Bud, Not Buddy

by

Christopher Paul Curtis

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Bud, Not Buddy: Chapter 15 Summary & Analysis

Summary
Analysis
Miss Thomas introduces Bud to “Grand Calloway Station,” just as she parks the car in front of a big house. Bud grabs his suitcase and asks her about the name of the house. She says that Herman named it after the New York City Grand Central Station.
Bud becomes a member of Herman’s household for the night, which brings Bud closer to earning a permanent place for himself and his belongings within the band.
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They walk in and Miss Thomas takes Bud to where he’ll be sleeping. Bud sees a chair, a little table, and a picture with a “skinny little black horse” on it in the room. She tells Bud that Herman needs to clear out the closet and tells him to put his suitcase on the table.
Bud examines the room he’ll be sleeping in, perhaps looking for clues about who the room belonged to in the past.
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Miss Thomas tells Bud where her room, Herman’s room, and the bathroom all are. She is about to leave when Bud asks her if the closet doors are locked. She tells him they aren’t but reassures him all that’s in the closet are “girl’s clothes and toys.”
Miss Thomas, intent on making Bud feel at home, goes through the trouble of letting him know how to find her or any person or room he may need during his stay. Bud listens, though curious as ever, his attention wanders to what may be behind the closet doors in the absent girl’s room.
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Bud asks about whether the girl will be annoyed that he’s in her room and Miss Thomas tells Bud the girl is gone. He remembers “rule 28” of his guide and knows that “Gone=dead!” Bud becomes scared of staying in the room of a dead little girl. He realizes he won’t sleep very well. Shortly after, Miss Thomas tells him she’ll see him in the morning and leaves.
Bud learns that the girl in question is “gone,” which makes him think that he is going to be staying in a dead girl’s bedroom. His assumption that “Gone=dead” hints that adults may have worded his mother’s passing in a similar way to him, so now he treats the words as synonymous.
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Bud uses the chair to push against one of the closet’s doorknobs, but a conversation between Miss Thomas and Herman interrupts Bud. Bud hopes Herman wins so he can sleep somewhere else.
This passage is a rare reminder of how young Bud really is, as he naively uses a chair to somehow protect himself from the clothes and toys in the closet, which he finds scary and threatening given that they belonged to the “gone” girl.
Themes
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Herman enters the room angrily, but Bud isn’t worried because he sees Miss Thomas. Herman takes out a key and locks both closet doors. He tells Bud that Bud doesn’t fool him and that he’s going to send Bud “back where [he] belong[s].” Herman slams the door on his way out but comes back in to warn Bud not to steal anything because he’ll know it if Bud does. Then he slams the door again.
Bud’s hope that Herman will be of service to him quickly dies when Herman storms into the room and locks the closet doors, accusing Bud of being a thief. He does not trust Bud at all and feels as if the boy has an ulterior motive that he must get to the bottom of.
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Bud thinks that Herman sounds like a white lifeguard he remembers from the YMCA who used to warn the kids from the Home not to pee in the pool unless they wanted to be severely burned, claiming that they added some “new kind of magical chemical in the water” that burns all those who dare to urinate in the water. The lifeguard would also tell the kids—whom he addressed as “you people”—that if they did urinate in the pool, they would get locked up in jail and be banned from swimming anywhere else in the world.
The white lifeguard at the YMCA treated the kids from the Home as criminals and dehumanized them by calling them “you people.” Herman is similarly criminalizing Bud and expecting the worst from him.
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Bud thinks Herman shouldn’t worry because he’s a “liar, not a thief.” He’s only ever stolen food from a garbage can. Bud wonders how “someone who was so suspicious could ever be kin to [him].” He thinks that “even a hard-up thief wouldn’t find” anything to steal in a dead girl’s room. He notes that the “best thing in the whole room” was a wall full of pictures of horses from magazines.
Even though he’s young, Bud knows himself enough to know that he is not a thief. Plus, he doesn’t see anything that’s worth stealing, which raises the question of why Herman is so protective of the room and its contents.
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Bud thinks that there’s something valuable in the closet—though he can’t get inside. Instead, he looks inside a drawer and sees only thumbtacks and pencils. Bud goes back and “flops” on the bed and is pleasantly surprised to find it’s really soft with two sheets like “Toddy boy’s.”
In locking the closet, Herman piques Bud’s interest, convincing him that there is something valuable within it. However, Bud does not want to discover what lies inside because he feels content to be where he is, under two soft sheets.
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Bud no longer feels scared of the girl who “kicked the bucket” and instead feels at home and content. He’s too tired to get under the two sheets but he even hears his mother’s voice before falling asleep. He realizes he is no longer afraid of any possible monsters because “nothing could hurt [him] now.”
Bud is so happy to have a warm, clean place to sleep that he ceases being worried about the dead girl. He feels truly safe as if he is in his mother’s arms again falling asleep to her voice.
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