Brideshead Revisited
by Evelyn Waugh

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Themes and Colors
Innocence, Experience, and Redemption Theme Icon
Suffering, Persecution, and Martyrdom Theme Icon
Authority, Rebellion, and Love Theme Icon
War and Peace Theme Icon
Globalization, Culture, and Modernity Theme Icon
LitCharts assigns a color and icon to each theme in Brideshead Revisited, which you can use to track the themes throughout the work.
Suffering, Persecution, and Martyrdom Theme Icon
Suffering, Persecution, and Martyrdom Theme Icon

The Catholic belief that suffering and persecution lead to godliness is a major aspect of Brideshead Revisited. The novel centers around the experiences of Charles Ryder and his interactions with the Marchmain family, an aristocratic family of English Catholics who view themselves as outsiders because of the historical persecution of Catholics in Britain. Brideshead Revisited suggests both that Catholics are legitimately persecuted, because they do not conform, and that they deliberately seek out suffering because this brings them closer to God. However, in the novel, it is those for whom suffering is deep, genuine and spontaneous—rather than those who try to martyr themselves—who receive God’s graces.

The members of the Marchmain family feel that they are social outsiders in Britain. Catholics were historically persecuted in Britain, which was a majority Protestant country, and anti-Catholic laws existed there until the 19th century. It is implied that, because of this historical separation from other people, the Marchmain family feel that they are different, even though this is not obvious from the outside. This is implied when Sebastian tells Charles that Catholics are “not like other people” and that “everything that is important to them is not important to other people.” British anti-Catholic sentiment is reflected when Charles’s cousin Jasper tries to advise Charles on how to “get on” socially at Oxford. Jasper warns Charles away from “English Catholics” and attaches several prejudiced stereotypes to this group. This implies that English Catholics experience a degree of social persecution in Britain, and that characters like Sebastian are not judged on their individual merit but rather on their religion and upbringing. Society persecutes those who differ from the majority. This is represented through the character of Anthony Blanche, who is a friend of Sebastian’s at university, and who is picked on because he is foreign, went to Catholic school, and, it is heavily implied, is homosexual. Anthony’s experience suggests that British society is intolerant to those who stand out and who do not conform to mainstream standards of religion and behaviour.

However, although persecution is painful, it is an important idea in Catholicism because it is associated with martyrdom and the Catholic saints.  Lady Marchmain, who is a devout Catholic, takes pride in the fact that she has suffered: her husband has left her, and two of her children, Julia and Sebastian, reject Catholicism. She feels that her suffering likens her to Catholic martyrs or saints, religious figures who were killed for their beliefs. Lady Marchmain tells Charles that, although she used to feel guilty because she was rich, and therefore had more than other people, she now realizes that it is a bigger blessing to be poor, because the poor suffer more, and therefore are closer to God. She views her wealth as a trial sent to test her faith and to make it harder for her to achieve holiness. This suggests that Lady Marchmain desires suffering and sees herself as a martyr or victim, even though, in many ways, this is not the case. Although Lady Marchmain feels persecuted, she works hard to stay within a close social circle—or “clique,” as Anthony describes it—of Catholics. This choice supports the idea that the emulation of martyrs is an important idea in Catholicism and suggests that Lady Marchmain deliberately separates herself from others because she wishes to be exceptionally holy, and she knows that to do this, one must stand apart from the crowd. The novel suggests that Catholics like Lady Marchmain strive to be exceptional, and to stand out from the majority rather than trying to blend in or conform.

However, it turns out that it is not the most devout characters (like Lady Marchmain) who are blessed with divine grace or spontaneous conversion, but rather those characters who do not seek it. Although anyone who repents and receives the sacraments can convert to Catholicism or receive God’s grace, Waugh suggests that those who are truly blessed are those who are fallen or who have sinned. This is in keeping with the Christian idea that it is repentant sinners God loves most as they are the most difficult to reach and the least likely to return to, or find, their faith. Holiness through suffering is not something which can be contrived or manufactured—as Lady Marchmain tries to do—but must instead be something spontaneous and miraculous. Sebastian’s sister Cordelia, who goes abroad to become a nun and nurse people in a warzone, supports this idea when she tells Charles that her older brother, Brideshead, wanted to be a priest but had no “mission.” Without a “mission,” Cordelia says, there is no point in striving to make oneself holy because the effort will be contrived. Both Brideshead and Cordelia wish to make sacrifices for their faith, but both are ordinary people. Although Cordelia does a great deal of good with her charity work, it is implied that she is only a practical relief worker and not a particularly spiritual or saintly nun.

The religious transformations wrought on characters like Julia, Sebastian, and Lord Marchmain, who all convert to Catholicism before the novel’s end, are portrayed as genuinely miraculous because they are all non-believers. These characters have lived sinful lives according to the Catholic faith, and they return to God after periods of intense suffering: Lord Marchmain on his deathbed, after he has wrestled with his own mortality; Julia after her divorce and split from Charles; and Sebastian after his alcoholism. Unlike Lady Marchmain, Brideshead, and Cordelia, they have not tried to be pious but, instead, are deeply flawed individuals who are reluctantly brought to God. This is most strongly affirmed through the final conversion of Charles, who has always been an agnostic and hostile to the idea of Catholicism. His experiences suggest that those who are holy or saint-like are not always the people one would expect, and that suffering and persecution in a Catholic framework are the best paths to spirituality and to God.

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Suffering, Persecution, and Martyrdom Quotes in Brideshead Revisited

Below you will find the important quotes in Brideshead Revisited related to the theme of Suffering, Persecution, and Martyrdom.

Prologue Quotes

He told me and, on the instant, it was as though someone had switched off the wireless, and a voice that had been bawling in my ears, incessantly, fatuously, for days beyond number, had been suddenly cut short; an immense silence followed, empty at first, but gradually, as my outraged sense regained authority, full of a multitude of sweet and natural and long forgotten sounds: for he had spoken a name that was so familiar to me, a conjuror’s name of such ancient power, that, at its mere sound, the phantoms of those haunted late years began to take flight.

Related Characters: Charles Ryder (speaker)
Related Symbols: Brideshead
Related Literary Devices:
Page Number and Citation: 16-17
Explanation and Analysis:
Charles learns the name of the place to which his regiment has relocated. It is a country house, called Brideshead, where Charles spent time in his youth. The name brings back memories which have a calming effect on Charles. Charles is not a man at peace with himself—before he comes back to Brideshead, his thoughts are never quiet and there is an incessant drone in his mind. His return to Brideshead reminds him of a time in his life when he felt happy and content, and the effect of these memories brings him a sense of peace in the present. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecat

Part 1, Chapter 1 Quotes

In her spacious and quiet streets men walked and spoke as they had done in Newman’s day; her autumnal mists, her gray spring time, and the rare glory of her summer days—such as that day—when the chestnut was in flower and the bells rang out high and clear over her gables and cupolas, exhaled the soft airs of centuries of youth. It was this cloistral hush which gave our laughter its resonance, and carried it still, joyously, over the intervening clamor.

Related Characters: Charles Ryder (speaker), Sebastian Flyte
Page Number and Citation: 21
Explanation and Analysis:
Charles describes his early impressions of Oxford around the time he met his friend, Sebastian. Charles remembers Oxford as a tranquil, old-fashioned place, untouched and uncorrupted by the modern world. “Newman’s day” is a reference to John Henry Newman, a Catholic priest and professor at Oxford in the mid-1800s, who became an important figure in Catholicism and wished to bring back many of the rituals and sacraments which were no longer used in the Catholic Church. This reference foreshadows Charles’s conversion to Catholicism at the novel’s end. It also suggests that the past is superior to the present. Charles likes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia

Part 1, Chapter 2 Quotes

So through a world of piety I made my way to Sebastian.

Related Characters: Charles Ryder (speaker), Sebastian Flyte
Page Number and Citation: 63
Explanation and Analysis:
One Sunday morning at Oxford, Charles walks across campus to Sebastian’s room. Most of the other students he passes are on their way to church. Charles feels rebellious because, while conventional students are going to church and following religion, he is only concerned with his love for Sebastian. This suggests that Charles feels impious and that his love for Sebastian may be viewed as sinful by the outside world. It may be perceived as such because Sebastian is Catholic, and it was not considered proper for Protestants to mingle extensively with Catholics. Britain was a majority-Protestant country in this period, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas.

Part 1, Chapter 4 Quotes

Here under that high and insolent dome, under those coffered ceilings; here, as I passed through those arches and broken pediments to the pillared shade beyond and sat, hour by hour, before the fountain, probing its shadows, tracing its lingering echoes, rejoicing in all its clustered feats of daring and invention, I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones, was indeed a life-giving spring.

Related Characters: Charles Ryder (speaker), Sebastian Flyte
Related Symbols: Brideshead, Fountain
Page Number and Citation: 90
Explanation and Analysis:
Charles describes the architecture of Sebastian’s family home: Brideshead. He spends a summer here with Sebastian, and makes several attempts to sketch the rooms and the fountain outside Brideshead. The beautiful architecture of the house is a source of inspiration for Charles; it makes him want to draw so that he can capture its beauty. Brideshead symbolizes the Catholic Church throughout the novel, and this reflects the idea that Waugh is inspired by the Catholic Church as a source of beauty and meaning amidst the more ascetic style and traditions of British culture. The dome and the lavish design of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam dolore

Part 1, Chapter 5 Quotes

“This is no way to start a new year,” said Sebastian; but this somber October evening seemed to breathe its chill, moist air over the succeeding weeks. All that term and all that year Sebastian and I lived more and more in the shadows and, like a fetish, hidden first from the missionary and at length forgotten, the toy bear, Aloysius, sat unregarded on the chest-of-drawers in Sebastian’s bedroom.

Related Characters: Sebastian Flyte (speaker), Charles Ryder (speaker)
Related Symbols: Teddy Bear
Page Number and Citation: 118
Explanation and Analysis:
Charles and Sebastian return to Oxford after the summer term and find themselves in low spirits after the excitement of the holiday. Sebastian attempts to be cheerful, but it is clear that both he and Charles have lost their enthusiasm for student life. The progression of their relationship follows the progression of the seasons. It begins in spring, reaches its peak in summer, and as time wears on, begins to fade in autumn. Although Charles and Sebastian still love each other, the arrival of autumn suggests the beginning of old age. Of course, the boys are literally still very young, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam q

Anthony Blanche had taken something away with him when he went; he had locked a door and hung the key on his chain; and all his friends, among whom he had always been a stranger, needed him now.

Related Characters: Charles Ryder (speaker), Sebastian Flyte, Anthony Blanche
Related Literary Devices:
Page Number and Citation: 121
Explanation and Analysis:
Anthony, a friend of Charles and Sebastian’s, leaves Oxford after the first year. He is an outsider among the other students and is known for his unconventional and eccentric behavior. Anthony’s departure has, in effect, removed the potential for controversy and taboo behavior among the students at Oxford. While Anthony is at Oxford, he is often picked on by the other boys in the year. He does not fit in and is a “stranger” even among the people with whom he socializes. However, although the other students have often been critical of Anthony’s subversive behavior, they miss him when he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. De

Mr. Samgrass’s deft editorship had assembled and arranged a curiously homogeneous little body of writing—poetry, letters, scraps of a journal, an unpublished essay or two, which all exhaled the same high-spirited, serious, chivalrous, other-worldly air and the letters from their contemporaries, written after their deaths, all in varying degrees of articulateness, told the same tale of men who were, in all the full flood of academic and athletic success, of popularity and the promise of great rewards ahead, seen somehow as set apart from their fellows, garlanded victims, devoted to the sacrifice.

Related Characters: Charles Ryder (speaker), Lady Marchmain, Ned, Sebastian Flyte, Lord Marchmain, Mr. Samgrass
Related Symbols: Brideshead
Page Number and Citation: 157
Explanation and Analysis:
Lady Marchmain hires Mr. Samgrass to write a book about the life of her brother, Ned, who was killed as a young man in World War I. After Charles has spent Christmas at Brideshead, Lady Marchmain gives Charles a copy of this book to read. Charles suggests that Mr. Samgrass has edited the material which he collected for the book so that it has become “homogenous”—it all sounds the same. Mr. Samgrass is interested in flattering Lady Marchmain because she provides him with work. Charles suggests that Mr. Samgrass’s book idealizes Lady Marchmain’s brothers and does not make them seem Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate l

Part 2, Chapter 1 Quotes

But as I drove away and turned back in the car to take what promised to be my last view of the house, I felt that I was leaving part of myself behind, and that wherever I went afterwards I should feel the lack of it, and search for it hopelessly, as ghosts are said to do, frequenting the spots where they buried material treasures without which they cannot pay their way to the nether world.

Related Characters: Charles Ryder (speaker), Sebastian Flyte, Lady Marchmain
Related Symbols: Brideshead
Page Number and Citation: 194
Explanation and Analysis:
After a disagreement with Lady Marchmain over the fact that Charles gave Sebastian money to buy alcohol, Charles leaves Brideshead for what he believes will be the last time. Charles has a strong emotional connection to Brideshead because it is a place where he has been happy and experienced pure love in his relationship with Sebastian. Charles feels that the loss of this love will leave him detached and alienated in the world, as he tries unsuccessfully to recapture it. This gradually comes true for Charles throughout the novel, as he is never able to find true love or a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis i

Part 2, Chapter 2 Quotes

This was the creature, neither child nor woman, that drove me through the dusk that summer evening, untroubled by love, taken aback by the power of her own beauty, hesitating on the cool edge of life; one who had suddenly found herself armed, unawares; the heroine of a fairy story turning over in her hands the magic ring; she had only to stroke it with her fingertips and whisper the charmed word, for the earth to open at her feet and belch forth her titanic servant, the fawning monster who would bring her whatever she asked, but bring it, perhaps, in unwelcome shape.

Related Characters: Charles Ryder (speaker), Julia Flyte
Related Symbols: Brideshead
Page Number and Citation: 207
Explanation and Analysis:
Charles describes Julia as a young woman, on the night she meets him at the station and takes him to Brideshead. Julia is on the “edge of life” because she is midway through the transition between an adolescent girl and an adult woman. Charles idealizes Julia and views her as an “unearthly creature” rather than a human being. In early-20th century society, Julia’s beauty is her greatest power because it was deemed the priority of young woman to look for a husband, and many men wanted a beautiful bride. Charles depicts her beauty as miraculous and inexplicable. To Charles, it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt

And Lady Marchmain saw this and added it to her new grief for Sebastian and her old grief for her husband and to the deadly sickness in her body, and took all these sorrows with her daily to church; it seemed her heart was transfixed with the swords of her dolors, a living heart to match the plaster and paint; what comfort she took home with her, God knows.

Related Characters: Charles Ryder (speaker), Lady Marchmain, Sebastian Flyte, Rex Mottram, Julia Flyte, Lord Marchmain
Page Number and Citation: 217
Explanation and Analysis:
Julia renounces her Catholicism so that she can marry Rex, who is divorced and therefore cannot become a Catholic. Lady Marchmain has a terminal disease and is very hurt by Julia’s behavior, which she views as just another thing for her to bear. Sebastian, too, has rejected Catholicism and has become estranged from his family in his descent into alcoholism. Lord Marchmain has left Lady Marchmain and taken a lover. Lady Marchmain is hurt by the rebellion of her family against her religious beliefs—she is so pious that she views their rejection of Catholicism as a personal slight. Despite Julia Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam

Epilogue Quotes

No, I said, not what it was built for. Perhaps that’s one of the pleasures of building, like having a son, wondering how he’ll grow up. I don’t know; I never built anything, and I forfeited the right to watch my son grow up. I’m homeless, childless, middle-aged, love-less. Hooper.

Related Characters: Charles Ryder (speaker), Hooper –
Related Symbols: Brideshead
Related Literary Devices:
Page Number and Citation: 401
Explanation and Analysis:
Charles discusses Brideshead with a younger officer, named Hooper. When Charles returns to Brideshead with his Company, he finds that it has undergone many changes. For one, it is now an army based rather than a family home. Hooper says that it was not built to be an army base and Charles agrees. Charles is an artist, however, and understands that, when a piece of art is produced, the artist cannot control how this work will be received or interpreted once it is publicly displayed. Although Charles is usually conservative, he acknowledges that one of the pleasures of creativity is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi