Antony and Cleopatra
Antony and Cleopatra
by William Shakespeare
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Love, Pleasure, and Decadence Theme Analysis

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Themes and Colors
Love, Pleasure, and Decadence Theme Icon
Honor, Loyalty, and Betrayal Theme Icon
Strategy, Manipulation, and Power Theme Icon
Messages, Warnings, and Omens Theme Icon
Gender Roles Theme Icon
LitCharts assigns a color and icon to each theme in Antony and Cleopatra, which you can use to track the themes throughout the work.
Love, Pleasure, and Decadence Theme Icon
Love, Pleasure, and Decadence Theme Icon

Antony and Cleopatra opens with a scene in which Antony professes his unfathomable love for Cleopatra and, while the play covers much of the political drama surrounding the crumbling of the Roman republic and creation of the Roman Empire under Octavius, it is also centrally about the romantic relationship between Antony and Cleopatra (after all, it’s not entitled Antony and Octavius). Antony tells Cleopatra that his love has no bounds, and often it certainly does seem excessive. It keeps him from important business in Rome, clouds his judgment, and is at the very least a contributing factor to his downfall. This is not to say that Antony’s love is wholly negative or that all love in the play is bad, though. One can view Antony’s love for Cleopatra as (at times) a powerful, genuine devotion to another person. Moreover, the close bond between Octavius and his sister Octavia suggests the positive nature of familial love. Antony’s love is so destructive to himself perhaps because it is mostly a matter of lust and reckless passion.

Enobarbus says that Cleopatra does not satisfy Antony’s appetite for love but rather “makes hungry / Where she most satisfies.” In this, he compares Antony’s desire to other forms of appetite. And indeed it is not merely love that Antony indulges in while in Egypt. He and Cleopatra feast, drink, and carouse decadently. Cleopatra herself seems at times obsessed with beauty and pleasure. All of Egypt becomes associated in the play with a decadent, luxurious lifestyle. This fits with long-standing cultural stereotypes by which western art and literature has often caricatured the east as a place of decadence and leisure, and contributes to a conflict between east and west personified by Antony and Octavius (between whom the world is divided politically). The individual dispute between Antony and Octavius can be seen as a conflict between Rome’s western austerity and Egypt’s eastern luxury. Antony is a Roman, but the play follows his transformation as he moves to Egypt and becomes more and more in thrall to his own desires for various forms of pleasure. At the end of the play, Octavius is victorious, suggesting that his practical austerity conquers Antony’s licentious lifestyle of pleasure. But the play is a tragedy: Shakespeare presents the downfall of Antony and Cleopatra sympathetically, bestowing some honor on them even as they lose themselves among the pleasures of the Egyptian court.

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Love, Pleasure, and Decadence Quotes in Antony and Cleopatra

Below you will find the important quotes in Antony and Cleopatra related to the theme of Love, Pleasure, and Decadence.

Act 1, Scene 1 Quotes

Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.

Related Characters: Philo (speaker), Cleopatra, Mark Antony
Page Number and Citation: 1.1.1-10
Explanation and Analysis:
Two soldiers gossip about Mark Antony's overpowering love for Cleopatra, noting how he has turned away from war and honor, and now seeks only to satisfy his queen. They also demean Cleopatra in distinctly racist and sexist terms, calling her a "tawny" "gipsy" and referring to her "lust," while bemoaning the fact that Antony used to be godlike, yet now has become a slave to passion and a foreign woman.From the first moments of the play, it becomes clear how the general Roman public views the union of Antony and Cleopatra; they think it a disgrace, disdaining Antony for having Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus vo

Let Rome in Tiber melt, and the wide arch
Of the ranged empire fall! Here is my space.

Related Characters: Mark Antony (speaker)
Related Literary Devices:
Page Number and Citation: 1.1.38-39
Explanation and Analysis:
Interrupted from his time with Cleopatra by a Roman messenger, Antony makes clear his priorities: he doesn't care if the city "melt[s]" into the Tiber River, or if the empire itself "fall[s]." All he cares about is being near his beloved queen.Antony is known in the play as a great Roman patriot--one who loves his country more than himself, and consistently prioritizes the needs of the state over his own. He has devoted his life to expanding and protecting the empire, and is now one of its three supreme leaders. Thus to hear him suddenly say that he doesn't care Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accus

Act 1, Scene 2 Quotes

These strong Egyptian fetters I must break,
Or lose myself in dotage.

Related Characters: Mark Antony (speaker), Mark Antony, Cleopatra
Page Number and Citation: 1.2.128-129
Explanation and Analysis:
Having heard a great deal of bad news from Rome, Mark Antony realizes that he must leave Cleopatra in order to attend to his duties and affairs. He refers to his bond with her as "fetters," as if he is his lover's slave or prisoner, and worries that he will "lose" himself if he stays longer.This comment shows that Mark Antony understands a great deal more about his situation than he initially lets on. First of all, he is fully aware of how much control he has given Cleopatra within their relationship. He is wholly under her influence, but is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Un

Act 1, Scene 4 Quotes

This is the news: he fishes, drinks, and wastes
The lamps of night in revel; is not more man-like
Than Cleopatra; nor the queen of Ptolemy
More womanly than he; hardly gave audience, or
Vouchsafed to think he had partners: you shall find there
A man who is the abstract of all faults
That all men follow.

Related Characters: Octavius Caesar (speaker), Cleopatra, Mark Antony
Page Number and Citation: 1.4.4-11
Explanation and Analysis:
Back in Rome, Octavius Caesar is furious about Antony's neglect of his duties as a leader. He mocks the older man, noting his "revel[s]" and stating that he acts the woman while Cleopatra plays the part of a man. In short, he believes that Antony has forsaken his partners in Rome, and has given himself over completely to passion and "fault[s]."Of all Caesar's charges, the implication that Cleopatra has unmanned Antony is by far the most interesting and serious. The world of Rome (and of Elizabethan England, when the play was written and performed) was one of strict gender roles, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Act 1, Scene 5 Quotes

O Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? or is he on his horse?
O happy horse, to bear the weight of Antony!

Related Characters: Cleopatra (speaker), Mark Antony, Charmian
Page Number and Citation: 1.5.22-25
Explanation and Analysis:
With Mark Antony having departed for Rome, Cleopatra longs for him, asking a series of questions about his whereabouts, and wishing to change places with his horse. Like several other passages in the play, this scene helps the audience to understand that Cleopatra does truly love Antony, albeit in a highly obsessive and controlling way.Her questions also point to Cleopatra's demanding and inquisitive nature. Although passionate and occasionally irrational, Cleopatra is also highly intelligent. She seeks to know about everything around her, even (in this case) minute details about Antony that the messenger cannot possibly know.Cleopatra's comic double entendre at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus vo

Act 2, Scene 1 Quotes

My powers are crescent, and my auguring hope
Says it will come to the full. Mark Antony
In Egypt sits at dinner, and will make
No wars without doors: Caesar gets money where
He loses hearts: Lepidus flatters both,
Of both is flatter'd; but he neither loves,
Nor either cares for him.

Related Characters: Sextus Pompey (speaker), Lepidus, Mark Antony, Octavius Caesar
Page Number and Citation: 2.1.13-19
Explanation and Analysis:
Here Pompey, a rebel and the enemy of the co-consuls Mark Antony, Octavius Caesar, and Lepidus, discusses the situation in Rome with his generals. His comments reveal just how tangled and twisted the political reality of the Roman Empire really is right now. Pompey notes how Antony is currently wasting himself in Egypt, how Caesar is greedy and uncharismatic, and how the weak Lepidus attempts to "flatter" both other leaders, even though none of the three actually like each other.Although Pompey is of course inclined to think of his enemies as disconnected and dysfunctional, his words still paint a troubling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciun

Act 2, Scene 2 Quotes

To hold you in perpetual amity,
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims
No worse a husband than the best of men;
Whose virtue and whose general graces speak
That which none else can utter. By this marriage,
All little jealousies, which now seem great,
And all great fears, which now import their dangers,
Would then be nothing: truths would be tales,
Where now half tales be truths: her love to both
Would, each to other and all loves to both,
Draw after her.

Related Characters: Agrippa (speaker), Octavia, Octavius Caesar, Mark Antony
Page Number and Citation: 2.2.150-162
Explanation and Analysis:
As Mark Antony and Octavius Caesar passive aggressively trade barbs and jibes, Caesar's ally, Agrippa, suggests a solution: Antony should marry Caesar's sister, Octavia. He reminds Antony that Octavia is beautiful and virtuous, and urges both men to go ahead with the union, since it will bind the two of them together, and put to bed rumors of unrest and disunity.First and foremost, this suggestion shows how Roman women are considered objects in society rather than people. Octavia has no say in the matter; she is Octavius's to offer, and Antony's to accept. The Romans also place little importance on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e

The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion--cloth-of-gold of tissue—
O'er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

Related Characters: Enobarbus (speaker), Cleopatra
Related Literary Devices:
Page Number and Citation: 2.2.227-242
Explanation and Analysis:
Until this moment in time, Enobarbus has been highly critical of Cleopatra, rightly believing her to be distracting and detrimental to Antony, to whom he is incredibly loyal. When asked to recount how Antony met Cleopatra, however, Enobarbus reveals that while he might be a soldier, he has the soul of a poet. He narrates Cleopatra's grand entrance, describing how she sailed down the Nile in a golden barge with purple sails, looking like "Venus," and was so beautiful that the elements themselves seemed to smile on her.In this moment, we as audience members/readers fully understand why Antony is so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duc

Upon her landing, Antony sent to her,
Invited her to supper: she replied,
It should be better he became her guest;
Which she entreated: our courteous Antony,
Whom ne'er the word of 'No' woman heard speak,
Being barber'd ten times o'er, goes to the feast,
And for his ordinary pays his heart
For what his eyes eat only.

Related Characters: Enobarbus (speaker), Cleopatra, Mark Antony
Page Number and Citation: 2.2.258-265
Explanation and Analysis:
Enobarbus goes on, remembering how Antony "[i]nvited [Cleopatra] to supper" as his guest, only for the queen to reply that he should be her guest instead. Although this may seem like a minor quibble, in Enobarbus's retelling, it is the critical moment in which Cleopatra gains power over Antony. The reason? He has never before heard a woman say "No" to his requests.This exchange sheds even more light on why Antony has fallen so deeply in love with Cleopatra. A dominant, powerful, and handsome man, he is used to everyone--especially women--giving him exactly what he wants. In Cleopatra, however, he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde

Age cannot wither her, nor custom stale
Her infinite variety: other women cloy
The appetites they feed: but she makes hungry
Where most she satisfies.

Related Characters: Enobarbus (speaker), Cleopatra
Related Literary Devices:
Page Number and Citation: 2.2.276-280
Explanation and Analysis:
Enobarbus finishes his story of Cleopatra and Mark Antony with a stunning assessment of the queen: he asserts that she will never "wither," no matter how old, and that no man will ever grow weary of her, due to her "infinite variety." She has a paradoxical power, he concludes. Unlike "other women," who make men become sick of them, she makes men hunger for her even more as she simultaneously "satisfies" their desires.From this passage, it is clear that Cleopatra has also entranced the skeptical Enobarbus, however unwilling he may be to admit it. His words also get to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volup

Act 3, Scene 4 Quotes

A more unhappy lady,
If this division chance, ne'er stood between,
Praying for both parts:
The good gods me presently,
When I shall pray, 'O bless my lord and husband!'
Undo that prayer, by crying out as loud,
'O, bless my brother!' Husband win, win brother,
Prays, and destroys the prayer; no midway
'Twixt these extremes at all.

Related Characters: Octavia (speaker), Mark Antony, Octavius Caesar
Page Number and Citation: 3.4.13-21
Explanation and Analysis:
Learning that Octavius has raised an army and spoken ill of him in public, Antony grows furious, vowing to oppose his brand-new brother-in-law. Octavia begs him to modulate his anger, but her pleas are unsuccessful. After her husband leaves, she laments her fate, realizing that she will have to pray for both her husband and her brother, even though they are fighting against each other.Octavia is a largely tragic and pathetic character in this drama. Pious, faithful, and kind, she is used as a pawn both by the brother who claims to love her, and the husband who longs to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delect

Act 3, Scene 6 Quotes

Octavius:
Where is he now?

Octavia:
My lord, in Athens.

Octavius:
No, my most wronged sister; Cleopatra
Hath nodded him to her. He hath given his empire
Up to a whore; who now are levying
The kings o’ the earth for war.

Related Characters: Octavius Caesar (speaker), Octavia (speaker), Cleopatra, Mark Antony
Page Number and Citation: 3.6.73-78
Explanation and Analysis:
Octavia arrives at her brother's house, believing that she can make peace between him and Mark Antony. She does not realize, however, that Antony has now returned to Cleopatra--a fact that gives her brother an excuse to go to war with Antony.This passage reveals the true hypocrisy of Octavius Caesar. In the past, he has condemned both Antony and Cleopatra for mixing personal feelings with politics, saying that it makes them untrustworthy and immoral. In this scene, however, he is all too happy to use his sister's feelings of pain and dishonor to excuse his making war on his supposed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nece

Act 3, Scene 12 Quotes

From Antony win Cleopatra: promise,
And in our name, what she requires; add more,
From thine invention, offers: women are not
In their best fortunes strong; but want will perjure
The ne’er touch’d vestal: try thy cunning, Thidias;
Make thine own edict for thy pains, which we
Will answer as a law.

Related Characters: Octavius Caesar (speaker), Cleopatra, Mark Antony, Ambassador
Page Number and Citation: 3.12.33-39
Explanation and Analysis:
In a strategically advantageous position, Octavius Caesar now schemes to drive a wedge between Cleopatra and Mark Antony. He sends one of his men, Thidias, to "win" Cleopatra from Antony, ordering Thidias to "promise" Cleopatra whatever she wants. Octavius goes on to display his contempt for women, asserting that even the most virtuous woman will betray and lie if she is truly desperate (or is offered something especially appealing).Octavius's orders make clear his cunning and shifty nature. Antony, by contrast, is a sincere and deeply loyal man. Octavius, though, attempts to exploit others' weaknesses, and believes the worst about human Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

Act 3, Scene 13 Quotes

Antony:
To flatter Caesar, would you mingle eyes
With one that ties his points?

Cleopatra:
Not know me yet?

Antony:
Cold-hearted toward me?

Cleopatra:
Ah, dear, if I be so,
From my cold heart let heaven engender hail,
And poison it in the source; and the first stone
Drop in my neck: as it determines, so
Dissolve my life! The next Caesarion smite!
Till by degrees the memory of my womb,
Together with my brave Egyptians all,
By the discandying of this pelleted storm,
Lie graveless, till the flies and gnats of Nile
Have buried them for prey!

Related Characters: Cleopatra (speaker), Mark Antony (speaker), Octavius Caesar
Page Number and Citation: 3.13.191-204
Explanation and Analysis:
A furious Antony comes upon Cleopatra with Thidias; Antony beats the other man, threatens him, and throws him out, before furiously turning on Cleopatra. After he demands to know if she will leave him for Caesar, Cleopatra assures him that she never will. If she ever does, she asks for the gods to kill both herself and her children, and for all of Egypt to fall.Once again, this is a difficult exchange to correctly interpret. Cleopatra may well be manipulating Antony, telling him what he wants to hear in order to keep him from abandoning or even killing her. On Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volu

I will be treble-sinew'd, hearted, breathed,
And fight maliciously: for when mine hours
Were nice and lucky, men did ransom lives
Of me for jests; but now I'll set my teeth,
And send to darkness all that stop me. Come,
Let's have one other gaudy night: call to me
All my sad captains; fill our bowls once more;
Let's mock the midnight bell.

Related Characters: Mark Antony (speaker)
Page Number and Citation: 3.13.217-224
Explanation and Analysis:
Heartened by Cleopatra's vow of love, Antony asserts that he will be braver than ever before. He recalls how he used to show mercy to his enemies, but now promises that he will kill them all. He tells Cleopatra that they will have "one other gaudy night," and summons all of his soldiers to drink with him.Although this speech might seem foolish and misguided, it also suggests that on some level, Antony knows how doomed he is. He wants another "gaudy night" because he knows it will be his last. His urging to "mock the midnight bell" most obviously means Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessi

Act 4, Scene 6 Quotes

I am alone the villain of the earth,
And feel I am so most. O Antony,
Thou mine of bounty, how wouldst thou have paid
My better service, when my turpitude
Thou dost so crown with gold! This blows my heart:
If swift thought break it not, a swifter mean
Shall outstrike thought: but thought will do't, I feel.
I fight against thee! No: I will go seek
Some ditch wherein to die; the foul'st best fits
My latter part of life.

Related Characters: Enobarbus (speaker), Mark Antony
Page Number and Citation: 4.6.34-44
Explanation and Analysis:
Enobarbus emerges, having just received both his chests and good wishes from Antony. In agony, he calls himself "the villain of the earth," now remembering Antony as the most generous and loyal master who ever lived. So anguished is Enobarbus that he wishes for his heart to literally break. Realizing that he can never fight against Antony, he resolves to "die" in a "ditch," because he nowdeserves such a foul and dishonorable death.Antony and Cleopatra's misfortune has spread outward, infecting all who were once loyal to them. Despite making a perfectly rational and even justified choice, Enobarbus is now unable Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor a

Act 4, Scene 15 Quotes

Antony:
Not Caesar’s valour hath o’erthrown Antony,
But Antony’s hath triumph’d on itself.

Cleopatra:
So it should be, that none but Antony
Should conquer Antony; but woe ’tis so!

Antony:
I am dying, Egypt, dying; only
I here importune death awhile, until
Of many thousand kisses the poor last
I lay up thy lips.

Related Characters: Mark Antony (speaker), Cleopatra (speaker), Octavius Caesar
Page Number and Citation: 4.15.18-25
Explanation and Analysis:
Believing Cleopatra to be dead, Antony has killed himself. In fact, however, she is still alive, and the two reunite in her tomb as he takes his last breaths. Antony is glad that at least he has killed himself, rather than Caesar doing so, and Cleopatra agrees. Calling his lover "Egypt," Antony says that he will delay death until he can kiss Cleopatra one last time--the final kiss out of "many thousand kisses."Literally, Antony has "conquer[ed]" himself, since he has killed himself with his own sword. Metaphorically, however, the statement still remains true: Antony has defeated himself with his own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusa

Act 5, Scene 2 Quotes

Now, Charmian!
Show me, my women, like a queen: go fetch
My best attires: I am again for Cydnus,
To meet Mark Antony: sirrah Iras, go.
Now, noble Charmian, we'll dispatch indeed;
And, when thou hast done this chare, I'll give thee leave
To play till doomsday. Bring our crown and all.

Related Characters: Cleopatra (speaker), Mark Antony, Charmian
Page Number and Citation: 5.2.276-282
Explanation and Analysis:
With Octavius gone, Cleopatra's manner now changes completely. She regally commands her women to bring her finest robes and crown, wishing to look just as she did the first time she met Mark Antony.Of course, Cleopatra wishes to die in part because she does not want to live without Antony; also at play is her fear of humiliation in Rome. In this speech, however, we witness a third cause: her wish to be immortalized as a beautiful, powerful, and tragic queen. Like many other characters in the play, Cleopatra is fully aware of her place in history. She knows that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusan