Buddenbrooks
Buddenbrooks
by Thomas Mann

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Buddenbrooks: Part 2, Chapter 2 Summary & Analysis

Summary
Analysis
Each summer, Tony Buddenbrook lives with her maternal grandparents in their house in the country. She loves staying at the villa, surrounded by nature and yet with all the creature comforts that wealth can buy. Here, no one bothers her to do any chores, and no one compares her to her hardworking cousin Klothilde.
Tony’s taste for the finer things in life becomes more apparent as she grows up. She indulges in life’s luxuries but doesn’t want to work for them—reasonable enough behavior for a young child, it speaks to some degree of entitlement that Tony doesn’t seem to be gaining any sense of personal responsibility as she ages. The insinuation that people compare her to her hardworking cousin Klothilde reinforces Tony’s comparative laziness.
Active Themes
The Protestant Ethic  Theme Icon
Personal Fulfillment and Self-Knowledge  Theme Icon
Tony Buddenbrook has grown into a beautiful girl, with thick blond curls (which grow darker as Tony grows older) and “lively gray-blue eyes.” On school days, Tony walks to class with Julie Hagenström, who lives in the villa next door. The Hagenströms are new in town and co-own an export firm, Strunck & Hagenström. Herr Hagenström’s marriage to a woman from Frankfurt has somewhat scandalized local families of more traditional values—including the Buddenbrooks. Though Herr Hagenström takes care to involve himself in community life, no one much likes him. Tony has heard her grandfather Johann grouse about Herr Hagenström often enough that she doesn’t care for Julie all that much—and the feeling is mutual.
In the novel, yellow (and blond) tends to represent moral decay or moral shortcoming, while blue represents honesty or clarity. Tony’s blond hair and blue eyes thus reflect her overall moral ambiguity. Her wealth and privilege have eroded some of her morals, making her vain and shallow; yet there is still an underlying earnestness to her, especially in her youthful innocence. This chapter also introduces the Buddenbrook family’s rivalry with the Hagenströms and with the general drama that goes on in the high society to which they and the Buddenbrooks belong. The initial publication of Buddenbrooks notably caused quite the scandal in Lübeck’s high society, as patrician families recognized real people in the characters depicted in the novel, though Mann insisted the novel was a work of fiction.
Active Themes
Family and Sacrifice Theme Icon
The Protestant Ethic  Theme Icon
Pretense and Etiquette  Theme Icon
Sometimes Julie’s older brother Hermann accompanies the girls to school. Hermann has peculiar tastes—rather than take a sandwich to school for a snack, he brings a lemon bun, which he fills with goose breast or sausage. Tony comments on it one morning, and Hermann offers to bring her one tomorrow.
Active Themes
The Protestant Ethic  Theme Icon
The next morning, Tony waits outside the Hagenström house. After a while, Hermann emerges from the house alone and presents a lemon bun for Tony—but asks her what she has for him in exchange. Tony offers a shilling. After a pause, Hermann says he wants something else—a kiss! Then he lunges toward Tony and tries to kiss her. Tony springs backward just in time to dodge the kiss. Outraged, she slaps Hermann several times across the face. But it isn’t out of “shyness” that Tony dodges the kiss. To the contrary, she thinks she’s too good for Hagenström.
Active Themes
Family and Sacrifice Theme Icon
The Protestant Ethic  Theme Icon
Pretense and Etiquette  Theme Icon
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