Bernice Bobs Her Hair
by F. Scott Fitzgerald
✓

or to save your progress

Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

Part 1 Quotes

The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous girls will sometimes be kissed in the parked limousines of unsuspecting dowagers.

Related Characters: Marjorie Harvey, Warren McIntyre
Page Number and Citation: 25-26
Explanation and Analysis:
In this early passage, the narrator is describing the balcony from which the middle-aged ladies attending the party observe—and judge—the young people below. The ladies regard these teenagers with suspicion, assuming that they have no morals or restraint in matters of romance and sexuality. This section establishes the difficult relations between the older generation and the younger. The physical distance from the balcony to the veranda reflects the difference between the two groups’ social realities, and the use of words like “barbaric” and “dangerous” speaks to the sense of moral righteousness that these older ladies feel over the younger crowd. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesc

No matter how brilliant or beautiful a girl may be, the reputation of not being frequently cut in on makes her position at a dance unfortunate. Perhaps boys prefer her company to that of the butterflies with whom they dance a dozen times an evening, but youth in this jazz-nourished generation is temperamentally restless, and the idea of foxtrotting more than one full fox trot with the same girl is distasteful, not to say odious.

Related Characters: Bernice, Otis Ormonde
Page Number and Citation: 28
Explanation and Analysis:
This passage is an aside given by the narrator as Warren relieves Otis Ormonde from having to dance with Bernice. Here, the narrator muses on these young people’s social rituals: dancing is not merely dancing, but a complex, fast-paced exchange that determines who is popular and who is not. The more boys cut in on a girl’s dance, the more evidently desirable she is—but although these boys are fiercely competing to dance with a single girl, actually spending the entire dance with her would not excite them nearly as much. The competition itself is what makes her desirable, rather than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimu

Warren fidgeted. Then with a sudden charitable impulse he decided to try part of his line on her. He turned and looked at her eyes.

“You’ve got an awfully kissable mouth,” he began quietly.

Related Characters: Warren McIntyre (speaker), Bernice
Page Number and Citation: 28
Explanation and Analysis:
Warren says this pickup line to Bernice after their dance, during which Bernice’s usual small talk left him bored and exasperated. He flirts with her not out of genuine interest but out of pity—the word “charitable” implies some pride on his part for even stooping to the act. This moment not only offers further insight into Warren’s character; it also provides a specific example of how these teenagers flirt and interact. It shows the very beginning of what is meant to be a coy back-and-forth exchange, and context established earlier in Part I suggests that this often leads to sex. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt.

Part 2 Quotes

Marjorie never giggled, was never frightened, seldom embarrassed, and in fact had very few of the qualities which Bernice considered appropriately and blessedly feminine.

Related Characters: Marjorie Harvey, Bernice
Page Number and Citation: 29
Explanation and Analysis:
This thought occurs to Bernice in the beginning of Part II, as she brushes her teeth and prepares herself for bed. Despite their familial connection, Bernice’s relationship with Marjorie has always been distant, even strained, because Marjorie has never shown interest in the girlish activities and behaviors that Bernice participates in. The “appropriately and blessedly feminine” qualities mentioned here all suggest immaturity or weakness of character—the ideal woman, in Bernice’s mind, is dainty, easily flustered, and childlike. The effect of this passage is ironic and humorous: the reader sees Bernice’s misconceptions about femininity, while she herself remains oblivious. This small Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accus

“Sarah Hopkins refers to Genevieve and Roberta and me as gardenia girls! I'll bet she'd give ten years of her life and her European education to be a gardenia girl and have three or four men in love with her and be cut in on every few feet at dances.”

Related Characters: Marjorie Harvey (speaker), Bernice, Mrs. Harvey / Aunt Josephine
Page Number and Citation: 31
Explanation and Analysis:
Marjorie says this to her mother, Mrs. Harvey, during their private conversation in Part II. She is explaining that the qualities for which Mrs. Harvey praises Bernice—her sweet temperament, ladylike demeanor, and ability to cook—are not desirable among young people, and that girls like Bernice are actually jealous, spiteful, and self-righteous. Though this assessment of Bernice’s character is only partly true, it nonetheless speaks to Marjorie’s feeling that she must justify her lifestyle to others. Marjorie is prideful, aggressive, and unapologetic, and this quote neatly characterizes her as such. On a broader scale, this quote illustrates Bernice’s ultimate choice between Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores

“I think it’s that crazy Indian blood in Bernice,” continued Marjorie. “Maybe she’s a reversion to type. Indian women all just sat round and never said anything.”

Related Characters: Marjorie Harvey (speaker), Bernice, Mrs. Harvey / Aunt Josephine
Page Number and Citation: 31
Explanation and Analysis:
Here, Marjorie is continuing her argument to her mother that helping Bernice socialize is a hopeless cause. Having just argued that Bernice is self-righteous, prudish, and secretly jealous of the popular girls, Marjorie approaches the matter from a different angle. She quips that Bernice’s behavior is some sort of evolutionary throwback to her “Indian” ancestry, most likely Native American rather than continental Indian. At the time this story was published, this kind of racist rhetoric was used by the American upper class to explain their successes over the apparent failures of non-white people—failures which were, in fact, the result of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Reru

Part 3 Quotes

“Girls like you are responsible for all the tiresome colorless marriages; all those ghastly inefficiencies that pass as feminine qualities. What a blow it must be when a man with imagination marries the beautiful bundle of clothes that he's been building ideals round, and finds that she's just a weak, whining, cowardly mass of affectations!”

Related Characters: Marjorie Harvey (speaker), Bernice
Page Number and Citation: 34
Explanation and Analysis:
This quote comes from Marjorie, when Bernice confronts her for a second time about how she has been treated as a guest. Bernice’s appeal to “common kindness” has fallen flat with Marjorie, as has her appeal to their mothers’ wisdom and authority—but when Bernice accuses Marjorie of being unfeminine, Marjorie finally shows outright anger at her cousin and gives her thoughts on the ideal of “the womanly woman.” This passage illuminates Marjorie’s character beyond what the reader has seen thus far. Marjorie’s disgust for traditionally feminine girls, when inverted, shows what she values and respects: ego, intellect, individualism, competence, strength, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praese

“I hate dainty minds […] But a girl has to be dainty in person. If she looks like a million dollars she can talk about Russia, ping-pong, or the League of Nations and get away with it.”

Related Characters: Marjorie Harvey (speaker), Bernice
Page Number and Citation: 35
Explanation and Analysis:
Here, after Bernice has agreed to follow Marjorie’s advice on how to conduct herself in public, Marjorie explains how exactly she manages to navigate society. Though she has no tolerance for the dainty, girly behaviors that Bernice considers ideal, Marjorie recognizes that a girl’s strongest asset in society is her ability to present an attractively feminine image. The better she conforms to the model image of femininity, the more her behavior can deviate from the traditional model without consequences. Where Bernice performs femininity through her actions and demeanor, Marjorie performs femininity through her appearance alone. This grants Marjorie an advantage Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

Part 4 Quotes

“Do you believe in bobbed hair?” asked G. Reece in the same undertone.

“I think it’s unmoral,” affirmed Bernice gravely. “But, of course, you’ve either got to amuse people or feed ‘em or shock ‘em.”

Related Characters: Bernice (speaker), G. Reece Stoddard (speaker)
Related Symbols: Hair
Page Number and Citation: 37
Explanation and Analysis:
This exchange takes place at a dinner dance, where Bernice, following Marjorie’s instructions, attempts to make her debut as a witty, charming “society vampire.” Through her conversation with Charlie Paulson, a decidedly unremarkable boy on whom she intends to practice her lines, Bernice has just announced to the table that she is going to cut her hair into a short and stylish bob. The remark attracts attention from G. Reece Stoddard, “a most desirable and distinguished young bachelor.” The phrasing of G. Reece’s question speaks to how bobbed hair was viewed in the 1920s. It was not merely a radical Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem

But a few minutes before she fell asleep a rebellious thought was churning drowsily in her brain—after all, it was she who had done it. Marjorie, to be sure, had given her her conversation, but then Marjorie got much of her conversation out of things she read. Bernice had bought the red dress, though she had never valued it highly before Marjorie dug it out of her trunk—and her own voice had said the words, her own lips had smiled, her own feet had danced.

Related Characters: Marjorie Harvey, Bernice
Page Number and Citation: 39
Explanation and Analysis:
This passage follows the dinner party at which Bernice won the crowd’s favor and danced with a long line of young men. Stunned by her success, full of gratitude for Marjorie’s help, Bernice thinks these thoughts as she drifts off to sleep. This is a pivotal moment of development for Bernice, small and private though it is, because it marks the beginning of her new confidence in herself. Having seen the process behind popularity—dressing well, dancing well, speaking a certain way, and so on—she is no longer daunted by it, and she sees how she might manage it herself. Bernice’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliq

Part 5 Quotes

It was all she could do to keep from clutching her hair with both hands to protect it from the suddenly hostile world. Yet she did neither. Even the thought of her mother was no deterrent now. This was the test supreme of her sportsmanship; her right to walk unchallenged in the starry heaven of popular girls.

Related Characters: Bernice
Related Symbols: Hair
Page Number and Citation: 42
Explanation and Analysis:
This selection is taken from the moment before Bernice enters the barber shop to get her hair bobbed. She has been pressured by Marjorie and the other teenagers to get her hair cut right then and there—and she no longer has a way to back out of this commitment without losing face. The importance of her hair becomes eminently clear here. To Bernice, it represents more than just beauty or femininity or even status with her mother’s generation. Deeper than this, her hair represents the parts of herself which her peers consider undesirable—parts of herself which she still treasures. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore i

It was ugly as sin—she had known it would be ugly as sin. Her face’s chief charm had been a Madonna-like simplicity. Now that was gone and she was—well, frightfully mediocre—not stagy; only ridiculous, like a Greenwich Villager who had left her spectacles at home.

Related Characters: Bernice
Related Symbols: Hair
Related Literary Devices:
Page Number and Citation: 43-44
Explanation and Analysis:
This passage immediately follows Bernice’s haircut, which shocks and disappoints everyone around her. Fitzgerald’s use of the phrase “ugly as sin” is very deliberate here—it pairs with the “Madonna-like” quality of Bernice’s face that has now been lost, creating a sense that something good and beautiful has been violated, a very biblical definition of sin. Bernice has been betrayed by the “serpentlike” Marjorie, and she lost her innocence along with the symbol of it, her hair. The comparison to a “Greenwich Villager” refers to New York’s Greenwich Village, a neighborhood in Manhattan that is known historically for housing bohemians and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi neces

Part 6 Quotes

“Why, child,” cried Mrs. Harvey, “in her paper on ‘The Foibles of the Younger Generation’ that she read at the last meeting of the Thursday Club she devoted fifteen minutes to bobbed hair. It’s her pet abomination.”

Related Characters: Mrs. Harvey / Aunt Josephine (speaker), Mrs. Deyo , Bernice
Related Symbols: Hair
Page Number and Citation: 44
Explanation and Analysis:
Mrs. Harvey says this in response to Bernice’s haircut, which has shocked her along with her husband—not least of all because Mrs. Deyo, a friend of hers who absolutely despises bobbed hair, has organized a dance for Bernice and Marjorie. Not only does this quote show the bad consequences that Bernice feared coming to pass, but it also offers a clear, albeit ridiculous, example of the older generation’s reaction to bob haircuts. The very fact that Mrs. Deyo dedicated an entire paper to voicing her disapproval of her son’s generation, coupled with the absurd formality of the title, “The Foibles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta
No matches.