Absalom, Absalom!
by William Faulkner
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Rosa Coldfield Character Analysis

Miss Rosa Coldfield is an elderly woman who lives in Jefferson, Mississippi. She’s one of the novel’s main narrative voices—the novel opens with Quentin sitting in Miss Rosa’s stuffy, dimly lit house as she tells him the story of how Thomas Sutpen doomed and destroyed her family. Miss Rosa’s tone and language make clear her hatred and resentment toward Sutpen—she repeatedly describes him as a “demon” or an “ogre.” Through Rosa (and through Mr. Compson), Quentin learns of Sutpen’s arrival in Jefferson and his efforts to gain the “respectability” central to his “design.” In Rosa’s story, Sutpen strategically ingratiates himself with the well-respected Coldfields, involves Rosa’s father (Goodhue Coldfield) in a dubious business scheme, and marries and has two children with Rosa’s much-older sister (Ellen Coldfield). After Ellen and Mr. Coldfield’s deaths, Rosa woes to live with Judith and Clytie at Sutpen’s Hundred. When Sutpen returns from the war, Rosa, now 20, agrees to marry him. However, after Sutpen insults her (he says he’ll only marry her after they have sex and she successfully produces a male heir), she flees Sutpen’s Hundred and spends the next 43 years as a shut-in, consumed by her hatred for Sutpen. At the end of the story, somehow knowing that there is “someone” hiding in the old Sutpen house, Miss Rosa orders Quentin to accompany her to the old Sutpen house, where she finds a dying Henry Sutpen, who has lived as a fugitive for decades following his murder of Charles Bon. Three months later, she returns with an ambulance to bring Henry medical attention, but Clytie mistakes the ambulance for the authorities and lights the house on fire, killing herself and Henry. Rosa dies three months later.

Rosa Coldfield Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Rosa Coldfield or refer to Rosa Coldfield. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).

Chapter 1 Quotes

Then hearing would reconcile and he would seem to listen to two separate Quentins now—the Quentin Compson preparing for Harvard in the South, the deep South dead since 1865 and peopled with garrulous outraged baffled ghosts, listening, having to listen, to one of the ghosts which had refused to lie still even longer than most had, telling him about old ghost-times;

Related Characters: Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 3
Explanation and Analysis:
This passage happens early in the story. Quentin is sitting in Miss Rosa’s stifling office as she tells him the story of her family’s history with Thomas Sutpen, the novel’s antagonist. For the past 43 years, Miss Rosa has held a grudge against Sutpen for destroying her family, and for reasons that Quentin has yet to (nor will ever) understand, she’s decided it’s finally time to lift the burden of that grudge from her shoulders by telling her story—and she’s selected Quentin as her audience. This passage illustrates Quentin’s shifting focus as he listens to Miss Rosa speak. As she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam dolorem

His childhood was full of them; his very body was an empty hall echoing with sonorous defeated names; he was not a being, an entity, he was a commonwealth. He was a barracks filled with stubborn back-looking ghosts still recovering, even forty-three years afterward, from the fever which had cured the disease, waking from the fever without even knowing that it had been the fever itself which they had fought against and not the sickness, looking with stubborn recalcitrance backward beyond the fever and into the disease with actual regret, weak from the fever yet free of the disease and not even aware that the freedom was that of impotence.

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 6
Explanation and Analysis:
As Quentin Compson listens to Rosa Coldfield tell her story about the long-dead Thomas Sutpen and the curse he supposedly cast on her family, he thinks about all the “stubborn back-looking ghosts” who have kept the dead alive. Quentin has lived in the South all his life, and though he was born well after the Confederacy’s loss of the Civil War and the emancipation of the region’s enslaved people, the legacy of that haunting past lives on in a lingering pre-war culture and the people of that era who stubbornly try to sustain a former way of life (“the fever Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Si

Maybe you have to know anybody awful well to love them but when you have hated somebody for forty-three years you will know them awful well so maybe it’s better then maybe it’s fine then because after forty-three years they cant any longer surprise you or make you either very contented or very mad.

Related Characters: Thomas Sutpen, Rosa Coldfield, Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number and Citation: 9
Explanation and Analysis:
Quentin Compson listens to Rosa Coldfield tell her story about Thomas Sutpen, his rise and fall, and the havoc he wreaked on the Coldfield family. It’s a story she’s been keeping to herself for decades—ever since Sutpen insulted her and she returned to her late father’s house to live out the rest of her days as a shut-in. Throughout her account, Miss Rosa will condemn Sutpen for his asocial personality, his exploitation of her family, and his underlying cruelty. As she makes clear in this passage, she has nursed a grudge against Sutpen for the past 43 years as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. No

Chapter 2  Quotes

It was a day of listening too—the listening, the hearing in 1909 even yet mostly that which he already knew since he had been born in and still breathed the same air in which the church bells had rung on that Sunday morning in 1833 […].

Related Characters: Quentin Compson, Thomas Sutpen, Rosa Coldfield, Mr. Compson
Page Number and Citation: 22
Explanation and Analysis:
Quentin is sitting outside with his father, Mr. Compson, waiting for it to be time to return to Miss Rosa Coldfield’s house so she can continue telling him her story about the Coldfield family’s history with Thomas Sutpen and the grudge she’s held against Sutpen for the past 43 years. The story’s narration traces Quentin’s thoughts as he contemplates Miss Rosa’s story, the act of listening, and the way the South’s past continues to haunt its present. Though Quentin is listening to Miss Rosa’s story in the novel’s present (1909) and was born well after the Confederacy lost the Civil Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur lab

He might not have gone out of his way to keep Sutpen in jail, but doubtless the best possible moral fumigation which Sutpen could have received at the time in the eyes of his fellow citizens was the fact that Mr Coldfield signed his bond—something he would not have done to save his own good name even though the arrest had been a direct result of the business between himself and Sutpen—that affair which, when it reached a point where his conscience refused to sanction it, he had withdrawn from and let Sutpen take all the profit, refusing even to allow Sutpen to reimburse him for the loss which, in withdrawing, he had suffered, though he did permit his daughter to marry this man of whose actions his conscience did not approve. This was the second time he did something like that.

Related Characters: Mr. Compson (speaker), Quentin Compson, Goodhue Coldfield, Thomas Sutpen, Ellen Coldfield, Rosa Coldfield
Page Number and Citation: 38-39
Explanation and Analysis:
Quentin Compson is waiting for it to be time for him to return to Miss Rosa Coldfield’s house so she can continue telling him her story about Thomas Sutpen. As he waits, his father, Mr. Compson, tells his own account of Thomas Sutpen’s early years in Jefferson, Mississippi. Mr. Compson didn’t witness the events he describes here firsthand—rather, he is telling a version of the story based on the story that his own father, General Compson (who had been Sutpen’s only friend) told him. Here, Mr. Compson talks about Rosa’s father’s early dealings with Sutpen, and how their relationship solidified Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisc

Chapter 3 Quotes

He brought the two women deliberately; he probably chose them with the same care and shrewdness with which he chose the other livestock—the horses and mules and cattle—which he bought later on.

Related Characters: Mr. Compson (speaker), Rosa Coldfield, Quentin Compson, Clytie, Thomas Sutpen
Related Symbols: Sutpen’s Design
Page Number and Citation: 48
Explanation and Analysis:
While waiting for it to be time to return to Miss Rosa Coldfield’s house to continue listening to her tell her story, Quentin listens to his father, Mr. Compson, tell his own story about Sutpen. Mr. Compson has just noted that an enslaved girl, Clytie, who lived on Sutpen’s estate, was in fact Sutpen’s daughter with one of the enslaved women he brought with him when he first came to Jefferson, Mississippi. Mr. Compson specifies that Sutpen “deliberately” brought the women with him, speculating that he “chose them with the same care and shrewdness with which he chose the other Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium.

That’s what Miss Rosa heard. Nobody knows what she thought.

Related Characters: Mr. Compson (speaker), General Compson, Quentin Compson, Rosa Coldfield, Henry Sutpen, Thomas Sutpen, Charles Bon, Ellen Coldfield
Page Number and Citation: 62
Explanation and Analysis:
While waiting for it to be time for him to return to Rosa Coldfield’s house, where she’ll tell Quentin more of her story about her longstanding grudge against Thomas Sutpen, Quentin listens to Mr. Compson tell his own story about Sutpen, which he’s pieced together through details his own father (General Compson) told him. At this point in the story, Mr. Compson has just gotten to the argument that Henry Sutpen and Thomas Sutpen get into one fateful Christmas Eve. People know what came of the argument—Henry Sutpen renounced his birthright and left Sutpen’s Hundred with his close friend Charles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qu

Chapter 4 Quotes

There was no time, no interval, no niche in the crowded days when he could have courted Judith. You can not even imagine him and Judith alone together. Try to do it and the nearest you can come is a projection of them while the two actual people were doubtless separate and elsewhere—two shades pacing, serene and untroubled by flesh, in a summer garden […].

Related Characters: Mr. Compson (speaker), Rosa Coldfield, Charles Bon, Thomas Sutpen, Judith Sutpen, Quentin Compson
Page Number and Citation: 77
Explanation and Analysis:
This passage is told from Mr. Compson’s perspective as he continues his version of the Sutpen story as Quentin waits for it to be time to return to Miss Rosa’s house. Here, Mr. Compson expresses his doubts about the romance between Bon and Judith being genuine. According to Mr. Compson, there was simply no opportunity for any feelings of love to develop between Bon and Judith. They’d hardly had the chance to be alone together—or at least, Mr. Compson “can not even imagine [Bon] and Judith alone together.” Instead, one can only imagine “a projection of them while the two Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libe

Chapter 5 Quotes

That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.

Related Characters: Rosa Coldfield (speaker), Mr. Compson, Quentin Compson, Thomas Sutpen
Page Number and Citation: 115
Explanation and Analysis:
Miss Rosa continues to tell Quentin the story of her and her family’s history with Sutpen. Here, before the section where she goes into greater detail about her own quasi-romantic relationship with Sutpen, she meditates on the nature of remembering in general, and on the impossibility of reaching anything near to the full truth where history is concerned. Miss Rosa describes “the substance of remembering” as instinctual, emotional, and rooted in the senses. Memory is ephemeral and fleeting and not something with an underlying sense of logic: it is “not mind, not thought.” Because of this, it is more appropriate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur la

Now you will ask me why I stayed there. I could say, I do not know, could give ten thousand paltry reasons, all untrue, and be believed:—

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Quentin Compson, Goodhue Coldfield, Charles Bon, Mr. Compson
Page Number and Citation: 123
Explanation and Analysis:
In this quote, Miss Rosa tries to defend and explain her choice to stay at Sutpen’s Hundred following the death of her father (Goodhue Coldfield) and the murder of Charles Bon. This becomes a pattern across the sections she narrates. It was Rosa’s choice to stay at Sutpen’s Hundred that indirectly led to her brief engagement to Sutpen, which led to Sutpen insulting her, which led to her fleeing the estate and living out the rest of her years as an embittered shut-in. Thus, it makes sense that Rosa would simultaneously try to justify her choice and also berate herself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut mi

I waited for him exactly as Judith and Clytie waited for him: because now he was all we had, all that gave us any reason for continuing to exist, to eat food and sleep and wake and rise again: knowing that he would need us, knowing as we did (who knew him) that he would begin at once to salvage what was left of Sutpen’s Hundred and restore it.

Related Characters: Rosa Coldfield (speaker), Judith Sutpen, Thomas Sutpen, Clytie
Related Symbols: Sutpen’s Design
Page Number and Citation: 124
Explanation and Analysis:
This passage is an excerpt from one of Rosa’s longer monologues during which she relates to Quentin the story of Thomas Sutpen’s rise and fall and the havoc he wreaked on her family. Here, she describes how life went on after she started living at Sutpen’s Hundred following Henry’s murder of Charles Bon. At this point, Sutpen is still away serving in the Civil War, and his estate (like all the estates in the region) has suffered in his absence. Clytie, Judith, and Rosa make do the best they can in Sutpen’s absence, but they exist in a sort of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaq

I mean that he was not owned by anyone or anything in this world, had never been, would never be, not even by Ellen, not even by Jones’ granddaughter. Because he was not articulated in this world. He was a walking shadow.

Related Characters: Rosa Coldfield (speaker), Thomas Sutpen, Milly Jones, Ellen Coldfield, Wash Jones
Related Symbols: Sutpen’s Design
Related Literary Devices:
Page Number and Citation: 139
Explanation and Analysis:
This passage is told from Miss Rosa’s perspective. In it, she defends herself against rumors and accusations that she has never forgiven Thomas Sutpen for insulting her, which led to her calling off their engagement, fleeing Sutpen’s Hundred, and living out the rest of her days as a shut-in. Rosa claims that there was in fact nothing to blame Sutpen for in the first place, as “he was not owned by anyone or anything in this world.” She describes him as “not articulated in this world,” comparing him to “a walking shadow” rather than a physical entity tangibly tied to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique p

Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Quentin Compson, Rosa Coldfield, Mr. Compson, Thomas Sutpen
Related Symbols: Sutpen’s Design
Page Number and Citation: 176
Explanation and Analysis:
Quentin is at Harvard, telling his roommate Shreve the story of Sutpen that Mr. Compson and Miss Rosa Coldfield related to him in the first half of the novel. For the most part, the scenes between Quentin and Shreve consist of Shreve retelling excerpts of the Sutpen story that he’s already heard from Quentin and then turning to Quentin for clarification that he’s understood everything correctly. Shreve also interjects with glib (sometimes to the point of being disrespectful) commentary about the South that expresses his amusement at some of the more unbelievable elements of Quentin’s story and highlights his outsider’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui

Chapter 9 Quotes

“Yes. I remember your grandpaw. You go up there and make her come down. Make her go away from here. Whatever he done, me and Judith and him have paid it out. You go and get her. Take her away from here.”

Related Characters: Clytie (speaker), Charles Bon, Thomas Sutpen, General Compson, Quentin Compson, Rosa Coldfield, Judith Sutpen, Henry Sutpen
Page Number and Citation: 296
Explanation and Analysis:
Quentin has accompanied Miss Rosa to Sutpen’s derelict mansion, where Miss Rosa claims someone is hiding upstairs (that someone turns out to be the dying Henry Sutpen, who has been a fugitive for the past 43 years, ever since he murdered Charles Bon). Clytie, Sutpen’s daughter by one of his enslaved women, tries to stop Miss Rosa from walking upstairs to find (and, Clytie seems to fear, murder) Henry. She calls on Quentin to help her after a determined and scornful Rosa defies Clytie, knocking her to the ground when Clytie tries to stand in Rosa’s way. Clytie urges Quentin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequ

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number and Citation: 303
Explanation and Analysis:
This exchange between Quentin Compson and his roommate Shreve concludes the novel. Quentin and Shreve have finished working through Quentin’s telling of the story of Sutpen. The activity took the form of a back-and-forth exchange wherein Quentin would tell sections of the story to Shreve, and then Shreve would respond by repeating back bits of the story to ensure that he grasped what Quentin had just told him, peppering his speech with glib jokes that emphasized his ignorance about the story’s subjects and region. Now Shreve poses one final question to Quentin: “Why do you hate the South?” Shreve’s question Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed p
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Rosa Coldfield Character Timeline in Absalom, Absalom!

The timeline below shows where the character Rosa Coldfield appears in Absalom, Absalom!. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
The South  Theme Icon
On a hot afternoon in September, Quentin sits with Miss Rosa Coldfield in Miss Rosa’s stifling, dim room. The blinds to the office have remained closed... (full context)
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Quentin listens to Rosa speak. Her voice sounds as though a ghost is haunting it, and Quentin’s attention wavers.... (full context)
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Miss Rosa is talking about Colonel Sutpen, who arrived here “out of nowhere,” accompanied by “a band... (full context)
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Miss Rosa says she’s telling all this to Quentin because she figures he’ll pursue a career in... (full context)
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Quentin recalls how earlier that day, Miss Rosa Coldfield sent him a note demanding he see her. The request puzzled Quentin. Though he’s... (full context)
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Rosa’s family is famous around Jefferson, Mississippi (where Rosa and Quentin live). Her father, Goodhue Coldfield,... (full context)
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When Quentin returns home that evening, he asks his father, Mr. Compson, why Miss Rosa chose him to tell her story to. Mr. Compson says it’s because she’ll need a... (full context)
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The narrative returns to Rosa’s story, conveyed in Rosa’s own words. Colonel Sutpen “wasn’t a gentleman,” she notes. He arrived... (full context)
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Rosa explains that marrying Ellen didn’t make Sutpen into “a gentleman”—not that he’d wanted to be... (full context)
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Rosa makes no excuses for her choices, she tells Quentin. After all, she had 20 years... (full context)
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Rosa asks Quentin, “Is it any wonder that Heaven saw fit to let us lose?” He... (full context)
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Rosa laments having been too young at the time for the story of Ellen, Judith, and... (full context)
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Rosa will always remember the first time she saw Thomas and Ellen’s children, Judith and Henry,... (full context)
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Rosa remembers another time she and Mr. Coldfield went to the house to see Ellen. In... (full context)
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Rosa and Mr. Coldfield go to Sutpen’s Hundred (his estate) once a year to have dinner,... (full context)
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...Judith to see the shows—only Henry. Ellen wishes she could believe him. In the present, Rosa explains to Quentin that she didn’t actually witness this scene—she wasn’t there to see Judith... (full context)
Chapter 2 
Storytelling, Perspective, and Truth  Theme Icon
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...with his father, Mr. Compson, waiting for it to be time to listen to Miss Rosa. Mr. Compson describes to Quentin the occasion of Colonel Sutpen’s arrival. In Mr. Compson’s telling,... (full context)
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...town to predict which woman’s dowry Sutpen will covet to achieve the “respectability” that Miss Rosa believes is his main goal. (full context)
Chapter 3
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Mr. Compson continues his telling of Sutpen’s story. He explains that Rosa went to live with Judith at Sutpen’s Hundred after Mr. Coldfield died in 1864. It... (full context)
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Rosa, Mr. Compson suggests, may have seen Mr. Coldfield’s death as “fate itself supplying her with... (full context)
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Mr. Compson shifts his focus to Rosa’s childhood visits to Sutpen’s Hundred with her spinster aunt. During these visits, Rosa is ordered... (full context)
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By the time Rosa is 10, the spinster aunt has run away, and so Rosa visits Sutpen’s Hundred once... (full context)
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One year, the visits simply stop, though it’s never clear to Rosa why. Mr. Coldfield never explains his decision. It could be that there’s no point now... (full context)
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Rosa won’t see Sutpen again for many years, but she sees a lot more of Judith... (full context)
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Rosa didn’t see Henry the winter he and Charles Bon were home from school, though she... (full context)
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...would be an act of “vanity” to drop by and give unwarranted advice about Miss Rosa’s clothes or the house’s décor. It’s 1860 now, and war is inevitable. Meanwhile, the Sutpen... (full context)
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Rosa hasn’t seen Charles Bon at this point. Bon is a few years older than Henry... (full context)
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Hearing Ellen talk about Bon, Rosa—“the spinster doomed for life at sixteen”—isn’t jealous of Judith. Nor does she feel sorry for... (full context)
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Despite Henry’s abrupt departure, Rosa carries on as though nothing is wrong, continuing to sew Judith’s wedding dress. Then the... (full context)
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Miss Rosa doesn’t see the regiment leave Jefferson because Mr. Coldfield forbids her from doing so. But... (full context)
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...and nails the door shut behind him, and he remains there until his death. Miss Rosa, who before now hasn’t had to learn any practical skills (her aunt had raised her... (full context)
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...going to live with Judith at Sutpen’s Hundred would be the most practical choice for Rosa, she doesn’t do this at first. Though Ellen had asked Rosa to protect Judith, Mr.... (full context)
Chapter 4
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It’s still not dark enough for Quentin to go to Miss Rosa’s—not as dark as she’d prefer it, anyway. Quentin imagines her waiting for him in her... (full context)
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...Mr. Coldfield dies, having starved to death in his attic, and Judith likely invites Miss Rosa to come live with her (Mr. Compson guesses). Miss Rosa declines the offer, apparently waiting... (full context)
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...Henry. And all this leads to the point in the story when Wash Jones approaches Rosa Coldfield’s house to announce that Henry killed Bon.  (full context)
Chapter 5
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 The narrative switches back to Rosa telling her story to Quentin, picking up after Wash Jones tells her about Bon being... (full context)
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But the people who talk about her can’t describe what Rosa did once she arrived at Sutpen’s Hundred—how she approached the “rotting” place, its dilapidated, empty... (full context)
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Rosa starts to head upstairs, where she believes she’ll find Bon’s bloodied corpse on “that sheetless... (full context)
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It’s at this point that Rosa realizes what she “could not, would not, must not believe,” implying that Clytie, too, is... (full context)
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Rosa, in the present, gets sidetracked by memories of the wistaria she smelled when she was... (full context)
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In the present, Miss Rosa describes her sense of Bon as “a child’s vacant fairy-tale” and insists that she “did... (full context)
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Rosa’s story flashes forward to the day she arrives at Sutpen’s Hundred following Bon’s murder. Judith... (full context)
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The South  Theme Icon
Rosa, Judith, and Clytie carry the coffin out of the house that afternoon. Judith’s face is... (full context)
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...town will give a bunch of “paltry reasons, all untrue, and be believed” for why Rosa stays at Sutpen’s Hundred following Bon’s death. They’ll say she stays for food, though she... (full context)
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Sutpen returns in January, and he and Rosa are engaged within three months. (Rosa, in the present, gives no excuses for her behavior,... (full context)
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Rosa and the others hardly see Sutpen that winter; he’s often gone all day. It’s that... (full context)
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Then one day, while working in the garden, Rosa looks up and sees Sutpen looking back at her. (In the present, she’s adamant that... (full context)
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After the engagement, Sutpen doesn’t look at Rosa again. She feels she could have gone home, and he wouldn’t have noticed—she only fills... (full context)
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Meanwhile, nobody sets a date for the wedding. One day, Sutpen insults Rosa, yelling for her to “come” to him—after not addressing her once since he slipped the... (full context)
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In the present, Rosa scornfully talks of all the rumors people in town have spread about why she left... (full context)
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But, Rosa assures Quentin, she did forgive Sutpen for the insult. In fact, she feels she “had... (full context)
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Miss Rosa’s story trails off as Quentin stops listening and considers how he, too, cannot walk through... (full context)
Chapter 6
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...room at Harvard. An opened letter sits on the table—it’s from Quentin’s father, announcing Miss Rosa’s recent death and burial. She had been in a coma for weeks before her death... (full context)
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Quentin has been telling Shreve what happened after Miss Rosa told him that someone was hiding in the old house on Sutpen’s Hundred. Shreve is... (full context)
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 Shreve repeats back the basic arc of Rosa’s life, starting with the childhood she spent “in a household like an overpopulated mausoleum” and... (full context)
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Shreve’s account also sheds light on the insult that caused Rosa to leave Sutpen’s Hundred: Sutpen suggested he and Rosa have sex before marrying, and if... (full context)
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...point, the story shifts to a different perspective (it isn’t clear whose), picking up after Rosa’s departure from Sutpen’s Hundred. Sutpen, at some point, begins a sexual relationship with Milly, the... (full context)
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...1964, evading Yankee troops all along the way. Quentin, in the story’s present, imagines Miss Rosa at Sutpen’s Hundred following Ellen’s death, gazing at the gravestone Sutpen prematurely ordered for himself... (full context)
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...for 26 years. Quentin confirms that this is true. Shreve then expresses disbelief that “Aunt Rosa” could think that there was someone else living there—after all, Judith and Bon are both... (full context)
Chapter 7
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...know that Bon was Sutpen’s son. Sutpen never told him—Quentin did, after he and Miss Rosa went to the house that one night. (Quentin trails off here, apparently unable to articulate... (full context)
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...his return to Sutpen’s Hundred, he immediately gets to work. He gets engaged to Miss Rosa, “suggest[s] what he suggest[s] to her,” and then Rosa, insulted, leaves Sutpen’s Hundred for good. (full context)
Chapter 8
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The narrative shifts suddenly to Shreve’s retelling of what Quentin and Miss Rosa encountered in the old house the night Miss Rosa took Quentin there three months prior.... (full context)
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...Jones helped them carry the body into the house and then went to fetch Miss Rosa, who walked in on Judith crying as she clasped the metal case—containing not her picture... (full context)
Chapter 9
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Shreve returns the focus to “Aunt Rosa,” brushing off Quentin’s correction (“Miss Rosa”). Shreve says that Quentin can’t even know all that... (full context)
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...still feel the dust of that hot Mississippi night in September. He can smell Miss Rosa riding in the buggy beside him. The narrative shifts to that night as Quentin’s memories... (full context)
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As Quentin and Miss Rosa approach Sutpen’s Hundred, Miss Rosa notes that they’re “on the Domain. On his land, his... (full context)
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“She’s going to try to stop me,” Miss Rosa says. Quentin asks what “she” has hidden in the house, but Miss Rosa ignores him.... (full context)
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When Quentin and Miss Rosa arrive at the door to the old house, Miss Rosa urges Quentin to break it... (full context)
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...word to him. Instead, she calmly walks to the door and opens it for Miss Rosa, as though she’s been expecting her all these years. Miss Rosa enters the house and... (full context)
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Quentin hears Miss Rosa fall, then he hears a man’s voice. The man, who is Black, identifies himself as... (full context)
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The narrative abruptly skips forward. Quentin has stopped the buggy at Miss Rosa’s gate after returning from Sutpen’s Hundred. This time, Miss Rosa lets Quentin help her down... (full context)
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With no clear transition, the narrative shifts back to Quentin and Rosa’s trip to Sutpen’s Hundred earlier that night. Quentin enters an empty room and sees a... (full context)
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...room in Cambridge. Shreve expresses disbelief that after encountering Henry after all these years, Miss Rosa waited another three months to come back and finish the task she set out to... (full context)
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Shreve and Quentin relate the rest of the story. Three months after Miss Rosa and Quentin discover Henry in the old house, Rosa calls an ambulance to transport Henry... (full context)
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...before she started the fire. The three occupants of the ambulance rush out, with Miss Rosa screaming at them to look up at the second-story window, where the figure of a... (full context)
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Shreve picks up the story. Miss Rosa returns to town and goes to bed that night knowing “it was all finished now”... (full context)
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In his letter, Mr. Compson expresses his hope that in death, Miss Rosa hasn’t escaped “the objects of the outrage and of the commiseration” but will instead join... (full context)