Kurt Vonnegut Character Analysis

I think I am trying to clear my head of all the junk in there—the assholes, the flags, the underpants. Yes—there is a picture in this book of underpants. I’m throwing out characters from my other books, too. I’m not going to put on any more puppet shows.

I think I am trying to make my head as empty as it was when I was born onto this damaged planet fifty years ago.

I suspect that this is something most white Americans, and nonwhite Americans who imitate white Americans, should do. The things other people have put into my head, at any rate, do not fit together nicely, are often useless and ugly, are out of proportion with one another, are out of proportion with life as it really is outside my head.

The motto of Dwayne Hoover’s and Kilgore Trout’s nation was this, which meant in a language nobody spoke anymore, Out of Many, One: “E pluribus unum.”

The undippable flag was a beauty, and the anthem and the vacant motto might not have mattered much, if it weren’t for this: a lot of citizens were so ignored and cheated and insulted that they thought they might be in the wrong country, or even on the wrong planet, that some terrible mistake had been made. It might have comforted them some if their anthem and their motto had mentioned fairness or brotherhood or hope or happiness, had somehow welcomed them to the society and its real estate.

The teachers told the children that [1492] was when their continent was discovered by human beings. Actually, millions of human beings were already living full and imaginative lives on the continent in 1492. That was simply the year in which sea pirates began to cheat and rob and kill them.

Here was another piece of evil nonsense which children were taught: that the sea pirates eventually created a government which became a beacon of freedom to human beings everywhere else.

A lot of the people on the wrecked planet were Communists. They had a theory that what was left of the planet should be shared more or less equally among all the people, who hadn’t asked to come to a wrecked planet in the first place. Meanwhile, more babies were arriving all the time—kicking and screaming, yelling for milk.

In some places people would actually try to eat mud or suck on gravel while babies were being born just a few feet away.

And so on.

It shook up Trout to realize that even he could bring evil into the world—in the form of bad ideas. And, after Dwayne was carted off to a lunatic asylum in a canvas camisole, Trout became a fanatic on the importance of ideas as causes and cures for diseases.

But nobody would listen to him. He was a dirty old man in the wilderness, crying out among the trees and underbrush, “Ideas or the lack of them can cause disease!”

Dwayne stayed in his vacant lot for a while. He played the radio. All the Midland City stations were asleep for the night, but Dwayne picked up a country music station in West Virginia, which offered him ten different kinds of flowering shrubs and five fruit trees for six dollars, C.O.D.

“Sounds good to me,” said Dwayne. He meant it. Almost all the messages which were sent and received in his country, even the telepathic ones, had to do with buying or selling some damn thing. They were like lullabies to Dwayne.

[The truck driver] had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large.

Then Trout made a good point, too. “Well,” he said, “I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There’s a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidently dumps its load in the ocean, and kills millions of birds and billions of fish, I say, ‘More power to Standard Oil,’ or whoever it was that dumped it.” Trout raised his arms in celebration. “‘Up your ass with Mobil gas,’” he said.

The young man went back to burnishing the automobile. His life was not worth living. He had a feeble will to survive. He thought the planet was terrible, that he never should have been sent there. Some mistake had been made. He had no friends or relatives. He was put in cages all the time.

“Our names are so close,” said the young man, “it’s the good Lord telling us both what to do.”

Dwayne Hoover didn’t ask him what his name was, but the young man told him anyway, radiantly: “My name, sir, is Wayne Hoobler.”

All around Midland City, Hoobler was a common Nigger name.

The surface of West Virginia, with its coal and trees and topsoil gone, was rearranging what was left of itself in conformity with the laws of gravity. It was collapsing into all the holes which had been dug into it. Its mountains, which had once found it easy to stand by themselves, were sliding into valleys now.

The demolition of West Virginia had taken place with the approval of the executive, legislative, and judicial branches of the State Government, which drew their power from the people.

It didn’t matter much what Dwayne said. It hadn’t mattered much for years. It didn’t matter much what most people in Midland City said out loud, except when they were talking about money or structures or travel or machinery—or other measurable things. Every person had a clearly defined part to play—as a black person, a female high school drop-out, a Pontiac dealer, a gynecologist, a gas-conversion burner installer. If a person stopped living up to expectations, because of bad chemicals or one thing or another, everybody went on imagining that the person was living up to expectations anyway.

Listen: Bunny’s mother and my mother were different sorts of human beings, but they were both beautiful in exotic ways, and they both boiled over with chaotic talk about love and peace and wars and evil and desperation, of better days coming by and by, of worse days coming by and by. And both our mothers committed suicide. Bunny’s mother ate Drāno. My mother ate sleeping pills, which wasn’t nearly as horrible.

There in the cocktail lounge, peering out through my leaks at a world of my own invention, I mouthed this word: schizophrenia.

The sound and appearance of the word had fascinated me for many years. It sounded and looked to me like a human being sneezing in a blizzard of soapflakes.

I did not and do not know for certain that I have that disease. This much I knew and know: I was making myself hideously uncomfortable by not narrowing my attention to details of life which were immediately important, and by refusing to believe what my neighbors believed.

And he went on staring at me, even though I wanted to stop him now. Here was the thing about my control over the characters I created: I could only guide their movements approximately, since they were such big animals. There was inertia to overcome. It wasn’t as though I was connected to them by steel wires. It was more as though I was connected to them by stale rubberbands.

I had no respect whatsoever for the creative works of either the painter or the novelist. I thought Karabekian with his meaningless pictures had entered into a conspiracy with millionaires to make poor people feel stupid. I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.

“I am approaching my fiftieth birthday, Mr. Trout,” I said. “I am cleansing and renewing myself for the very different sorts of years to come. Under similar spiritual conditions, Count Tolstoy freed his serfs. Thomas Jefferson freed his slaves. I am going to set at liberty all the literary characters who have served me so loyally during my writing career.”

“You are the only one I am telling. For the others, tonight will be a night like any other night. Arise, Mr. Trout, you are free, you are free.”

I think I am trying to clear my head of all the junk in there—the assholes, the flags, the underpants. Yes—there is a picture in this book of underpants. I’m throwing out characters from my other books, too. I’m not going to put on any more puppet shows.

I think I am trying to make my head as empty as it was when I was born onto this damaged planet fifty years ago.

I suspect that this is something most white Americans, and nonwhite Americans who imitate white Americans, should do. The things other people have put into my head, at any rate, do not fit together nicely, are often useless and ugly, are out of proportion with one another, are out of proportion with life as it really is outside my head.

The motto of Dwayne Hoover’s and Kilgore Trout’s nation was this, which meant in a language nobody spoke anymore, Out of Many, One: “E pluribus unum.”

The undippable flag was a beauty, and the anthem and the vacant motto might not have mattered much, if it weren’t for this: a lot of citizens were so ignored and cheated and insulted that they thought they might be in the wrong country, or even on the wrong planet, that some terrible mistake had been made. It might have comforted them some if their anthem and their motto had mentioned fairness or brotherhood or hope or happiness, had somehow welcomed them to the society and its real estate.

The teachers told the children that [1492] was when their continent was discovered by human beings. Actually, millions of human beings were already living full and imaginative lives on the continent in 1492. That was simply the year in which sea pirates began to cheat and rob and kill them.

Here was another piece of evil nonsense which children were taught: that the sea pirates eventually created a government which became a beacon of freedom to human beings everywhere else.

A lot of the people on the wrecked planet were Communists. They had a theory that what was left of the planet should be shared more or less equally among all the people, who hadn’t asked to come to a wrecked planet in the first place. Meanwhile, more babies were arriving all the time—kicking and screaming, yelling for milk.

In some places people would actually try to eat mud or suck on gravel while babies were being born just a few feet away.

And so on.

It shook up Trout to realize that even he could bring evil into the world—in the form of bad ideas. And, after Dwayne was carted off to a lunatic asylum in a canvas camisole, Trout became a fanatic on the importance of ideas as causes and cures for diseases.

But nobody would listen to him. He was a dirty old man in the wilderness, crying out among the trees and underbrush, “Ideas or the lack of them can cause disease!”

Dwayne stayed in his vacant lot for a while. He played the radio. All the Midland City stations were asleep for the night, but Dwayne picked up a country music station in West Virginia, which offered him ten different kinds of flowering shrubs and five fruit trees for six dollars, C.O.D.

“Sounds good to me,” said Dwayne. He meant it. Almost all the messages which were sent and received in his country, even the telepathic ones, had to do with buying or selling some damn thing. They were like lullabies to Dwayne.

[The truck driver] had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large.

Then Trout made a good point, too. “Well,” he said, “I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There’s a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidently dumps its load in the ocean, and kills millions of birds and billions of fish, I say, ‘More power to Standard Oil,’ or whoever it was that dumped it.” Trout raised his arms in celebration. “‘Up your ass with Mobil gas,’” he said.

The young man went back to burnishing the automobile. His life was not worth living. He had a feeble will to survive. He thought the planet was terrible, that he never should have been sent there. Some mistake had been made. He had no friends or relatives. He was put in cages all the time.

“Our names are so close,” said the young man, “it’s the good Lord telling us both what to do.”

Dwayne Hoover didn’t ask him what his name was, but the young man told him anyway, radiantly: “My name, sir, is Wayne Hoobler.”

All around Midland City, Hoobler was a common Nigger name.

The surface of West Virginia, with its coal and trees and topsoil gone, was rearranging what was left of itself in conformity with the laws of gravity. It was collapsing into all the holes which had been dug into it. Its mountains, which had once found it easy to stand by themselves, were sliding into valleys now.

The demolition of West Virginia had taken place with the approval of the executive, legislative, and judicial branches of the State Government, which drew their power from the people.

It didn’t matter much what Dwayne said. It hadn’t mattered much for years. It didn’t matter much what most people in Midland City said out loud, except when they were talking about money or structures or travel or machinery—or other measurable things. Every person had a clearly defined part to play—as a black person, a female high school drop-out, a Pontiac dealer, a gynecologist, a gas-conversion burner installer. If a person stopped living up to expectations, because of bad chemicals or one thing or another, everybody went on imagining that the person was living up to expectations anyway.

Listen: Bunny’s mother and my mother were different sorts of human beings, but they were both beautiful in exotic ways, and they both boiled over with chaotic talk about love and peace and wars and evil and desperation, of better days coming by and by, of worse days coming by and by. And both our mothers committed suicide. Bunny’s mother ate Drāno. My mother ate sleeping pills, which wasn’t nearly as horrible.

There in the cocktail lounge, peering out through my leaks at a world of my own invention, I mouthed this word: schizophrenia.

The sound and appearance of the word had fascinated me for many years. It sounded and looked to me like a human being sneezing in a blizzard of soapflakes.

I did not and do not know for certain that I have that disease. This much I knew and know: I was making myself hideously uncomfortable by not narrowing my attention to details of life which were immediately important, and by refusing to believe what my neighbors believed.

And he went on staring at me, even though I wanted to stop him now. Here was the thing about my control over the characters I created: I could only guide their movements approximately, since they were such big animals. There was inertia to overcome. It wasn’t as though I was connected to them by steel wires. It was more as though I was connected to them by stale rubberbands.

I had no respect whatsoever for the creative works of either the painter or the novelist. I thought Karabekian with his meaningless pictures had entered into a conspiracy with millionaires to make poor people feel stupid. I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.

“I am approaching my fiftieth birthday, Mr. Trout,” I said. “I am cleansing and renewing myself for the very different sorts of years to come. Under similar spiritual conditions, Count Tolstoy freed his serfs. Thomas Jefferson freed his slaves. I am going to set at liberty all the literary characters who have served me so loyally during my writing career.”

“You are the only one I am telling. For the others, tonight will be a night like any other night. Arise, Mr. Trout, you are free, you are free.”