Bud, Not Buddy

by Christopher Paul Curtis

Bud Caldwell Character Analysis

Bud Caldwell, who is christened “Sleepy LaBone” towards the end of the story, is the protagonist of Bud, Not Buddy. He is a resourceful, intelligent, and optimistic African American boy who has spent the last several years in an orphanage (which he calls the Home) and being shifted from foster home to foster home in Flint, Michigan. Despite losing his mother four years ago when he was just six years old, Bud remains optimistic that a new and better “door” is just around the corner for him to open. More than anything else, Bud wants a home and a family. It is what inspires him to leave the foster care system and run away from Flint to Grand Rapids. In the process, he learns to trust in the casual kindness of the strangers he meets on his way (like Lefty Lewis) and be open to being part of a community, like the one he finds in Hooverville with Deza Malone. The thing that keeps Bud going is his love for his mother, whom he refers to as Momma. His memories of her and the things of hers he’s collected in his suitcase all serve as a reminder and a hope for himself: that he was once loved and that one day someone will love him again. This is because the suitcase, in addition to carrying his mother’s things, carries flyers of a band he believes belongs to the man he thinks is his father: Herman E. Calloway. This hope of his father existing out there gives Bud the courage to look for him and make his dreams of having a family a reality. However, he soon discovers that family can take all sorts of different forms—his mother was Herman’s long-lost daughter, which makes Herman Bud’s grandfather, not his father, and the other members of the band aren’t related to Bud at all but become as fierce a family as any. Though it takes a while to win over Herman, Bud ultimately earns a place in the band (The Dusky Devastators of the Depression/Nubian Knights) and a home at last.

Bud Caldwell Quotes in Bud, Not Buddy

The Bud, Not Buddy quotes below are all either spoken by Bud Caldwell or refer to Bud Caldwell. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Economic Insecurity and Community Theme Icon
).

Chapter 1 Quotes

This was the third foster home I was going to and I’m used to packing up and leaving, but it still surprises me that there are always a few seconds, right after they tell you you’ve got to go, when my nose gets all runny and my throat gets all choky and my eyes get all sting-y. But the tears coming out doesn’t happen to me anymore, I don’t know when it first happened, but it seems like my eyes don’t cry no more.

Related Characters: Bud Caldwell (speaker)
Related Symbols: The Home
Page Number and Citation: 3
Explanation and Analysis:

It’s at six that grown folks don’t think you’re a cute little kid anymore, they talk to you and expect that you understand everything they mean. And you’d best understand too, if you aren’t looking for some real trouble, ‘cause it’s around six that grown folks stop giving you little swats and taps and jump clean up to giving you slugs that’ll knock you right down and have you seeing stars in the middle of the day. The first foster home I was in taught me that real quick.

Related Characters: Bud Caldwell (speaker)
Related Symbols: The Home
Page Number and Citation: 4-5
Explanation and Analysis:

Chapter 2 Quotes

There comes a time when you’re losing a fight that it just doesn’t make sense to keep on fighting. It’s not that you’re being a quitter, it’s just that you’ve got the sense to know when enough is enough.

I was having this thought because Todd Amos was hitting me so hard and fast that I knew that the blood squiring out of my nose was only the beginning of a whole long list of bad things that were about to happen to me.

Related Characters: Bud Caldwell (speaker), Todd Amos
Page Number and Citation: 9
Explanation and Analysis:

RULES AND THINGS NUMBER 118

You have to give adults something that they think they can use to hurt you by taking it away. That way they might not take something away that you really do want. Unless they’re crazy or real stupid they won’t take everything because if they did they wouldn’t have anything to hold over your head to hurt you with later.

Related Characters: Bud Caldwell (speaker), Mrs. Amos
Related Symbols: The Home
Page Number and Citation: 18
Explanation and Analysis:

Chapter 3 Quotes

After while the stings and fish-guard bite quit hurting so much. I started getting madder and madder. I was mad at the Amoses, but most of all I was mad at me for believing there really was a vampire in the shed and for getting trapped like this where there wasn’t anybody who cared what happened to me.

Related Characters: Bud Caldwell (speaker), Mrs. Amos, Mr. Amos, Todd Amos
Page Number and Citation: 29
Explanation and Analysis:

Chapter 4 Quotes

I can’t all the way blame Todd for giving me trouble, though. If I had a regular home with a mother and father, I wouldn’t be too happy about other kids living in my house either. Being unhappy about it is one thing but torturing the kids who are there even though they don’t want to be is another. It was my job to make sure other kids who didn’t know where their mothers and fathers were didn’t have to put up with Todd.

Related Characters: Bud Caldwell (speaker), Todd Amos
Page Number and Citation: 32
Explanation and Analysis:

Chapter 5 Quotes

I knew a nervous-looking, stung up kid with blood dripping from a fish-head bite and carrying a old raggedy suitcase didn’t look like he belonged around here.

Related Characters: Bud Caldwell (speaker)
Related Symbols: Bud’s Suitcase
Page Number and Citation: 36
Explanation and Analysis:

She’d tell me, “Especially don’t you ever let anyone call you Buddy, I may have some problems but being stupid isn’t one of them. I would’ve added that dy onto the end of your name if I intended for it to be there […] Your name is Bud, period.

Related Characters: Momma / Angela Janet Caldwell (speaker), Bud Caldwell
Page Number and Citation: 41
Explanation and Analysis:

“A bud is a flower-to-be. A flower in waiting. Waiting for just the right warmth and care to open up. It’s a little fist of love waiting to unfold and be seen by the world. And that’s you.”

Related Characters: Momma / Angela Janet Caldwell (speaker), Bud Caldwell
Page Number and Citation: 42
Explanation and Analysis:

It’s funny how now that I’m ten years old and just about a man I can see how Momma was so wrong. She was wrong because she probably should’ve told me the things she thought I was too young to hear, because now that she’s gone I’ll never know what they were. Even if I was too young back then I could’ve rememorized them and used them when I did need help, like right now.

Related Characters: Bud Caldwell (speaker), Momma / Angela Janet Caldwell
Page Number and Citation: 43
Explanation and Analysis:

Chapter 7 Quotes

I opened my eyes to start looking for Miss Hill. She wasn’t at the lending desk, so I left my suitcase with the white lady there. I knew it would be safe.

Related Characters: Bud Caldwell (speaker), The Librarian, Miss Hill
Related Symbols: Bud’s Suitcase
Page Number and Citation: 55
Explanation and Analysis:

Chapter 8 Quotes

“I’m sorry, Bud, I didn’t mean to scare you, but everybody knows how you like to sleep with that knife open so I figured I’d best grab holt of you so’s you wouldn’t wake up slicing nobody.”

Related Characters: Bugs (speaker), Bud Caldwell
Related Symbols: The Home
Page Number and Citation: 61
Explanation and Analysis:

I spit a big glob in my hand and said, “We’re brother forever, Bugs!”

We slapped our hands together as hard as we could and got our slobs mixed up real good, then waved them in the air so they’d dry. Now it was official, I finally had a brother!

Related Characters: Bud Caldwell (speaker), Bugs
Page Number and Citation: 63
Explanation and Analysis:

They were all the colors you could think of, black, white and brown, but the fire made everyone look like they were different shades of orange. There were dark orange folks sitting next to medium orange folks sitting next to light orange folks.

Related Characters: Bud Caldwell (speaker)
Page Number and Citation: 68
Explanation and Analysis:

“My mother said the same thing, that families should be there for each other all the time. She always used to tell me that no matter where I went or what I did that she’d be there for me, even if she wasn’t somewhere that I could see her […] She would tell me every night before I went to sleep that no matter what happened I could sleep knowing that there had never been a little boy, anywhere, anytime, who was loved more than she loved me. She told me that as long as I remembered that I’d be OK.”

Related Characters: Bud Caldwell (speaker), Deza Malone, Momma / Angela Janet Caldwell
Page Number and Citation: 72-73
Explanation and Analysis:

Someone who doesn’t know who their family is, is like dust blowing around in a storm, they don’t really belong any one place […] I might not know who my family was, but I knew they were out there somewhere, and it seemed to make a whole lot more sense to think that they were somewhere around Flint instead of out west.

Related Characters: Bud Caldwell (speaker), Deza Malone, Momma / Angela Janet Caldwell
Page Number and Citation: 78
Explanation and Analysis:

The train and my new pretend brother got farther and farther away, chugging to Chicago. Man. I’d found some family and he was gone before we could really get to know each other.

Related Characters: Bud Caldwell (speaker), Bugs
Page Number and Citation: 85
Explanation and Analysis:

Chapter 12 Quotes

“The people who run factories and the railroads seemed to be really scared. To them if a worker has any dignity or pride he can’t be doing a good job.”

Related Characters: Lefty Lewis (speaker), Bud Caldwell
Page Number and Citation: 139
Explanation and Analysis:

I knew if I was a regular kid I’d be crying buckets of tears now, I didn’t want these men to think I was a baby, so I was real glad that my eyes don’t cry no more. My nose plugged up and a little growl came out of my mouth but I kept my finger pointed, cleared my throat and said, “I know it’s you.”

Related Characters: Bud Caldwell (speaker), Herman E. Calloway
Related Symbols: The Flyers
Page Number and Citation: 148
Explanation and Analysis:

Chapter 14 Quotes

I was smiling and laughing and busting my gut so much that I got carried away and some rusty old valve squeaked open in me then…woop, zoop, sloop…tears started jumping out of my eyes so hard that I had to cover my face with the big red and white napkin that was on the table.

Related Characters: Bud Caldwell (speaker)
Page Number and Citation: 172
Explanation and Analysis:

I wasn’t sure if it was her lips or her hand, but something whispered to me in a language that I didn’t have any trouble understanding, it said, “Go ahead and cry, Bud, you’re home.”

Related Characters: Bud Caldwell (speaker), Miss Thomas (speaker)
Page Number and Citation: 174
Explanation and Analysis:

Chapter 16 Quotes

I said, “Yes, ma’am, my spirit’s a lot stronger than it looks too, most folks are really surprised by that.”

Related Characters: Bud Caldwell (speaker), Miss Thomas
Page Number and Citation: 190
Explanation and Analysis:

“That’s great, Bud. Something tells me you were a godsend to us, you keep that in mind all of the time, OK?”

Related Characters: Miss Thomas (speaker), Bud Caldwell
Page Number and Citation: 191
Explanation and Analysis:

Chapter 19 Quotes

“We’ve been hoping for eleven years that she’d send word or come home, and she finally has. Looks to me like she sent us the best word we’ve had in years.”

Miss Thomas smiled at me and I knew she was trying to say I was the word that my momma had sent to them.

Related Characters: Miss Thomas (speaker), Bud Caldwell (speaker), Momma / Angela Janet Caldwell
Page Number and Citation: 223-224
Explanation and Analysis:

The picture looked like it belonged. It’s strange the way things turn out, here I’d been carrying Momma around for all this time and I’d finally put her somewhere where she wanted to be, back in her own bedroom, back amongst all her horses.

Related Characters: Bud Caldwell (speaker), Momma / Angela Janet Caldwell
Related Symbols: Bud’s Suitcase
Page Number and Citation: 233
Explanation and Analysis:
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Bud Caldwell Character Timeline in Bud, Not Buddy

The timeline below shows where the character Bud Caldwell appears in Bud, Not Buddy. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Children vs. Adults Theme Icon
A caseworker arrives as Bud Caldwell is in line for breakfast. Bud believes that her presence means that “either they’d... (full context)
Resourcefulness Theme Icon
Family and Home  Theme Icon
The caseworker stops right where Bud is in the line and asks him if his name is Buddy Caldwell. Bud responds... (full context)
Family and Home  Theme Icon
The caseworker takes Bud out of the breakfast line and pulls a “one of the littler boys,” Jerry Clark,... (full context)
Economic Insecurity and Community Theme Icon
Family and Home  Theme Icon
...Jerry will be put in a home with three little girls, the caseworker reveals that Bud will be taken in by Mr. and Mrs. Amos and their 12-year-old son. The woman... (full context)
Resourcefulness Theme Icon
Family and Home  Theme Icon
As he makes his way to pack his things, Bud reveals that this will be his third foster home. Though his “nose gets all runny... (full context)
Children vs. Adults Theme Icon
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Jerry, however, does cry. This prompts Bud to console him by predicting that Jerry will be treated “like some kind of special... (full context)
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Bud reveals that he feels sorry for Jerry, even though Bud is the one destined for... (full context)
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...this age that one’s body starts changing in scary ways. Once you lose a tooth, Bud says, you begin “to wonder what’s coming off next […] every morning when you wake... (full context)
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Finally, Bud pulls out his suitcase after revealing that he is one of the few kids who... (full context)
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Next, Bud examines the flyers in his suitcase, particularly a blue one. The flyer has the words... (full context)
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Bud reveals that the one of the flyers includes “Masters of New Jazz” as part of... (full context)
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Bud speculates that his “father” is “real quiet, real friendly and [a] smart man.” He also... (full context)
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Bud remembers that his mother had been the one to bring the flyer home, though it... (full context)
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Bud finishes reminiscing and closes up his suitcase after he finishes packing. He sits on the... (full context)
Chapter 2
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Todd Amos is “hitting [Bud] so hard and fast,” that there is blood squirting from Bud’s nose. Bud tries to... (full context)
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Eventually Mrs. Amos comes in while Todd is kicking Bud, though she does not interrupt him. Instead she watches him for a while as he... (full context)
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Todd lies and says that he was just trying to get “Buddy” to go to the “lavatory,” because he’s got “‘bed wetter’ written all over him.” This... (full context)
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Bud reveals that the real reason they fought was because Todd had terrorized him with a... (full context)
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Provoked, Bud hits him and Todd falls on the floor. When Todd eventually got up, he smiled... (full context)
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Mrs. Amos consoles Todd, and she calls Bud a “beastly little brute.” She says that she refuses to tolerate Bud in her house... (full context)
Family and Home  Theme Icon
Race and Racism Theme Icon
Mrs. Amos berates Bud for being ungrateful and a foolish member “of our race.” She says she will get... (full context)
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Bud hardly listens to Mrs. Amos; he is still upset that they looked in his suitcase,... (full context)
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Mr. Amos takes Bud’s suitcase away while Mrs. Amos leads Bud to Todd’s room. Bud apologizes to Todd, then... (full context)
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On the way to the shed, Bud passes a shotgun and wonders what the Amoses need it for. He also spies his... (full context)
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Right outside the shed, Bud refuses to beg for mercy from Mr. Amos. From his vantage point he notices wood,... (full context)
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Bud becomes very agitated and realizes that if he were a normal kid, he would cry.... (full context)
Chapter 3
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In the shed, Bud convinces himself that he is calm and realizes that Mr. Amos may have just pretended... (full context)
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Resourcefulness Theme Icon
The heads make Bud feel as if he’s suffocating, so he finds some rags in the shed and covers... (full context)
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Bud thinks about what happened to his best friend, Bugs, at the Home after a cockroach... (full context)
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Bud refuses to let a roach crawl into his ear and scream “his head off right... (full context)
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Eventually Bud begins to scratch some of the paper covering the window with his jackknife so that... (full context)
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When Bud wakes from his nap, he first notices that there is no longer a light on... (full context)
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Next, Bud tries the door. He is able to turn the knob at first, which makes him... (full context)
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Out of options, Bud finally picks up a rake and tries to hit the vampire bat, though “every part... (full context)
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Bud takes out his silver knife in case he doesn’t kill the vampire right away, before... (full context)
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Bud curiously begins to hear a sound reminiscent of a buzz saw right as he begins... (full context)
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As the hornets continue to sting him, Bud tries to escape by “charging the door,” though all it does is make the rag... (full context)
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Desperate, Bud tries the window again. He guesses his fear allows him to open the window that... (full context)
Children vs. Adults Theme Icon
Family and Home  Theme Icon
...the cut from the teeth stop hurting as much, though the pain is replaced by Bud’s anger. He is mad at the Amoses and at himself for getting trapped “when there... (full context)
Children vs. Adults Theme Icon
Bud considers how to get even with the Amoses and fantasizes about pulling the trigger of... (full context)
Chapter 4
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Bud enters the Amoses’ house through an unlocked kitchen window. He finds his suitcase is still... (full context)
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Thinking ahead, Bud then places his suitcase on the first step of the porch so he “[can] make... (full context)
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Bud believes the Amoses are going to deserve “what they were going to get.” Moreover, he... (full context)
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Bud picks up the shotgun and tries it on for size. He imagines shooting animals with... (full context)
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Bud reveals that guns were “just too dangerous to play with” and that the first part... (full context)
Economic Insecurity and Community Theme Icon
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Bud finds a jar and turns on the tap water. He is surprised the Amoses have... (full context)
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Family and Home  Theme Icon
Even though someone at the Home had told Bud that dipping a sleeping person’s hand in warm water would make the wet bed, Bud’s... (full context)
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Bud tiptoes out of the room and out of the house and has a good laugh.... (full context)
Chapter 5
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Bud realizes that “being on the lam” isn’t much fun. His welts sting, and he’s paranoid... (full context)
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Bud’s only hope is the library. He hopes that Miss Hill can help, and he believes... (full context)
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At the library, Bud notices there are giant Christmas trees next to the building. Shortly after, he realizes that... (full context)
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Bud opens the suitcase and realizes right away that “someone had been fumbling with [his] things”... (full context)
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Bud examines his suitcase’s contents. He pulls out his tobacco bag and shakes it to make... (full context)
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...picture is a sign for the “MISS B. GOTTON MOON PARK.” Underneath the sign is Bud’s mother, when she was around his age, “looking down and frowning,” though Bud does not... (full context)
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Bud reveals that Momma once told him she was upset in the picture because her father,... (full context)
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Bud remembers that when he and Momma had these conversations, she would “squeeze [his] arms and... (full context)
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Most of the time, Bud reveals, things “moved very, very fast when Momma was near,” as if she were a... (full context)
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Bud’s mother would also tell Bud not to worry, and that she’d explain things to him... (full context)
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Finally, Momma would tell Bud that “when one door closes, […] another door opens,” which had confused him at the... (full context)
Economic Insecurity and Community Theme Icon
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Tired of thinking, Bud closes and ties his suitcase and finds space under the Christmas tree to lie with... (full context)
Chapter 6
Economic Insecurity and Community Theme Icon
Children vs. Adults Theme Icon
Bud wakes up and sees the sun peeking through a Christmas tree. He jumps up and... (full context)
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Bud tries to protest, but the man tells him that rules are rules. Everyone else has... (full context)
Economic Insecurity and Community Theme Icon
Family and Home  Theme Icon
Bud takes two steps back before another man puts his hand around Bud’s neck from behind.... (full context)
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Race and Racism Theme Icon
Bud tries to thank the strangers for saving him, but his “pretend parents” hit him whenever... (full context)
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Bud enters the mission with his pretend parents. They say thank you a lot as they... (full context)
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Bud and his pretend family get to the table and sit next to a group of... (full context)
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The pretend parents tell Bud they only come in the mornings and remind him to get there early for dinner.... (full context)
Chapter 7
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Bud enters the library; he closes his eyes and breathes deeply to take in all the... (full context)
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Race and Racism Theme Icon
When Bud opens his eyes after taking a big whiff, he starts his search for Miss Hill.... (full context)
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After checking the library three times, Bud goes back to the white lady at the lending desk. He declines her offer to... (full context)
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Bud prepares himself for the worst news, assuming it has to do with “kicking the bucket,”... (full context)
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Family and Home  Theme Icon
The librarian shows Bud where Chicago is in relation to Flint on a map. Bud notes, however, that maps... (full context)
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A little after, Bud retrieves his suitcase and leaves the library. He is sure that a new door is... (full context)
Chapter 8
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The noise of someone stepping on a stick wakes Bud up. The person seems to sense that Bud is awake and stands very still. Though... (full context)
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Bud gets ready to pull back the blanket and start “running or stabbing,” but someone jumps... (full context)
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Bud eventually makes Bugs get off him and tries to catch his breath. He realizes that... (full context)
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Bud asks questions about Bugs’s plans to catch a train the following day, go out West,... (full context)
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After Bugs explains everything from sleeping to peeing on the train to his friend, Bud excitedly agrees to go West with Bugs. They commemorate their decision with a spit-soaked handshake,... (full context)
Economic Insecurity and Community Theme Icon
...get to Hooperville. When they do, they hear music and people and a crackling fire. Bud is surprised about how small the town is. He notes that a “big wind or... (full context)
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Bud notices that there are two big fires in use in Hooperville. One man stirs things... (full context)
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Bugs and Bud flip a coin to see who should ask for food. Bud loses, and Bugs tells... (full context)
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Bud goes up, waits until he gets the residents’ attention before asking the if he is... (full context)
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The mouth-organ man tells Bud that this is one of many Hoovervilles, which annoys Bud, because it makes it hard... (full context)
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Family and Home  Theme Icon
Race and Racism Theme Icon
...behind the tree and the man tells them to look around at Hooverville. Bugs and Bud realize it is much bigger than they originally thought. They also notice that it is... (full context)
Economic Insecurity and Community Theme Icon
The mouth-organ man invites Bugs and Bud to eat as long as they agree to pitch in by serving on the “KP,”... (full context)
Economic Insecurity and Community Theme Icon
When it is time for the boys to fulfill their cleanup tasks, the woman asks Bud to leave his suitcase while they clean. Bud resists but eventually consents at the end.... (full context)
Race and Racism Theme Icon
Bud notices that he, Bugs, a girl, and a little white boy will be doing the... (full context)
Family and Home  Theme Icon
The girl introduces herself as Deza Malone, and Bud introduces himself. They find a spot at the creek, and the girl tells him that... (full context)
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Deza asks him about his family, and Bud tells her his mother died and he believes his father lives in Grand Rapids. Deza... (full context)
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After Deza presses him a little more, Bud decides to open up after all. Bud remembers how his mother would tell him “that... (full context)
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Deza asks Bud why he doesn’t go back to the orphanage, and finally Bud comes clean and tells... (full context)
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Deza asks Bud if he’s ever kissed a girl at the orphanage. Bud worries that he has to... (full context)
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...begin walking back. They pass the group of white people with a coughing baby, and Bud asks if “they aren’t allowed to sit around the big fire ‘cause [the] baby’s making... (full context)
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When they get back to the main fire, Bud retrieves his suitcase and is happy to see it hasn’t been tampered with. Bud and... (full context)
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Bud wonders if it’s a good idea to go to California given that it made “a... (full context)
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Eventually, Bud goes through his suitcase to make sure everything is still in it. He looks through... (full context)
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Bud saves the flyers for last. He takes a closer look at the “blue one” and... (full context)
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After using a trick of breathing deeply to help him fall asleep, Bud then pretends Momma is reading him stories. He dreams first about the “man with the... (full context)
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Bud wakes up to man loudly screaming that “they’re trying to sneak it out early.” Bud... (full context)
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However, a boy gets Bud’s attention and he realizes he has forgotten his flyer. He runs back and gets it,... (full context)
Economic Insecurity and Community Theme Icon
When they get to the train, Bud tries to find Bugs and pushes through the front of the crowd; however, he realizes... (full context)
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The engine gets louder and the crowd rushes to the train. Bud starts running and sees Bugs. He throws him his suitcase, but the flyer falls. It... (full context)
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When Bud heads back to Hooverville, he hears gunshots and hides in the woods. From his hiding... (full context)
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Bud takes these last-minute events as a sign that he should maybe stay in Flint. He... (full context)
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Bud realizes he can’t stay and look for Deza because “it was too hard to hear... (full context)
Chapter 9
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Bud eats at the mission and then heads to the library where he sees the librarian... (full context)
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The librarian tells Bud that she remembers how he and his mother used to come to the library together... (full context)
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After the librarian gives Bud the supplies, she tells him that she has a surprise for him. The librarian is... (full context)
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Bud calculates that he’ll need to walk for 24 hours to get to Grand Rapids. He... (full context)
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When Bud returns to the librarian, she gives him a huge book called The Pictorial History of... (full context)
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Bud gets engrossed in the book and doesn’t feel time passing. The librarian tells him he... (full context)
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Bud remembers the “seed” of his idea that Herman E Calloway was his father began with... (full context)
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Bud looks through more flyers from his suitcase, and he notes that two of them have... (full context)
Chapter 10
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Bud leaves Flint and realizes that 24 hours of walking will be a lot longer than... (full context)
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Bud takes to hiding in bushes when cars go by, but as he grows tired, he... (full context)
Economic Insecurity and Community Theme Icon
Children vs. Adults Theme Icon
Bud eventually peeks his head out, and the man tells him “he’s a long way from... (full context)
Children vs. Adults Theme Icon
Bud tries to get the man to leave the food on the side of the road,... (full context)
Children vs. Adults Theme Icon
Before he gives the sandwich and soda to Bud, the man explains that they have “some talking to do first.” In the meantime, Bud... (full context)
Children vs. Adults Theme Icon
The man tells Bud he has a problem that he needs Bud’s help with. This prompts Bud to note... (full context)
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The man suggests that Bud tell him what he’s doing on the road first, so they can “go about [their]... (full context)
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The man gives Bud the soda, but before Bud can finish it, he asks Bud where “home” is. Bud,... (full context)
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Bud lies that he ran away from Grand Rapids, secretly hoping that the man will put... (full context)
Children vs. Adults Theme Icon
Afterwards, the man opens the passenger’s seat and Bud sees him take out a box from the front seat to put in the back.... (full context)
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The man tells Bud that he’ll send a telegram to Bud’s family and drive him down to Grand Rapids... (full context)
Chapter 11
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The car stops after “thirty giant steps,” and the “vampire” catches up to Bud. He asks Bud to roll down his window, and Bud does in a way that... (full context)
Children vs. Adults Theme Icon
The “vampire” asks him to explain, and Bud tells him that he’s read the box. Moreover, Bud tells him he knows how to... (full context)
Children vs. Adults Theme Icon
Resourcefulness Theme Icon
Bud asks the man to show him his teeth, and the man does. Finally, he explains... (full context)
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Family and Home  Theme Icon
On the way to Flint, the man asks Bud questions about his family, so Bud tells him that his mother is dead and that... (full context)
Children vs. Adults Theme Icon
Bud asks the man for the rest of the food. The man gives it to him... (full context)
Children vs. Adults Theme Icon
Soon, Lefty Lewis asks Bud to share the soda but notices that Bud has backwashed quite a bit, so he... (full context)
Children vs. Adults Theme Icon
The man asks Bud if he’s tired, and Bud realizes that he can pretend to fall asleep to avoid... (full context)
Children vs. Adults Theme Icon
Bud believes he’s safe because he’s “never heard of a vampire that could drive a car... (full context)
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Bud wakes up with the sensation like he’s “at the bottom of a well that someone... (full context)
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With his eyes still shut, Bud listens to the conversation and hears the woman refer to Lefty Lewis as “Poppa.” The... (full context)
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Bud continues listening, trying to learn something about his dad, Herman E. Calloway. Eventually he pieces... (full context)
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The woman finally wakes Bud up with the promise of food, and Bud gets up and greets her and Lefty.... (full context)
Children vs. Adults Theme Icon
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The woman introduces herself as Mrs. Sleet. She tells Bud to go wash up while she gets him clothes that no longer fit her son.... (full context)
Economic Insecurity and Community Theme Icon
Family and Home  Theme Icon
When Bud comes out of the bathroom, he sees Mrs. Sleet has put new clothes on the... (full context)
Economic Insecurity and Community Theme Icon
Children vs. Adults Theme Icon
Bud uses his nose to find the food; he notices that the Sleets have a whole... (full context)
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Bud introduces himself to Kim and Scott as “Bud, not Buddy.” When Lefty Lewis leaves the... (full context)
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Afterwards, Kim tells Bud that the sausages will be coming out soon and they’re going to share the food... (full context)
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Kim sings, and Bud thinks it’s horrible. After she finishes, she asks Bud how his mother died and Bud... (full context)
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Mrs. Sleet returns with what Bud assumes are sausages. Then after Kim and Scott say grace, people start passing the plates.... (full context)
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Bud notices that it’s harder to eat with the Sleets because they talk a lot and... (full context)
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...Sleet mentions “redcaps,” so Kim asks her mother to explain what a “redcap” is to Bud. She explains that redcaps “load” trains and carry people’s luggage to their cars; she reveals... (full context)
Chapter 12
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After breakfast, Bud and Lefty Lewis say goodbye to the Sleets and go to the car to prepare... (full context)
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...Flint, just as they are passing the “Welcome to Flint” sign, a siren goes off. Bud looks out and sees police, so he’s sure they’ve finally “found” him. (full context)
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Lefty Lewis tells Bud to listen “very carefully” to what he tells Bud. Bud thinks this makes Lefty Lewis... (full context)
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Lefty Lewis tells Bud to put the box next to him under Bud’s seat. After Bud does this, he... (full context)
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Bud counts to 10 a few times but is unable to leave. By this time the... (full context)
Economic Insecurity and Community Theme Icon
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...unknown cars in case labor organizers are coming in from Detroit. Back on the highway, Bud asks what a labor organizer is, prompting a conversation about unions with Lefty Lewis. Lefty... (full context)
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Lefty Lewis then tells Bud to open up his box. Bud is hesitant and is unsure if he wants to... (full context)
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Again, Bud tells Lefty he’ll rather take a nap, but Lefty continues to insist. Bud begins raising... (full context)
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Lefty encourages him to read and so he does. Bud reads that an organization called the Brotherhood of Pullman Porters will hold an info meeting... (full context)
Economic Insecurity and Community Theme Icon
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Bud asks Lefty if he is one of the labor organizers, but Lefty responds with a... (full context)
Economic Insecurity and Community Theme Icon
Family and Home  Theme Icon
...Lefty explains about the “trouble” the policeman hinted at. He describes a sit-down strike to Bud (when workers show up but don’t work so new workers can’t be brought in). He... (full context)
Children vs. Adults Theme Icon
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Later, Bud wakes up from a nap and Lefty points to the landscape outside and asks Bud... (full context)
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Lefty pulls up to Herman’s car, the “Packard,” and notes that Herman is inside. Bud, thinking quickly, tries to convince Lefty to let him go in to talk to his... (full context)
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Bud makes Lefty promise not to look inside his bag. Lefty does, so Bud enters the... (full context)
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Lefty makes Bud promise that before he runs again, he’ll go to the train station and ask for... (full context)
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Family and Home  Theme Icon
Bud sees six men seating in a circle and notes that one of them is white.... (full context)
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Family and Home  Theme Icon
...Herman recounts to his audience a fight that he lost, he says something that convinces Bud even further that they’re related: “there comes a time when you’re doing something, and you... (full context)
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The “horn guy” named Jimmy asks if “Miss Thomas,” sent him, but Bud ignores him and keeps walking to see his father’s face. He is surprised to see... (full context)
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Bud tells them that he doesn’t know a Miss Thomas and that he’s here to meet... (full context)
Chapter 13
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The men get very quiet. Jimmy asks Bud if his name is Bud, and when Bud says yes eagerly, Jimmy connects his name... (full context)
Children vs. Adults Theme Icon
Meanwhile, Herman is confused and chastises Bud for “accusing folks of being [his] father.” He then asks Bud where his mother is,... (full context)
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Jimmy tells Bud that someone must be worried about him in Flint, but Bud tells them he doesn’t... (full context)
Economic Insecurity and Community Theme Icon
Children vs. Adults Theme Icon
...pull how he wants before Jimmy calls him over. Jimmy then makes a deal with Bud and tells Bud that in exchange for food at a place called Sweet Pea, Bud... (full context)
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Herman loudly interjects and says he doesn’t want to hear Bud’s story as he’s eating, lights a pipe, and walks out. Bud wishes his father wasn’t... (full context)
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Jimmy introduces Bud to the rest of the bandmates: the Thug, Dirty Deed (the only white band member),... (full context)
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Jimmy tells them that Bud will go with them for dinner, and he and Herman will come separately. The “sax... (full context)
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The trombone player, Doo Doo Bug, tells Bud to not address them as “sir,” since they’re not as old as Jimmy or his... (full context)
Children vs. Adults Theme Icon
Bud accidentally lets it slip to the band that he thinks his father is a “mean... (full context)
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The Thug pretends to write down what Bud said, but Steady Eddie chastises him and tells him that he and Bud are “too... (full context)
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After loading the instruments, Bud gets in the car and The Thug asks Bud how he found out that Herman... (full context)
Children vs. Adults Theme Icon
Family and Home  Theme Icon
When they get to Sweet Pea, Steady Eddie tells Bud that he’s a “tough little nut” that doesn’t cry like “most folks his age.” Bud... (full context)
Chapter 14
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Bud sees that the inside of the restaurant resembles a living room with “ten card tables... (full context)
Children vs. Adults Theme Icon
Bud sees Herman and Jimmy sitting at a table with a woman. He sees there’s one... (full context)
Children vs. Adults Theme Icon
Jimmy calls Bud over and introduces him to Miss Thomas, the band’s “vocal stylist.” She explains that this... (full context)
Children vs. Adults Theme Icon
Next, Bud shows her the bite from the fish heads on his hand and Miss Thomas chastises... (full context)
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Next, Bud explains the cut under his eye and describes Todd shoving a pencil all the way... (full context)
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Miss Thomas eventually asks about Bud’s “momma,” and Bud tells her Momma died four years ago. When she asks about his... (full context)
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...switch seats with him. Steady Eddie eventually beats the others and volunteers to sit with Bud because “he’s got the look of a future sax man about him.” (full context)
Children vs. Adults Theme Icon
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Meanwhile, Miss Thomas asks Bud if she can order supper for him. Tyla, the woman who comes to attend to... (full context)
Economic Insecurity and Community Theme Icon
Miss Thomas orders meat loaf, okra, mashed potatoes, and apple cider for Bud and orders the same thing for herself. Bud is amazed to see Jimmy and Steady... (full context)
Family and Home  Theme Icon
Miss Thomas tells Bud that Herman can’t be his father and suggests that because Herman is famous, Bud may... (full context)
Family and Home  Theme Icon
Luckily, Tyla returns to their table with a tray of food, so Miss Thomas reassures Bud that they’ll talk tomorrow. Bud is happy because “tomorrow” means that they won’t “send [him]... (full context)
Economic Insecurity and Community Theme Icon
After Bud eats, he believes the meal is the best meal he’s ever had. Afterwards, Tyla brings... (full context)
Family and Home  Theme Icon
When Bud is done eating, he looks up and thinks that Miss Thomas is the most beautiful... (full context)
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At the table, Bud also notices how funny Jimmy is and how his stories of his travels with Herman... (full context)
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All at once, Bud makes a discovery about himself. He realizes that out of all the places he’s been,... (full context)
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Bud is embarrassed as he notices everyone is looking at him. He feels as if he’s... (full context)
Chapter 15
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They walk in and Miss Thomas takes Bud to where he’ll be sleeping. Bud sees a chair, a little table, and a picture... (full context)
Family and Home  Theme Icon
Miss Thomas tells Bud where her room, Herman’s room, and the bathroom all are. She is about to leave... (full context)
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Bud asks about whether the girl will be annoyed that he’s in her room and Miss... (full context)
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Bud uses the chair to push against one of the closet’s doorknobs, but a conversation between... (full context)
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Herman enters the room angrily, but Bud isn’t worried because he sees Miss Thomas. Herman takes out a key and locks both... (full context)
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Race and Racism Theme Icon
Bud thinks that Herman sounds like a white lifeguard he remembers from the YMCA who used... (full context)
Resourcefulness Theme Icon
Bud thinks Herman shouldn’t worry because he’s a “liar, not a thief.” He’s only ever stolen... (full context)
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Bud thinks that there’s something valuable in the closet—though he can’t get inside. Instead, he looks... (full context)
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Bud no longer feels scared of the girl who “kicked the bucket” and instead feels at... (full context)
Chapter 16
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Resourcefulness Theme Icon
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Bud wakes up and immediately notices the horses on the wall again. He also realizes that... (full context)
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Bud sees clothes folded, and it reminds him of his mother. He eyes get “stingey” when... (full context)
Children vs. Adults Theme Icon
Family and Home  Theme Icon
Bud is on his way to the kitchen when he hears Miss Thomas and Herman arguing... (full context)
Children vs. Adults Theme Icon
Bud rushes back upstairs after he hears Steady Eddie’s voice hinting at a present for him.... (full context)
Children vs. Adults Theme Icon
Family and Home  Theme Icon
Bud enters the kitchen and says good morning to everyone. They all respond back, except Herman,... (full context)
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Miss Thomas tells Bud that lunch will be ready soon, and Steady Eddie invites him to sit down. Miss... (full context)
Family and Home  Theme Icon
Miss Thomas tells Bud that she has a proposition for him. She tells him that although they still need... (full context)
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Miss Thomas warns Bud, however, that he’s going to have to pull his weight, and that they’re all going... (full context)
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Miss Thomas tells him that in September they’ll have to figure out Bud’s schedule for school. Until then, she tells him that he will accompany them on their... (full context)
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Steady Eddie then asks Bud about his suitcase and if he’s attached to the suitcase itself or just the things... (full context)
Family and Home  Theme Icon
Steady Eddie then gifts Bud with a new case, similar to the ones the other members carry around. Eddie reveals... (full context)
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Steady Eddie tells Bud that to be in the band, he’ll have to practice for “two hours a day,”... (full context)
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The Thug steps in and says it’s time to give Bud a name. Miss Thomas excuses herself from the naming ceremony. On her way out, she... (full context)
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...to “Bone” to make it sound classier. Steady Eddie eventually finds a compromise by naming Bud “Sleepy LaBone,” which according to Bud is the best name he’s “ever heard in [his]... (full context)
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...name out and the other band members are in favor of it. Jimmy then asks Bud to get down on one knee, taps him on the head three times with his... (full context)
Chapter 17
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Bud mops and plays a game with himself with the bucket and soap as the band... (full context)
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Then the musicians start to play, and Bud notices that The Thug’s music sounds like soft rain on someone’s roof and Dirty Deed’s... (full context)
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Miss Thomas arrives with Jimmy and Herman and thanks Bud for doing a great job, but Bud is mesmerized by the playing is unable to... (full context)
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When Miss Thomas starts singing, however, Bud is sure that the rest of the band operates like a storm, while Miss Thomas... (full context)
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Miss Thomas talks as she sings, according to Bud, and Steady Eddie uses his saxophone to answer, like a conversation between the two of... (full context)
Chapter 18
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Bud and the band get into two cars to their next destination, outside of Grand Rapids.... (full context)
Race and Racism Theme Icon
Steady Eddie tells Bud that Herman always has a white person in the band for “practical reasons.” Later Dirty... (full context)
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Later, Bud hears the band play again and has to sit on his hands so he doesn’t... (full context)
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The next day, Bud receives bad news. Herman has decided to stay to catch up with Eugene, an old... (full context)
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Herman eventually comes out and begins kicking stones with his shoe. When Bud approaches him, he asks Bud to “make [himself] useful and help him retrieve a stone.... (full context)
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Bud tells him that he has rocks that are the same, but Herman misunderstands the meaning... (full context)
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Eventually they arrive at Grand Calloway Station, and while Jimmy helps them unload, Bud finally shows Herman his rocks. Herman reaches for the rocks and Bud lets him take... (full context)
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Herman asks where he got the rocks from, but Bud doesn’t answer. Instead, he waits for an opportunity to snatch his rocks back because he’s... (full context)
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Herman accuses Bud of snooping around, and Bud tells him he hasn’t been. Herman asks him again where... (full context)
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Jimmy asks him where he got the rocks from, and Bud responds he got them from his mother. Jimmy finally asks Bud for his mother’s name.... (full context)
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Herman stumbles into the house, “like he’d been struck blind,” and Bud confirms that his reaction means Herman is his father. Jimmy tells him he’s wrong—he reveals... (full context)
Chapter 19
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Herman locks himself in his room while Bud sits at the kitchen table. After Jimmy and Miss Thomas fail to get Herman out,... (full context)
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Jimmy asks Bud how his mother passed, and Bud responds that she passed when he was six years... (full context)
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Bud does a bad job of describing his mother, so he asks to be excused to... (full context)
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Herman is making noises in his hands, so Bud tries to tiptoe out of the room. At the last minute, he decides he’s still... (full context)
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Bud wonders if having him as a grandson is “the worst news anyone could ever give... (full context)
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Bud feels sorry for Herman and walks over to him. He puts his hand on Herman’s... (full context)
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Bud leaves and goes back to the kitchen. He drops the picture on middle of the... (full context)
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Jimmy asks Bud if he’s sure the woman is his mother, and Bud says he’s sure. Miss Thomas... (full context)
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Bud then asks Miss Thomas why Herman never called to check in on him and Momma,... (full context)
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Miss Thomas tells Bud that they didn’t know about him, and that “no one knew where [his] mother had... (full context)
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...along with because he has such high standards, so he “get[s] let down a lot.” Bud nods, pretending he understands. She then explains that Herman was especially hard on his daughter,... (full context)
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...reveals they have waited 11 years for a word from her. Then she looks at Bud and tells him that from her perspective, she’s “sent [them] the best word [they’ve] had... (full context)
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Miss Thomas excuses herself. Bud thinks she’s going to go and cry, but she comes back quickly with a picture... (full context)
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...a trick with the picture. She moves the picture and each time it looks like Bud’s mother is still watching him. Bud asks if he can keep it and Miss Thomas... (full context)
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Miss Thomas tells Bud that she needs his help with a problem. She reminds him that the grief of... (full context)
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Miss Thomas tells Bud that Herman looks for Bud’s mother in every show. She also tells Bud that the... (full context)
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...him to remember that she and Herman love his mother as much as he does. Bud doesn’t believe them; he especially doesn’t believe Herman could love anyone. Miss Thomas tells Bud... (full context)
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Shortly after, the rest of the band comes inside, talking loudly. They ask Bud where everyone is. Bud avoids telling them everyone is crying. Instead he says they are... (full context)
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Steady Eddie tells Bud that because he’s been working so hard on the recorder, they’ve put their “pennies” together... (full context)
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...helps him take it out and puts the horn together to play it. He tells Bud he refurbished it for him. Then he takes out a can that says “Brasso,” and... (full context)
Resourcefulness Theme Icon
Bud promises he’ll be just as good as them in three weeks, making the band laugh.... (full context)
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Bud then tries on the saxophone for the first time and is happy with its weight.... (full context)
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Bud goes upstairs and notices that Miss Thomas’s door is closed, but he can hear both... (full context)
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Bud takes out the case with his things and makes his bed with his blanket. He... (full context)
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Next, Bud goes back to his room, takes out a thumbtack and the picture of his mother... (full context)
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Bud then prepares to play the saxophone, so he can know if he can play with... (full context)
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Finally, Bud looks at the picture of Momma that Miss Thomas gave him and smiles at it.... (full context)