Becoming

by

Michelle Obama

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Becoming: Chapter 24 Summary & Analysis

Summary
Analysis
In the spring of 2015, sixteen-year-old Malia attends her junior prom. Her date “gamely” drives up to the South Lawn and shakes Michelle and Barack’s hand. They take a few pictures before heading off to dinner and the dance. Michelle takes comfort in the fact that Malia’s security detail will remain on duty throughout the night. Michelle usually tries not to check in with the agents on Malia and Sasha’s whereabouts, wanting to make sure that the girls trust their agents. She knows her girls are responsible—that they’ve had to learn to be, because their mistakes would make headlines.
Malia and Sasha have now spent almost eight years—half their lives—in a place with an enormous amount of privilege. But growing up in the White House also comes with a responsibility that other kids do not have to experience. Michelle knows that this is unfair, and she later mentions that she is proud of the fact that her family never experienced a major scandal while living in the White House.
Themes
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Sasha and Malia come of age in a unique time. The iPhone was released four months before Barack announced his candidacy for president. A billion of them are sold by the end of his second term. And so, Sasha and Malia have to contend with the public snapping pictures of them or requesting selfies. Barack and Michelle try to keep them out of sight, and the Secret Service dresses less conspicuously with the girls to better blend in with the crowd.
Malia and Sasha not only have a responsibility to make smart decisions, but also to contend with their relative celebrity. In many ways, they are forced to sacrifice some of their normalcy, and their ability to just be regular kids, for Barack’s work.
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Power, Privilege, and Responsibility Theme Icon
As Barack’s second term winds down, Michelle starts to take stock of how drastically her life has been altered. She thinks about her first kiss with Barack after ice cream, to giving up her job at her law firm, to  the church basement in Roseland where Barack had envisioned “the world as it should be.”
At a moment of reflection, Michelle is able to see how the optimism Barack carried even so many years ago was able to transform her life, and also the country as a whole. Even amidst the chaos and the criticism, Michelle was able to find fulfillment in the First Lady role.
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Michelle also thinks about the country’s progress: fewer servicemembers overseas, childhood obesity rates leveling off, the Supreme Court’s decision to uphold key parts of the Affordable Care Act, the economy racking up five years of continued growth. But still, America’s progress is not always so clear. Bin Laden is gone, but ISIS has arrived; Congress has not passed a single gun-control measure; there are a series of incidents involving unarmed black men being shot by police. The last example is evidence of something “pernicious and unchanging in America” despite the fact that when Barack was first elected, commentators declared that the country was entering a “postracial era.”
Michelle goes on to recount how that optimism has helped shape the country, and she touches on issues that both Barack and she herself helped to improve. But at the same time, she recognizes that there is still more work to be done and progress to be made in the country. She acknowledges that Congress still bears a responsibility to the country concerning gun laws, and that Barack’s election alone will not solve the issue of racism in politics, nor in the country as a whole.
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Race, Gender, and Politics Theme Icon
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Late in June 2015, Barack and Michelle go to Charleston, South Carolina, to sit with a grieving community where nine people were killed in a racially motivated shooting at an African Methodist Episcopal church. The victims, all African Americans, had invited a young white man to their bible study group, and he sat with them for a while before standing up and shooting them. At the funeral, Barack delivers a moving eulogy before leading the congregation in a rendition of “Amazing Grace”—a “simple invocation of hope.”
The end of Barack’s presidency continues to be plagued by a series of tragedies, particularly those involving gun violence. But while Barack cannot remedy racism, nor can he get Congress to budge on passing gun control laws, he continues to provide whatever shred of hope that he can for the people that have been affected by these tragedies.
Themes
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Race, Gender, and Politics Theme Icon
Power, Privilege, and Responsibility Theme Icon
The same day as this funeral service, the Supreme Court issues a landmark decision affirming that same-sex couples have the right to marry in all fifty states. Many Americans are overjoyed by this news, and when Barack and Michelle return home, they see the White House illuminated in the colors of the rainbow flag. Hundreds of people have gathered to see the lights, and Michelle and Malia flout protocols to go outside and see the lights and the celebration.
Once again, the whirlwind nature of the presidency is on display, when in the same day Barack and Michelle mourn a hate crime and celebrate a civil rights win. But one thing that is common to both of these experiences is hope and the idea that progress is possible. 
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By the fall of 2015, the next presidential campaign has already begun. The Republican side is crowded, while the Democrats are essentially choosing between Hillary Clinton and Bernie Sanders. Donald Trump announces his candidacy early in the summer, standing inside Trump Tower and calling Mexican immigrants “rapists” and the people running the country “losers.” Michelle thinks he only wants attention; nothing in how he conducts himself suggests he is serious about governing.
Michelle views Donald Trump’s campaign as the antithesis of Barack’s: not only a return to more explicit racism in politics, but also a return to negativity and fear-mongering over promoting positivity and optimism. It is so antithetical to the current president that Michelle believes Trump must not be serious about running.
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Race, Gender, and Politics Theme Icon
Michelle doesn’t follow the campaign very closely, instead working on her fourth initiative, Let Girls Learn, which focuses on helping girls around the world obtain better access to education. She met Malala Yousafzai, the Pakistani teenager and education activist who’d been brutally attacked by the Taliban, and she was horrified when 276 Nigerian schoolgirls were kidnapped by Boko Haram, prompting Michelle to sub in for Barack in his weekly address to the nation and talk about the importance of protecting girls worldwide.
Instead of dwelling on the negativity, Michelle instead continues to work hard and invest in kids—particularly girls—aiming to combat the global sexism that often prevents girls from receiving a full education, or which means they face violence and abuse at a young age.
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Community, Investment, and Hard Work Theme Icon
Race, Gender, and Politics Theme Icon
Barack leverages hundreds of millions of dollars from USAID and the Peace Corps, as well as the Departments of State, Labor, and Agriculture. They also lobby other countries’ governments to help fund programming for girls’ education. Michelle rallies the power of celebrities to raise the cause’s visibility, and Michelle sings on late-night host James Corden’s “Carpool Karaoke” series. 
Michelle and Barack exhibit the expertise that they have developed over seven years in the White House. They are now proficient at leveraging some of their political power and their cultural clout in order to fight for issues that they care about.
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After Christmas 2015, the clock starts to tick on their final year in the White House. A “long series of ‘lasts’” begins. In the spring, Michelle gives a round of commencement speeches at schools that don’t normally land high-profile speakers. She tries to communicate that, as the great-great-granddaughter of a slave, and as someone who has been marginalized by race and gender, she is a testament to the idea that it is possible to overcome that kind of marginalization.
In her commencement speeches, Michelle acknowledges the racism and sexism she has faced—both in politics and in her everyday life. But in her speeches, she also emphasizes that working hard (as these graduating students have done) and remaining hopeful allowed her to overcome the struggles that she faced.
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Race, Gender, and Politics Theme Icon
The last commencement Michelle attends that spring is for Malia, graduating from high school. Malia is about to go off on a gap year, then enroll at Harvard. Sasha is spending the summer on Martha’s Vineyard and will work her first job in a snack bar. She is proud of the whole family for almost finishing this crazy adventure. Michelle looks at Barack, tears in his eyes, and knows that he has sacrificed along the way, as well. Just as he starts having more free time, his daughters will begin to step away.
In some ways, Barack made the opposite decision from Michelle. While she prioritized taking care of her daughters, Barack needed to prioritize work over everything else. And thus, he compromised, too—often sacrificing spending time with his daughters as they were growing up.
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Marriage, Parenthood, and Work Theme Icon
Quotes
In late July, Michelle flies to the Democratic National Convention, this time giving a speech in support of Hillary Clinton, who now knows she will be running against Donald Trump. Michelle talks about how she trusts Hillary because she understands the demands of the presidency, has the temperament to lead, and because she is extremely qualified. Michelle also speaks out against bullying, giving her now-famous quote: “When they go low, we go high.”
Michelle’s maxim here is a perfect encapsulation of her optimism and her desire to work hard. She (and many other people who face discrimination and extra scrutiny) knows that she has to hold herself to a higher standard, but also knows that a higher standard is more fulfilling.
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Race, Gender, and Politics Theme Icon
Two months later, a tape surfaces of Donald Trump in 2005 bragging about sexually assaulting women, putting media outlets in a bind as to how to quote it without violating standards of decency. In the end, Michelle writes, “the standards of decency [are] simply lowered in order to make room for the candidate’s voice.” She is stunned by his words. She knows that women endure “entire lifetimes of these indignities—in the form of catcalls, groping, assault, and oppression.” In a speech, Michelle calls the comments “disgraceful” and “intolerable.”
In addition to the racism inherent in Donald Trump’s words and proposed policies, Michelle also points out how his comments are sexist and perpetuate the misogyny that she and other women experience for their entire lives. Again his words feel like a repudiation of all the ideals that Michelle holds, and she is shocked that they seem acceptable to some Americans.
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On election night, Michelle is somewhat relieved to have no role to play in the evening, but as the results come in, she is filled with dread. Hillary Clinton wins nearly three million more votes than Donald Trump, but he captures the Electoral College thanks to “fewer than eighty thousand votes spread across Pennsylvania, Wisconsin, and Michigan.” She wishes that more people had turned out, and she wonders why so many women rejected an exceptionally qualified female candidate and chose a misogynist instead.
Michelle grapples with not only how Donald Trump could so brazenly put forth a campaign based on racism and sexism, but how so many of the American people could have chosen this platform—or at least how so many people had not tried harder to repudiate it, particularly women.
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The next morning—a dreary, wet morning—Barack addresses the nation once more. He calls, as always, for unity, dignity, and respect. In the White House, many people are in tears. Michelle’s team is made up largely of women and minorities, and several from immigrant families. They feel vulnerable and exposed. Michelle tries to tell them that one election can’t wipe away eight years of change, and that it is important to “keep our feet pointed in the direction of progress.”
Barack and Michelle recognize that hardships lie ahead for the many people who do not feel represented or supported by Trump’s policies. But at the same time, both Barack and Michelle call for their signature optimism, knowing that the country will continue to progress despite policies that seem to aim to take the country to a past state.
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Race, Gender, and Politics Theme Icon
Michelle looks back at her family’s legacy in the White House. She wants to make sure that they have a lasting mark within the White House’s history. They redecorate the Old Family Dining Room, giving it a more modern look and opening it to the public for the first time. On the room’s north wall, they hang an abstract painting by Alma Thomas, the first work of art by a black woman to be added to the White House’s permanent collection.
As Michelle looks back, she recognizes how she used her temporary privilege to lift others up and make the White House feel more inclusive—both in the kinds of work that is displayed there, and in the ability for more people to have access to the building itself.
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Power, Privilege, and Responsibility Theme Icon
Michelle’s most enduring mark is the garden. It has survived seven and a half years and produces roughly two thousand pounds of food annually. Now it has expanded to twenty-eight hundred square feet, more than double its original size. One fall afternoon, Michelle officially dedicates the garden, joined by supporters and advocates who’d helped their children’s health efforts over the years.
The garden’s evolution and literal growth serves as a symbol for Michelle’s own optimism, growth, and achievement. Despite the fact that she did not know whether the garden was going to grow, she put faith in it anyway, and it ended up not only exceeding everyone’s expectations, but also helped her to get involved with something she was passionate about.
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Michelle feels grateful for all of her team’s efforts, surrounded by so many people who had her back over the years. She has watched them blossom both professionally and personally. And together, they have gotten results: 45 million kids are eating healthier meals; Joining Forces helped persuade businesses to hire or train 1.5 million veterans; Barack and Michelle have leveraged billions of dollars to help girls around the world receive an education; in the U.S., her team has helped more young people go to college.
Michelle reflects on not only her own growth, but also how much the people around her have been able to grow, and how much they have been able to achieve together. Michelle’s sense of fulfillment in this context is understandable, given how many tangible results she was able to accomplish.
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Over the course of his presidency, Barack had reversed the most serious economic crisis since the Great Depression, brokered the Paris Agreement on climate change, brought tens of thousands of troops home, and led the effort to shut down Iran’s nuclear program. Twenty million more people have health insurance. And they made it through two terms in office without a major scandal.
Michelle is not the only one who improved the lives of Americans, as she demonstrates how Barack’s own optimism and search for fulfillment has led the country to a better place, as well.
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During their time in the White House, Lin-Manuel Miranda finished his musical Hamilton—which Michelle calls “the best piece of art in any form that [she’d] ever encountered.” The musical is a celebration of America’s history and diversity, and she particularly appreciates it because it affirms that there is more than one way to be American, and more than one way to tell America’s story. Michelle had grown up with a disabled father in a failing neighborhood, but also had love and music and a good education—it depends on how she tells the story. Despite its bitter conflicts, she also sees the country’s resilience and progress, and knows that even more is possible for the next generation.
Michelle’s reference to Hamilton emphasizes the idea that, while it is true that America’s past politicians have largely been white men, that doesn’t mean that they are the only ones worth celebrating. In creating a musical in which a young, racially diverse cast plays the founding fathers, Hamilton emphasizes that even those who have been marginalized can feel proud of the history of their country and feel like it’s their history, too.  
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