LitCharts assigns a color and icon to each theme in Anita and Me, which you can use to track the themes throughout the work.
Family Discipline and Guidance
Friendship
Culture and Belonging
Racism and Violence
Truth vs. Lies
Summary
Analysis
While Meena is sitting on the steps in front of her house, Anita Rutter walks by. She shows Meena leaves where butterflies lay their eggs and throws a naked branch at Meena’s legs. Although the branch stings, Meena understands this as a test and does not try to protect herself. Anita then asks Meena what candy she has and, when Meena shows her, Anita grabs the bag and begins walking, asking Meena if she plans on following her. Meena remembers that this is the first day of her six-week summer holiday and decides to follow her.
Anita has previously tried to test Meena’s credulity by telling her about her father on Mr. Ormerod’s poster, and she now tries to test Meena’s physical resistance and loyalty. This foreshadows Anita’s frequent use of abuse and violence in her relationships. It also serves as an indication that Anita herself might suffer from abuse, and therefore does not find it unusual to use it on other people.
Active
Themes
Meena follows Anita from a certain distance, knowing that it is an honor merely to be in the older girl’s presence. Anita always rules over everyone and has a group of smaller kids who follow her around everywhere, though her most regular friends are Fat Sally, a shy girl from an upper-class background, and Sherrie, the farmer’s daughter. When Anita and Meena reach one of the alleyways (called “entries”) leading to a communal dirt yard behind the cottages, Anita turns into the one closest to the Christmases’ house.
Following Anita from a distance will become a pattern throughout the novel, symbolic in its implications. It suggests that Anita only accepts relationships in which she is able to lead and control others. In this way, it also reveals Anita’s rejection of true vulnerability: she will never be able to let others bridge the emotional distance she establishes between the world and herself. This protects her from potential harm, but also prevents her from benefiting from true connection.
Active
Themes
Meena explains that Mrs. Christmas has cancer and is likely to die. Meena then realizes that she has not seen Mrs. Christmas in a long time, since back when Meena was in charge of knocking on people’s doors to ask if they would donate anything to the Spring Fayre, which could then be sold. At the time, Meena knew that people were disappointed to see her knock on their door instead of Uncle Alan, a youth leader from the Methodist church whom everyone finds incredibly charming. However, that day, when Mrs. Christmas saw Meena, she gave the girl a large pile of clothes, saying that she wouldn’t need them where she was going. Meena noticed how delicate the fabrics were, and the colors were more delicate than her mother’s vividly colored clothing. Mrs. Christmas was kind with Meena, offering her a piece of candy and waving at her as she walked away.
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Active
Themes
Meena is about to ask Anita if she has seen Mrs. Christmas recently when Anita suddenly runs down the entry, yelling as fast as she can, generating echoes all along the walls. Anita then tells Meena to do the same. Meena does, finding this activity liberating, as though she has always wanted to evacuate such screams. However, at that very moment, Mr. Christmas emerges from his house, furious.
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Mr. Christmas yells at the girls, telling them that his wife Mrs. Christmas is sick and needs peace and quiet. He threatens to tell the girls’ mothers about what has happened. Meena, who feels as though she has already gotten in enough trouble for one day, begs him not to. In addition, she knows that being told off by a white neighbor is, to her mother, an insult to India in general. Mama always says that the family needs to behave impeccably, so that people might not be given the chance to think of them in even worse ways than they already do.
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Meena tries to get Anita to apologize as well, but Anita merely says that she doesn’t care if Mr. Christmas tells her mother, Deirdre, about this. Meena considers such behavior treason and is shocked to then hear Anita call Mr. Christmas a “soft old sod.” Disgusted, Mr. Christmas makes an ironic comment about how nice Meena’s new friends are, before slamming the gate and turning up the TV.
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A few minutes later, when Meena and Anita reach Anita’s house, Meena sees Tracey, Anita’s sister, a pale, weak-looking child, the complete opposite of her sister. Tracey says that their mother Deirdre is not home yet. Hairy Neddy, their neighbor—a man who used to be covered in facial hair—tells them that Deirdre must have gone shopping.
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Hairy Neddy is the only bachelor in the village and Meena recounts an anecdote when his musical band tried to drive away with their various instruments but could not find a way to fit them all in the car. Neighbor and divorcee Sandy then gave Hairy Neddy one of her stockings, explaining that they were extra-long and might help. This confused Hairy Neddy, although the stockings did succeed in tying together the instruments, keeping them from falling out of the car. From that moment on, Sandy tried to seduce Hairy Neddy, her neighbor, though she gave up when Hairy Neddy failed to reciprocate.
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Meena describes the village’s atmosphere, noting that adults sometimes get into vicious fights. She explains that showing pain only demonstrates vulnerability, thus inviting greater violence. In contrast with her mother’s sentimental attitude, which is bound to pity others, Meena knows that she sometimes needs to use violence against other children to keep from being bullied. Meena realizes, though, that Tracey is infinitely more scared and vulnerable than she is.
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Deirdre soon arrives, wearing high heels and a very tight sweater. Meena notices that it looks as though Deirdre has been running, because she is sweaty and her mascara has run a little bit. When Anita asks her mother what she was doing, Deirdre says she was shopping, although she has no bags with her. Deirdre then says that she was only window shopping and asks the girls if they want fish fingers for dinner. Both Anita and Meena are excited, because Meena knows that it is customary to invite the children’s friends for dinner, and she enjoys these opportunities for socializing like grown-ups do. However, after Deirdre opens the door and looks at Meena confusedly, Anita simply tells Meena “See you tomorrow” and closes the gate.
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Meena is thus forced to walk home, wondering if she behaved in the wrong way. On her way home, she passes by Sam Lowbridge’s house. Sixteen-year-old Sam is considered Tollington’s rebel, as he already has a criminal record and scares the little children. However, he has always been polite and kind to Meena. His mother, Glenys, is the town’s oldest single parent. When Meena passes in front of their house, Glenys, who looks much older than her age because she smokes so much, asks her if she has seen Sam, but Meena says she hasn’t. Glenys says she needs to play bingo and asks Meena to tell her if she sees Sam later.
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When Meena reaches her house, she sees her mother at the Bike Shed, a small shed in their backyard (next to the outdoor toilet) that they use as storage, though they have no bikes. Mama yells to Mrs. Worrall, their kindly neighbor who shows much interest in Meena, that she has found what she was looking for. Meena has wondered in the past if Mrs. Worrall is childless, but her mother explained that Mrs. Worrall has children who live very far away. Mama then added that she did not understand English family relationships, in which children strive for independence and soon abandon their parents. Meena enjoys these speeches, because they make her feel as though her future and her family life are more special and loving than everyone else’s.
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Mama walks to Mrs. Worrall, giving her an old vase. Meena says that she is hungry but refuses the Indian food her mother offers her, asking for fish fingers instead. Mama then focuses on her daughter, gently asking her why she stole money and lied to her father, but Meena stubbornly answers that she didn’t lie, even though she knows that her parents have already discussed what happened. Although Meena feels confused by her own obstinate behavior, she concludes that she has had the best day of her life, as she has spent time with her new friend Anita.
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After mama walks back into the house, Mrs. Worrall asks Meena if she would like to help her out with cooking. Meena has seen Mrs. Worrall’s kitchen countless times but has never entered her house. Meena knows that her mother must be surrounded by boiling vegetables and the fresh smell of spices at the moment, preparing a meal that her father desperately needs after his day at the office, which he never talks about. Usually, as soon as Meena’s mother leaves school, where she teaches, she goes into the kitchen to spend time cooking rich Indian meals. Mama has tried to teach Meena how to cook, but Meena always proves disinterested.
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Mrs. Worrall tells Meena that she is making jam tarts, which her husband, Mr. Worrall, loves. Meena accepts to join her. She has never made pastry but soon finds the process fun, as she sees the dough turn into small tartlets. Meena hears moaning from the other side of the kitchen door, and Mrs. Worrall tells her to go say hello to her husband. Meena sees Mr. Worrall sitting in a chair in a living room that smells unaired, in addition to the faint smells of medicine and pee. Mr. Worrall is visibly very sick and unable to communicate, looking straight ahead with surprised eyes and moaning incoherently.
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As Meena gets ready to leave, she realizes that Mrs. Worrall is courageous to take care of such a sick husband. She concludes that, unlike what her mother says, not all the English are selfish. Rather, the Tollington women often demonstrate a sense of endurance and resignation that reminds Meena of some of the Aunties’ attitudes toward their children or their jobs. On her way out, after taking a lemon curd pie, Meena hesitates and yells goodbye to Mr. Worrall. Mrs. Worrall then leads her out the door.
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