Before We Were Free
by Julia Alvarez

Papi Character Analysis

Papi is Anita’s father. He was educated in the U.S. and runs the family business selling hurricane-safe building materials. A few weeks after Anita begins her story, she discovers that Papi is involved with the underground resistance movement against Trujillo, the dictator of the Dominican Republic. This is shocking for Anita, as she thought that Papi liked Trujillo. But as Mami tells her more about Papi’s history, Papi’s involvement in the resistance movement starts to make more sense. Papi didn’t get involved until many of his brothers had already been arrested or left the country to escape the SIM (the Dominican secret police). After the Mirabal sisters—the Butterflies—were assassinated, Papi realized that the only way to bring education, free elections, and prosperity to the country was to assassinate the dictator. He believes that by freeing the Dominican Republic from Trujillo, he’d make the country a safe place for his family as well as for all other Dominicans. Anita doesn’t see as much of Papi as she does of Mami, since she isn’t allowed to sit in on the men’s meetings. But Papi appears to be a dedicated and pragmatic planner who wants nothing more than to make sure that everyone can be free. Indeed, not long before he assassinates Trujillo, Papi tells Anita that she must go on and fly free. Though this is frightening for Anita at the time, it makes sense to her months later. After Papi is murdered for his involvement in the assassination, Anita decides that Papi didn’t just want her to be free politically—he wanted her to be happy.

Papi Quotes in Before We Were Free

The Before We Were Free quotes below are all either spoken by Papi or refer to Papi. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Coming of Age and Political Consciousness Theme Icon
).

Chapter Two Quotes

“Are they really policemen?” I keep asking Mami. It doesn’t make any sense. If the SIM are policemen, secret or not, shouldn’t we trust them instead of being afraid of them? But all Mami will say is “Shhh!” Meanwhile, we can’t go to school because something might happen to us. “Like what?” I ask. Like what Chucha said about people disappearing? Is that what Mami worries will happen to us? “Didn’t Papi say we should carry on with normal life?”

Related Characters: Anita (speaker), Mami, Papi, Chucha
Page Number and Citation: 17
Explanation and Analysis:

Now I’m really confused. I thought we liked El Jefe. His picture hangs in the front entryway with the saying below it: IN THIS HOUSE, TRUJILLO RULES. “But if he’s so bad, why does Mrs. Brown hang his picture in our classroom next to George Washington?”

“We have to do that. Everyone has to do. He’s a dictator.”

I’m not really sure what a dictator does. But this is probably not a good time to ask.

Related Characters: Anita (speaker), Lucinda (speaker), Trujillo/El Jefe/Mr. Smith, Mrs. Brown, Papi, Tío Toni
Page Number and Citation: 16-17
Explanation and Analysis:

Chapter Six Quotes

Not even the thought of falling in love with Sam is a consolation anymore. Overnight, all boys (except for Papi and Tío Toni and Mundín) have become totally gross. Here’s an old lech flirting with my sister. Here are Oscar and Sam drinking liquor and throwing up. If only I could be like Joan of Arc, cut off my hair and dress like a boy, just to be on the safe side. Or even better, if only I could go backward to eleven, instead of forward to thirteen!

Related Characters: Anita (speaker), Susie Washburn, Lucinda, Papi, Tío Toni, Mundín, Oscar Mancini, Sam Washburn, Trujillo/El Jefe/Mr. Smith
Page Number and Citation: 71
Explanation and Analysis:

I admit I feel mean participating in this scheme—but I also understand that our lives are in danger. A tip from Lorena could wipe us out. It’s so unfair to have to live in a country where you have to do stuff you feel bad about in order to save your life. It’s like Papi and Tío Toni planning to assassinate Mr. Smith when they know that murder is wrong. But what if your leader is evil and rapes young girls and kills loads of innocent people and makes your country a place where not even butterflies are safe?

Related Characters: Anita (speaker), Lorena, Papi, Tío Toni, Chucha, Trujillo/El Jefe/Mr. Smith
Related Symbols: Butterflies and Flight
Page Number and Citation: 75
Explanation and Analysis:

Anita’s Diary Quotes

Actually, Mr. Mancini says that people are secretly calling it an ajusticiámiento, which means bringing to justice, the way criminals have to face the consequences of their evil deeds.

I feel so much better thinking that Papi and Tío Toni were doing justice, not really murdering killing hurting someone. But still...just the thought of my own father—

Related Characters: Anita (speaker), Mr. Mancini/Tío Pepe, Papi, Tío Toni, Trujillo/El Jefe/Mr. Smith
Page Number and Citation: 109
Explanation and Analysis:

Chapter Eleven Quotes

I guess I finally understand what [Chucha] and Papi meant by wanting me to fly. It was like the metaphors Mrs. Brown was always talking about. To be free inside, like an uncaged bird. Then nothing, not even a dictatorship, can take away your liberty.

Related Characters: Anita (speaker), Oscar Mancini, Chucha, Mrs. Brown, Papi
Related Symbols: Butterflies and Flight
Page Number and Citation: 160
Explanation and Analysis:

But now that Papi is dead, it doesn’t seem so scary to die. Sometimes, I think it’s scarier to be alive, especially when you feel that you’ll never be as happy and carefree as when you were a little kid. But I keep remembering Chucha’s dream. She saw us sprouting wings, flying up and away. It has to mean more than our coming to the United States. After all, as Chucha herself would say, what good is it to escape captivity only to be imprisoned in your own misery?

Related Characters: Anita (speaker), Chucha, Papi
Related Symbols: Butterflies and Flight
Page Number and Citation: 162
Explanation and Analysis:

What I see as I look down aren’t angels but butterflies, the arm swings connecting to the leg swings like a pair of wings, our heads poking out in between! I’m sure if Chucha were here, she would say they are a sign. Four butterflies from Papi, reminding me to fly.

I close my eyes, but instead of making a wish, I think about Papi and Tío Toni and their friends who died to make us all free. The emptiness inside starts filling with a strong love and a brave pride.

Okay, Papi, I say, I promise I’ll try.

Related Characters: Anita (speaker), Chucha, Papi
Related Symbols: Butterflies and Flight
Page Number and Citation: 163
Explanation and Analysis:
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Papi Character Timeline in Before We Were Free

The timeline below shows where the character Papi appears in Before We Were Free. The colored dots and icons indicate which themes are associated with that appearance.
Chapter One
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...Laura looks worried, but this isn’t unusual—what is unusual is that, these days, even Anita’s Papi looks worried. Mrs. Brown steps outside then returns and asks Anita to help Carla pack... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
...between Carla and Carla’s little sisters, Sandi and Yo, Anita asks if something is wrong. Papi, who’s driving, calls her cotorrita (“little parrot”), a reminder to not talk so much. He... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
...help Chucha move into the family house. Chucha has cared for every family member since Papi was born. First, they move her coffin, which she sleeps in every night. Then, they... (full context)
Family and Politics Theme Icon
Over supper, Papi explains that the store isn’t doing well and that the family will be scattered for... (full context)
Chapter Two
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
The next day, Papi goes to work early and takes Mundín along. Anita mopes at first, but then she... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...the Garcías, but Lucinda grumbles that the SIM know where the Garcías are—they just want Papi. When Anita asks why, Lucinda looks at her like she’s dumb. But it’s comforting when... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...and will leave. The SIM, however, stay parked at the top of the driveway. Later, Papi assures everyone that things will be fine. Anita doesn’t believe him, since she notices that... (full context)
Coming of Age and Political Consciousness Theme Icon
The Volkswagens sit at the compound’s entrance for days. One always follows Papi to work and back. Anita constantly asks Mami if the SIM are really policemen. If... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Anita follows Papi into the living room when the phone rings one night. She hears something about “some... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...He remarks on the “little ole bugs” while looking at the Volkswagens. Then, he and Papi go to the study to speak in English. After a bit, Papi calls Anita in... (full context)
Chapter Three
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
With the Washburns next door and the SIM gone, Mami and Papi decide that the children can go back to school. Mami makes them promise to not... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...times, Anita answers the phone but the caller hangs up. Once, a caller asks for Papi. Anita stays on the phone as Papi takes the call in his study. The men... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
...a market. Seeing the merchants’ children in rags makes Anita feel both ashamed and lucky. Papi grouses that this country needs to educate everyone, and although Mami shushes him, she looks... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
...house. They hang a Santa face by the portrait of El Jefe, and Anita notices Papi throwing the portrait of Trujillo dirty looks. On Christmas eve, Papi and Mami throw an... (full context)
Chapter Four
Coming of Age and Political Consciousness Theme Icon
...for the inauguration of John F. Kennedy. The Farlands won’t be coming back afterwards, so Papi takes Anita to go say goodbye. Anita catches bits of the adults’ conversation—which includes mentions... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...found out and arrested or killed those who didn’t leave the country. She says that Papi didn’t want to get involved at first, since he didn’t want to put his family... (full context)
Chapter Five
Adulthood, Childhood, and Fear Theme Icon
...rash and Mundín’s bitten nails, he laments that kids can’t be kids in this country. Papi nods and says they need democracy, but Mami shoots him a look. They have to... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...the party. As soon as Lorena is gone, Mami calls that the coast is clear. Papi, Mundín, and some other men head down the path toward Tío Toni’s house. Finally, when... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
...chairs. Mami and Mrs. Mancini look around nervously. They seem to relax when they see Papi, though Mami tips her head slightly to point to SIM agents surrounding the patio. Anita... (full context)
Chapter Six
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
As Anita walks home after the party, her parents discuss El Jefe’s surprise visit. Papi thanks Anita, his “little messenger.” Anita feels proud, even if the party was disappointing, since... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Storytelling and Trauma Theme Icon
...sobs. Mrs. Washburn takes the phone and says there’s no one named Lucinda here. When Papi gets home, Mami fills him in. He goes to talk with Tío Toni and Mr.... (full context)
Adulthood, Childhood, and Fear Theme Icon
Finally, Anita asks Mundín if Papi is going to kill El Jefe. He swiftly covers her mouth and tells her to... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Storytelling and Trauma Theme Icon
...sleep with her that night. After they turn out the light, Anita sees visions of Papi and Tío Toni around El Jefe’s body, covered in blood. She hears sobbing and realizes... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...them. When Anita begs Lucinda to not tell Mami (she can’t stand the thought of Papi knowing), Lucinda asks what to do with the sheets. Anita knows that Chucha will keep... (full context)
Chapter Seven
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Storytelling and Trauma Theme Icon
...her crucifix necklace into her mouth. She does this now when she needs good luck. Papi drives slowly and Anita worries that she’ll say or do something that will hurt her... (full context)
Coming of Age and Political Consciousness Theme Icon
Storytelling and Trauma Theme Icon
...forgets her words. Since she forgets simple words, Anita wonders if she’s going crazy. When Papi gets home from work, he sits with Anita, smiles, and says that one day, Anita... (full context)
Coming of Age and Political Consciousness Theme Icon
...night on the patio, right outside Anita’s window. She listens to them speak in code. Papi, Tío Toni, Mr. Washburn, and Wimpy are almost always there. Mr. Mancini doesn’t come anymore... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...weeks and they sound desperate. Toni insists that the Americans are playing with them, but Papi reminds Toni that Mr. Washburn saved Lucinda. The men agree that Mr. Washburn is “on... (full context)
Coming of Age and Political Consciousness Theme Icon
Storytelling and Trauma Theme Icon
...horrified and calls out the window that Anita can hear what the men are saying. Papi peers in and says, “No wonder.” After this, the men meet at Tío Toni’s house.... (full context)
Chapter Eight
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
...first time Anita saw the parade she was shocked to see men she recognized from Papi’s evening meetings, but she keeps quiet about this. Oscar’s sisters comment that El Jefe isn’t... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
Papi arrives soon after to pick up Anita and Mundín. Normally, he visits with Mrs. Mancini’s... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...he’s now old enough to be treated like an adult if the SIM arrest him. Papi doesn’t think they can get Mundín to New York since Lucinda has already overstayed her... (full context)
Coming of Age and Political Consciousness Theme Icon
Storytelling and Trauma Theme Icon
...cars honking outside. The men rush in with guns and say “Long live the Butterflies!” Papi says they’re free, but Tío Toni says that no one can find Pupo. Anita doesn’t... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
When Mami asks what happens if they can’t find Pupo, Papi looks to El Jefe’s portrait. In the commotion, it’s turned back around. Papi says that... (full context)
Chapter Nine
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
...the Chevy. Navajita tells the agent to “take them in” and Anita sees agents shove Papi and Tío Toni towards the line of Volkswagens outside. Soon, all the cars are gone.... (full context)
Anita’s Diary
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...the assassination an ajusticiámiento, which means “bringing to justice.” This makes Anita feel better, since Papi and Tío Toni were carrying out justice, not just murdering someone. (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...June 9, Anita learns that Mr. Washburn is back in Washington. He’s trying to get Papi and Tío Toni on a list of interviewed prisoners, since that makes it harder for... (full context)
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...used to have big family gatherings on Sundays. Earlier, Anita vowed to stop asking about Papi and Tío Toni. But then she broke down and asked. Mami told her that they’re... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...go into hiding because they weren’t as involved. El Jefe’s body, after all, was in Papi’s Chevy. Anita thinks it was dumb to leave the body lying around, but Mami explained... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...is the best meal of the day. Anita writes in the evenings and thinks of Papi and Tío Toni. (full context)
Adulthood, Childhood, and Fear Theme Icon
...The next day, Anita feels sad. It’s been more than a month since she saw Papi. The following day, Mami and Anita have a scare. Oscar’s little sisters come into the... (full context)
Coming of Age and Political Consciousness Theme Icon
Storytelling and Trauma Theme Icon
...she became obsessed with El Jefe’s daughter, whom he made a queen. For her birthday, Papi made Anita a marshmallow crown that melted into her hair. This makes Anita think of... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
On July 15, Anita shares Mami’s story of how she and Papi got involved in the resistance movement. When Papi got back home after studying in the... (full context)
Family and Politics Theme Icon
...to maybe be free soon, but she’s afraid. She doesn’t want to be free without Papi and Tío Toni. The next day, Anita writes that people are hopeful. There will be... (full context)
Chapter Ten
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...is sitting in front of the TV at the Hotel Beverly. Her grandparents, Mamita and Papito, are renting an apartment here, and Anita and Mami have been here about six weeks.... (full context)
Family and Politics Theme Icon
...on the phone with Mr. Washburn. She calls him twice a week for news of Papi and Tío Toni. Once again, he has no news. Once Mami hangs up, she says... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
It’s now the end of September and the family hasn’t heard anything about Papi and Tío Toni. Mami refuses to move to Queens (a neighborhood in New York) with... (full context)
Storytelling and Trauma Theme Icon
...Joseph by putting a cross and J.M.J. at the top of her page. Anita adds Papi and Tío Toni’s initials. She pretends she’s writing in her diary and writes pages. She... (full context)
Coming of Age and Political Consciousness Theme Icon
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...asks how things are in the sultan’s court. But when Anita gives the letter to Papito, he explains that there’s no mail to or from the Dominican Republic. Anita tears the... (full context)
Coming of Age and Political Consciousness Theme Icon
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...is here to deport her after the grocery store incident, and everyone inside is crying. Papito takes Anita’s hands and says that Papi and Tío Toni are dead. Mr. Washburn explains... (full context)
Chapter Eleven
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...she expects big lacy doilies. Inside, she sits with the other children. Tío Carlos and Papito say a prayer and try not to cry. Fifi shouts “Amen,” making everyone laugh. (full context)
Family and Politics Theme Icon
Storytelling and Trauma Theme Icon
...insists they have to sit and digest for a while. The adults tell stories about Papi while Anita looks out the window. She’s glad she’s experiencing her first snow before she’s... (full context)
Family and Politics Theme Icon
...Dominican Republic is going to hold its first free election in 31 years, thanks to Papi and Tío Toni. Oscar also wrote that he ran into Chucha at Wimpy’s. She asked... (full context)
Adulthood, Childhood, and Fear Theme Icon
...bright, like she’s waking up from a bad dream. She closes her eyes and sees Papi sitting on the edge of her bed, asking her to promise. Anita shakes her head... (full context)
Adulthood, Childhood, and Fear Theme Icon
Family and Politics Theme Icon
...about all her friends and family members who died to make her free. She promises Papi she’ll try. (full context)