Nazneen Quotes in Brick Lane
“You see,” he said, a frequent opener although often she did not see, “it is the white underclass, like Wilkie, who are most afraid of people like me. To him, and people like him, we are the only thing standing in the way of them sliding totally to the bottom of the pile. As long as we are below them, then they are above something. If they see us rise then they are resentful because we have left our proper place.”
Nazneen, hobbling and halting, began to be aware of herself. Without a coat, without a suit, without a white face, without a destination. A leafshake of fear—or was it excitement?—passed through her legs. But they were not aware of her. In the next instant she knew it. They could not see her any more than she could see God. They knew that she existed (just as she knew that He existed) but unless she did something, waved a gun, halted the traffic, they would not see her. She enjoyed this thought.
“If you think you are powerless, then you are. Everything is within you, where God put it. If your husband does not do what is required, think what you yourself have left undone.”
You can spread your soul over a paddy field, you can whisper to a mango tree, you can feel the earth beneath your toes and know that this is the place, the place where it begins and ends. But what can you tell to a pile of bricks? The bricks will not be moved.
Nazneen listened, breathing quietly and hoping that if they forgot about her they might reveal the source of their woes. It was something to do with being a woman, of that much she was sure. When she was a woman she would find out. She looked forward to that day. She longed to be enriched by this hardship, to cast off her childish baggy pants and long shirt and begin to wear this suffering that was as rich and layered and deeply colored as the saris that enfolded Amma's troubled bones.
“I’m talking about the clash between Western values and our own. I’m talking about the struggle to assimilate and the need to preserve one’s identity and heritage. I’m talking about children who don’t know what their identity is. I’m talking about the feelings of alienation engendered by a society where racism is prevalent. I’m talking about the terrific struggle to preserve one’s sanity while striving to achieve the best for one’s family. I’m talking—”
Sinking, sinking, drinking water. When everyone in the village was fasting a long month, when not a grain, not a drop of water passed between the parched lips of any able-bodied man, woman, or child over ten, when the sun was hotter than the cooking pot and dusk was just a febrile wish, the hypocrite went down to the pond to duck his head, to dive and sink, to drink and sink a little lower.
It was, Nazneen realized, more complicated than that. Even if Karim was her future, and could not be avoided, there were problems. Happiness, for instance. That would count against her. Because fate must be met with indifference. For the benefit of her angels, she said, “Whichever way, it does not matter.”
“I don't know, Shahana. Sometimes I look back and I am shocked. Every day of my life I have prepared for success, worked for it, waited for it, and you don't notice how the days pass until nearly a lifetime has finished. Then it hits you—the thing you have been waiting for has already gone by. And it was going in the other direction. It's like I've been waiting on the wrong side of the road for a bus that was already full.”
For years she had felt she must not relax. If she relaxed, things would fall apart. Only the constant vigilance and planning, the low-level, unremarked and unrewarded activity of a woman, kept the household from crumbling.
Fly way and find some water I tell him. But he do not fly just sit there never stretch the wing and call like as if all his brothers better join there on roof where he find some secret like paradise.
How had she made him? She did not know. She had patched him together, working in the dark. She had made a quilt out of pieces of silk, scraps of velvet, and now that she held it up to the light the stitches showed up large and crude, and they cut across everything.
“No,” she said, “we must not stand in the way of Fate. Whatever happens, I accept it. And my child must not waste any energy fighting against Fate. That way, she will be stronger.”
“A girl,” said Rupban.
“I know. Never mind,” said Hamid. “What can you do?” And he went away again.
What could not be changed must be borne. And since nothing could be changed, everything had to be borne. This principle ruled her life. It was mantra, fettle, and challenge. So that, at the age of thirty-four, after she had been given three children and had one taken away, when she had a futile husband and had been fated a young and demanding lover, when for the first time she could not wait for the future to be revealed but had to make it for herself, she was as startled by her own agency as an infant who waves a clenched fist and strikes itself upon the eye.
Silent. Nazneen fell asleep on the sofa. She looked out across jade green
rice fields and swam in the cool dark lake. She walked arm-in-arm to school with Hasina and skipped part of the way and fell and they dusted their knees with their hands. And the mynah birds called from the trees, and the goats fretted by, and the big, sad water buffaloes passed like a funeral. And heaven, which was above, was wide and empty and the land stretched out ahead and she could see to the very end of it, where the earth smudged the sky in a dark blue line.
“What’s more, she is a good worker. Cleaning and cooking and all that. The only complaint I could make is she can’t put my files in order, because she has no English. I don't complain, though. As I say, a girl from the village: totally unspoilt.”
“And when they jump ship and scuttle over here, then in a sense they are home again. And you see, to a white person, we are all the same: dirty little monkeys all in the same monkey clan. But these people are peasants. Uneducated. Illiterate. Close-minded. Without ambition.” He sat back and
stroked his belly. “I don’t look down on them, but what can you do? If a man has only ever driven a rickshaw and never in his life held a book in his hand, then what can you expect from him?”
“Mixing with all sorts: Turkish, English, Jewish. All sorts. I am not old-fashioned,” said Mrs. Islam. “I don't wear burkha. I keep purdah in my mind, which is the most important thing. Plus, I have cardigans and anoraks and a scarf for my head. But if you mix with all these people, even if they are good people, you have to give up your culture to accept theirs. That’s how it is.”