Borderlands / La Frontera
by Gloria Anzaldúa

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History and the U.S.-Mexico Relationship Theme Analysis

Themes and Colors
Borders, Hybridity, and Identity Theme Icon
History and the U.S.-Mexico Relationship Theme Icon
Chicana Feminism Theme Icon
Language, Storytelling, and Ritual Theme Icon
LitCharts assigns a color and icon to each theme in Borderlands / La Frontera, which you can use to track the themes throughout the work.
History and the U.S.-Mexico Relationship Theme Icon
History and the U.S.-Mexico Relationship Theme Icon

Borderlands / La Frontera isn’t just about the psychological and spiritual dimensions of identity: it is also distinctly historical. Gloria Anzaldúa grounds her analysis in the broad history of US-Mexico relations and the specific fate of the Rio Grande Valley, her home, which has always been native land and which the US stole from Mexico in the 1840s. She explains how the US government never honored its treaties promising the land to the 100,000 Tejanos who were living there. In fact, just the opposite happened: state institutions helped white settlers take Tejano land—including Anzaldúa’s family’s—under flimsy pretenses and without adequate compensation. Reduced to poverty, the Tejanos had no choice but to work for a paltry wage in the fields they once owned. Anzaldúa highlights this specific history of dispossession in order to emphasize that the inequalities of the Borderlands are not natural, random, inevitable, or new. Rather, they are the product of a white supremacist policy of stealing wealth, power, and land from people of color and giving it to white settlers. White America has effectively forgotten this history—and hasn’t sufficiently apologized or worked to undo its damage—but Anzaldúa sees reckoning with it as a first crucial step towards dialogue and reconciliation.

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History and the U.S.-Mexico Relationship ThemeTracker

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History and the U.S.-Mexico Relationship Quotes in Borderlands / La Frontera

Below you will find the important quotes in Borderlands / La Frontera related to the theme of History and the U.S.-Mexico Relationship.

Part 1, Section 1: The Homeland, Aztlán / El otro México Quotes

The U.S.-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country—a border culture. Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants.

Related Characters: Gloria Anzaldúa (speaker)
Related Symbols: The U.S.-Mexico Border
Page Number and Citation: 57
Explanation and Analysis:
Early in her first essay, Anzaldúa offers arguably the best-known metaphor from her work: she describes the US-Mexico border as “una herida abierta,” an open wound, which has been carved through the middle of a once-unified territory. Instead of merely imagining the border as the natural line where the US ends and Mexico begins, Anzaldúa argues, we should see it in historical perspective, as a line that has been imposed to drive peoples apart and erase their shared history. After all, families like Anzaldúa’s have lived in the Borderlands for generations, since long before the US conquered what was once Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi qui

We have a tradition of migration, a tradition of long walks. Today we are witnessing la migración de los pueblos mexicanos, the return odyssey to the historical/mythological Aztlán. This time, the traffic is from south to north.

Related Characters: Gloria Anzaldúa (speaker)
Page Number and Citation: 66
Explanation and Analysis:
Anzaldúa’s first essay focuses on the historical context of violence, dispossession, and migration at the border because many Mexicans and Americans simply do not understand that their peoples have always been intertwined. Today, Americans see Mexicans, Chicanas, and Chicanos as foreigners in the southwest, largely unaware that the region has spent far longer as part of Mexico than part of the US. They understand migration as a new and troubling phenomenon because they do not know its long and complex history; they see the land on either side of the border as inherently Mexican or American, unaware that things could Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

Part 1, Section 2: Movimientos de rebeldía y las culturas que traicionan Quotes

So, don’t give me your tenets and your laws. Don’t give me your lukewarm gods. What I want is an accounting with all three cultures—white, Mexican, Indian. I want the freedom to carve and chisel my own face, to staunch the bleeding with ashes, to fashion my own gods out of my entrails. And if going home is denied me then I will have to stand and claim my space, making a new culture—una cultura mestiza —with my own lumber, my own bricks and mortar and my own feminist architecture.

Related Characters: Gloria Anzaldúa (speaker)
Page Number and Citation: 78-9
Explanation and Analysis:
The US expects Chicanas to choose sides—to defend feminism or defend their people, to speak English or Spanish, to assimilate into either Mexican or Anglo culture. Anzaldúa rejects all these false either/or choices, which she views as a way to keep women like her begging for scraps instead of envisioning and building a world in which they are treated as equals. When forced to choose among cultures that oppress them and expected to defend even the most unsavory aspects of the culture they choose, women are denied the freedom that Anzaldúa describes here. Yet the beauty of mestizaje is that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dict

Part 1, Section 3: Entering into the Serpent Quotes

Snakes, víboras: since that day I’ve sought and shunned them. Always when they cross my path, fear and elation flood my body. I know things older than Freud, older than gender. She—that’s how I think of la Víbora, Snake Woman. Like the ancient Olmecs, I know Earth is a coiled Serpent. Forty years it’s taken me to enter into the Serpent, to acknowledge that I have a body, that I am a body and to assimilate the animal body, the animal soul.

Related Characters: Gloria Anzaldúa (speaker)
Related Symbols: Serpents
Page Number and Citation: 86
Explanation and Analysis:
Anzaldúa feels a special connection to snakes, her “animal counterpart,” which take on a range of different meanings throughout her work. She recalls that a rattlesnake bit her when she was a child, presents snakes as resisting certain binaries (life and death, body and spirit, human and animal, male and female), and identifies with different Mesoamerican beliefs about them—including the Earth as a serpent, the serpent’s mouth as the portal to death, and the serpent goddess Coatlicue/Tonantsi as creator. Altogether, these experiences and ideas have turned serpents into a gatekeeper for border-crossing and transformation, a sign that Anzaldúa can overcome Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus c

Part 1, Section 5: How to Tame a Wild Tongue Quotes

Because we are a complex, heterogeneous people, we speak many languages. Some of the languages we speak are:

1. Standard English
2. Working class and slang English
3. Standard Spanish
4. Standard Mexican Spanish
5. North Mexican Spanish dialect
6. Chicano Spanish (Texas, New Mexico, Arizona and California have regional variations)
7. Tex-Mex
8. Pachuco (called caló)

Related Characters: Gloria Anzaldúa (speaker)
Page Number and Citation: 122
Explanation and Analysis:
Anzaldúa’s fifth essay focuses on language’s role in her life, identity, and writing. She argues that taking her seriously as a scholar requires taking her mode of expression seriously at face value rather than forcing her to fit her ideas into standard English or Spanish in order to be heard. And, in turn, she argues that taking her seriously as a scholar requires letting her use the various dialects of English and Spanish that she describes here, and that she freely mixes in her everyday life depending on the context, audience, and register. These dialects are a reflection of history Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum

Part 1, Section 7: La conciencia de la mestiza / Towards a New Consciousness Quotes

Related Characters: Gloria Anzaldúa (speaker)
Page Number and Citation: 146
Explanation and Analysis:
Anzaldúa begins her last and arguably most theoretically significant section with a nod to the prominent Mexican thinker José Vasconcelos. Trained as a lawyer, Vasconcelos became a prominent cultural leader in the Mexican Revolution, then served as the rector of the UNAM (Mexico’s most prominent university), the first Secretary of Public Education, and the head of the national library, among other positions. Needless to say, his ideas about race and mestizaje have been deeply influential in and beyond Mexico. Anzaldúa builds on Vasconcelos’s ideas to develop her own theory of mestiza consciousness, which involves bringing together concepts from different cultures Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui au

This land was Mexican once
was Indian always
and is.
And will be again.

Related Characters: Gloria Anzaldúa (speaker)
Page Number and Citation: 161
Explanation and Analysis:
Anzaldúa ends the first half of her book with this brief but powerful reminder about the Borderlands’ history. The region has changed hands before and very well could do so again—which is why, when one’s life straddles the border, it is foolish to base one’s identity on the side where one happens to live. By keeping in mind the land’s deep history, Anzaldúa pushes her thinking past the simple binaries that dominate public conversation about the border: the US versus Mexico, English versus Spanish, native versus immigrant. She remembers that all these categories are socially constructed, meaning that they are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrup

Part 2, Section 4: Cihuatlyotl, Woman Alone Quotes

Page Number and Citation: 244
Explanation and Analysis:
This passage comes from what is arguably Anzaldúa’s most tragic poem, “En el nombre de todas las madres que han perdido sus hijos en la guerra” (“In the Name of All the Mothers who Have Lost their Children in War”). In these haunting lines, the poem’s speaker expresses the sense of powerlessness and despair that comes with suffering senseless violence for which there is no explanation or recourse. The woman’s identity, location, and story are not well-defined, but her lines and the title make it clear that she stands in for all the women, particularly in Latin America, who have Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Mo

Part 2, Section 6: El Retorno Quotes

Sí, se me hace que en unos cuantos años o siglos
la Raza se levantará, lengua intacta
cargando lo mejor de todas las culturas.
Esa víbora dormida, la rebeldía, saltará.
Como cuero viejo caerá la esclavitud
de obedecer, de callar, de aceptar.
Como víbora relampagueando nos moveremos, mujercita.
¡Ya verás!

[…]

Yes, in a few years or centuries
la Raza will rise up, tongue intact
carrying the best of all the cultures.
That sleeping serpent,
rebellion—(r)evolution, will spring up.
Like old skin will fall the slave ways of
obedience, acceptance, silence.
Like serpent lightning we’ll move, little woman.
You’ll see.

Related Characters: Gloria Anzaldúa (speaker)
Related Symbols: Serpents
Page Number and Citation: 286-288
Explanation and Analysis:
In the closing lines of her bilingual final poem, “No se raje, chicanita / Don’t Give In, Chicanita,” Anzaldúa offers a vision of a united Chicana/o race asserting and making a place for itself in the world after centuries of oppression and invisibility. Her poem is addressed to an anonymous young Chicana girl who represents the future of Chicana feminism. She uses an important motif that recurs throughout the book—a snake shedding its skin and reinventing itself—as a metaphor for the way she thinks Chicanas and Chicanos can reshape American, Mexican, and Borderlands culture in their image. She closes the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas