s house to live out the rest of her days as a shut-in. Throughout her account, Miss Rosa will condemn Sutpen for his asocial personality, his exploitation of her family, and his underlying cruelty. As she makes clear in this passage, she has nursed a grudge against Sutpen for the past 43 years as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. No

Chapter 2  Quotes

It was a day of listening too—the listening, the hearing in 1909 even yet mostly that which he already knew since he had been born in and still breathed the same air in which the church bells had rung on that Sunday morning in 1833 […].

Related Characters: Quentin Compson, Mr. Compson, Rosa Coldfield, Thomas Sutpen
Page Number and Citation: 22
Explanation and Analysis:
Quentin is sitting outside with his father, Mr. Compson, waiting for it to be time to return to Miss Rosa Coldfield’s house so she can continue telling him her story about the Coldfield family’s history with Thomas Sutpen and the grudge she’s held against Sutpen for the past 43 years. The story’s narration traces Quentin’s thoughts as he contemplates Miss Rosa’s story, the act of listening, and the way the South’s past continues to haunt its present. Though Quentin is listening to Miss Rosa’s story in the novel’s present (1909) and was born well after the Confederacy lost the Civil Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur lab

He might not have gone out of his way to keep Sutpen in jail, but doubtless the best possible moral fumigation which Sutpen could have received at the time in the eyes of his fellow citizens was the fact that Mr Coldfield signed his bond—something he would not have done to save his own good name even though the arrest had been a direct result of the business between himself and Sutpen—that affair which, when it reached a point where his conscience refused to sanction it, he had withdrawn from and let Sutpen take all the profit, refusing even to allow Sutpen to reimburse him for the loss which, in withdrawing, he had suffered, though he did permit his daughter to marry this man of whose actions his conscience did not approve. This was the second time he did something like that.

Related Characters: Mr. Compson (speaker), Goodhue Coldfield, Thomas Sutpen, Ellen Coldfield, Rosa Coldfield, Quentin Compson
Page Number and Citation: 38-39
Explanation and Analysis:
Quentin Compson is waiting for it to be time for him to return to Miss Rosa Coldfield’s house so she can continue telling him her story about Thomas Sutpen. As he waits, his father, Mr. Compson, tells his own account of Thomas Sutpen’s early years in Jefferson, Mississippi. Mr. Compson didn’t witness the events he describes here firsthand—rather, he is telling a version of the story based on the story that his own father, General Compson (who had been Sutpen’s only friend) told him. Here, Mr. Compson talks about Rosa’s father’s early dealings with Sutpen, and how their relationship solidified Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisc

Chapter 3 Quotes

He brought the two women deliberately; he probably chose them with the same care and shrewdness with which he chose the other livestock—the horses and mules and cattle—which he bought later on.

Related Characters: Mr. Compson (speaker), Clytie, Quentin Compson, Rosa Coldfield, Thomas Sutpen
Related Symbols: Sutpen’s Design
Page Number and Citation: 48
Explanation and Analysis:
While waiting for it to be time to return to Miss Rosa Coldfield’s house to continue listening to her tell her story, Quentin listens to his father, Mr. Compson, tell his own story about Sutpen. Mr. Compson has just noted that an enslaved girl, Clytie, who lived on Sutpen’s estate, was in fact Sutpen’s daughter with one of the enslaved women he brought with him when he first came to Jefferson, Mississippi. Mr. Compson specifies that Sutpen “deliberately” brought the women with him, speculating that he “chose them with the same care and shrewdness with which he chose the other Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium.

That’s what Miss Rosa heard. Nobody knows what she thought.

Related Characters: Mr. Compson (speaker), General Compson, Quentin Compson, Rosa Coldfield, Henry Sutpen, Thomas Sutpen, Charles Bon, Ellen Coldfield
Page Number and Citation: 62
Explanation and Analysis:
While waiting for it to be time for him to return to Rosa Coldfield’s house, where she’ll tell Quentin more of her story about her longstanding grudge against Thomas Sutpen, Quentin listens to Mr. Compson tell his own story about Sutpen, which he’s pieced together through details his own father (General Compson) told him. At this point in the story, Mr. Compson has just gotten to the argument that Henry Sutpen and Thomas Sutpen get into one fateful Christmas Eve. People know what came of the argument—Henry Sutpen renounced his birthright and left Sutpen’s Hundred with his close friend Charles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qu

Chapter 4 Quotes

There was no time, no interval, no niche in the crowded days when he could have courted Judith. You can not even imagine him and Judith alone together. Try to do it and the nearest you can come is a projection of them while the two actual people were doubtless separate and elsewhere—two shades pacing, serene and untroubled by flesh, in a summer garden […].

Related Characters: Mr. Compson (speaker), Rosa Coldfield, Charles Bon, Thomas Sutpen, Judith Sutpen, Quentin Compson
Page Number and Citation: 77
Explanation and Analysis:
This passage is told from Mr. Compson’s perspective as he continues his version of the Sutpen story as Quentin waits for it to be time to return to Miss Rosa’s house. Here, Mr. Compson expresses his doubts about the romance between Bon and Judith being genuine. According to Mr. Compson, there was simply no opportunity for any feelings of love to develop between Bon and Judith. They’d hardly had the chance to be alone together—or at least, Mr. Compson “can not even imagine [Bon] and Judith alone together.” Instead, one can only imagine “a projection of them while the two Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libe

“[…] Oh he was shrewd, this man whom for weeks now Henry was realising that he knew less and less, this stranger immersed and oblivious now in the formal, almost ritual, preparations for the visit, finicking almost like a woman over the fit of the new coat which he would have ordered for Henry, forced Henry to accept for this occasion, by means of which the entire impression which Henry was to receive from the visit would be established before they even left the house, before Henry ever saw the woman: and Henry, the countryman, the bewildered, with the subtle tide already setting beneath him toward the point where he must either betray himself and his entire upbringing and thinking, or deny the friend for whom he had already repudiated home and kin and all […].”

Related Characters: Mr. Compson (speaker), Quentin Compson, Henry Sutpen, Charles Bon, Thomas Sutpen, Charles Bon’s Mistress
Page Number and Citation: 90
Explanation and Analysis:
In this passage, which is told from Mr. Compson’s perspective, Mr. Compson continues to relate to Quentin his version of Thomas Sutpen’s life and the tragedies that undid the Sutpen dynasty. Here, Mr. Compson speculates on what happened during the trip to Bon’s home in New Orleans that Bon and Henry took after Henry renounced his family and fled Sutpen’s Hundred following his argument with Sutpen on Christmas Eve. Mr. Compson crafts a narrative where Bon, following Henry’s break with his family, now has Henry in the palm of his hand: Henry rejected his family out of loyalty to Bon, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus.

Chapter 5 Quotes

That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.

Related Characters: Rosa Coldfield (speaker), Quentin Compson, Thomas Sutpen, Mr. Compson
Page Number and Citation: 115
Explanation and Analysis:
Miss Rosa continues to tell Quentin the story of her and her family’s history with Sutpen. Here, before the section where she goes into greater detail about her own quasi-romantic relationship with Sutpen, she meditates on the nature of remembering in general, and on the impossibility of reaching anything near to the full truth where history is concerned. Miss Rosa describes “the substance of remembering” as instinctual, emotional, and rooted in the senses. Memory is ephemeral and fleeting and not something with an underlying sense of logic: it is “not mind, not thought.” Because of this, it is more appropriate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur la

Now you will ask me why I stayed there. I could say, I do not know, could give ten thousand paltry reasons, all untrue, and be believed:—

Related Characters: Rosa Coldfield (speaker), Quentin Compson, Goodhue Coldfield, Charles Bon, Thomas Sutpen, Mr. Compson
Page Number and Citation: 123
Explanation and Analysis:
In this quote, Miss Rosa tries to defend and explain her choice to stay at Sutpen’s Hundred following the death of her father (Goodhue Coldfield) and the murder of Charles Bon. This becomes a pattern across the sections she narrates. It was Rosa’s choice to stay at Sutpen’s Hundred that indirectly led to her brief engagement to Sutpen, which led to Sutpen insulting her, which led to her fleeing the estate and living out the rest of her years as an embittered shut-in. Thus, it makes sense that Rosa would simultaneously try to justify her choice and also berate herself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut mi

Chapter 6 Quotes

Tell about the South. What’s it like there. What do they do there. Why do they live there. Why do they live at all […]

Related Characters: Quentin Compson, Shreve McCannon
Related Literary Devices:
Page Number and Citation: 142
Explanation and Analysis:
This passage comes at the beginning of Chapter 6, when the main action shifts to Cambridge, Massachusetts. There, the novel continues to develop Sutpen’s story, with Quentin Compson telling his roommate Shreve all that he’s learned about Sutpen and about the South. Shreve is Canadian, and as a Northerner, he—like most of Quentin’s classmates at Harvard—are totally unfamiliar with the culture of the South, its history, and how the burden of that inherited history weighs on Quentin and other members of the younger generation of Southerners who have grown up amidst elders who remember the impact the war had on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt

“Yes,” Quentin said. He sounds just like Father he thought, glancing (his face quiet, reposed, curiously almost sullen) for a moment at Shreve leaning forward into the lamp, his naked torso pink-gleaming and baby-smooth, cherubic, almost hairless, the twin moons of his spectacles glinting against his moonlike rubicund face, smelling (Quentin) the cigar and the wistaria, seeing the fireflies blowing and winking in the September dusk.

Related Characters: Quentin Compson (speaker), Shreve McCannon, Mr. Compson
Page Number and Citation: 147-148
Explanation and Analysis:
Quentin and Shreve are in their dorm room at Harvard, and Quentin listens as Shreve repeats back to him the story of Sutpen that Quentin has just told him. As Shreve speaks, Quentin observes how much “like Father” (Mr. Compson) Shreve sounds. This is because Quentin himself, when he related the story to Shreve, drew from the language and tone that Mr. Compson used when he first told the story to Quentin. Quentin’s observation thus reinforces the novel’s broader examination of the ways in which storytelling influences and creates truth. In the novel, words and speech aren’t ephemeral things—they are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusa

But you were not listening, because you knew it all already, had learned, absorbed it already without the medium of speech somehow from having been born and living beside it, with it, as children will and do […]

Related Characters: Quentin Compson (speaker), Shreve McCannon, Thomas Sutpen
Page Number and Citation: 172
Explanation and Analysis:
These are Quentin’s thoughts as he starts to feel increasingly out of control listening to Shreve retell portions of the Sutpen story. In this chapter, the narrative perspective becomes increasingly difficult to discern as Shreve’s voice melds with Mr. Compson’s voice and with all the other voices through which Quentin has gradually come to know the history of Sutpen and of the South. The disorienting quality of this chapter reflects Quentin’s general anxiety and unease about confronting the South’s past. Here, he reflects on the burden of inherited history he’s been forced to shoulder, practically from the moment he was Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas de

Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Quentin Compson, Thomas Sutpen, Mr. Compson, Rosa Coldfield
Related Symbols: Sutpen’s Design
Page Number and Citation: 176
Explanation and Analysis:
Quentin is at Harvard, telling his roommate Shreve the story of Sutpen that Mr. Compson and Miss Rosa Coldfield related to him in the first half of the novel. For the most part, the scenes between Quentin and Shreve consist of Shreve retelling excerpts of the Sutpen story that he’s already heard from Quentin and then turning to Quentin for clarification that he’s understood everything correctly. Shreve also interjects with glib (sometimes to the point of being disrespectful) commentary about the South that expresses his amusement at some of the more unbelievable elements of Quentin’s story and highlights his outsider’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui

“His trouble was innocence. All of a sudden he discovered, not what he wanted to do but what he just had to do, had to do it whether he wanted to or not, because if he did not do it he knew that he could never live with himself for the rest of his life […].”

Related Characters: Quentin Compson (speaker), Shreve McCannon, Thomas Sutpen, General Compson
Related Symbols: Doors and Gates, Sutpen’s Design
Page Number and Citation: 178
Explanation and Analysis:
This passage comes from the section of the novel that summarizes Sutpen’s origins. It’s told from Quentin’s perspective, and based on the story his father, Mr. Compson, told him (which was based on the facts of Sutpen’s life that Sutpen himself told to Mr. Compson’s father, General Compson). Here, Quentin describes Sutpen’s reaction to the enslaved man redirecting him toward the back door of the planter’s mansion, a formative childhood experience that effectively shaped the entire trajectory of Sutpen’s life from that point forward, giving birth to the fierce ambition that would fuel his so-called “design.” This section of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Volupta

Chapter 8 Quotes

There would be no deep breathing tonight.

Related Characters: Quentin Compson, Shreve McCannon, Thomas Sutpen
Page Number and Citation: 235
Explanation and Analysis:
This quote opens Chapter 8. In a college sitting room at Harvard, Shreve continues to make sense of Quentin’s story of Sutpen and the South. As the boys work through Sutpen’s story together, Quentin, a Southerner unacquainted with the harsh winter climate of the North, struggles to keep warm. He remains constantly aware of the cold and his resultant discomfort, and his thoughts about this discomfort, regularly interrupt the flow of the main narrative.  When the narrative, seemingly from Quentin’s perspective, states that there will “be no deep breathing tonight,” it’s literally describing how the intense cold of the evening Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et

That was why it did not matter to either of them which one did the talking, since it was not the talking alone which did it, performed and accomplished the overpassing, but some happy marriage of speaking and hearing wherein each before the demand, the requirement, forgave condoned and forgot the faulting of the other—faultings both in the creating of this shade whom they discussed (rather, existed in) and in the hearing and sifting and discarding the false and conserving what seemed true, or fit the preconceived—in order to overpass to love, where there might be paradox and inconsistency but nothing fault nor false.

Related Characters: Quentin Compson, Shreve McCannon, Thomas Sutpen
Page Number and Citation: 253
Explanation and Analysis:
At Harvard, in the novel’s present, Shreve continues to make sense of Quentin’s story of the South. Beginning in Chapter 5, the action skips ahead several months and the setting shifts from Jefferson, Mississippi to Cambridge, Massachusetts. In the latter half of the book, a different set of narrators takes over the telling of Sutpen’s story. Beginning in this chapter and for the remainder of the book, Quentin and Shreve take over much of the narration, with Quentin adding details missing from the first version of the story he told Shreve, and Shreve repeating back sections of the story to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibu

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Henry Sutpen, Judith Sutpen, Thomas Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number and Citation: 285
Explanation and Analysis:
This passage is Bon’s response to Henry after Henry pleads with Bon not to marry Judith—Henry’s sister and Bon’s half-sister. Despite Henry’s earlier acceptance of Bon’s plan to go through with the incestuous marriage (which, in this version of the story, he formulates in order to get back at Sutpen for abandoning him and then failing to acknowledge him as his son), Henry rescinds his approval after learning of Bon’s mixed-race ancestry. Here, Bon shifts the blame away from himself and toward Sutpen. For the past four years, ever since Henry first brought Bon home to visit Sutpen’s Hundred (at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel v

Chapter 9 Quotes

Wait. Listen. I’m not trying to be funny, smart. I just want to understand it if I can and I dont know how to say it better. Because it’s something my people haven’t got. Or if we have got it, it all happened long ago across the water and so now there aint anything to look at every day to remind us of it. We dont live among defeated grandfathers and freed slaves […] and bullets in the dining room table and such, to be always reminding us to never forget.

Related Characters: Shreve McCannon (speaker), Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 289
Explanation and Analysis:
Quentin and Shreve are sitting in their dorm room at Harvard as Shreve repeats back the story of the South that Quentin has just told him. Shreve has been making glib jokes throughout, treating the story’s subjects as fictional characters and making light of topics that affect Quentin so deeply that he can hardly speak of them aloud. In this passage, Shreve defends (or at least explains) why he has responded to Quentin’s story the way he has while also reaffirming his genuine desire to understand the deeper significance of Quentin’s story, at least as well as he can as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Ani

“Yes. I remember your grandpaw. You go up there and make her come down. Make her go away from here. Whatever he done, me and Judith and him have paid it out. You go and get her. Take her away from here.”

Related Characters: Clytie (speaker), Charles Bon, Thomas Sutpen, General Compson, Quentin Compson, Rosa Coldfield, Judith Sutpen, Henry Sutpen
Page Number and Citation: 296
Explanation and Analysis:
Quentin has accompanied Miss Rosa to Sutpen’s derelict mansion, where Miss Rosa claims someone is hiding upstairs (that someone turns out to be the dying Henry Sutpen, who has been a fugitive for the past 43 years, ever since he murdered Charles Bon). Clytie, Sutpen’s daughter by one of his enslaved women, tries to stop Miss Rosa from walking upstairs to find (and, Clytie seems to fear, murder) Henry. She calls on Quentin to help her after a determined and scornful Rosa defies Clytie, knocking her to the ground when Clytie tries to stand in Rosa’s way. Clytie urges Quentin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequ

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number and Citation: 303
Explanation and Analysis:
This exchange between Quentin Compson and his roommate Shreve concludes the novel. Quentin and Shreve have finished working through Quentin’s telling of the story of Sutpen. The activity took the form of a back-and-forth exchange wherein Quentin would tell sections of the story to Shreve, and then Shreve would respond by repeating back bits of the story to ensure that he grasped what Quentin had just told him, peppering his speech with glib jokes that emphasized his ignorance about the story’s subjects and region. Now Shreve poses one final question to Quentin: “Why do you hate the South?” Shreve’s question Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed p
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Quentin Compson Character Timeline in Absalom, Absalom!

The timeline below shows where the character Quentin Compson appears in Absalom, Absalom!. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
The South  Theme Icon
On a hot afternoon in September, Quentin sits with Miss Rosa Coldfield in Miss Rosa’s stifling, dim room. The blinds to the... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Quentin listens to Rosa speak. Her voice sounds as though a ghost is haunting it, and... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Miss Rosa says she’s telling all this to Quentin because she figures he’ll pursue a career in writing—it’s what all the “Southern gentlemen and... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Quentin recalls how earlier that day, Miss Rosa Coldfield sent him a note demanding he see... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Rosa’s family is famous around Jefferson, Mississippi (where Rosa and Quentin live). Her father, Goodhue Coldfield, was a conscientious objector who hid from Confederate soldiers in... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
When Quentin returns home that evening, he asks his father, Mr. Compson, why Miss Rosa chose him... (full context)
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Rosa asks Quentin, “Is it any wonder that Heaven saw fit to let us lose?” He says it... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...the shows—only Henry. Ellen wishes she could believe him. In the present, Rosa explains to Quentin that she didn’t actually witness this scene—she wasn’t there to see Judith and a young... (full context)
Chapter 2 
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
The summer air smells of wistaria. It’s twilight, and Quentin sits outside with his father, Mr. Compson, waiting for it to be time to listen... (full context)
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...desperate for a meal after going days without food. General Compson once told his son, Quentin’s father, that Sutpen didn’t raise his voice to his enslaved men—instead, he controlled them by... (full context)
Chapter 3
Storytelling, Perspective, and Truth  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
...at sixteen”—isn’t jealous of Judith. Nor does she feel sorry for herself. (When Ellen told Quentin’s grandmother about Bon, Mr. Compson explains to Quentin, Quentin’s grandmother felt it sounded like a... (full context)
Chapter 4
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
It’s still not dark enough for Quentin to go to Miss Rosa’s—not as dark as she’d prefer it, anyway. Quentin imagines her... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Mr. Compson, still holding the letter, sits with Quentin on the veranda. Continuing his story about the Sutpen saga, he muses that Henry gave... (full context)
Storytelling, Perspective, and Truth  Theme Icon
In the present, Mr. Compson hands the letter to Quentin. Quentin takes it and opens it carefully, as though it’s merely “the intact ash of... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
The letter is undated, but from its contents Quentin learns it’s 1865. In the letter, Bon talks of the hardship and suffering he’s experienced... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
In the present, Quentin finishes reading the letter. Mr. Compson explains that Clytie and Judith got to work making... (full context)
Chapter 5
Storytelling, Perspective, and Truth  Theme Icon
 The narrative switches back to Rosa telling her story to Quentin, picking up after Wash Jones tells her about Bon being killed. Rosa describes how she... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The Limits of Ambition  Theme Icon
...to him represent[s].” (As Rosa, in the present, relates this part of the story to Quentin, her tone grows vengeful and more bitter.) (full context)
The Limits of Ambition  Theme Icon
But, Rosa assures Quentin, she did forgive Sutpen for the insult. In fact, she feels she “had nothing to... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Miss Rosa’s story trails off as Quentin stops listening and considers how he, too, cannot walk through “that door.” He imagines the... (full context)
Chapter 6
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
The narrative picks up in 1910 in Cambridge, Massachusetts. Quentin and his roommate Shreve, a Canadian, are sitting in their dorm room at Harvard. An... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Quentin has been telling Shreve what happened after Miss Rosa told him that someone was hiding... (full context)
Storytelling, Perspective, and Truth  Theme Icon
The South  Theme Icon
The Limits of Ambition  Theme Icon
Social Taboos, Racism, and Inherited Trauma  Theme Icon
Shreve continues to clarify points of the story Quentin has told him. After turning Henry against Bon, prohibiting Bon’s marriage to Judith, poisoning Henry... (full context)
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As Shreve talks, Quentin thinks to himself, “He sounds just like Father.” Quentin observes Shreve, “naked torso pink-gleaming and... (full context)
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...the present, Shreve halts his retelling of the Sutpen saga to ask about a story Quentin told him about hunting quail with Mr. Compson. The narrative shifts away from the ambiguous... (full context)
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Mr. Compson leads Luster and Quentin into the cedars, and it’s there that Quentin sees the gravestones of Ellen Coldfield Sutpen... (full context)
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As Mr. Compson speaks, Quentin can imagine Sutpen leading his suffering troops into Pennsylvania. Then he led them through the... (full context)
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Quentin asks Mr. Compson about the other three gravestones, which belong to Charles Bon, Charles Etienne... (full context)
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...afternoon in the summer of 1870—the summer Judith sold the store. In Mr. Compson’s telling, Quentin’s grandfather witnesses the arrival of Bon’s mistress—whom he assumes has come in response to Judith... (full context)
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Quentin’s grandfather isn’t sure who—Judith or Clytie—tells Charles Etienne he must be Black.  Before this, the... (full context)
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...his own defense at the courtroom. The justice, Jim Hamblett, is making an indictment when Quentin’s grandfather enters and interrupts Hamblett’s speech. He pays Charles Etienne’s fine and takes Charles Etienne... (full context)
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Judith waits outside Quentin’s grandfather’s office while Charles Etienne and Quentin’s grandfather speak. Quentin’s grandfather asks if Charles Etienne... (full context)
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But nobody really knows what words Judith and Charles Etienne exchanged that day; certainly, Quentin’s grandfather doesn’t know. He only knows the story town gossip has settled on. After speaking... (full context)
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The narrative shifts back to Quentin’s perspective as he, Mr. Compson, and Luster look on the gravestones while Mr. Compson tells... (full context)
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The narrative shifts to Quentin’s memory of himself, Luster, and some other boys their age approaching the old cabin and... (full context)
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“Yes,” Quentin says, as the story shifts forward in time to 1910. He and Shreve are at... (full context)
Chapter 7
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It’s cold in Shreve and Quentin’s room in Cambridge. Shreve glibly announces that the point of Quentin’s story is that “he... (full context)
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Quentin’s story moves back in time to summarize Sutpen’s origins. Sutpen is born in 1808 in... (full context)
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...the cave-like space under a fallen oak tree. (When Sutpen later recounted the insult to Quentin’s grandfather, Quentin relates to Shreve in the novel’s present, Sutpen insisted that he wasn’t angry... (full context)
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Sutpen apparently conveyed this story of his youth to Quentin’s grandfather as they waited for Sutpen’s enslaved Black men and dogs to track down the... (full context)
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Sutpen told Quentin’s grandfather that he attended school for a few months when he was 13 or 14,... (full context)
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Quentin’s story of Sutpen’s origins continues. Sutpen works his way up in the West Indies, overseeing... (full context)
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In the present, Shreve interrupts Quentin’s story, urging Quentin, “Go on.” Quentin repeats the words he spoke before Shreve’s interrupted him:... (full context)
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Quentin tells Shreve that it took Sutpen 30 years to continue telling the story to Quentin’s... (full context)
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...to ask about Sutpen’s shady business dealings and how Mr. Coldfield was involved in them. Quentin only knows vague details and mentions something about “a bill of lading” and a questionable... (full context)
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Shreve urges Quentin to continue the story of Sutpen’s “design,” and Quentin obliges, telling the story Sutpen resumed... (full context)
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As Quentin speaks, Shreve jokingly remarks that Quentin sounds just like his father. This prompts Quentin to... (full context)
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Back in the past, as Sutpen tells his story to Quentin’s grandfather, he tries to explain his choice to disown his first wife and child. Quentin’s... (full context)
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At this point, Shreve wordlessly rises and goes to put on his bathrobe, leaving Quentin alone at the table with the opened letter. When he returns, he urges Quentin to... (full context)
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Quentin explains that General Compson thinks that Sutpen probably named Charles Bon himself, just as he’d... (full context)
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Shreve interrupts Quentin to ask why Quentin’s father told Quentin that the fight between Sutpen and Henry (and... (full context)
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Quentin continues his story. Upon realizing that Bon is the son he abandoned in the West... (full context)
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...story) that there is no stopping Bon, so he shifts his focus to Henry. Sutpen (Quentin’s grandfather believed) knows that Henry will take “the lie” Sutpen tells him as truth. He... (full context)
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Sutpen, upon returning home from the war, goes to see Quentin’s grandfather to see if he can guess what “mistake” Sutpen made and how it has... (full context)
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Shreve interrupts Quentin’s story at this point to clarify that Quentin’s grandfather didn’t know what Sutpen was talking... (full context)
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...Sutpen “chose lechery,” making a joke that he would do the same. Then he asks Quentin to continue telling Sutpen’s story. Quentin notes the mocking tone of Shreve’s remark and inwardly... (full context)
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From Sutpen, Quentin’s grandfather learns that Sutpen rode to Quentin’s grandfather’s old regiment’s headquarters and spoke to Henry... (full context)
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In the present, Quentin briefly finds himself unable to speak, becoming consumed with anxiety about “hav[ing] to hear it... (full context)
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The narrative (from a different but still unclear perspective) then documents Quentin’s father’s thoughts on Sutpen’s actions in the aftermath of Bon’s death. Mr. Compson speculates that... (full context)
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Quentin’s story picks up with Sutpen’s efforts to regain his wealth following the Civil War. He... (full context)
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...town flaunting these gifts from Sutpen—beads and ribbons, and even a new dress. One day, Quentin’s grandfather ventures by Sutpen’s store and hears Sutpen and Wash arguing about Milly.  (full context)
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News of Wash’s murder of Sutpen spreads around town. Quentin’s grandfather, Major de Spain (the sheriff), and a group of other men assemble, bringing dogs... (full context)
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...years, could insult Milly, taunting Wash Jones into killing first him and then the baby. Quentin looks up, puzzled, and corrects Shreve: the baby was a girl. Shreve only says, “Oh,”... (full context)
Chapter 8
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Quentin and Shreve sit in a college sitting room.  Shreve continues to make sense of Quentin’s... (full context)
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Quentin and Shreve continue to debate what must have happened in the library that day. Shreve... (full context)
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Next Shreve and Quentin imagine how Bon came to attend college. In their retelling, Bon leaves home to attend... (full context)
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In Shreve and Quentin’s retelling of the story, the lawyer sends a letter to Henry Sutpen, introducing Bon to... (full context)
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In the novel’s present, Shreve announces to Quentin that they’re now “going to talk about love.” In Shreve’s telling of the story, he... (full context)
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Shreve and Quentin continue their story, picking up the Christmas that Henry invites Bon to accompany him to... (full context)
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Quentin and Shreve’s story of Henry and Bon continues. Henry and Bon return to Sutpen’s Hundred—Bon’s... (full context)
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In the present, Shreve stops speaking, and he and Quentin sit together in silence. It’s not even clear which of them has been retelling Sutpen’s... (full context)
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...sugar planter” whose father had lied to Sutpen about her racial background. In Shreve and Quentin’s imagined version of the story, she already knows that Bon is “in love” with Judith—Henry... (full context)
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In Shreve and Quentin’s telling of the story, the lawyer and Bon will finally reach an understanding—if only an... (full context)
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...the Union, and then there are two presidents. Then the Civil War begins. Shreve and Quentin imagine the conversation Henry and Bon must have had around that time. Henry, they imagine,... (full context)
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At this point, Quentin and Shreve imagine Bon and Henry fighting in the Battle of Shiloh. Shreve insists that... (full context)
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Quentin and Shreve’s story skips forward in time. Now it’s the winter of 1864, and the... (full context)
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The narrative shifts suddenly to Shreve’s retelling of what Quentin and Miss Rosa encountered in the old house the night Miss Rosa took Quentin there... (full context)
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In Shreve and Quentin’s retelling, it’s possible that Bon and Henry rode to Sutpen’s Hundred together, approaching the gate... (full context)
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...will have to say to her, I was no good; do not grieve for me.’” Quentin replies only, “Yes,” and then Shreve says it’s time for them to “get out of... (full context)
Chapter 9
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Quentin and Shreve return to their dorm room, where it seems even colder than it was... (full context)
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...imagine coming from the South and having to endure such cold weather. He insists to Quentin that he’s not trying to be funny—he just wants to understand, but he isn’t sure... (full context)
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Shreve returns the focus to “Aunt Rosa,” brushing off Quentin’s correction (“Miss Rosa”). Shreve says that Quentin can’t even know all that much about her.... (full context)
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Though Quentin is currently surrounded by chilly, New England air, he can still feel the dust of... (full context)
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As Quentin and Miss Rosa approach Sutpen’s Hundred, Miss Rosa notes that they’re “on the Domain. On... (full context)
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“She’s going to try to stop me,” Miss Rosa says. Quentin asks what “she” has hidden in the house, but Miss Rosa ignores him. She gets... (full context)
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When Quentin and Miss Rosa arrive at the door to the old house, Miss Rosa urges Quentin... (full context)
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Quentin’s memory continues. The woman (Clytie) doesn’t say a single word to him. Instead, she calmly... (full context)
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Quentin hears Miss Rosa fall, then he hears a man’s voice. The man, who is Black,... (full context)
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The narrative abruptly skips forward. Quentin has stopped the buggy at Miss Rosa’s gate after returning from Sutpen’s Hundred. This time,... (full context)
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As Quentin walks back to the buggy, he’s “breathing deep” and thinking to himself, “Jesus. Jesus. Jesus.”... (full context)
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With no clear transition, the narrative shifts back to Quentin and Rosa’s trip to Sutpen’s Hundred earlier that night. Quentin enters an empty room and... (full context)
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The action returns to the present, to Shreve and Quentin’s cold dorm room in Cambridge. Shreve expresses disbelief that after encountering Henry after all these... (full context)
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Shreve and Quentin relate the rest of the story. Three months after Miss Rosa and Quentin discover Henry... (full context)
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In Quentin and Shreve’s telling of the story, the ambulance can’t get to the house in time—and... (full context)
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Quentin doesn’t say anything as Shreve speaks; he simply stares at the window. Then he reflects,... (full context)
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...killed Henry. Shreve notes that just one Sutpen remains now: Jim Bond. He asks if Quentin still hears Jim Bond wailing at night, and Quentin says he does. (full context)
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Shreve poses one final question to Quentin: “Why do you hate the South?” Quentin insists he doesn’t. Then to himself, as he... (full context)