The color yellow appears prominently throughout Buddenbrooks, though its symbolism shifts depending on context. In general, the narration uses the color yellow (or blond, or gold) to represent moments or items of significance, whether it’s calling attention to a symbolically important object, a particular personality trait of a character, or tracking how a character or item has changed over time. Yellow typically has a negative connotation, though not always. The narration repeatedly refers to the “yellowed” pages of the Buddenbrook family records. Tony often refers to Grünlich using his most recognizable feature, his “golden muttonchops,” as shorthand. The Buddenbrook children’s light yellow hair grows duller or muddied over the course of the story as they age and become more bitter or disillusioned.
Yellow Quotes in Buddenbrooks
Part 11, Chapter 1 Quotes
She wept bitterly when the time came to say farewell to her little Johann. He embraced her: then, putting his hands behind his back and shifting his weight to one leg while balancing his other foot on the toe, he watched her depart; and his gold-brown eyes rimmed with bluish shadows had the same brooding, introspective look that they had taken on when he stood beside his grandmother’s corpse, when his father died, when their grand old home was broken up—or on so many other occasions, which had less to do with life’s external events. As he saw it, old Ida’s departure was consistent with the other instances of decline, dissolution, and termination that he had witnessed. That sort of thing no longer astounded him—had never astounded him, strangely enough. Sometimes, when he would raise his head with its curly brown hair and flair his nostrils fastidiously, his lips slightly twisted as always, it looked as if he were cautiously sniffing the air and the atmosphere of life around him, expecting to catch a whiff of that odor, that strangely familiar odor, which the fragrance of all those flowers beside his grandmother’s casket had not been able to overpower.

