Babylon Revisited
by F. Scott Fitzgerald
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Section 1 Quotes

“My income last year was bigger than it was when I had money. You see, the Czechs—”
His boasting was for a specific purpose; but after a moment, seeing a faint restiveness in Lincoln’s eyes, he changed the subject:
“Those are fine children of yours, well brought up, good manners.”

Related Characters: Charlie Wales (speaker)
Page Number and Citation: 618
Explanation and Analysis:
Although at this point in the story Fitzgerald has yet to explicitly reveal the purpose of Charlie’s visit to Paris, it becomes clear later in the story that the “specific purpose” served by Charlie’s boasting is that he feels his wealth makes him better qualified than the Peters family to take care of his daughter, Honoria. The trouble with taking this approach, for Charlie, is that Marion is skeptical of him precisely because of his wealth, which she associates with recklessness, arrogance, entitlement, and immoderation (in part because she recognizes that it was precisely the unchecked greed of wealthy men Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. N

A great wave of protectiveness went over him. He thought he knew what to do for her. He believed in character; he wanted to jump back a whole generation and trust in character again as the eternally valuable element. Everything wore out.

Related Characters: Charlie Wales, Honoria Wales
Page Number and Citation: 619
Explanation and Analysis:
At dinner with the Peters family, Charlie’s thoughts move seamlessly from Honoria to the subject of character. Although neither Fitzgerald nor Charlie explain what Charlie means by “character,” the word seems to signify moral strength and integrity, and also seems to be intimately related to his sense of protectiveness over Honoria and his desire to have a family. By saying he wants to “jump back” in time and trust in character, Charlie implies that character was the element he had been lacking which had been responsible for his family slowly falling apart. In this way, Fitzgerald shows readers that Charlie Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus co

He remembered thousand-franc notes given to an orchestra for playing a single number, hundred-franc notes tossed to a doorman for calling a cab.
But it hadn't been given for nothing.
It had been given, even the most wildly squandered sum, as an offering to destiny that he might not remember the things most worth remembering, the things that now he would always remember—his child taken from his control, his wife escaped to a grave in Vermont.

Related Characters: Charlie Wales, Honoria Wales , Helen Wales
Page Number and Citation: 620
Explanation and Analysis:
When Fitzgerald describes Charlie’s profligate spending during the boom years as an “offering to destiny that he might not remember” the painful experience of his life spinning out of control, he seems to mean that Charlie used drinking and partying to repress the difficult realities of his life. This, despite the fact that those difficult realities were largely the product of his excessive drinking and partying. It’s worth noting that the language Fitzgerald uses to describe Charlie’s loss of his family portrays Charlie as a passive rather than an active agent in the events— his child “taken,” his wife “escaped.” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque p

Section 2 Quotes

"First, we're going to that toy store in the Rue Saint-Honoré and buy you anything you like. And then we're going to the vaudeville at the Empire."
She hesitated. "I like it about the vaudeville, but not the toy store."
"Why not?"
"Well, you brought me this doll." She had it with her. "And I've got lots of things. And we're not rich any more, are we?"
"We never were. But today you are to have anything you want."
"All right," she agreed resignedly.

Related Characters: Honoria Wales (speaker), Charlie Wales (speaker)
Page Number and Citation: 621
Explanation and Analysis:
Honoria’s response is notable because it’s unusual for a nine-year-old: she tells her father that she doesn’t want to go to the toy store despite his having offered to buy her whatever she wants. It implies that she is aware of the ways in which her father uses gifts as a substitute for less tangible expressions of his love and affection—and moreover that she would prefer to have her father in her life rather than having the toys he brings her to compensate for his absence. Charlie himself seems aware of (and frustrated by) his inability to provide for his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nes

Somehow, an unwelcome encounter. They liked him because he was functioning, because he was serious; they wanted to see him, because he was stronger than they were now, because they wanted to draw a certain sustenance from his strength.

Related Characters: Charlie Wales, Lorraine Quarrles , Duncan Schaeffer
Page Number and Citation: 623
Explanation and Analysis:
Charlie feels repelled by his encounter with Duncan and Lorraine, and although he himself does not remark that it surprises him to feel this way, his repulsion seems strange given the fact that the day before he willingly left his brother-in-law’s address with the barman at the Ritz so that Duncan would be able to get in touch. By lunchtime the next day, he seems to have changed his mind—perhaps as a consequence of seeing his daughter again and remembering his priorities, or perhaps simply because seeing them again in person gives him a frame of reference that helps him Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupta

"Daddy, I want to come and live with you," she said suddenly.
His heart leaped; he had wanted it to come like this.
"Aren't you perfectly happy?"
"Yes, but I love you better than anybody. And you love me better than anybody, don't you, now that mummy's dead?"
"Of course I do. But you won't always like me best, honey. You'll grow up and meet somebody your own age and go marry him and forget you ever had a daddy."
"Yes, that's true," she agreed tranquilly.

Related Characters: Honoria Wales (speaker), Charlie Wales (speaker), Helen Wales
Page Number and Citation: 623
Explanation and Analysis:
Here, Charlie reveals the extent of his anxiety about missing out on Honoria’s childhood. He fears the day that she’ll be grown enough to love another man, since that will be the day (he reasons) on which she’ll forget her father. It’s a somewhat strange response to her question, but it speaks to his own loneliness and desire to be loved that, before he has even succeeded in regaining custody of his daughter, he is worried about losing her. It also points to a major question that Fitzgerald leaves unresolved about Charlie, and that is whether he truly has Honoria’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaqu

Section 3 Quotes

As I told you, I haven't had more than a drink a day for over a year, and I take that drink deliberately, so that the idea of alcohol won't get too big in my imagination. You see the idea?"
"No," said Marion succinctly.
"It's a sort of stunt I set myself. It keeps the matter in proportion."
"I get you," said Lincoln. "You don't want to admit it's got any attraction for you."
"Something like that. Sometimes I forget and don't take it. But I try to take it.”

Related Characters: Marion Peters (speaker), Lincoln Peters (speaker), Charlie Wales (speaker)
Page Number and Citation: 624
Explanation and Analysis:
Charlie’s presentation of his strategy for remaining sober comes across as overly theoretical, and Marion responds flatly and cynically—as if she sees it as a lame justification for continuing to drink instead of quitting altogether. Here, as elsewhere, Marion acts as a foil to Charlie’s blithe self-assuredness, reminding readers to ask themselves whether they themselves should believe in Charlie’s claims to have gained control over his alcohol abuse. Addictions like alcoholism in the 1930s were typically treated as a moral failing (or a sign of a weak will) rather than as a medical issue, and Charlie is no exception, seeming Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum d

"I don't blame Marion," Charlie said slowly, "but I think she can have entire confidence in me. I had a good record up to three years ago. Of course, it's within human possibilities I might go wrong any time. But if we wait much longer I'll lose Honoria's childhood and my chance for a home." He shook his head, "I'll simply lose her, don't you see?"

Related Characters: Charlie Wales (speaker), Lincoln Peters (speaker), Marion Peters (speaker)
Page Number and Citation: 626
Explanation and Analysis:
Here, as elsewhere, Charlie frames his plea for guardianship over Honoria rather selfishly—in terms of what he will lose rather than what she stands to gain. When he argues that Marion should have “entire confidence” in him, he doesn’t acknowledge or take responsibility for his failures and missteps. Charlie is a prideful character, who struggles throughout his conversation with Marion not to defend himself or refute her accusations (many of which, it seems, are not unfounded). However, Charlie’s desperation for a home and a family expose a major re-prioritization of his values since he left Paris. Rather than chasing pleasure Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam cons

Marion shuddered suddenly; part of her saw that Charlie's feet were planted on the earth now, and her own maternal feeling recognized the naturalness of his desire; but she had lived for a long time with a prejudice—a prejudice founded on a curious disbelief in her sister's happiness, and which, in the shock of one terrible night, had turned to hatred for him. It had all happened at a point in her life where the discouragement of ill health and adverse circumstances made it necessary for her to believe in tangible villainy and a tangible villain.
"I can't help what I think!" she cried out suddenly. "How much you were responsible for Helen's death, I don't know. It's something you'll have to square with your own conscience."

Related Characters: Marion Peters (speaker), Charlie Wales, Helen Wales
Page Number and Citation: 626-627
Explanation and Analysis:
In this passage, the “terrible night” refers to the night Charlie locked Helen out of their home in a snowstorm and she contracted a nearly deadly case of pneumonia. This was the night Marion’s distaste for Charlie became a real hatred, but Fitzgerald also suggests that Marion’s need for “tangible villainy” may have arisen in response to the overwhelmingly intangible villainy that led to the Great Depression—and that Charlie was a fitting target for her anger because of his wealth and immoderation. Put differently: it seems much of the rage Marion directs at Charlie is directed at him because she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis

Section 4 Quotes

"There's another thing." Lincoln hesitated. "While you and Helen were tearing around Europe throwing money away, we were just getting along. I didn't touch any of the prosperity because I never got ahead enough to carry anything but my insurance. I think Marion felt there was some kind of injustice in it—you not even working toward the end, and getting richer and richer."
"It went just as quick as it came," said Charlie.

Related Characters: Lincoln Peters (speaker), Charlie Wales (speaker)
Page Number and Citation: 629
Explanation and Analysis:
Over lunch with Charlie, Lincoln confirms what Fitzgerald has elsewhere implied: that Marion’s resentment of Charlie is based, at least in part, on their class differences. She seems to see the power Charlie’s wealth gives him as being unjust because he has not worked hard to earn it. Furthermore, his immoral behavior makes the ease of his lifestyle even more of an insult to Marion, because she sees her family as being both moral and hardworking but still having less wealth. Charlie’s ambivalence toward wealth—as well as, perhaps, his lack of empathy about financial hardship—is evident in his response to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectu

His first feeling was one of awe that he had actually, in his mature years, stolen a tricycle and pedaled Lorraine all over the Étoile between the small hours and dawn. In retrospect it was a nightmare. Locking out Helen didn't fit in with any other act of his life, but the tricycle incident did--it was one of many. How many weeks or months of dissipation to arrive at that condition of utter irresponsibility?

Related Characters: Lorraine Quarrles , Helen Wales , Charlie Wales
Page Number and Citation: 629
Explanation and Analysis:
Charlie’s use of the word “dissipation” is a clear and direct reference to an earlier passage when, strolling the streets of Montmartre, Charlie suddenly thinks he understands the meaning of the word dissipate: “to make nothing out of something.” Now, looking back on the “nightmare” of his year of drinking in Paris, he seems able to acknowledge that he himself had been dissipating, or turning into “nothing.” Given that it seems Charlie and Lorraine may have had an attraction that went beyond simple flirtation, his altered attitude toward that time is something of a testament to the fact that his Dolorem et quae. Exercitationem non aut. Evenie

He tried to picture how Lorraine had appeared to him then—very attractive; Helen was unhappy about it, though she said nothing. Yesterday, in the restaurant, Lorraine had seemed trite, blurred, worn away. He emphatically did not want to see her, and he was glad Alix had not given away his hotel address. It was a relief to think, instead, of Honoria, to think of Sundays spent with her and of saying good morning to her and of knowing she was there in his house at night, drawing her breath in the darkness.

Related Characters: Helen Wales , Honoria Wales , Charlie Wales, Lorraine Quarrles
Page Number and Citation: 629-630
Explanation and Analysis:
Charlie reflects on his memory of Lorraine just after receiving a letter from her in which she asks him to meet her. The fact that “Helen was unhappy” about Charlie and Lorraine’s friendship is just one of several pieces of evidence that there may have been an affair between the two, and yet Charlie declares that he “emphatically did not want to see her.” This is significant in part because Lorraine’s letter threatens to draw Charlie back into the orbit of his old social circle in a moment at which he seems to have gotten what he came to Paris Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea

Section 5 Quotes

"I heard that you lost a lot in the crash."
"I did," and he added grimly, "but I lost everything I wanted in the boom."
"Selling short."
"Something like that."

Related Characters: Charlie Wales (speaker), Paul (speaker)
Page Number and Citation: 633
Explanation and Analysis:
Charlie’s acknowledgement that he lost everything he wanted in the boom encapsulates the moral point that Fitzgerald makes in “Babylon Revisited”—that, just as the bull market led to the Depression, all forms of immoderation inevitably lead to a crash. The irony of the ending is that, as Charlie comes to a fuller realization of the error in his ways, he also seems to realize that simply becoming aware of the extent of the pain he caused is not enough to win him redemption. By saying that he lost everything he wanted, Charlie seems to acknowledge that perhaps there can be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus.

There wasn't much he could do now except send Honoria some things; he would send her a lot of things tomorrow. He thought rather angrily that this was just money—he had given so many people money. . . .
"No, no more," he said to another waiter. "What do I owe you?"

Related Characters: Charlie Wales (speaker), Honoria Wales , Helen Wales
Page Number and Citation: 633
Explanation and Analysis:
It’s worth noting that the story ends at the Ritz bar, where it began, with Charlie speaking the very same words to the bartender: “No, no more.” This parallel highlights the fact that he will leave Paris just as he came: without his daughter. The repeated words “No, no more,” in this case, can be read as a continuation of the preceding thought, which ends in an ellipsis, as if to suggest that Charlie is saying “No more” to money in general—having until now used wealth as a substitute for character, a family, and a home. In this light, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. V
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