Blood Wedding
by Federico García Lorca
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Act One, Scene One Quotes

MOTHER (muttering and looking for [the knife]). The knife, the knife…Damn all of them and the scoundrel who invented them.

BRIDEGROOM. Let’s change the subject.

MOTHER. And shotguns…and pistols…even the tiniest knife…and mattocks and pitchforks…

BRIDEGROOM. Alright.

MOTHER. Everything that can cut a man’s body. A beautiful man, tasting the fullness of life, who goes out to the vineyards or tends to his olives, because they are his, inherited…

Related Characters: Mother (speaker), The Bridegroom (speaker)
Related Symbols: Knives
Page Number and Citation: 3
Explanation and Analysis:
This conversation between the Bridegroom and his mother takes place in the play’s first scene, before García Lorca has revealed the family’s violent and traumatic past. When the Bridegroom tells his mother that he’s going to go to the vineyard and cut grapes off the branches with a knife, she immediately curses the invention of knives. In doing so, she alerts the audience to her hypersensitivity to violence, ultimately conflating simple implements like “mattocks and pitchforks” with serious weapons like “shotguns” and “pistols.” As such, she demonstrates her intolerance for anything “that can cut a man’s body,” alluding to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Ex

If I lived to be a hundred, I wouldn’t speak of anything else. First your father. He had the scent of carnation for me, and I enjoyed him for three short years. Then your brother. Is it fair? Is it possible that a thing as small as a pistol or a knife can put an end to a man who’s a bull? I’ll never be quiet.

Related Characters: Mother (speaker), The Bridegroom
Page Number and Citation: 4
Explanation and Analysis:
The Bridegroom’s mother says this to her son when he asks if she’ll ever stop talking about the fact that the Felix family mercilessly murdered both her husband and (other) son. When she says she will continue to “speak of” this even if she lives “to be a hundred,” the audience sees how adamant she is about holding her grudge against the family’s enemies. Indeed, she can’t let go of how unfair it is that two of her loved ones were murdered. What’s interesting, though, is that she refuses to let go of her grudge against the Felix family while Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupt

MOTHER. I won’t stop. Can someone bring your father back to me? And your brother? And then there’s the gaol. What is the gaol? They eat there, they smoke there, they play instruments there. My dead ones full of weeds, silent, turned to dust; two men who were two geraniums…The murderers, in gaol, as large as life, looking at the mountains…

BRIDEGROOM. Do you want me to kill them?

MOTHER. No…If I speak it’s because…How am I not going to speak seeing you go out that door? I don’t like you carrying a knife. It’s just that…I wish you wouldn’t go out to the fields.

Related Characters: Mother (speaker), The Bridegroom (speaker)
Related Symbols: Knives
Page Number and Citation: 4
Explanation and Analysis:
In this passage, the Bridegroom’s mother complains that it isn’t fair that the men who murdered her loved ones are still alive. Of course, these men are in jail (“gaol”), but this punishment doesn’t satisfy the old woman, who clearly believes they deserve to be “full of weeds” like her own family members (in other words, dead and buried in the ground). Indeed, the mere thought of these men carrying out everyday activities during their imprisonment causes her to boil over with rage. What she doesn’t stop to consider, though, is that her yearning for proper revenge is actually a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum.

No. I can’t leave your father and your brother here. I have to go to them every morning, and if I leave, one of the Felixes could die, one of the family of murderers, and they’d bury him next to mine. I won’t stand for that. Never that! Because I’ll dig them up with my nails and all on my own I’ll smash them to bits against the wall.

Related Characters: Mother (speaker), The Bridegroom, The Bride
Page Number and Citation: 5
Explanation and Analysis:
The Bridegroom’s mother says this to him after he suggests that she move in with them after the wedding. Taken aback by the idea of leaving her property, she tells him that she can’t leave her late husband and son, who are buried nearby. Although it might seem relatively reasonable for her to want to stay close to her loved ones’ graves for sentimental reasons, she soon reveals that her desire to remain is simply part of her inability to let go of the feud between her family and the Felix family. Explaining that one of the Felixes could die Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

NEIGHBOUR. […] I often think your son and mine are better off where they are, sleeping, resting, no chance of being crippled.

MOTHER. Be quiet. It’s all talk that, but there’s no comfort in it.

Related Characters: The Neighbor (speaker), Mother (speaker)
Page Number and Citation: 7
Explanation and Analysis:
In this exchange, the woman who lives next to the Bridegroom and his mother tries to soothe the old woman’s pain by suggesting that her dead loved ones are “better off.” This idea implies that the fear of death is worse than death itself—a sentiment that must ring true for the Bridegroom’s mother, who spends the majority of her time thinking about the possibility of losing her last family member to violence. However, she claims that this is nothing but “talk,” clearly finding no relief in such a morbid idea. Indeed, she says that “there’s no comfort” in thinking that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

NEIGHBOUR. Calm down. What good does it do you?

MOTHER. None. But you understand.

NEIGHBOUR. Don’t stand in the way of your son’s happiness. Don’t tell him anything. You’re an old woman. Me too. You and me, we have to keep quiet.

MOTHER. I won’t say anything.

NEIGHBOUR (kissing her). Nothing.

MOTHER (calmly). Things!...

NEIGHBOUR. I’m going.

Related Characters: Mother (speaker), The Neighbor (speaker), The Bride, The Bridegroom, Leonardo Felix
Page Number and Citation: 9
Explanation and Analysis:
In this passage, the neighbor tries to make the Bridegroom’s mother feel better after having told her that the Bride used to be in a relationship with Leonardo Felix. Because Leonardo is the only one of her enemies who hasn’t been put in jail, she naturally becomes quite upset when she discovers that her son’s future wife has been associated with this man. However, the neighbor levelheadedly points out that worrying about this is unhelpful and unproductive. This is sage advice, considering how thoroughly the old woman’s obsession with the past—and with revenge—keeps her from enjoying her life in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae ea

Act One, Scene Two Quotes

Down they went to the river bank,
Down to the stream they rode.
There his blood ran strong and fast,
Faster than the water could.
[…] Go to sleep carnation,
For the horse will not drink deep.

Related Characters: Mother-in-Law (speaker), Leonardo’s Wife (speaker), Leonardo Felix, The Bride
Page Number and Citation: 10
Explanation and Analysis:
This is an excerpt of the rather morbid lullaby that Leonardo’s wife and mother-in-law sing to his baby. In the song, a horse refuses to drink from a stream, where “his blood [runs] strong and fast.” This imagery is important to note while considering Blood Wedding, as it comes to represent the ways in which violence and revenge are self-defeating measures. For instance, when the Bridegroom rushes after Leonardo for eloping with the Bride, he does so because he feels an obligation to avenge not only himself, but his father and brother, both of whom were murdered by members of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitat

Act One, Scene Three Quotes

BRIDEGROOM. These are the dry lands.

MOTHER. Your father would have covered them with trees.

BRIDEGROOM. Without water?

MOTHER. He’d have looked for it. The three years he was married to me, he planted ten cherry trees. (Recalling.)

Related Characters: The Bridegroom (speaker), Mother (speaker), Father, The Bride
Page Number and Citation: 16
Explanation and Analysis:
This conversation takes place between the Bridegroom and his mother as they sit in the Bride’s house and wait to meet her father. As they pass the time, they discuss the fact that the Bride’s father owns very dry, infertile land. Despite this, the old woman boasts that her husband would have been able to plant many trees throughout the area. The Bridegroom, for his part, finds this unlikely, since there isn’t water to properly grow trees, but his mother is too proud of her dead husband to admit that even he wouldn’t be able to make this land flourish. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi

FATHER. In my day this land didn’t even produce esparto. I’ve had to punish it, even make it suffer, so it gives us something useful.

MOTHER. And now it does. Don’t worry. I’m not going to ask you for anything.

FATHER (smiling). You are better off than me. Your vineyards are worth a fortune. Each vine-shoot a silver coin. What I’m sorry about is that the estates are…you know…separate. I like everything together. There’s just one thorn in my heart, and that’s that little orchard stuck between my fields, and they won’t sell it to me for all the gold in the world.

[…]

If we could use twenty teams of oxen to bring your vineyards here and put them on the hillside. What a joy it would be!

MOTHER. But why?

FATHER. Mine is hers and yours his. That’s why. To see it all together. Together, that would be a thing of beauty!

Related Characters: Father (speaker), Mother (speaker), The Bridegroom, The Bride
Page Number and Citation: 17
Explanation and Analysis:
The Bride’s father and the Bridegroom’s mother have this conversation upon meeting for the first time. Interestingly enough, one of the first things the Bride’s father says to the Bridegroom’s mother is that he has “had to punish” his land in order to grow “useful” crops. The fact that he tells her this right away indicates how proud he is of his ability to bend the land to his will, framing himself as an able farmer who has power over his own property. As he goes on, he fantasizes aloud about joining the old woman’s land with his own, saying Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

MOTHER. My son’s handsome. He’s never known a woman. His name’s cleaner than a sheet spread in the sun.

FATHER. What can I tell you about my girl? She’s breaking up bread at three when the morning star’s shining. She never talks too much; she’s as soft as wool; she does all kinds of embroidery, and she can cut a piece of string with her teeth.

Related Characters: Father (speaker), Mother (speaker), The Bride, The Bridegroom
Page Number and Citation: 18
Explanation and Analysis:
This exchange takes place when the Bridegroom’s mother and the Bride’s father meet for the first time to discuss the details of their children’s marriage. After waxing poetic about their respective pieces of property, the two parents turn their attention to the other things their children have to offer, each one bragging about his or her offspring. As they speak about their children’s traits, though, they both fail to mention anything about either the Bridegroom’s or the Bride’s actual personality, instead focusing on rather superficial aspects of who they are. In particular, the Bride’s father lists off what he thinks Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta.

MOTHER. Come! Are you happy?

BRIDE. Yes, señora.

FATHER. You mustn’t be so serious. After all, she’s going to be your mother.

BRIDE. I’m happy. When I say ‘yes’ it’s because I want to.

[…]

MOTHER. […] You know what getting married is, child?

BRIDE (solemnly). I do.

MOTHER. A man, children, and as for the rest a wall that’s two feet thick.

BRIDEGROOM. Who needs anything else?

MOTHER. Only that they should live. That’s all…that they should live!

BRIDE. I know my duty.

Related Characters: Father (speaker), Mother (speaker), The Bride (speaker), The Bridegroom (speaker)
Page Number and Citation: 19
Explanation and Analysis:
In this passage, the Bridegroom’s mother meets the Bride for the very first time. As she inspects her son’s future wife, she asks her if she’s happy—a shrewd question, considering that the Bride is quite obviously unhappy to be marrying the Bridegroom. Despite her misery, though, the Bride lies and says that she is happy, clearly trying to convince herself that it’s a good idea to go through this wedding, through which she will gain financial stability. However, when she says, “When I say ‘yes’ it’s because I want to,” the audience gets the sense that this is exactly the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis.

Act Two, Scene One Quotes

SERVANT (combing). Such a lucky girl…to be able to put your arms around a man, to kiss him, to feel his weight!

BRIDE. Be quiet!

SERVANT. But it’s best of all when you wake up and you feel him alongside you, and he strokes your shoulders with his breath, like a nightingale’s feather.

BRIDE (forcefully). Will you be quiet!

SERVANT. But child! What is marriage? That’s what marriage is. Nothing more! Is it the sweetmeats? Is it the bunches of flowers? Of course it’s not! It’s a shining bed and a man and a woman.

Related Characters: The Servant (speaker), The Bride (speaker), Mother, The Bridegroom, Father
Page Number and Citation: 23
Explanation and Analysis:
On the morning of her wedding day, the Bride dresses with help from her servant, who combs her hair and talks to her about how “lucky” she is to be getting married. The mere fact that she goes out of her way to emphasize the romantic aspects of marriage—the tender caresses and kisses—is noteworthy, as it suggests that the servant has picked up on the Bride’s hesitancy. Unlike everybody else, the servant appears somewhat cognizant of the young woman’s misery regarding her own marriage, seemingly intuiting that the materialistic and transactional benefits of getting married have done little to excite Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis con

SERVANT. It’s no time to be feeling sad. (Spiritedly.) Give me the orange-blossom. (The BRIDE throws the wreath away.) Child! Don’t tempt fate by throwing the flowers on the floor! Look at me now. Don’t you want to get married? Tell me. You can still change your mind. (She gets up.)

BRIDE. Dark clouds. A cold wind here inside me. Doesn’t everyone feel it?

Related Characters: The Servant (speaker), The Bride (speaker), The Bridegroom
Related Symbols: The Orange Blossoms
Page Number and Citation: 23
Explanation and Analysis:
As the servant helps the Bride get ready for her wedding, she urges the young woman to adopt a positive attitude, telling her that “it’s no time to be feeling sad.” However, the Bride is completely uninterested in anything that has to do with the wedding, even going as far as to throw the wreath of orange blossoms on the ground, thereby desecrating what everybody sees as a symbol of the opulence, happiness, and domestic bliss the couple is supposedly about to share. Recognizing how thoroughly unimpressed the Bride is by these things, the servant asks her if she even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis.

LEONARDO (getting up). I suppose the bride will be wearing a big wreath of flowers? It shouldn’t be so big. Something smaller would suit her better. Did the bridegroom bring the orange-blossom so she can wear it on her heart?

BRIDE (she appears still in petticoats and with the wreath of flowers in place). He brought it.

SERVANT (strongly). Don’t come out like that.

BRIDE. What’s the matter? (Seriously.) Why do you want to know if they brought the orange-blossom? What are you hinting at?

LEONARDO. What would I be hinting at? (Moving closer.) You, you know me, you know I’m not hinting. Tell me. What was I to you? Open up your memory, refresh it. But two oxen and a broken-down shack are almost nothing. That’s the thorn.

Related Characters: Leonardo Felix (speaker), The Bride (speaker), The Servant (speaker), The Bridegroom
Related Symbols: The Orange Blossoms
Page Number and Citation: 25
Explanation and Analysis:
In this moment, Leonardo appears at the Bride’s house before any of the other wedding guests. Before laying eyes on her, he asks the servant if the Bridegroom has given the Bride a “big wreath of flowers,” adding that “something smaller would suit her better.” By saying this, he differentiates himself from the Bridegroom, demonstrating the fact that he doesn’t care about lavish material items. Instead of fixating on superficial ideas of ownership, he actually pays attention to the Bride as a person, which is how he knows what kind of flower arrangement would “suit” her. When the Bride emerges Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

BRIDE. […] I’ll shut myself away with my husband, and I’ll love him above everything.

LEONARDO. Pride will get you nowhere! (He approaches her.)

BRIDE. Don’t come near me!

LEONARDO. To keep quiet and burn is the greatest punishment we can heap upon ourselves. What use was pride to me and not seeing you and leaving you awake night after night? No use! It only brought the fire down on top of me! You think that time heals and walls conceal, and it’s not true, not true! When the roots of things go deep, no one can pull them up!

Related Characters: The Bride (speaker), Leonardo Felix (speaker), The Servant, The Bridegroom, Leonardo’s Wife
Page Number and Citation: 26
Explanation and Analysis:
During her conversation with Leonardo on the morning of her wedding, the Bride tries to remain true to her commitment to marry the Bridegroom. Although it’s rather apparent that she still loves Leonardo, she tries to convince herself that she’ll be able to “love [the Bridegroom] above everything,” proudly devoting herself to the man even though she doesn’t have feelings for him. Leonardo, for his part, debunks the notion that staying true to her commitment will help her cope with the fact that she’s turning away from true love, saying that “pride” will get her “nowhere.” Going on, he says Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam

I can’t hear you. I can’t hear your voice. It’s as if I’d drunk a bottle of anise and fallen asleep on a bedspread of roses. And it drags me along, and I know that I’m drowning, but I still go on.

[…]

And I know I’m mad, and I know that my heart’s putrified from holding out, and here I am, soothed by the sound of his voice, by the sight of his arms moving.

Related Characters: The Bride (speaker), The Bridegroom, Leonardo Felix
Page Number and Citation: 27
Explanation and Analysis:
The Bride speaks these words as the servant tries to send Leonardo away before the wedding guests arrive. Having resisted him for as long as she possibly could, the young woman now finds herself succumbing to her own feelings, which are so intense that she feels intoxicated just by the sound of Leonardo’s voice. Of course, she knows that choosing poor Leonardo over the wealthy Bridegroom would go against all reason, which is why she says, “I know I’m mad.” At the same time, though, she admits that her heart is “putrified from holding out,” suggesting that she is literally Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volup

BRIDE. I want to be your wife and be alone with you and not hear any other voice but yours.

BRIDEGROOM. That’s what I want!

BRIDE. And to see only your eyes. And to have you hold me so tight that, even if my mother were to call me, my dead mother, I couldn’t free myself from you.

Related Characters: The Bride (speaker), The Bridegroom (speaker), Leonardo Felix
Page Number and Citation: 31
Explanation and Analysis:
This conversation takes place between the Bride and the Bridegroom shortly after the Bride has spoken to Leonardo. Having felt her willpower weaken as a result of hearing her true lover’s voice, the Bride tries to protect herself from her own desires. To do this, she goes to the Bridegroom and tells him that she wants to hurry to the church so they can get married as soon as possible. When he asks why she wants to rush the process along, she says, “I want to be your wife and be alone with you and not hear any other voice Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum.

Act Two, Scene Two Quotes

It hurts to the ends of my veins. On the face of every one of them I can only see the hand that killed what was mine. Do you see me? Do I seem mad to you? Well I am mad from not being able to shout what my heart demands. There’s a scream here in my heart that’s always rising up, and I have to force it down again and hide it in these shawls. They’ve taken my dead ones from me and I have to be silent. And because of that people criticize.

Related Characters: Mother (speaker), Father, Leonardo Felix, The Servant
Page Number and Citation: 34
Explanation and Analysis:
The Bridegroom’s mother says this to the Bride’s father after returning from the wedding ceremony and talking about the fact that Leonardo Felix was invited to the event. Finding herself incapable of containing her rage, she feels like it’s impossible to simply ignore the trauma she experiences every time she simply looks at somebody who belongs to her enemies’ clan. “On the face of every one of them I can only see the hand that killed what was mine,” she says, once again illustrating how unwilling she is to put the past behind her. Of course, Felix was only eight Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Mo

I want them to have many [children]. This land needs arms that are not paid for. You have to wage a constant battle with the weeds, with the thistles, with the stones that come up from who knows where. And these arms must belong to the owners, so that they can punish and master, so that they can make the seed flourish. Many sons are needed.

Related Characters: Father (speaker), The Bridegroom, The Bride, Mother
Page Number and Citation: 35
Explanation and Analysis:
The Bride’s father says this to the Bridegroom’s mother shortly after the wedding ceremony. As people dance in celebration of the event, the two parents discuss how excited they are to have grandchildren. However, instead of talking about the emotional joys of becoming a grandparent, the Bride’s father characteristically focuses on the financial benefits of having “arms that are not paid for.” Indeed, what he looks forward to most about his daughter having children is not the happiness that will come from expanding the family, but the ways in which he’ll be able to make use of new helpers on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam o

FATHER. It can’t be her. Perhaps she’s thrown herself into the water-tank.

MOTHER. Only decent and clean girls throw themselves into the water. Not that one! But now she’s my son’s wife. Two sides. Now there are two sides here. […] My family and yours. All of you must go. Shake the dust from your shoes. Let’s go and help my son. (The people split into two groups.) He’s got plenty of family: his cousins from the coast and all those from inland. Go out from here! Search all the roads. The hour of blood has come again. Two sides. You on yours, me on mine. After them! Get after them!

Related Characters: Mother (speaker), Father (speaker), The Bridegroom, The Bride, Leonardo Felix
Page Number and Citation: 43
Explanation and Analysis:
In this passage, the wedding guests have just discovered that the Bride has eloped with Leonardo, escaping into the woods on horseback after sneaking away from the wedding reception. Her father, for his part, is completely blindsided by this development. In fact, he’s so surprised that his daughter would run away with Leonardo that he insists that “it can’t be her” who actually rode into the woods. “Perhaps she’s thrown herself into the water-tank,” he says, suggesting that his daughter would sooner commit suicide than abandon the Bridegroom. This is an odd thing to say, since it implies that the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incid

Act Three, Scene One Quotes

Be quiet. I’m certain I’ll find them here. You see this arm? Well it’s not my arm. It’s my brother’s arm and my father’s and my whole dead family’s. And it’s got such strength, it could tear this tree from its roots if it wanted to. Let’s go quickly. I can feel the teeth of all my loved ones piercing me here so I can’t breathe.

Related Characters: The Bridegroom (speaker), Leonardo Felix, The Bride
Page Number and Citation: 49
Explanation and Analysis:
The Bridegroom says this to a young man helping him track down Leonardo and the Bride. As they move through the woods, the young man expresses his reservations about the manhunt, but the Bridegroom simply tells him to “be quiet,” clearly absorbed by his determination to exact revenge on Leonardo. To justify his violent intentions, he refers to a part of his own body as a symbol of the injustice his family members have suffered because of the Felix clan. “You see this arm?” he asks. “Well it’s not my arm. It’s my brother’s arm and my father’s and my Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam conseq

Oh, I’m not the one at fault.
The fault belongs to the earth
And that scent that comes
From your breasts and your hair.

Related Characters: Leonardo Felix (speaker), The Bride
Page Number and Citation: 49
Explanation and Analysis:
Leonardo says this to the Bride as they sneak through the woods after having run away together during the Bride’s wedding reception. Shortly after they leave, the Bride expresses her regrets, though this is only because she fears her decision to elope with Leonardo will get him killed. The couple then waxes poetic (literally) about their love, speaking in verse, and Leonardo says that he’s “not the one at fault” for what they’ve done. When he says this, he isn’t implying that the Bride is the one to blame, but that “the fault belongs to the earth.” By framing the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Acc

Act Three, Scene Two Quotes

Won’t you be quiet? I don’t want weeping in this house. Your tears are tears that come from your eyes, that’s all. But mine will come, when I’m all alone, from the soles of my feet, from my roots, and they’ll burn hotter than blood.

Related Characters: Mother (speaker), The Neighbor, Leonardo Felix, The Bridegroom
Page Number and Citation: 58
Explanation and Analysis:
The Bridegroom’s mother says this to her neighbor after they return to her house after the wedding. As her friend “weep[s]” by her side, the Bridegroom’s mother refuses to shed a tear, even ridiculing this naked display of emotion. This is because she knows that crying won’t do anything to change what has happened. Indeed, the mourning she will eventually do will be much more intense, since her tears will come “from the soles of [her] feet, from [her] roots.” By referring to the source of her despair as her “roots,” the Bridegroom’s mother taps into the history of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus

Here. Here’s where I want to be. At peace. All of them are dead now. At midnight I’ll sleep, I’ll sleep and not be afraid of a gun or a knife. Other mothers will go to their windows, lashed by the rain, to see the face of their sons. Not me.

Related Characters: Mother (speaker), The Neighbor, Leonardo Felix, The Bridegroom
Page Number and Citation: 59
Explanation and Analysis:
In this passage, the Bridegroom’s mother tells her neighbor that she wants to remain in her own house. Even though her neighbor has invited her over so that she doesn’t have to be alone, the old woman refuses to leave. This, however, is not because she can’t fathom the idea of spending a night in a stranger’s house, but because she doesn’t feel the need to seek comfort. In fact, she feels “at peace” for the first time in many years, since all of her sons “are dead now,” meaning she no longer has to worry about the safety and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt.

You would have gone too. I was a woman burning, full of pain inside and out, and your son was a tiny drop of water that I hoped would give me children, land, health; but the other one was a dark river, full of branches, that brought to me the sound of its reeds and its soft song. And I was going with your son, who was like a child of cold water, and the other one sent hundreds of birds that blocked my path and left frost on the wounds of this poor, withered woman, this girl caressed by fire. I didn’t want to, listen to me! I didn’t want to! Your son was my ambition and I haven’t deceived him, but the other one’s arm dragged me like a wave from the sea, like the butt of a mule, and would always have dragged me, always, always, even if I’d been an old woman and all the sons of your son had tried to hold me down by my hair!

Related Characters: The Bride (speaker), Leonardo Felix, The Bridegroom, Mother
Page Number and Citation: 60
Explanation and Analysis:
The Bride speaks these words to the Bridegroom’s mother upon seeing her for the first time after the Bridegroom’s death in the forest. Trying to apologize for eloping with Leonardo—an act that led to the Bridegroom’s death—she insists that the old woman would have done the same, since she was “full of pain inside and out.” Once again, then, the Bride frames romantic desire as irresistible, something that can make somebody feel as if she’s “burning” alive. When she says that the Bridegroom was like “a tiny drop of water” that might give her “children, land, [and] health,” she acknowledges Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. M
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