All the Light We Cannot See
All the Light We Cannot See
by Anthony Doerr

Fate, Duty, and Free Will Theme Analysis

Themes and Colors
World War II, the Nazis, and the French Resistance Theme Icon
Interconnectedness and Separation Theme Icon
Fate, Duty, and Free Will Theme Icon
Family Theme Icon
Science and “Ways of Seeing” Theme Icon
LitCharts assigns a color and icon to each theme in All the Light We Cannot See, which you can use to track the themes throughout the work.
Fate, Duty, and Free Will Theme Icon
Fate, Duty, and Free Will Theme Icon

All the Light We Cannot See poses difficult questions about fate, free will, and making the right choice. The major characters in the novel usually struggle to do the right thing, but they must also face the possibility that their struggles don’t amount to anything—in other words, their moral choices ultimately don’t matter at all. The questions of free will in the novel are aptly symbolized by the Sea of Flames, a legendary diamond that supposedly protects its owner, but causes its owner’s loved ones to die. It’s possible that the Sea of Flames is cursed, meaning that the characters’ attempts to protect one another are futile—they’re going to die, no matter what—but it’s also entirely possible that the diamond’s curse is a silly myth—in this case, doing the right thing for one’s loved ones matters a great deal.

In the early chapters of the novel, the two main characters, Werner Pfennig and Marie-Laure LeBlanc, believe that they have the freedom to make their own choices and shape their own destinies. Werner thinks that his intelligence and quick thinking will save him from his supposed fate—a life spent working in the mines. Although Marie-Laure initially believes that her debilitating blindness will keep her from having a happy, successful life, she trains herself—with her father Daniel’s help—to navigate her own way through the streets of cities, and also to read Braille.

At first, All the Light We Cannot See seems to be posing a simple division between free will and fate, with the characters trying to assert their own free will. As the novel goes on, however, Doerr complicates these terms with the idea of duty. When Werner’s ingenuity earns him a place at the prestigious National Institute, he’s indoctrinated into Nazi mythology, taught that the Jews are evil, and ordered to obey Hitler above all else. Werner wants to assert his own beliefs—he doesn’t believe in punishing innocents—but he’s afraid to disobey. Moreover, Werner is too caught up in his own scientific ambitions to stand up for what’s right: when the students are ordered to torture a prisoner, Werner’s friend Frederick refuses, but Werner, still eager for a job in Berlin, goes along with the sadistic exercise. Later, when Werner is ordered to track down “enemy” radio broadcasters, he realizes that he’s actually using his intelligence to help the Nazis murder innocent people. Werner considers leaving the army, but is simply too frightened and uncertain to give up his duty. In essence, this means that Werner is choosing to remain a Nazi and participate in the murder of innocents. Horrified with his own actions but also afraid to leave, Werner no longer wants to be free—he wants to have no choice but to continue fighting for the Germans, so that he can at least make himself believe that he’s being coerced into evil. Free will, he comes to realize, can be challenging—even painful.

And yet All the Light We Cannot See doesn’t simply call Werner and his peers murderers. Even if Werner makes the wrong choice, he’s making a more difficult choice than most people would ever have to consider. Moreover, Werner begins to rebel against the German army in small but important ways, showing that it is possible for moral acts to make a difference. When Werner makes the decision to conceal the location of Etienne LeBlanc’s broadcasting system—thus saving Marie-Laure’s life—Doerr makes it clear that Werner is doing so not only because he’s nostalgic for his childhood, but also because his love for his sister, Jutta, has inspired him to be a better man, and because his time in Saint-Malo has given him the confidence and strength to disobey the Nazis.

Ultimately, the novel moves toward a cautiously optimistic conclusion. Marie-Laure chooses to leave the Sea of Flames in an abandoned grotto, symbolically “throwing away” the stranglehold of fate. Doerr suggests that even if it’s impossible for human beings to fight off every one of the large, fated events in their lives—the bombing of Saint-Malo, blindness, and World War II itself—they can still assert their free will in crucial ways. By choosing to save Marie-Laure’s life, for instance, Werner blesses her with a long life, a successful career, and children and grandchildren—proving that free will can triumph over both destiny and duty.

Related Themes from Other Texts
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Fate, Duty, and Free Will ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Fate, Duty, and Free Will appears in each chapter of All the Light We Cannot See. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Chapter
0. Leaflets
7.1944
0. Bombers
7.1944
0. The Girl
7.1944
0. The Boy
7.1944
0. Saint-Malo
7
0. Number 4 rue V...
7.19444
0. Cellar
7.1944
0. Bombs Away
7.1944
1. Muséum Nationa...
1934
1. Zollverein
1934
1. Key Pound
1934
1. Radio
1934
1. Take Us Home
1934
1. Something Rising
1934
1. Light
1934
1. Our Flag Flutt...
1934
1. Around the Wor...
1934
1. The Professor
1934
1. Sea of Flames
1934
1. Open Your Eyes
1934
1. Fade
1934
1. The Principles...
1934
1. Rumors
1934
1. Bigger Faster ...
1934
1. Mark of the Beast
1934
1. Letter #1: Jutta
19341
1. Good Evening. ...
1934.
1. Bye-bye, Blind...
1934
1. Making Socks
1934
1. Flight
1934
1. Herr Siedler
1934
1. Exodus
1934
2. Saint-Malo
8
2. Number 4 rue V...
819444
2. Hotel of Bees
81944
2. Down Six Flights
81944
2. Trapped
81944
3. Château
1940
3. Entrance Exam
1940
3. Brittany
1940
3. Madame Manec
1940
3. You Have Been ...
1940
3. Occupier
1940
3. Don’t Tell Lies
1940
3. Etienne
1940
3. Jungmänner
1940
3. Vienna
1940
3. The Boches
1940
3. Hauptmann
1940
3. Flying Couch
1940
3. The Sum of Angles
1940
3. The Professor
1940
3. Letters #2-4: ...
1940
3. Perfumer
1940
3. Time of the Os...
1940
3. Weakest
1940
3. Mandatory Surr...
1940
3. Museum
1940
3. The Wardrobe
1940
3. Blackbirds
1940
3. Letter #5: to ...
19405
3. Bath
1940
3. Weakest (#2)
19402
3. The Arrest of ...
1940
4. The Fort of La...
81944
4. Atelier de Rép...
81944
4. Two Cans
81944
4. Number 4 rue V...
819444
4. What They Have
81944
4. Trip Wire
81944
5. January Recess
1941
5. He Is Not Comi...
1941
5. Prisoner
1941
5. Plage du Môle
1941
5. Lapidary
1941
5. To Marie-Laure...
1941
5. Entropy
1941
5. The Rounds
1941
5. Nadel im Heuha...
1941
5. Proposal
1941
5. You Have Other...
1941
5. Old Ladies’ Re...
1941
5. Diagnosis
1941
5. Weakest (#3)
19413
5. Daniel LeBlanc...
19417
5. Grotto
1941
5. Intoxicated
1941
5. The Blade and ...
1941
5. Letter #8: Jut...
19418
5. Alive Before Y...
1941
5. No Out
1941
5. The Disappeara...
1941
5. Everything Poi...
1941
5. Visitors
1941
5. Letter #9: Wer...
19419
5. The Frog Cooks
1941
5. Orders
1941
5. Pneumonia
1941
5. Letter #10: Da...
194110
5. Treatments
1941
5. Heaven
1941
5. Frederick
1941
5. Relapse
1941
6. Someone in the...
81944
6. The Death of W...
81944
6. Sixth-floor Be...
8
6. Sixth-floor Be...
81944
6. In the Attic
81944
7. Prisoners
1942
7. The Wardrobe
1942
7. East
1942
7. One Ordinary Loaf
1942
7. Volkheimer
1942
7. Fall
1942
7. Sunflowers
1942
7. Stones
1942
7. Grotto
1942
7. Hunting
1942
7. The Messages
1942
7. Loudenvielle
1942
7. Gray
1942
7. Fever
1942
7. The Third Stone
1942
7. The Bridge
1942
7. Rue des Patria...
1942
7. White City
1942
7. Twenty Thousan...
1942
7. Telegram
1942
8. Fort National
91944
8. In the Attic
91944
8. The Heads
91944
8. Delirium
91944
8. Water
91944
8. The Beams
91944
8. The Transmitter
91944
8. Voice
91944
9. Edge of the World
1944
9. Numbers
1944
9. May
1944
9. Hunting (Again)
1944
9. Letter #11: Fr...
194411
9. “Claire de Lune”
1944
9. Antenna
1944
9. Big Claude
1944
9. Boulangerie
1944
9. Grotto
1944
9. Agoraphobia
1944
9. Nothing
1944
9. Forty Minutes
1944
9. The Girl
1944
9. Little House
1944
9. Numbers (2)
19442
9. Sea of Flames
1944
9. The Arrest of ...
1944
9. 7 August 1944
194471944
9. Leaflets
1944
10. Entombed
121944
10. Fort National
121944
10. Captain Nemo’...
121944
10. Visitor
121944
10. Final Sentence
121944
10. Music #1
1219441
10. Music #2
1219442
10. Music #3
1219443
10. Out
121944
10. Wardrobe
121944
10. Comrades
121944
10. The Simultane...
121944
10. Are You There?
121944
10. Second Can
121944
10. Birds of America
121944
10. Cease-fire
12
10. Chocolate
121944
10. Light
121944
11. Berlin
1945
11. Paris
1945177.
12. Volkheimer
1974
12. Jutta
1974
12. Duffel
1974
12. Saint-Malo
1974
12. Laboratory
1974
12. Visitor
1974
12. Paper Airplane
1974
12. The Key
1974
12. Sea of Flames
1974
12. Frederick
1974
13
2014
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Fate, Duty, and Free Will Quotes in All the Light We Cannot See

Below you will find the important quotes in All the Light We Cannot See related to the theme of Fate, Duty, and Free Will.

3. Don’t Tell Lies Quotes

“It’s not forever, Jutta. Two years, maybe. Half the boys who get admitted don’t manage to graduate. But maybe I’ll learn something; maybe they’ll teach me to be a proper engineer. Maybe I can learn to fly an airplane, like little Siegfried says. Don’t shake your head, we’ve always wanted to see the inside of an airplane, haven’t we? I’ll fly us west, you and me, Frau Elena too if she wants. Or we could take a train. We’ll ride through forests and villages de montagnes, all those places Frau Elena talked about when we were small. Maybe we could ride all the way to Paris.” The burgeoning light. The tender hissing of the grass. Jutta opens her eyes but doesn’t look at him. “Don’t tell lies. Lie to yourself, Werner, but don’t lie to me.”

Related Characters: Werner Pfennig (speaker), Jutta Pfennig (speaker), Frau Elena
Page Number and Citation: 133
Explanation and Analysis:

3. Weakest Quotes

The fastest cadet is lunging for the back of the boy’s shirt. He almost has him. Black-haired Ernst is going to be caught, and Werner wonders if some part of him wants it to happen. But the boy makes it to the commandant a split second before the others come pounding past.

Related Characters: Ernst, Werner Pfennig
Page Number and Citation: 170
Explanation and Analysis:

3. Blackbirds Quotes

Why always triangles? What is the purpose of the transceiver they are building? What two points does Hauptmann know, and why does he need to know the third? “It’s only numbers, cadet,” Hauptmann says, a favorite maxim. “Pure math. You have to accustom yourself to thinking that way.”

Related Characters: Dr. Hauptmann (speaker), Werner Pfennig (speaker)
Page Number and Citation: 184
Explanation and Analysis:

4. Atelier de Réparation Quotes

Atelier de réparation, thinks Werner, a chamber in which to make reparations. As appropriate a place as any. Certainly there would be people in the world who believe these three have reparations to make.

Related Characters: Werner Pfennig (speaker), Walter Bernd, Frank Volkheimer
Page Number and Citation: 205
Explanation and Analysis:

5. January Recess Quotes

“Your problem, Werner,” says Frederick, “is that you still believe you own your life.”

Related Characters: Frederick (speaker), Werner Pfennig
Page Number and Citation: 223
Explanation and Analysis:

5. Prisoner Quotes

Bastian steps forward. His face flares scarlet in the cold. “Give him another.”
Again Frederick sloshes it onto the ice at his feet. He says in a small voice, “He is already finished, sir.”
The upperclassman hands over a third pail. “Throw it,” commands Bastian. The night steams, the stars burn, the prisoner sways, the boys watch, the commandant tilts his head. Frederick pours the water onto the ground. “I will not.”

Related Characters: Frederick (speaker), Bastian (speaker)
Page Number and Citation: 229
Explanation and Analysis:

5. Intoxicated Quotes

Mostly he misses Jutta: her loyalty, her obstinacy, the way she always seems to recognize what is right.
Though in Werner’s weaker moments, he resents those same qualities in his sister. Perhaps she’s the impurity in him, the static in his signal that the bullies can sense. Perhaps she’s the only thing keeping him from surrendering totally.

Related Characters: Werner Pfennig (speaker), Jutta Pfennig (speaker)
Related Symbols: Radio
Related Literary Devices:
Page Number and Citation: 263
Explanation and Analysis:

5. The Frog Cooks Quotes

“Do you know what happens, Etienne,” says Madame Manec from the other side of the kitchen, “when you drop a frog in a pot of boiling water?”
“You will tell us, I am sure.”
“It jumps out. But do you know what happens when you put the frog in a pot of cool water and then slowly bring it to a boil? You know what happens then?”
Marie-Laure waits. The potatoes steam.
Madame Manec says, “The frog cooks."

Related Characters: Great-Uncle Etienne LeBlanc (speaker), Madame Manec (speaker), Marie-Laure LeBlanc
Related Literary Devices:
Page Number and Citation: 285
Explanation and Analysis:

7. The Bridge Quotes

He says, “The war that killed your grandfather killed sixteen million others. One and a half million French boys alone, most of them younger than I was. Two million on the German side. March the dead in a single-file line, and for eleven days and eleven nights, they’d walk past our door. This is not rearranging street signs, what we’re doing, Marie. This is not misplacing a letter at the post office. These numbers, they’re more than numbers. Do you understand?”
“But we are the good guys. Aren’t we, Uncle?”
“I hope so. I hope we are.”

Related Characters: Marie-Laure LeBlanc (speaker), Great-Uncle Etienne LeBlanc (speaker), Henri LeBlanc
Page Number and Citation: 360
Explanation and Analysis:

7. White City Quotes

Volkheimer who always makes sure there is food for Werner. Who brings him eggs, who shares his broth, whose fondness for Werner remains, it seems, unshakable…

Related Characters: Frank Volkheimer, Werner Pfennig
Page Number and Citation: 366
Explanation and Analysis:

Werner waits for the child to blink. Blink, he thinks, blink blink blink. Already Volkheimer is closing the closet door, though it won’t close all the way because the girl’s foot is sticking out of it, and Bernd is covering the woman on the bed with a blanket, and how could Neumann Two not have known, but of course he didn’t, because that is how things are with Neumann Two, with everybody in this unit, in this army, in this world, they do as they’re told, they get scared, they move about with only themselves in mind. Name me someone who does not.

Related Characters: Werner Pfennig, Frank Volkheimer, Neumann Two
Page Number and Citation: 368
Explanation and Analysis:

9. The Girl Quotes

Neumann One raises a single steady hand. His mouth is expressionless, but in the wrinkles at the corners of his eyes, Werner can see despair. “In the end,” murmurs Volkheimer as the truck heaves away, “none of us will avoid it.”

Related Characters: Frank Volkheimer (speaker), Neumann One, Werner Pfennig
Page Number and Citation: 424
Explanation and Analysis:

12. Sea of Flames Quotes

It is cut, polished; for a breath, it passes between the hands of men.
Another hour, another day, another year. Lump of carbon no larger than a chestnut. Mantled with algae, bedecked with barnacles. Crawled over by snails. It stirs among the pebbles.

Related Symbols: The Sea of Flames, Whelks, Mollusks, and Shells
Related Literary Devices:
Page Number and Citation: 520
Explanation and Analysis: