Bud, Not Buddy

by

Christopher Paul Curtis

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Bud, Not Buddy: Chapter 5 Summary & Analysis

Summary
Analysis
Bud realizes that “being on the lam” isn’t much fun. His welts sting, and he’s paranoid about staying in the neighborhood too long since “he didn’t look like he belonged around here.”
Though he has successfully rid himself of the Amoses and their toxic home, Bud is still in physical pain and paranoid about people noticing him. That he feels like he sticks out in the neighborhood speaks to his broader feeling of not belonging anywhere—his mother is dead, there are no adults who care for him, and even the foster care system failed to keep him safe.
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Quotes
Bud’s only hope is the library. He hopes that Miss Hill can help, and he believes he’ll be able to “sneak into the library’s basement to sleep.” In the meantime, he’s worried about cops watching him as he walks.
Bud seeks refuge in the library and in a librarian that he thinks may help him. While Bud is usually suspicious of adults, Miss Hill is clearly someone who has earned his trust. He even hatches a plan to sleep in the basement library—which suggests he has spent a lot of time in the building memorizing its layout.
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At the library, Bud notices there are giant Christmas trees next to the building. Shortly after, he realizes that the window he was planning on using to get into the basement has “big metal bars” on it. Bud knows it’s useless to tug on them, but he tries anyway. Eventually, however, he walks towards the Christmas trees, opens his suitcase and takes out his blanket.
Though Bud’s plans are foiled, he remains optimistic and again shows that he has prepared for this turn of events by having his blanket ready to sleep on.
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Bud opens the suitcase and realizes right away that “someone had been fumbling with [his] things” because his blanket is folded differently than how he usually folds it. He knows that it was Mr. and Mrs. Amos, but after realizing that nothing is missing, he admits that though they are “mean old nosy folks […] you couldn’t call them thieves.”
Just like at the start of the novel when he was anxious about other kids from the Home going through his belongings, Bud is extremely unsettled thinking about the Amoses rifling through his suitcase. That he can tell the Amoses have pawed through his belongings shows Bud’s characteristic attention to detail and reinforces just how precious the suitcase and its contents are to him. He also demonstrates some maturity here with his nuanced description of the Amoses—they may be horrible, but they aren’t thieves.
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Bud examines his suitcase’s contents. He pulls out his tobacco bag and shakes it to make sure all of the rocks are still inside. He checks the inside of the bag to double check. After, he pulls his mother’s picture out of an envelope to make sure it’s not “hurt.”
This passage begins to provide some sense of why the suitcase is so special to Bud—it contains things that once belonged to his mother. Alone outside the library, he appears to derive special comfort from examining his mother’s things and her photograph. While parents are traditionally supposed to protect their children, the orphaned Bud protects his mother—in the form of her photograph—and makes sure she is not “hurt.” This is yet another indication that Bud has had to grow up quickly over the years.
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Running across the top of the picture is a sign for the “MISS B. GOTTON MOON PARK.” Underneath the sign is Bud’s mother, when she was around his age, “looking down and frowning,” though Bud does not understand why. To him, it looks “like the kind of place where you could have a lot of fun.” His mother was sitting on “a midget horse,” and riding it, with “six-shooter pistols in her hands […] [that] she wished she could’ve emptied […] on somebody.”
The picture shows Bud’s mother as a little girl in the park, not as Bud reminds her. It’s possible he feels even closer to his mom seeing her at his age, like they are friends or co-conspirators, in addition to being mother and child. He also seems to envy his mother’s life as a child—as it seems like the type of childhood he will never have access to.
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Bud reveals that Momma once told him she was upset in the picture because her father, who was a “hardheaded man,” had “insisted […] that [she] wear that horrible hat.” On top of that, Bud’s mother had revealed that the “hat was so dirty.” Bud remembers that whenever his mother began the story, “her eyes would get big and burny,” and she would go around the house reminiscing about the hat and its “absolute filth.” She would do most of the talking while Bud would respond mostly with a simple “Yes, Momma.” He reveals that they had that “conversation a lot of times.”
Bud’s mother had a tempestuous relationship with her father from a young age, which explains her scowl in the picture. Her father was an especially sore topic for her, which Bud noticed early on. Bud’s answer of “Yes, Momma” may have been his attempt to be a good listener and take her side, though it may also speak to his earlier admission that at the age of six—which is when his mother died—grownups “expect that you understand everything they mean” when “they talk to you.” At the time, Bud likely couldn’t fully grasp the nature of Momma’s relationship with her father, both because of Momma’s vague explanations and Bud’s young age.
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Bud remembers that when he and Momma had these conversations, she would “squeeze [his] arms and look right hard in [his] face to make sure [he] was listening.” However, those moments of “arm-squeezing […] were the only times that things slowed down a bit when Momma was around.”
Momma badly needed a listener, which again connects to Bud’s earlier frustration that adults often expect young children to “understand everything they mean” when they talk. That Momma chose Bud to confide in also suggests that she didn’t have many other people to turn to. Bud’s memories of his mother’s touch are poignant, and his description of the world slowing down suggests that his mother was the center of his world, and everything else faded away when she was near.
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Most of the time, Bud reveals, things “moved very, very fast when Momma was near,” as if she were a “tornado.” When she was “near,” and things weren’t “blowing around,” she would tell him her “four favorite things,” one about her photo and the other about Bud’s name. Bud reveals that she is the one who told him to never “let anyone call [him] Buddy” because it is “a dog’s name or a name that someone’s going to use on you if they’re being false-friendly.” Afterwards she would explain to him that she had named him Bud because “A bud is a flower-to-be […] it’s a little fist of love waiting to unfold and be seen by the world.”
Bud’s alternate description of his mother as a “tornado” suggests that she was full of life and energy—though she may have also been emotionally volatile and unstable. Bud also reveals in this passage that she is the one who told him to guard his name against others’ interpretations. With this revelation, the novel’s title takes on additional weight, as the phrase “Bud, not Buddy” is Bud’s way of feeling close to his mother and upholding what she would have wanted for him and his life. Bud’s mother is also the one who told him about his potential to give love and to be loved by the world even when he feels unseen.
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Quotes
Bud’s mother would also tell Bud not to worry, and that she’d explain things to him “as soon as [he] get[s] to be a young man,” which always worried him. Bud reveals another one of his rules, “rule 83”: “If a[n] Adult Tells You Not to Worry, and You Weren’t Worried Before, You Better Hurry Up and Start ‘Cause You’re Already Running Late.”
That Bud’s mother doesn’t try to force Bud to understand everything at such a young age suggests that she does realize, to some extent, just how young he is. Bud’s “rule 83” also highlights how much he’s had to grow up—he has the emotional sensitivity and awareness to realize that when an adult says “don’t worry,” it usually means that something worrisome is, in fact, about to happen. This also speaks to Bud’s general distrust of adults and the things they say.
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Finally, Momma would tell Bud that “when one door closes, […] another door opens,” which had confused him at the time. Now, Bud realizes he “should’ve known then that [he] was in for a lot of trouble.” He realizes Momma was wrong by not telling him everything she wanted to before, because “now that she’s gone, [he’ll] never know what [those things] were.” Bud believes he now understands what Momma had meant by doors closing leading to doors opening as he thinks back to the events of the last few days.
Bud draws on his mother’s wisdom that blessings are always around the corner, a particularly pertinent reminder right now, as Bud is still all alone outside of the library in the middle of the night. Instead of feeling heartened by his mother’s words in the moment, however, Bud thinks about all the other things he wishes she could have told him before her death.
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Quotes
Tired of thinking, Bud closes and ties his suitcase and finds space under the Christmas tree to lie with his blanket. He remembers he must wake up “real early” to make it to the “mission in time for breakfast” because they won’t let him in if he’s even one minute late.
Once again, Bud reveals himself to be a strategic planner who is accustomed to taking care of himself. Instead of having a parent to wake him up in the morning, Bud reminds himself to wake up “real early,” showing how he’s had to become his own parent. In addition, even though he’s only a child, he has the foresight to think about how he’ll find his next meal and the awareness to know exactly where to turn for help. Missions are secular or religious institutions, often staffed by volunteers, that focus on serving the poor and homeless by providing hot meals and other types of support.
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