Absalom, Absalom!

by

William Faulkner

Teachers and parents! Our Teacher Edition on Absalom, Absalom! makes teaching easy.

Shreve McCannon Character Analysis

Shreve McCannon is Quentin’s roommate at Harvard and one of the story’s narrative voices. Quentin relates to Shreve the stories that Rosa Coldfield and Mr. Compson have told to him about Thomas Sutpen, and Shreve responds by repeating the stories back to Quentin—often for clarification, as many aspects of the stories seem too fantastical to be true, and also to offer joking, glib commentary. Shreve’s flippant responses to Quentin’s story demonstrate how his status as a Canadian makes it impossible for him to grasp the weight and full significance of the stories Quentin tells him (most of which are set in the American South).

Shreve McCannon Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Shreve McCannon or refer to Shreve McCannon. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).
Chapter 6 Quotes

Tell about the South. What’s it like there. What do they do there. Why do they live there. Why do they live at all […]

Related Characters: Quentin Compson, Shreve McCannon
Page Number: 142
Explanation and Analysis:

“Yes,” Quentin said. He sounds just like Father he thought, glancing (his face quiet, reposed, curiously almost sullen) for a moment at Shreve leaning forward into the lamp, his naked torso pink-gleaming and baby-smooth, cherubic, almost hairless, the twin moons of his spectacles glinting against his moonlike rubicund face, smelling (Quentin) the cigar and the wistaria, seeing the fireflies blowing and winking in the September dusk.

Related Characters: Quentin Compson (speaker), Mr. Compson, Shreve McCannon
Page Number: 147-148
Explanation and Analysis:

But you were not listening, because you knew it all already, had learned, absorbed it already without the medium of speech somehow from having been born and living beside it, with it, as children will and do […]

Related Characters: Quentin Compson (speaker), Thomas Sutpen, Shreve McCannon
Page Number: 172
Explanation and Analysis:
Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Mr. Compson
Related Symbols: Sutpen’s Design
Page Number: 176
Explanation and Analysis:

“His trouble was innocence. All of a sudden he discovered, not what he wanted to do but what he just had to do, had to do it whether he wanted to or not, because if he did not do it he knew that he could never live with himself for the rest of his life […].”

Related Characters: Quentin Compson (speaker), Thomas Sutpen, General Compson, Shreve McCannon
Related Symbols: Sutpen’s Design , Doors and Gates
Page Number: 178
Explanation and Analysis:
Chapter 8 Quotes

There would be no deep breathing tonight.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 235
Explanation and Analysis:

That was why it did not matter to either of them which one did the talking, since it was not the talking alone which did it, performed and accomplished the overpassing, but some happy marriage of speaking and hearing wherein each before the demand, the requirement, forgave condoned and forgot the faulting of the other—faultings both in the creating of this shade whom they discussed (rather, existed in) and in the hearing and sifting and discarding the false and conserving what seemed true, or fit the preconceived—in order to overpass to love, where there might be paradox and inconsistency but nothing fault nor false.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 253
Explanation and Analysis:

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Thomas Sutpen, Henry Sutpen, Judith Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number: 285
Explanation and Analysis:
Chapter 9 Quotes

Wait. Listen. I’m not trying to be funny, smart. I just want to understand it if I can and I dont know how to say it better. Because it’s something my people haven’t got. Or if we have got it, it all happened long ago across the water and so now there aint anything to look at every day to remind us of it. We dont live among defeated grandfathers and freed slaves […] and bullets in the dining room table and such, to be always reminding us to never forget.

Related Characters: Shreve McCannon (speaker), Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 289
Explanation and Analysis:

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number: 303
Explanation and Analysis:
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Absalom, Absalom! PDF

Shreve McCannon Quotes in Absalom, Absalom!

The Absalom, Absalom! quotes below are all either spoken by Shreve McCannon or refer to Shreve McCannon. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Storytelling, Perspective, and Truth  Theme Icon
).
Chapter 6 Quotes

Tell about the South. What’s it like there. What do they do there. Why do they live there. Why do they live at all […]

Related Characters: Quentin Compson, Shreve McCannon
Page Number: 142
Explanation and Analysis:

“Yes,” Quentin said. He sounds just like Father he thought, glancing (his face quiet, reposed, curiously almost sullen) for a moment at Shreve leaning forward into the lamp, his naked torso pink-gleaming and baby-smooth, cherubic, almost hairless, the twin moons of his spectacles glinting against his moonlike rubicund face, smelling (Quentin) the cigar and the wistaria, seeing the fireflies blowing and winking in the September dusk.

Related Characters: Quentin Compson (speaker), Mr. Compson, Shreve McCannon
Page Number: 147-148
Explanation and Analysis:

But you were not listening, because you knew it all already, had learned, absorbed it already without the medium of speech somehow from having been born and living beside it, with it, as children will and do […]

Related Characters: Quentin Compson (speaker), Thomas Sutpen, Shreve McCannon
Page Number: 172
Explanation and Analysis:
Chapter 7 Quotes

“So he just wanted a grandson,” he said. “That was all he was after. Jesus, the South is fine, isn’t it. It’s better than the theatre, isn’t it. It’s better than Ben Hur, isn’t it. No wonder you have to come away now and then, isn’t it.”

Related Characters: Shreve McCannon (speaker), Thomas Sutpen, Rosa Coldfield, Quentin Compson, Mr. Compson
Related Symbols: Sutpen’s Design
Page Number: 176
Explanation and Analysis:

“His trouble was innocence. All of a sudden he discovered, not what he wanted to do but what he just had to do, had to do it whether he wanted to or not, because if he did not do it he knew that he could never live with himself for the rest of his life […].”

Related Characters: Quentin Compson (speaker), Thomas Sutpen, General Compson, Shreve McCannon
Related Symbols: Sutpen’s Design , Doors and Gates
Page Number: 178
Explanation and Analysis:
Chapter 8 Quotes

There would be no deep breathing tonight.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 235
Explanation and Analysis:

That was why it did not matter to either of them which one did the talking, since it was not the talking alone which did it, performed and accomplished the overpassing, but some happy marriage of speaking and hearing wherein each before the demand, the requirement, forgave condoned and forgot the faulting of the other—faultings both in the creating of this shade whom they discussed (rather, existed in) and in the hearing and sifting and discarding the false and conserving what seemed true, or fit the preconceived—in order to overpass to love, where there might be paradox and inconsistency but nothing fault nor false.

Related Characters: Thomas Sutpen, Quentin Compson, Shreve McCannon
Page Number: 253
Explanation and Analysis:

—Yes. What else can I do now? I gave him the choice. I have been giving him the choice for four years.

Related Characters: Charles Bon (speaker), Thomas Sutpen, Henry Sutpen, Judith Sutpen, Quentin Compson, Shreve McCannon
Related Symbols: Sutpen’s Design
Page Number: 285
Explanation and Analysis:
Chapter 9 Quotes

Wait. Listen. I’m not trying to be funny, smart. I just want to understand it if I can and I dont know how to say it better. Because it’s something my people haven’t got. Or if we have got it, it all happened long ago across the water and so now there aint anything to look at every day to remind us of it. We dont live among defeated grandfathers and freed slaves […] and bullets in the dining room table and such, to be always reminding us to never forget.

Related Characters: Shreve McCannon (speaker), Quentin Compson
Related Symbols: Ghosts and the Supernatural 
Page Number: 289
Explanation and Analysis:

“[…] Now I want you to tell me just one more thing. Why do you hate the South?”

“I dont hate it,” Quentin said, quickly, at once, immediately; “I dont hate it,” he said. I dont hate it he thought, panting in the cold air, the iron New England dark: I dont. I dont! I dont hate it! I dont hate it!

Related Characters: Quentin Compson (speaker), Shreve McCannon (speaker), Henry Sutpen, Rosa Coldfield
Page Number: 303
Explanation and Analysis: