All the Pretty Horses
by Cormac McCarthy
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Part 1 Quotes

What he loved in horses was what he loved in men, the blood and the heat of the blood that ran them.

Related Characters: John Grady Cole (speaker)
Related Symbols: Horses, Blood
Page Number and Citation: 6
Explanation and Analysis:
John Grady has just found an old skull of a horse lying in the grass on his family's ranch, and as he looks at it he is reminded of what is so appealing to him about riding and taking care of horses. Interestingly, it is an inert, bloodless skeleton that reminds John Grady of the blood coursing through horses' veins, blood that for him symbolizes the ardent desires and courage that one needs to succeed in the American West. John Grady identifies with horses in many ways, as he measures horses so too does he measure his fellow human beings: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut i

They heard somewhere in that tenantless night a bell that tolled and ceased where no bell was and they rode out on the round dais of the earth which alone was dark and no light to it and which carried their figures and bore them up into the swarming stars so that they rode not under but among them and they rode at once jaunty and circumspect, like thieves newly loosed in that dark electric, like young thieves in a glowing orchard, loosely jacketed against the cold and ten thousand worlds for the choosing.

Related Characters: John Grady Cole, Lacey Rawlins
Page Number and Citation: 30
Explanation and Analysis:
This passage is typical of Cormac McCarthy's prose, with its lack of punctuation and rousing descriptions that carry the reader along breathlessly. John Grady and Rawlins have just left, late at night, to run away to Mexico. The world seems vast and empty to them, but rather than terrifying this proves beguiling to them both: they revel in feeling like the night belongs to them, and that the land over which they ride is also available for them, beckoning them in endless "worlds" of possibilities.As John Grady departs with Rawlins, he is simultaneously constructing a narrative about the deeper meaning Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

Way the world is. Somebody can wake up and sneeze somewhere in Arkansas or some damn place and before you’re done there’s wars and ruination and all hell. You dont know what’s goin to happen. I’d say He’s just about got to. I don’t believe we’d make it a day otherwise.

Related Characters: Lacey Rawlins (speaker)
Related Symbols: Religion
Page Number and Citation: 92
Explanation and Analysis:
Rawlins and John Grady have narrowly escaped being caught by ranchers as Blevins was trying to get "his" horse back. They've lost Blevins, and Rawlins has expressed some concern about the boy's safety, even though both he and John Grady have been exasperated at Blevins's naiveté when he was tagging along.Rawlins has a greater tendency to voice his religious thoughts and doubts than John Grady, and several times over the course of this book he treats his friend as a sounding board for such questions. His suggestion here is about the interrelation of seemingly disjointed events. These connections can be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a

Part 2 Quotes

He said that war had destroyed the country and that men believe the cure for war is war as the curandero prescribes the serpent’s flesh for its bite. He spoke of his campaigns in the deserts of Mexico and he told them of horses killed under him and he said that the souls of horses mirror the souls of men more closely than men suppose and that horses also love war.

Related Characters: Luis
Related Symbols: Horses
Page Number and Citation: 111
Explanation and Analysis:
Luis is an elderly cook with a bad leg who tells John Grady and Rawlins about his years spent fighting during the Mexican Revolution, while the boys are out in the mountains on the hunt for wild horses to bring back to Don Hector's ranch. As the boys's journey into Mexico continues, their romanticized view of the country begins to be affected by the testimony of people who have actually lived through violent, dangerous times.Luis, at least according to this passage, seems to be deeply ambivalent on the subject of violence. In one sense, he condemns what war has done Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi at

Finally he said that among men there was no such communion as among horses and the notion that men can be understood at all was probably an illusion. […] Finally John Grady asked him if it were not true that should all horses vanish from the face of the earth the soul of the horse would not also perish for there would be nothing out of which to replenish it but the old man only said that it was pointless to speak of there being no horses in the world for God would not permit such a thing.

Related Characters: John Grady Cole, Luis
Related Symbols: Horses, Religion
Page Number and Citation: 111
Explanation and Analysis:
Luis, in the same conversation with John Grady and Rawlins as above, has already suggested that there is something shared between the souls of human beings and of horses. Here he qualifies that view, expressing an even more pessimistic outlook on the fate of humans. Even if there is something shared in these beings' souls, Luis suggests, humans fail to understand that unity. Luis also continues to use his age and lived experience not to convince John Grady and Rawlins of certain truths, but rather to show how, according to what he has learned over the years, so little about Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit

They went to France for their education. He and Gustavo. And others. All these young people. They all returned full of ideas. Full of ideas, and yet there seemed to be no agreement among them. How do you account for that? Their parents sent them for these ideas, no? and they went there and received them. Yet when they returned and opened their valises, so to speak, no two contained the same thing. […] People of my generation are more cautious. I think we dont believe that people can be improved in their character by reason. That seems a very french idea.

Related Characters: Don Hector Rocha y Villarreal (the hacendado) (speaker), Gustavo Madero
Page Number and Citation: 145-146
Explanation and Analysis:
Don Hector, the owner of the hacienda, has invited John Grady into his billiard room and is discussing the history of his family and of Mexico. These histories are intertwined, since Hector's mother Alfonsa may have once been engaged to Gustavo Madero—Gustavo's brother Francisco was the first popularly elected president of Mexico, but waves of violence ultimately resulted in the death of both brothers. Here, Don Hector contrasts his own pessimism with the idealism of an earlier generation, which learned radical ideas from France (long a hotbed of revolutionary activity). For Don Hector, at least, those ideas failed, since instead Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi

Part 3 Quotes

But some things aint reasonable. Be that as it may I’m the same man you crossed that river with. How I was is how I am and all I know to do is stick. I never even promised you you wouldnt die down here. Never asked your word on it either. I dont believe in signing on just till it quits suitin you.

Related Characters: John Grady Cole (speaker), Lacey Rawlins
Page Number and Citation: 155
Explanation and Analysis:
John Grady and Rawlins have been captured by guards and led away from Don Hector's hacienda, quite possibly at Don Hector's command (because of John Grady's budding relationship with Alejandra). They have reached the town of Encantada, and neither of the boys knows what is going to happen to them, or even what they may be charged for. Rawlins is sulking, angry at John Grady for having gotten them both into this mess. Here John Grady attempts to defend himself through two arguments. First, he says that he hasn't changed, and indeed wouldn't know how to change if he wanted Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minu

We can make the truth here. Or we can lose it. but when you leave here it will be too late. Too late for truth. Then you will be in the hands of other parties. Who can say what the truth will be then? At that time?

Related Characters: The captain (speaker), John Grady Cole
Related Literary Devices:
Page Number and Citation: 168
Explanation and Analysis:
John Grady and Rawlins have been thrown in prison, where they encounter Blevins. Now the prison guards bring John Grady and Rawlins, separately, into the office of the "captain," most likely a police chief, who is attempting to get them to corroborate his story about Blevins's career stealing horses. Rawlins and John Grady both tell the truth, but that doesn't seem to satisfy the captain, as he orders the guards to whip them both. The captain's words reveal a frightening cynicism about the very nature of the truth, and destroy any kind of idealized concept of objectivity. The way he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

John Grady watched the small ragged figure vanish limping among the trees with his keepers. There seemed insufficient substance to him to be the object of men’s wrath. There seemed nothing about him sufficient to fuel any enterprise at all.

Related Characters: John Grady Cole, Lacey Rawlins, Jimmy Blevins, The captain
Related Literary Devices:
Page Number and Citation: 177
Explanation and Analysis:
The prison guards have loaded John Grady, Rawlins, and Blevins into a truck to carry them to some unknown place. They pause somewhere far from any civilization, and the captain takes one of the guard's guns and leads Blevins away into the woods, where he will shoot the boy. Meanwhile, John Grady and Rawlins remain in the truck, knowing that there is nothing that they can do, and until the last moment imagining that something else will happen.This is the first moment in the book where John Grady and Rawlins are made to confront seemingly meaningless violence, spurred by rules Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit be

Yet the captain inhabited another space and it was a space of his own election and outside the common world of men. A space privileged to men of the irreclaimable act which while it contained all lesser worlds within it contained no access to them. For the terms of election were of a piece with its office and once chosen that world could not be quit.

Related Characters: The captain
Page Number and Citation: 179
Explanation and Analysis:
John Grady is attempting to grapple with the captain's killing of Blevins, especially since the captain seems to consider it as merely a business transaction, an opportunity for him to fulfill the desire of the brother of the man Blevins killed, though outside the official legal system. This passage is quite obscure, but its very obscurity underlines the confusion that John Grady feels as he attempts to draw meaning out from an action (murder, or "the irreclaimable act") that can only seem meaningless.Through John Grady's eyes, the captain is portrayed as someone who willing chose or "elected" to murder, a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. No

You dont understand the life here. You think the struggle is for these things. Some shoelaces or some cigarettes or something like that. The lucha. This is a naïve view. You know what is naïve? A naïve view. The real facts are always otherwise. You cannot stay in this place and be independent peoples. You dont know what is the situation here. You dont speak the language.

Related Characters: Emilio Pérez (speaker), John Grady Cole, Lacey Rawlins
Page Number and Citation: 188
Explanation and Analysis:
The prison where John Grady and Rawlins are housed is supposedly guarded over by the state, but the boys soon learn that the real authorities in the jail are certain prisoners, in particular Emilio Pérez, who rules the place through bribery, corruption, and intimidation. Like the captain, Emilio Pérez expresses to John Grady a cynical, stark view of institutional reality. John Grady and Rawlins have come to recognize that even the smallest possessions, like cigarettes, are part of a dangerous, shifting economic system—yet Emilio Pérez tells them that the reality of prison life goes far beyond those material trades. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

The Mexican does not believe that a car can be good or evil. If there is evil in the car he knows that to destroy the car is to accomplish nothing. Because he knows where good and evil have their home. The anglo thinks in his rare way that the Mexican is superstitious. But who is the one? We know there are qualities to a thing. This car is green. Or it has a certain motor inside. But it cannot be tainted you see. Or a man. Even a man. There can be in a man some evil. But we dont think it is his own evil. Where did he get it? how did he come to claim it? no. Evil is a true thing in Mexico. It goes about on its own legs. Maybe some day it will come to visit you. Maybe it already has.

Related Characters: Emilio Pérez (speaker), John Grady Cole
Page Number and Citation: 194-195
Explanation and Analysis:
Pérez is trying to win John Grady over to his side, so he continues to choose his words carefully, but as he does so he also develops a fascinating contrast between what he sees as American and Mexican ethical theories. Americans might think that Mexicans are superstitious, he says, but in fact Americans see everything as black and white, good and evil, and believe that you can simply bang evil out of something or someone, as Pérez once saw an American attack his car with a hammer out of anger since it wouldn't start. This is part of Americans' general Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde eni

I never thought I’d do that.
You didnt have no choice.
I still never thought it.
He’d of done it to you.
He drew on the cigarette and blew the smoke unseen into the darkness. You dont need to try to make it right. It is what it is.

Related Characters: John Grady Cole (speaker), Lacey Rawlins (speaker)
Page Number and Citation: 215
Explanation and Analysis:
John Grady has just killed another prisoner, and he is expressing the shock of what seems to have been an almost disembodied experience: he repeats to Rawlins that he never could have imagined doing such a thing. In claiming that John Grady had to kill the man, since he would have been killed himself otherwise, Rawlins is trying to comfort his friend, and also to in some way justify John Grady's actions.John Grady refuses to accept any easy answers or justifications for why he killed. At this moment, John Grady's thoughts on the captain after he killed Blevins—thoughts expressed in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

Part 4 Quotes

They were saddened that he was not coming back but they said that a man leaves much when he leaves his own country. They said that it was no accident of circumstance that a man be born in a certain country and not some other and they said that the weathers and seasons that form a land form also the inner fortunes of men in their generations and are passed on to their children and are not so easily come by otherwise.

Related Characters: Lacey Rawlins
Page Number and Citation: 226
Explanation and Analysis:
John Grady has returned to Don Hector's ranch, this time without Rawlins, and he shares everything that has happened with the other vaqueros. As they express sorrow for not being able to see Rawlins again, the vaqueros simultaneously seem to understand his desire to return home. In general, this group has throughout the book seemed confident that there is an underlying order to human affairs. It makes sense to them that a person could be so tied to his or her native land because fate dictated that connection: indeed, much of their belief seems to rest on the deep intertwining Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusanti

Because the question for me was always whether that shape we see in our lives was there from the beginning or whether these random events are only called a pattern after the fact. Because otherwise we are nothing.

Related Characters: Alfonsa (speaker), John Grady Cole
Page Number and Citation: 230
Explanation and Analysis:
Alfonsa has called John Grady to him so that he might understand that she was the one who had him freed from prison, though only on the condition that he and Alejandra never see each other again. In a long series of passages, Alfonsa attempts to justify her decision to John Grady, while also musing on her own past and the way in which she sees Mexican history and individual choice within it. Alfonsa brings up a question that has beset several of the characters throughout the novel: whether there is ultimately an underlying order to the world, or whether Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

My father had a great sense of the connectedness of things. I’m not sure I share it. He claimed that the responsibility for a decision could never be abandoned to a blind agency but could only be relegated to human decisions more and more remote from their consequences. The example he gave was of a tossed coin that was at one time a slug in a mint and of the coiner who took that slug from the tray and placed it in the die in one of two ways and from whose act all else followed, cara y cruz. No matter through whatever turnings nor how many of them. Till our turn comes at last and our turn passes.

Related Characters: Alfonsa (speaker), John Grady Cole
Page Number and Citation: 230
Explanation and Analysis:
Alfonsa continues to speak to John Grady about her own past and her thoughts about Alejandra's future. For her these notions are inextricably bound up with the question of fate: whether there is an ultimate pattern in everything that happens, and thus whether all that happens does so for a reason, or whether events are no more than random. Alfonsa's father, for his part, does not seem to embrace the exact notion of fate that some others, like the cook Luis, have espoused to John Grady. Rather than understanding actions as driven by an external force, God or another power, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferen

He said that those who have endured some misfortune will always be set apart but that it is just that misfortune which is their gift and which is their strength and that they must make their way back into the common enterprise of man for without they do so it cannot go forward and they themselves will wither in bitterness.

Related Characters: Alfonsa (speaker), John Grady Cole, Gustavo Madero
Related Literary Devices:
Page Number and Citation: 235
Explanation and Analysis:
Alfonsa tells John Grady of a severe accident she suffered to her fingers as a teenager, an accident that made her, in the eyes of society, much less appealing as a marriageable young girl. However, Gustavo Madero, recently returned with his brother Francisco from Europe, was one of the few who continued to call on her and speak with her. He had a glass eye from an accident of his own, and it was Gustavo who cheered Alfonsa by talking of their shared misfortunes, and of the strength that they can draw from it.In some ways, Gustavo's sense of those Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperi

The world is quite ruthless in selecting between the dream and the reality, even where we will not. Between the wish and the thing the world lies waiting.

Related Characters: Alfonsa (speaker), John Grady Cole
Page Number and Citation: 238
Explanation and Analysis:
Alfonsa finishes the story of her past to John Grady by telling him of how her father sent her off to Europe, refusing to bring her home unless she would disassociate herself from the radical Madero brothers, which she refused. As a result, she did not return home until her father, as well as both the brothers, were dead. Alfonsa recognizes now that her father was more like than unlike Gustavo, and she regrets her stubborn idealism. She has lived long enough now to understand the difference between "the dream" and "the reality": she has accepted that even the greatest Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia

In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I dont believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God—who knows all that can be known—seems powerless to change.

Related Characters: Alfonsa (speaker), John Grady Cole
Related Symbols: Religion, Blood
Page Number and Citation: 239
Explanation and Analysis:
Alfonsa was once a student of biology, which taught her that the way to best decide on causes and effects, and distinguish between them, was to put one set in an experiment aside to use as a control group: that is, a group that the experimenters never touch, so that they can compare it to what happens to the other sets that they do modify. This scientific method, Alfonsa argues, is useless for history, because there is never any group that remains outside historical forces: there is thus no way to know how things could have been different if certain Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invent

It’s not so much that I dont believe in it. I dont subscribe to its nomination. If fate is the law then is fate also subject to that law? At some point we cannot escape naming responsibility. It’s in our nature. Sometimes I think we are all like that myopic coiner at his press, taking the blind slugs one by one from the tray, all of us bent so jealously at our work, determined that not even chaos be outside of our own making.

Related Characters: Alfonsa (speaker), John Grady Cole
Page Number and Citation: 241
Explanation and Analysis:
Alfonsa has explained to John Grady that she has told him about her past so that he might understand her, even if he still hates her for separating him from Alejandra. Indeed, Alfonsa argues that even though things happened outside John Grady's control, that is no excuse in his favor. Alfonsa has already positioned herself as a skeptic with regard to the existence of fate, that is, a predetermined pattern that dictates what will happen and who we will be. Here she qualifies that view. Fate, according to Alfonsa, is something we think of as an external, independent force, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur l

He saw very clearly how all his life led only to this moment and all after led nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave.

Related Characters: John Grady Cole
Related Literary Devices:
Page Number and Citation: 254
Explanation and Analysis:
Alfonsa had already told John Grady that Alejandra will refuse to be with him, but he has not fully believed it until now. They have met at a town called Zacatecas and have spent several nights together; now, after he has asked her to go away with him, she says that she loves him but she cannot leave with him. In this passage John Grady takes a retrospective look back at his life—a look that for us mirrors the events of the novel—and believes that, even if he could not see it at the time, this moment is the culmination Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitat

In his sleep he dreamt of horses and the horses in his dream moved gravely among the tilted stones like horses come upon an antique site where some ordering of the world had failed and if anything had been written on the stone the weathers had taken it away again and the horses were wary and moved with great circumspection carrying in their blood as they did the recollection of this and other places where horses once had been and would be again. Finally what he saw in his dream was that the order in the horse’s heart was more durable for it was written in a place where no rain could erase it.

Related Characters: John Grady Cole
Related Symbols: Horses, Blood
Related Literary Devices:
Page Number and Citation: 280
Explanation and Analysis:
John Grady has taken the captain prisoner and the two of them are riding through the Mexican hills. He has told the captain that he will not kill him: John Grady is not like the captain. John Grady has dreamt of horses before, and here his dream becomes a kind of allegory for the ideas of destiny and order that have concerned so much of the novel. The "antique site" he dreams of is full of stones on which are written a meaning and pattern to the world, but now time and history have made that meaning unclear. The horses Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum vol
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