Balzac and the Little Chinese Seamstress
by Dai Sijie
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The Narrator Character Analysis

The narrator is a 17-year-old boy who has been sent from his hometown to a mountain in rural China to be re-educated in the ways of peasant life. His re-education has been decreed by the communist government as part of the Cultural Revolution, an effort to eliminate intellectuals and elevate the working class and peasants. The narrator, though he has only completed middle school and has never read anything besides communist texts, is considered to be an intellectual because his educated parents have been labeled enemies of the state. Because of who his parents are, the narrator's chances of returning from re-education are three in a thousand. The narrator is extremely loyal to his best friend, Luo, who was sent with him to the mountain. Upon learning that their friend Four-Eyes brought a suitcase of banned novels to the mountain, the narrator and Luo become obsessed with western literature and go to great lengths to gain possession of the suitcase. The narrator is particularly inspired by the novel Jean-Christophe, which helps him to develop his own personal philosophy that champions individuals who stand up to take individual action against the world. Despite this inspiration, the narrator situates himself as a passive observer to the relationship between Luo and the Little Seamstress (a beautiful village girl with whom the narrator is also in love). Out of loyalty to Luo, he never tries to win the Little Seamstress for himself, and he risks his safety to arrange a dangerous illegal abortion for her. However, when the Little Seamstress betrays him by not telling him she's leaving the mountain, the narrator realizes that friendship needs loyalty that flows in both directions.

The Narrator Quotes in Balzac and the Little Chinese Seamstress

The Balzac and the Little Chinese Seamstress quotes below are all either spoken by The Narrator or refer to The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Education, Re-Education, and the Cultural Revolution Theme Icon
).

Part 1, Chapter 1 Quotes

The peasants' faces, so grim a moment before, softened under the influence of Mozart's limpid music like parched earth under a shower, and then, in the dancing light of the oil lamp, they blurred into one.

Related Characters: The Narrator (speaker), Luo, The Village Headman
Page Number and Citation: 6
Explanation and Analysis:
The narrator is allowed to keep his violin and play for the villagers after Luo convinces the headman that the violin itself isn't a "bourgeois toy." As he plays, the narrator notes that, despite the government's insistence that all western music is evil, the opposite is actually true. The western music, though Luo has renamed it to pay homage to Chairman Mao, has a positive effect on the peasants. They find it pleasant, which begins to suggest that music (and artistic pursuits in general) can be universally appealing. Early on in the novel, this casts doubt on the integrity of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

Part 1, Chapter 2 Quotes

The sheer audacity of our trick did a lot to temper our resentment against the former opium growers who, now that they had been converted into "poor peasants" by the communist regime, were in charge of our re-education.

Related Characters: The Narrator (speaker), The Village Headman, Luo
Related Symbols: Luo's Alarm Clock
Page Number and Citation: 15
Explanation and Analysis:
The narrator describes the effects of turning Luo's alarm clock forwards or backwards to suit their needs or desires on any given day. First, the trick itself gives Luo and the narrator a degree of power over their lives, as they can essentially control when their day starts and ends. This also certainly gives them a sense of superiority over the headman in particular; this is the headman's first experience with a clock, and he doesn't possess a clock of his own to check Luo's meddling. The language that the narrator uses to describe the peasants continues to build the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offici

The only thing Luo was really good at was telling stories. A pleasing talent to be sure, but a marginal one, with little future in it. Modern man has moved beyond the age of the Thousand-and-One-Nights, and modern societies everywhere, whether socialist or capitalist, have done away with the old storytellers—more's the pity.

Related Characters: The Narrator (speaker), The Village Headman, Luo
Page Number and Citation: 18
Explanation and Analysis:
The narrator explains to the reader that he might be able to return to the city because he can play the violin, while Luo is likely doomed to spend his life on the mountain because his only talent is storytelling. Though the narrator's tone indicates a sadness that storytellers aren't valued in the modern world, the novel itself refutes the idea that storytellers aren't valuable. The novel's very structure elevates the narrator to a high status, as the reader is asked to take his story at his word. Throughout the novel too, Luo's stories and his skill at telling them Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessita

Part 1, Chapter 3 Quotes

She's not civilized, at least not enough for me!

Related Characters: Luo (speaker), The Little Seamstress, The Narrator
Page Number and Citation: 27
Explanation and Analysis:
Luo and the narrator walk home from visiting the Little Seamstress for the first time. Though Luo is obviously very taken with the Little Seamstress, he believes her to be too uncivilized to be worthy of his affections. This sets the stage for how Luo views and conducts his relationship with the Little Seamstress. Her lack of "civilization" allows him to think of himself as superior to her, rather than equal, and he condescends to her throughout the novel. The fact that he turns himself into her teacher and mentor, thereby performing his own brand of re-education on her, shows Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantiu

Part 2, Chapter 1 Quotes

All this talk of literature was getting me down. We had been so unlucky. By the time we had finally learnt to read properly, there had been nothing left for us to read. For years the "Western literature" sections of the bookshops were devoted to the complete works of the Albanian Communist leader Enver Hoxha...

Related Characters: The Narrator (speaker), Luo, Four-Eyes
Page Number and Citation: 51
Explanation and Analysis:
Luo and the narrator believe that Four-Eyes has a suitcase full of forbidden books. They spend their time wondering what particular books might be in the suitcase, though it's a depressing conversation. The narrator's explanation shows just how tightly Mao’s regime sought to control the existence of literature. In addition, the statement that there was "nothing left" to read shows how poorly the narrator thinks of Communism—he thinks that literature by communist leaders, even if they are Western, isn't worth reading. This continues to suggest that, though the Cultural Revolution was supposed to unite China, it's obviously not working the Dolorem et quae. Exercitationem no

Just as your parents and mine always dreamed that we'd be doctors like them, Four-Eyes's parents probably wanted their son to be a writer. They must have thought it would be good for him to read books, even if he had to do so in secret.

Related Characters: Luo (speaker), Four-Eyes, The Narrator, The Poetess
Page Number and Citation: 52
Explanation and Analysis:
Luo and the narrator discuss why Four-Eyes' parents trusted him to keep a suitcase of banned books safe. This begins to hint at the power the Cultural Revolution ascribes to literature, as well as the danger of literature—to both the aims of the regime, and to individuals who possess forbidden books. While the novel suggests that literature can be powerful in any time or place, it’s particularly powerful at this moment in China because of its scarcity. Furthermore, Four-Eyes' parents evidently feel so strongly about literature and intellectual pursuits, they're willing to risk their own welfare as well as that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Opti

Part 2, Chapter 2 Quotes

In spite of my complete ignorance of that distant land called France (I had heard Napoleon mentioned by my father a few times, that was all), Ursule's story rang as true as if it had been about my neighbors.

Related Characters: The Narrator (speaker)
Page Number and Citation: 57
Explanation and Analysis:
The narrator reads Balzac's novel Ursule Mirouët and finds it to be extremely relatable, despite the fact that the time and place of the novel are entirely foreign to the narrator. Again, this undermines the goals of the Mao regime, as the narrator's discovery shows that the rest of the world isn't evil; rather, stories are universal. This shows the power of literature. As the narrator reads, his worldview widens, bringing about his coming of age. Part of growing up is discovering new ideas and perspectives, and particularly during this time, the narrator's coming of age is tied directly to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupt

Part 2, Chapter 3 Quotes

"This fellow Balzac is a wizard," he went on. "He touched the head of the mountain girl with an invisible finger, and she was transformed ... She ended up putting your wretched coat on (which looked very good on her, I must say). She said having Balzac's words next to her skin made her feel good, and also more intelligent."

Related Characters: Luo (speaker), The Narrator
Page Number and Citation: 62
Explanation and Analysis:
Luo tells the narrator about his experience reading an excerpt from Ursule Mirouët to the Little Seamstress. With this, Luo acknowledges fully the power of literature. Importantly, the power comes from literature's ability to appeal to a variety of different people from different educational backgrounds; in this case, it appeals to the Little Seamstress, who has very little education or experience outside of her village. The Little Seamstress also acknowledges the power of literature. In particular, it makes her feel more intelligent, which suggests that she believes that without access to education and literature specifically, people are unintelligent. It's unclear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusan

Part 2, Chapter 4 Quotes

What this gentleman is looking for is precisely that: the authentic, robustly primitive words of ancient ditties.

Related Characters: Luo (speaker), The Miller, The Narrator, Four-Eyes
Page Number and Citation: 68
Explanation and Analysis:
Luo explains to the miller that the disguised narrator is looking for authentic folk songs that support the ideas espoused by the revolutionary government. The language used to describe these "ancient ditties" and the power ascribed to them is humorous in light of what the folk songs actually are: raunchy, and decidedly not what the government wants to hear from its "noble peasants." This suggests that the government, and particularly the literary journal that hires Four-Eyes, is trying to show that the peasants are fully in support of the Cultural Revolution. The literary journal seems to believe that the ideas Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Expli

Part 2, Chapter 5 Quotes

The change he had undergone since receiving his mother's letter was truly remarkable. A few days before it would have been unthinkable for him to snap at us like this. I hadn't suspected that a tiny glimmer of hope for the future could transform someone so utterly.

Related Characters: The Narrator (speaker), The Miller, Four-Eyes, Luo, The Little Seamstress
Page Number and Citation: 77
Explanation and Analysis:
Four-Eyes isn't pleased with the songs that Luo and the narrator transcribed from the miller because they hurt his chances of being hired by a revolutionary journal and getting off Phoenix mountain. Four-Eyes' extreme displeasure points first to how miserable re-education and life on the mountain are—the possibility of getting off the mountain is enough to turn Four-Eyes into an extremely selfish person. Further, the narrator seems to feel betrayed by Four-Eyes' transformation. He and Luo feel as though they've upheld their end of the bargain, and Four-Eyes' unwillingness to follow through on his end is, at this point, a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inve

Part 2, Chapter 6 Quotes

But I shouldn't let it worry you too much. Right now, ignorance is in fashion, but one day the need for good doctors will be recognized once more. Besides, Chairman Mao is bound to need your father's services again.

Related Characters: The Poetess (speaker), The Narrator, Four-Eyes, The Dentist, Luo
Page Number and Citation: 86
Explanation and Analysis:
As the poetess resumes her ascent of the mountain, she tells the narrator (who is pretending to be Luo) that the fervor of the Revolution will pass. This suggests that the repression of culture and intellectualism is a phase, not a lasting state of affairs, which continues to break down the government's idealistic goal of having all its people believe fully in the Revolution. It also suggests that healthcare, like literature, is a universal need or desire; it's not something that the government can deny its people access to forever. In an overarching way, the poetess' statement also shows that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invent

Part 2, Chapter 7 Quotes

"So are you weeping tears of joy?" I said.
"No. All I feel is loathing."
"Me too. Loathing for everyone who kept these books from us."

Related Characters: Luo (speaker), The Narrator (speaker), Four-Eyes
Page Number and Citation: 99
Explanation and Analysis:
The narrator and Luo open Four-Eyes' suitcase of forbidden novels and proceed to steal it. Their emotions here illustrate the negative consequences of censorship: it results in crimes and acts of betrayal, like this theft. Luo and the narrator don't just loathe Four-Eyes, who has kept these books from them—even more, they loathe the government that banned the books in the first place. On some level, the boys also feel betrayed by the government, and by Four-Eyes. They see that literature and exposure to the different perspectives found in literature is an integral part of life and education, and they Dolorem et quae. Exercitationem non aut. Eveniet dolor non.

He shut the suitcase again and, resting one hand on the lid like a Christian taking a solemn oath, he declared: "With these books I shall transform the Little Seamstress. She'll never be a simple mountain girl again."

Related Characters: Luo (speaker), Four-Eyes, The Narrator, The Little Seamstress
Page Number and Citation: 100
Explanation and Analysis:
Luo and the narrator decide to steal the entire suitcase of books rather than just a few, and Luo voices his plan to educate the Little Seamstress. Though at this point Luo seems fully committed to his goal, he grossly underestimates the consequences of re-educating the Little Seamstress with western literature. Luo later finds the Little Seamstress's transformation attractive and positive, but it never occurrs to him that she might do things with her education that he cannot control. Interestingly, this is true of Luo and the narrator's re-education, as well as that of the Little Seamstress. Though the narrator Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore

Part 3, Chapter 1 Quotes

In the ensuing political vacuum our village lapsed into quiet anarchy, and Luo and I stopped going to work in the fields without the villagers—themselves unwilling converts from opium farmers to guardians of our souls—raising the slightest objection.

Related Characters: The Narrator (speaker), Luo, The Village Headman
Page Number and Citation: 109
Explanation and Analysis:
While the village headman is away for a Party conference, Luo and the narrator stop going to work and the villagers don't raise a fuss about it. With this, the narrator continues to develop the idea that the peasants who are supposed to be re-educating the bourgeois youth by extolling simple peasant life aren't exactly proponents of their own way of life. They, like Luo and the narrator, are undergoing their own form of re-education as they're forced to take on the role of the "noble peasants." This passage also shows how much power the village headman has. While Luo Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus ea

But Jean-Christophe, with his fierce individualism utterly untainted by malice, was a salutary revelation. Without him I would never have understood the splendor of taking free and independent action as an individual.

Related Characters: The Narrator (speaker)
Page Number and Citation: 110
Explanation and Analysis:
The narrator reads the novel Jean-Christophe by Romain Rollande, which introduces him to this decidedly not-Communist idea of independent action. This discovery stands as one of the most galvanizing moments of the narrator's coming of age, as it's at this point that the narrator begins to develop his own personal guiding philosophy. By implying that a true marker of maturity is independence, the author indicates that communal actions and beliefs are childish and immature. Interestingly, though the narrator does take individual action in the remainder of the novel, he only does so in the service of others. He arranges the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim ne

Part 3, Chapter 2 Quotes

It would evidently take more than a political regime, more than dire poverty to stop a woman from wanting to be well dressed: it was a desire as old as the world, as old as the desire for children.

Related Characters: The Narrator (speaker), Luo, The Tailor
Page Number and Citation: 122
Explanation and Analysis:
When the tailor comes to Luo and the narrator's village, he asks to stay with Luo and the narrator. As such, the boys get to see the inner workings of a tailor's workshop and watch the women dream about their new wardrobes. This realization continues the novel's overarching project of showing how many things, like literature and the desire for clothing, are universal ideas that aren't necessarily altered by political differences or socioeconomic status. Rather, these universal things transcend a person's place in the world. This also continues to build up to the Little Seamstress's sudden departure from the mountain. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor a

Part 3, Chapter 6 Quotes

Before, I had no idea that you could take on the role of a completely different person, actually become that person—a rich lady, for example—and still be your own self.

Related Characters: The Little Seamstress (speaker), The Narrator, Luo
Page Number and Citation: 145
Explanation and Analysis:
The Little Seamstress and Luo are acting out a scene from The Count of Monte Cristo at their secluded pool. This seems to be the Little Seamstress's first experience with pretending or acting, which illustrates how stifled her life and her educational experiences have been up to this point. This realization then becomes a part of her education and her coming of age, as she begins to see that people can be many things at once in their minds. This then opens the door for her to discover that she can be many things throughout her life; particularly, that she's Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut

Part 3, Chapter 7 Quotes

I couldn't resist taking slight liberties, adding bits here and there by way of a personal touch to make the story more interesting to her. When I felt good old Balzac was running out of steam I would contribute little inventions of my own, or even insert whole scenes from another novel.

Related Characters: The Narrator (speaker), The Little Seamstress
Page Number and Citation: 150
Explanation and Analysis:
The narrator reads to the Little Seamstress in Luo's absence, altering the tales as he sees fit. This can be read in several ways. First, it demonstrates that the narrator is achieving mastery in storytelling, as he's able to not just identify which parts of a novel might be boring, but also to invent reasonable alternatives for Balzac's plotlines. This shows the effect of the narrator's own education in western literature, and shows that he himself is becoming a greater storyteller than he ever gave himself credit for. This process can also be seen as a way for the narrator Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volupta

It was not long before I took it upon myself, out of a sense of courtesy and respect for womanhood that I had learned from Balzac, to relieve the Little Seamstress of her laundering duties...

Related Characters: The Narrator (speaker), The Little Seamstress
Page Number and Citation: 151
Explanation and Analysis:
As the narrator spends more time reading Balzac novels to the Little Seamstress, he begins to gladly take on more of her household duties. When the narrator mentions the "courtesy and respect for womanhood," it shows how the narrator's exposure to Western literature is teaching him about women, particularly in ways that the Communist government wouldn't find appropriate. It's important to note that the narrator and the reader are fully aware at this point that the narrator is in love with the Little Seamstress. However, notice that the narrator doesn't insert himself as a suitor; he only makes himself her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde

Although illiterate, my tormenters, or rather the Little Seamstress's swarm of disappointed suitors, were flabbergasted by the sight of this recondite object: a book.

Related Characters: The Narrator (speaker), The Little Seamstress
Page Number and Citation: 154
Explanation and Analysis:
As the narrator leaves the Little Seamstress's village one night, he's attacked by a group of young men who are irritated with Luo and the narrator's monopoly on the Little Seamstress. In the ensuing scuffle, the narrator's Balzac novel is exposed for all to see. This point is one in which the narrator's habit of situating himself as a supporting character rather than the protagonist of his own story is extremely apparent. Though these young men are undeniably tormenting the narrator, he chooses to re-conceptualize this event to make it about the Little Seamstress instead of about himself. This habit Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

Part 3, Chapter 8 Quotes

I felt as if it were my child that she was carrying, as if it had been me and not Luo making love to her under the majestic gingko tree and in the limpid water of the secret pool. I was deeply moved; she was my soul mate and I was ready to spend the rest of my life taking care of her, content even to die a bachelor if that would help.

Related Characters: The Narrator (speaker), The Little Seamstress, Luo
Page Number and Citation: 159
Explanation and Analysis:
The Little Seamstress confides in the narrator that she's pregnant with Luo's child, and the narrator becomes extremely (but secretly) emotional about it. The narrator's romantic thought process here shows first how much he does indeed care for the Little Seamstress—he feels willing to dedicate his life to caring for her at the cost of his own fulfillment and happiness. He also feels as though the two of them have a deep emotional connection, a belief that the Little Seamstress will shatter later in the novel. The narrator's language also shows the effects of the novels he's been reading. While Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis

There was nowhere for them to go, for there was no conceivable place where a Romeo and his pregnant Juliet might elude the long arm of the law, nor indeed where they might live the life of Robinson Crusoe attended by a secret agent turned Man Friday.

Related Characters: The Narrator (speaker), The Little Seamstress, Luo
Page Number and Citation: 160
Explanation and Analysis:
After describing the challenges that Luo and the Little Seamstress would face should the Little Seamstress decide to continue her pregnancy, the narrator declares in this very romantic way that there's no way for them to possibly do so. This continues to illustrate the effect of literature on the narrator. Here, he's not just turning the unintended pregnancy into a romantic mishap; he's using actual literary characters to make sense of the situation. The narrator's casting of himself as Man Friday again stands as an instance in which the narrator subsumes his own existence for that of others. Here, he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut o

It was insane, but the bourgeois intellectuals upon which the Communists had inflicted so much hardship were no less morally strict than their persecutors.

Related Characters: The Narrator (speaker), The Gynecologist, The Little Seamstress
Page Number and Citation: 164
Explanation and Analysis:
The narrator thinks that if his own father were to find him looking for an abortion for the Little Seamstress, he'd immediately disown the narrator without asking questions. With this realization, the narrator acknowledges that some of the ideals espoused by the Communist regime are shared by those on the other side. This shows that the novel's belief in universality extends to moral arenas; literature and music aren't the only things that are universal, and some universal things can be oppressive rather than emancipatory. This is a moment in which the narrator gains a more nuanced view of the world, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delec

Part 3, Chapter 9 Quotes

I wondered what was making me chase Luo across this treacherous mountain slope? Was it friendship? Was it affection for his girlfriend? Or was I merely an onlooker anxious not to miss the ending of a drama?

Related Characters: The Narrator (speaker), Luo, The Little Seamstress
Page Number and Citation: 182
Explanation and Analysis:
The narrator chases after Luo, who is racing down the mountain after the Little Seamstress. This is the first time that the narrator questions the reasoning behind his loyalty to his friend. Though the narrator has a natural tendency to be loyal and follow those around him, as he grows up and matures he begins to question this habit. Questioning it, and then demanding moments of independence, is one way that the narrator comes of age. The narrator also shows that he's aware that he's romanticizing Luo and the Little Seamstress's relationship. His exposure to literature changes the way he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

Although I was fully aware of my role as spectator, I felt just as betrayed as Luo, not by her decision to leave the mountain, but by the fact that she had not thought to tell me about it. I felt as if all the complicity we had shared in procuring the abortion had been wiped from her consciousness, as if I had never meant more to her than a friend of a friend, which was what I would remain forever.

Related Characters: The Narrator (speaker), Luo, The Little Seamstress
Page Number and Citation: 183
Explanation and Analysis:
After an hours-long sprint down the mountain in pursuit of the Little Seamstress, the narrator stops and watches Luo and the Little Seamstress reunite. Importantly, the narrator doesn't insist on playing a role in convincing the Little Seamstress to return to her village; he willingly sidelines himself. This is a continuation of the narrator's habit of subsuming his own desires and allowing others to get what they want. The narrator obviously has feelings for the Little Seamstress and wants her to return; he just chooses to not participate. His thought process also shows that he feels the Little Seamstress owes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia
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The Narrator Character Timeline in Balzac and the Little Chinese Seamstress

The timeline below shows where the character The Narrator appears in Balzac and the Little Chinese Seamstress. The colored dots and icons indicate which themes are associated with that appearance.
Part 1, Chapter 1
Education, Re-Education, and the Cultural Revolution Theme Icon
Friendship and Loyalty Theme Icon
The village headman sits in the center of the house on stilts, inspecting the narrator's violin. The entire village looks on as the headman declares the violin a toy. The... (full context)
Education, Re-Education, and the Cultural Revolution Theme Icon
Storytelling, Censorship, and Power Theme Icon
The headman passes the violin back to the narrator as Luo explains that the narrator is going to play a Mozart sonata. The narrator... (full context)
Education, Re-Education, and the Cultural Revolution Theme Icon
Coming of Age Theme Icon
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The narrator addresses the reader and explains that in 1968, Chairman Mao began a campaign to close... (full context)
Education, Re-Education, and the Cultural Revolution Theme Icon
Luo and the narrator were deemed intellectuals because their parents had been labeled "enemies of the state." The narrator's... (full context)
Education, Re-Education, and the Cultural Revolution Theme Icon
Coming of Age Theme Icon
Friendship and Loyalty Theme Icon
The narrator says that he and Luo grew up in apartments next to each other and were... (full context)
Part 1, Chapter 2
Education, Re-Education, and the Cultural Revolution Theme Icon
Coming of Age Theme Icon
The narrator explains that there wasn't much to differentiate himself and Luo from the other teenagers sent... (full context)
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...took in five or six intellectuals from the city. The village where Luo and the narrator are sent, however, is so poor that it can only take in the two of... (full context)
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The narrator explains that the work that he and Luo do consists primarily of hauling human and... (full context)
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The mountain is exceptionally rainy, and Luo and the narrator find this extremely depressing. Luo, in particular, begins to suffer from insomnia. One night, Luo... (full context)
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The narrator says that because he plays the violin, he might someday be able to perform communist... (full context)
Part 1, Chapter 3
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The narrator says that the "princess of Phoenix mountain," the Little Seamstress, wears canvas shoes, has a... (full context)
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Luo and the narrator run into the tailor's procession one day as they scramble along a mountain path. The... (full context)
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Several weeks later, the narrator and Luo travel to the tailor's village to visit the Little Seamstress and ask her... (full context)
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The narrator explains that the Little Seamstress's beauty made him and Luo want to stay and watch... (full context)
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...have second toes longer than all the other toes. On the way back home, the narrator asks Luo if he's fallen in love with the Little Seamstress. He replies that she's... (full context)
Part 1, Chapter 4
Education, Re-Education, and the Cultural Revolution Theme Icon
Coming of Age Theme Icon
The narrator describes what it's like to work in "the little coal mine." He and Luo work... (full context)
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Luo and the narrator work in constant fear that they won't make it out of the mine alive. There... (full context)
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When Luo and the narrator have been working in the mine for six weeks, Luo contracts malaria. He feels cold... (full context)
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The narrator attempts to light a cigarette for Luo, but Luo says the cigarette is too heavy... (full context)
Part 1, Chapter 5
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The narrator and Luo have seen three films in Yong Jing, and for the Little Seamstress's village,... (full context)
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...Little Seamstress's house, Luo is dizzy with fever. The Little Seamstress cancels Luo and the narrator's performance and tucks Luo into her own bed, which boasts a mosquito net. She calls... (full context)
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Luo falls asleep in the evening. The Little Seamstress asks the narrator if he believes in "things you can't explain naturally." He replies that he doesn't always... (full context)
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...a while, the sorceresses start to yawn and fall asleep. The Little Seamstress asks the narrator to tell the witches a story to keep them awake. He begins to tell the... (full context)
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The oil lamps flicker and die, but the narrator sees the Little Seamstress kiss Luo before they go out completely. The narrator finishes the... (full context)
Part 2, Chapter 1
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The narrator tells the reader that Four-Eyes, a friend from the city, has a suitcase that he... (full context)
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...sorceress's vigil at his bedside, Luo feels well enough to go home. He and the narrator pass the village where Four-Eyes is staying, and they see him tilling a flooded paddy... (full context)
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The narrator explains that Four-Eyes leaves his house unlocked to demonstrate to the peasants that he trusts... (full context)
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When Four-Eyes returns that evening, he evades the narrator's questions about the suitcase. Luo finally says that he thinks the suitcase contains forbidden books.... (full context)
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...wrist to reveal a large blister that heals when his fevers stop. Luo and the narrator celebrate at Four-Eyes' house and spend the night. The narrator checks under the bed for... (full context)
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Luo and the narrator often discuss which books might be in the suitcase. The narrator says the book titles... (full context)
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The narrator and Luo decide that since Four-Eyes' parents are writers, they probably want Four-Eyes to be... (full context)
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...inches of snow and the village headman gives everyone the day off. Luo and the narrator head off to see Four-Eyes, whose glasses have finally broken. The narrator explains that Four-Eyes... (full context)
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...The village is busy ferrying rice to the district storage station. When Luo and the narrator find Four-Eyes, he's filling his hod (a type of basket) with rice, a dazed look... (full context)
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...have books, picks up the hod, and starts up the slippery path. Luo and the narrator watch as he totters, falls, and spills the rice. They walk to Four-Eyes and gather... (full context)
Part 2, Chapter 2
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The narrator tells the reader that when Balzac's name is translated to Chinese, it's composed of four... (full context)
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When the narrator finishes the novel, Luo, who had left that morning, still hasn't returned. The narrator says... (full context)
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The narrator decides to copy his favorite passages from Ursule Mirouët. He looks for paper but decides... (full context)
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At 3am, Luo wakes the narrator. Luo says he has something to show and pulls out a white handkerchief. He unfolds... (full context)
Part 2, Chapter 3
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Luo and the narrator return Ursule Mirouët to Four-Eyes with the hope that he'll lend them more books, but... (full context)
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The narrator says that one day Luo borrowed the narrator's sheepskin coat with the passage written on... (full context)
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One Sunday in early summer, Luo and the narrator go to visit Four-Eyes and find him heating a cauldron of water in the yard.... (full context)
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The narrator says that a friend of Four-Eyes' mother had promised to find a position for Four-Eyes... (full context)
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Four-Eyes tells the narrator and Luo that the old man is a drunk and he eats pebbles dipped in... (full context)
Part 2, Chapter 4
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The narrator wears a copy of Chairman Mao's jacket, made by the Little Seamstress, and a green... (full context)
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Luo tells the miller that the narrator has traveled from Beijing to collect folk songs from the region. The miller looks suspicious... (full context)
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The narrator helps the peasants with their heavy loads and the miller tells the peasants proudly about... (full context)
Education, Re-Education, and the Cultural Revolution Theme Icon
Coming of Age Theme Icon
When the peasants leave, the miller leads Luo and the narrator upstairs. He offers them liquor and motions for them to sit on the bed. The... (full context)
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...of the mill. He fetches an instrument with three strings and begins to sing. The narrator and Luo are captivated by the miller's contorting and rolling stomach as he sings a... (full context)
Part 2, Chapter 5
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At Four-Eyes' house, Four-Eyes happily pores over the folk songs that Luo and the narrator collected. He begins to frown and he finally yells that the songs are just "smutty... (full context)
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The narrator muses that Four-Eyes' glimpse of hope for the future has made him exceptionally arrogant. Four-Eyes... (full context)
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Angry, the narrator lunges at Four-Eyes and accidentally punches him in the jaw. The narrator is blind with... (full context)
Part 2, Chapter 6
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The narrator explains that Yong Jing consists of little more than a main street with a hospital,... (full context)
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The Little Seamstress, Luo, and the narrator stay in Yong Jing's cheap hotel that night. The night watchman tells them that there's... (full context)
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...Little Seamstress and Luo visit the cemetery at the bottom of the mountain while the narrator sits by the path to cook sweet potatoes and wait. After a while he looks... (full context)
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The narrator addresses the woman in the local dialect. She barely acknowledges the narrator until he switches... (full context)
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The poetess asks the narrator his name, and the narrator tells her he's Luo. At this, the poetess seems interested... (full context)
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The poetess tells the narrator that Four-Eyes is very fond of Luo and doesn't like the narrator much. The narrator... (full context)
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The narrator makes his way to the graveyard to tell Luo and the Little Seamstress about meeting... (full context)
Part 2, Chapter 7
Education, Re-Education, and the Cultural Revolution Theme Icon
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...planning a grand event to mark his departure—they even plan to slaughter a buffalo. The narrator and Luo aren't invited, which they find convenient, since it provides a perfect opportunity to... (full context)
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Several days before the theft, the narrator dreams that he's put in charge of stealing the books. In his dream, he approaches... (full context)
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The day before the celebration, the narrator and Luo hear a buffalo bellowing in a ravine: as it's illegal to kill an... (full context)
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Luo and the narrator watch as villagers add ingredients to the huge stew pot in the center of Four-Eyes'... (full context)
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The narrator and Luo walk through the deserted village to Four-Eyes' house. Luo picks the lock, they... (full context)
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...him of a film scene in which characters find a suitcase full of money. The narrator asks if Luo is "weeping tears of joy," but Luo says he only feels loathing.... (full context)
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Luo declares that they need to go. The narrator reminds him that if Four-Eyes says anything, they'll all be at the mercy of the... (full context)
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...a nail. As they head back into the main room, Luo hears someone outside. The narrator kills the torch, and they hear the sounds of the poetess and Four-Eyes coming back... (full context)
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...They uneasily discuss whether someone could've broken in, and the poetess tells Four-Eyes that the narrator and Luo are sly. Four-Eyes tells his mother that he stayed friends with them so... (full context)
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...after him with toilet paper. Once Four-Eyes and the poetess are gone, Luo and the narrator grab the suitcase and run from the house. They stop to rest after an hour... (full context)
Part 3, Chapter 1
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...his stolen books, and the village headman leaves for a month-long Communist Party conference. The narrator and Luo spend the month reading, and the village falls into "quiet anarchy." As the... (full context)
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Luo devours every novel by Balzac, while the narrator is very taken with Romain Rolland's novel Jean-Christophe. The novel shows the narrator the value... (full context)
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...off to read to the Little Seamstress. Upon his return that night, he tells the narrator that the storm caused a landslide, and part of the path is now very narrow... (full context)
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The next day, the narrator decides to go with Luo to see the Little Seamstress. When the boys reach the... (full context)
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The narrator turns around and crawls to Luo, then points to the red-beaked raven and asks if... (full context)
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The next night, the narrator wakes from a nightmare in which he watched Luo and a nondescript girl walk along... (full context)
Part 3, Chapter 2
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...Yong Jing and the dentist pulled a good tooth and left a bad tooth. The narrator and Luo return to work so they don't incur the headman's wrath. One night, the... (full context)
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...Though everyone offers to house the tailor, he insists on staying with Luo and the narrator. The boys are perplexed, but they figure the tailor believes that Luo will become his... (full context)
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The narrator and Luo's house is transformed into a tailor's workshop, and the boys get to see... (full context)
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Luo, the tailor, and the narrator eat dinner and the narrator offers to play his violin before they go to bed.... (full context)
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The narrator asks the tailor and Luo to wash their feet and get in bed before beginning.... (full context)
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The narrator talks for hours and begins to enjoy the process of storytelling. When the narrator gets... (full context)
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It takes the narrator nine nights to tell the entire story. The story begins to influence the clothes the... (full context)
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On the third night, the village headman interrupts the narrator's storytelling. Though the tailor offers pleasantries to the headman, the headman ignores them and instructs... (full context)
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Luo offers to go with the narrator and the headman, but the narrator refuses. The narrator trembles as he approaches the headman,... (full context)
Part 3, Chapter 3
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The narrator describes the headman's terrible dental situation. The bad tooth is all the way at the... (full context)
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...the headman will need to allow them to strap him down to the bed. The narrator is dumbfounded, but the headman agrees. The tailor is tasked with keeping the headman's head... (full context)
Part 3, Chapter 4
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The miller tells the narrator that it's lucky for Luo that it was he who saw Luo and the Little... (full context)
Part 3, Chapter 5
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...the keys to his family's home in Chengdu, the master key that he and the narrator used to get into Four-Eyes' house, and several others. One afternoon, Luo read the Little... (full context)
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...He saw her rising from the bottom, his keys in her mouth. He tells the narrator that she was the only person who believed he'd be released from re-education and would... (full context)
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Luo tells the narrator that today, he and the Little Seamstress lost the key ring in the pool. It... (full context)
Part 3, Chapter 6
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The Little Seamstress tells the narrator that the books Luo read to her always made her want to dive. It was... (full context)
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At the narrator's prodding, the Little Seamstress relates what happened on the last day she and Luo went... (full context)
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...she reached for it the snake bit her hand. She shows the mark to the narrator, and says the scar will be there the rest of her life. (full context)
Part 3, Chapter 7
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The narrator says he would've had a grand time during Luo's month-long absence if Luo hadn't asked... (full context)
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The narrator envisions himself as the leader of an army that's escorting a young wife across a... (full context)
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The narrator says that the Little Seamstress isn't aware she's being watched; she just thinks of the... (full context)
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The tailor becomes used to the narrator's presence and also seems to enjoy the storytelling. Between chapters, the narrator offers to do... (full context)
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One afternoon, the narrator applies crushed balsam flowers to the Little Seamstress's fingernails. She asks him where he learned... (full context)
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When the narrator leaves the Little Seamstress's house that night, 15 young men jealously follow him along the... (full context)
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...ask the cripple if the portrait is of Karl Marx, Stalin, or Lenin, and the narrator suddenly shouts, "Don't touch," lunges for the book, and runs off with it. The youths... (full context)
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In the house that night, the narrator can't escape the sense and smell of the damp or the pain in his ear.... (full context)
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The narrator imagines that the Little Seamstress unties him and allows him to lick her fingers, the... (full context)
Part 3, Chapter 8
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The next morning, the narrator and the Little Seamstress are in her kitchen cooking. She tells the narrator that she... (full context)
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The narrator explains to the reader that he forgot to ask the Little Seamstress if she wanted... (full context)
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The Little Seamstress and the narrator discuss how to procure an abortion that saves her and Luo from political punishment, particularly... (full context)
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The narrator describes the hospital, which consists of two buildings. He sneaks into the building that houses... (full context)
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One of the patients rudely asks the narrator why he's there, and he feigns deafness. Another woman points to the narrator's still swollen... (full context)
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The narrator leaves the hospital and walks up and down the main street of Yong Jing. He... (full context)
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The narrator finds a meal at a restaurant, hoping to get the opportunity to speak to someone... (full context)
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On the third day, the narrator decides to try to speak to the old preacher, who isn't allowed to practice his... (full context)
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The narrator races to the hospital, where he's shocked to find the patients busy cooking their own... (full context)
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The narrator catches sight of the gynecologist outside the door and gets up to chase after him.... (full context)
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The gynecologist asks the narrator who he is. The narrator tells the gynecologist who his father is and says that... (full context)
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The narrator removes his sheepskin coat and offers it to the gynecologist. The gynecologist lights cigarettes for... (full context)
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The next Thursday, the narrator and the Little Seamstress return to Yong Jing, the Little Seamstress disguised as a 30-year-old... (full context)
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...tangerines to place on the preacher's grave to thank him for being the reason the narrator went back to the hospital and ended up meeting the gynecologist. The Little Seamstress and... (full context)
Part 3, Chapter 9
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Addressing the reader, the narrator says that that's the story. Three months after the Little Seamstress's abortion and Luo's return,... (full context)
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The narrator says that the Little Seamstress had left suddenly and dramatically earlier that day. He explains... (full context)
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The narrator continues that the other two signs were the Mao-style jacket that the Little Seamstress had... (full context)
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On the western new year, which was a national holiday, the narrator and Luo had gone to see the Little Seamstress. When they entered her house, they... (full context)
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The narrator says that the true result of the Little Seamstress's transformation hadn't occurred to Luo and... (full context)
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...to change her life and move to the city. She hadn't told Luo or the narrator, and the tailor tells the boys that he told his daughter to not come back. (full context)
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Luo begins a headlong sprint down the mountainside after the Little Seamstress, and the narrator follows. As he runs he thinks about his nightmares where the Little Seamstress falls down... (full context)
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After two hours, the narrator sees the Little Seamstress sitting by the graveyard where the narrator had met the poetess... (full context)
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The narrator hears Luo and the Little Seamstress speaking softly. They sound agitated and the narrator hears... (full context)