Caesar and Cleopatra

by George Bernard Shaw

Julius Caesar Character Analysis

Julius Caesar is one of the play’s central protagonists. He was a Roman general and dictator of the Roman Republic. At the beginning of the play, Caesar is in his 50s and has just chased his rival, Pompey, to Egypt. On his way to the royal palace at Alexandria, Caesar meets 16-year-old Cleopatra and decides to resolve the ongoing dispute between Cleopatra and her brother, Ptolemy, for control of Egypt. Shaw’s Caesar is pragmatic, logical, and unsentimental. He resents unnecessary bloodshed and vengeance, offering clemency to his enemies indiscriminately. Caesar’s refusal to punish people who betray him often puts him at odds with his cohort, particularly Rufio, who finds Caesar’s leniency to be naive and misguided. Shaw takes many liberties in his portrayal of Caesar, depicting him as a nuanced and vulnerable man instead of the untouchable, ruthless dictator that history has made him out to be. For instance, Shaw’s Caesar is highly self-conscious about his age, and it embarrasses him when Cleopatra draws attention to his balding head or wrinkled face. Whereas the historical Caesar had an affair with Cleopatra, Shaw’s Caesar primarily functions as Cleopatra’s mentor, teaching her how to be a queen and instilling in her a reverence for his political ideals. While Cleopatra develops a childish infatuation with Caesar, Caesar remains objective and measured in their interactions. This displeases Cleopatra, who would prefer that Caesar abandon his military pursuits to pay attention to her. Caesar and Cleopatra’s most significant conflict occurs in Act IV, when Cleopatra defies Caesar’s stance against vengeance and orders her nurse, Ftatateeta, to execute Pothinus. Pothinus’s assassination causes a massive uprising among his followers, and Caesar admonishes Cleopatra for thoughtlessly destroying the peace he worked so tirelessly to establish. In a battle that occurs between Acts IV and V, Caesar’s men sink Ptolemy’s ship. The young king drowns, leaving Cleopatra the sole ruler of Egypt when Caesar finally departs for Rome at the end of the play. Although Cleopatra resents Caesar’s failure to condemn Rufio’s murder of Ftatateeta, they part on good terms once Caesar promises to send Mark Antony to Egypt to be with her.

Julius Caesar Quotes in Caesar and Cleopatra

The Caesar and Cleopatra quotes below are all either spoken by Julius Caesar or refer to Julius Caesar. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Romanticization of History  Theme Icon
).

Prologue Quotes

Ye poor posterity, think not that ye are the first. Other fools before ye have seen the sun rise and set, and the moon change her shape and her hour. As they were so ye are; and yet not so great; for the pyramids my people built stand to this day; whilst the dustheaps on which ye slave, and which ye call empires, scatter in the wind even as ye pile your dead sons’ bodies on them to make yet more dust.

Related Characters: Ra (speaker), Julius Caesar
Page Number and Citation: 1-2
Explanation and Analysis:

An Alternative to the Prologue Quotes

They care nothing about cowardice, these Romans: they fight to win. The pride and honor of war are nothing to them.

Related Characters: Bel Affris (speaker), Julius Caesar, Ra, Cleopatra
Page Number and Citation: 10
Explanation and Analysis:

Cleopatra is not yet a woman: neither is she wise. But she already troubles men’s wisdom.

Related Characters: Cleopatra, Julius Caesar, Bel Affris, Ptolemy
Page Number and Citation: 13
Explanation and Analysis:

BELZANOR [with solemn arrogance] Ftatateeta: I am Belzanor, the captain of the Queen’s guard, descended from the gods.

FTATATEETA [retorting his arrogance with interest] Belzanor: I am Ftatateeta, the Queen’s chief nurse; and your divine ancestors were proud to be painted on the wall in the pyramids whom my fathers served.

Related Characters: Belzanor (speaker), Cleopatra, Julius Caesar, Ftatateeta
Page Number and Citation: 14
Explanation and Analysis:

Act 1 Quotes

In the little world yonder, Sphinx, my place is as high as yours in this great desert; only I wander, and you sit still; I conquer, and you endure; I work and wonder, you watch and wait; I look up and am dazzled, look down and am darkened, look round and am puzzled, whilst your eyes never turn from looking out—out of the world—to the lost region—the home from which we have strayed. Sphinx, you and I, strangers to the race of men, are no strangers to one another: have I not been conscious of you and of this place since I was born? Rome is a madman's dream: this is my Reality.

Related Characters: Julius Caesar (speaker), Cleopatra
Related Symbols: The Sphinx
Related Literary Devices:
Page Number and Citation: 18
Explanation and Analysis:

Of course not: I am the Queen; and I shall live in the palace at Alexandria when I have killed my brother, who drove me out of it. When I am old enough I shall do just what I like. I shall be able to poison the slaves and see them wriggle, and pretend to Ftatateeta that she is going to be put into the fiery furnace.

Related Characters: Cleopatra (speaker), Julius Caesar, Ptolemy, Ftatateeta
Related Symbols: The Sphinx, Thrones
Page Number and Citation: 20
Explanation and Analysis:

CLEOPATRA [very seriously] Oh, they would eat us if they caught us. They are barbarians. Their chief is called Julius Caesar. His father was a tiger and his mother a burning mountain; and his nose is like an elephant’s trunk [Caesar involuntarily rubs his nose]. They all have long noses, and ivory tusks, and little tails, and seven arms with a hundred arrows in each; and they live on human flesh.

Related Characters: Cleopatra (speaker), Julius Caesar
Related Symbols: The Sphinx
Page Number and Citation: 21
Explanation and Analysis:

Act 2 Quotes

Ptolemy: Yes—the gods would not suffer—not suffer—[He stops; then, crestfallen] I forgot what the gods would not suffer.

THEODOTUS: Let Pothinus, the King’s guardian, speak for the King.

POTHINUS [suppressing his impatience with difficulty] The King wishes to say that the gods would not suffer the impiety of his sister to go unpunished.

Related Characters: Ptolemy (speaker), Theodotus (speaker), Pothinus (speaker), Julius Caesar, Cleopatra
Related Symbols: Thrones
Page Number and Citation: 30
Explanation and Analysis:

CAESAR [recovering his self-possession] Pardon him, Theodotus: he is a barbarian, and thinks that the customs of his tribe and island are the laws of nature.

Related Characters: Julius Caesar (speaker), Britannus , Theodotus, Cleopatra, Ptolemy
Page Number and Citation: 36
Explanation and Analysis:

CAESAR. Vengeance! Vengeance!! Oh, if I could stoop to vengeance, what would I not exact from you as the price of this murdered man's blood. (They shrink back, appalled and disconcerted.) Was he not my son-in-law, my ancient friend, for 20 years the master of great Rome, for 30 years the compeller of victory? Did not I, as a Roman, share his glory? Was the Fate that forced us to fight for the mastery of the world, of our making? Am I Julius Caesar, or am I a wolf, that you fling to me the grey head of the old soldier, the laurelled conqueror, the mighty Roman, treacherously struck down by this callous ruffian, and then claim my gratitude for it! (To Lucius Septimius) Begone: you fill me with horror.

Related Characters: Julius Caesar (speaker), Lucius Septimius, Pompey
Page Number and Citation: 40
Explanation and Analysis:

CAESAR. Cleopatra: I really think I must eat you, after all.

CLEOPATRA (kneeling beside him and looking at him with eager interest, half real, half affected to show how intelligent she is). You must not talk to me now as if I were a child.

CAESAR. You have been growing up since the Sphinx introduced us the other night; and you think you know more than I do already.

CLEOPATRA (taken down, and anxious to justify herself). No: that would be very silly of me: of course I know that. But, (suddenly) are you angry with me?

CAESAR. No.

CLEOPATRA (only half believing him). Then why are you so thoughtful?

CAESAR (rising). I have work to do, Cleopatra.

CLEOPATRA (drawing back). Work! (Offended) You are tired of talking to me; and that is your excuse to get away from me.

Related Characters: Cleopatra (speaker), Julius Caesar (speaker)
Related Symbols: The Sphinx
Page Number and Citation: 44
Explanation and Analysis:

THEODOTUS. What is burning there is the memory of mankind.

CAESAR. A shameful memory. Let it burn.

THEODOTUS (wildly). Will you destroy the past?

CAESAR. Ay, and build the future with its ruins.

Related Characters: Theodotus (speaker), Julius Caesar (speaker), Pompey, Ra
Related Literary Devices:
Page Number and Citation: 50
Explanation and Analysis:

Act 3 Quotes

CAESAR. In the fire. Would you have me waste the next three years of my life in proscribing and condemning men who will be my friends when I have proved that my friendship is worth more than Pompey's was—than Cato's is. O incorrigible British islander: am I a bull dog, to seek quarrels merely to show how stubborn my jaws are?

Related Characters: Julius Caesar (speaker), Pompey, Britannus
Related Literary Devices:
Page Number and Citation: 67-68
Explanation and Analysis:

Act 4 Quotes

CHARMIAN. He makes you so terribly prosy and serious and learned and philosophical.

Related Characters: Charmian (speaker), Julius Caesar, Pothinus, Cleopatra
Page Number and Citation: 80
Explanation and Analysis:

CLEOPATRA: When I was foolish, I did what I liked, except when Ftatateeta beat me; and even then I cheated her and did it by stealth. Now that Caesar has made me wise, it is no use my liking or disliking; I do what must be done, and have no time to attend to myself. That is not happiness; but it is greatness. If Caesar were gone, I think I could govern the Egyptians; for what Caesar is to me, I am to the fools around me.

Related Characters: Cleopatra (speaker), Julius Caesar, Pothinus
Page Number and Citation: 81
Explanation and Analysis:

POTHINUS (looking hard at her). Cleopatra: this may be the vanity of youth.

Related Characters: Pothinus (speaker), Julius Caesar, Cleopatra
Page Number and Citation: 81
Explanation and Analysis:

CLEOPATRA: Love me! Pothinus: Caesar loves no one. Who are those we love? Only those whom we do not hate: all people are strangers and enemies to us except those we love. But it is not so with Caesar. He has no hatred in him: he makes friends with everyone as he does with dogs and children.

Related Characters: Cleopatra (speaker), Julius Caesar, Pothinus
Page Number and Citation: 82
Explanation and Analysis:

POTHINUS. From her own lips I have heard it. You are to be her catspaw: you are to tear the crown from her brother's head and set it on her own, delivering us all into her hand—delivering yourself also. And then Caesar can return to Rome, or depart through the gate of death, which is nearer and surer.

CAESAR (calmly). Well, my friend; and is not this very natural?

POTHINUS (astonished). Natural! Then you do not resent treachery?

CAESAR. Resent! O thou foolish Egyptian, what have I to do with resentment? Do I resent the wind when it chills me, or the night when it makes me stumble in the darkness? Shall I resent youth when it turns from age, and ambition when it turns from servitude? To tell me such a story as this is but to tell me that the sun will rise to-morrow.

Related Characters: Pothinus (speaker), Julius Caesar (speaker), Cleopatra, Ptolemy
Related Symbols: Thrones
Page Number and Citation: 90
Explanation and Analysis:

CLEOPATRA (sinking back trembling on the bench and covering her face with her hands). I have not betrayed you, Caesar: I swear it.

CAESAR. I know that. I have not trusted you.

Related Characters: Cleopatra (speaker), Julius Caesar (speaker), Pothinus, Ftatateeta
Page Number and Citation: 98
Explanation and Analysis:

CAESAR. If one man in all the world can be found, now or forever, to know that you did wrong, that man will have either to conquer the world as I have, or be crucified by it. […] These knockers at your gate are also believers in vengeance and in stabbing. You have slain their leader: it is right that they shall slay you. […] then in the name of that right (He emphasizes the word with great scorn.) shall I not slay them for murdering their Queen, and be slain in my turn by their countrymen as the invader of their fatherland? Can Rome do less than slay these slayers too, to show the world how Rome avenges her sons and her honor? And so, to the end of history, murder shall breed murder, always in the name of right and honor and peace, until the gods are tired of blood and create a race that can understand. […]

Related Characters: Julius Caesar (speaker), Cleopatra, Ftatateeta, Pothinus, Apollodorus , Rufio, Britannus
Related Symbols: Thrones
Page Number and Citation: 99-100
Explanation and Analysis:

Act 5 Quotes

APOLLODORUS. I understand, Caesar. Rome will produce no art itself; but it will buy up and take away whatever the other nations produce.

CAESAR. What! Rome produces no art! Is peace not an art? Is war not an art? Is government not an art? Is civilization not an art? All these we give you in exchange for a few ornaments. You will have the best of the bargain. […]

Related Characters: Julius Caesar (speaker), Apollodorus (speaker)
Page Number and Citation: 109
Explanation and Analysis:

CAESAR (energetically). On my head be it, then; for it was well done. Rufio: had you set yourself in the seat of the judge, and with hateful ceremonies and appeals to the gods handed that woman over to some hired executioner to be slain before the people in the name of justice, never again would I have touched your hand without a shudder. But this was natural slaying: I feel no horror at it.

Related Characters: Julius Caesar (speaker), Cleopatra, Rufio, Ftatateeta, Pothinus
Related Literary Devices:
Page Number and Citation: 111
Explanation and Analysis:
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Julius Caesar Character Timeline in Caesar and Cleopatra

The timeline below shows where the character Julius Caesar appears in Caesar and Cleopatra. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
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...the transitional period between the old Rome and the new: Pompey the Great and Julius Caesar. Pompey, a soldier, represented the old Rome, which considered soldiers to be great, important figures.... (full context)
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Pompey sought to slay Caesar, prompting Caesar to flee across the Adriatic Sea. Pompey followed Caesar and conquered him and... (full context)
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...nurse. Ra provides additional context for the play he is introducing, which takes place after Caesar arrived in Egypt and received Pompey’s slain head, but before he returned to Rome and... (full context)
An Alternative to the Prologue
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...Affris, a guard at the temple of Ra in Memphis, warns the Egyptians that Julius Caesar’s Roman army is on its way to conquer Egypt.  He explains what happened a few... (full context)
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...give orders. Belzanor conspires to transport Cleopatra out of town to keep her safe from Caesar, after which point everybody can continue the charade that the teenager—rather than her priests and... (full context)
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...the Egyptians should sell Cleopatra to her brother, Ptolemy, with whom she is at war. Caesar loves women, but at 50 years old, no young women want him, and no old... (full context)
Act 1
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...the Sphinx’s paws. Trumpet notes blast through the silence to announce the arrival of Julius Caesar. He enters, saluting and praising the Sphinx, whom he considers a kindred spirit. Caesar and... (full context)
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Caesar’s speech wakes the girl. Upon seeing Caesar, she calls out to him, addressing him as... (full context)
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Cleopatra sits on the Sphinx’s left paw and offers Caesar the right. She asks him if he’s seen her white sacred cat. She brought the... (full context)
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Still convinced that he is dreaming, Caesar accuses Cleopatra of being an “impossible little dream witch,” which prompts her to laugh and... (full context)
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Still unaware of Caesar’s true identity, Cleopatra confides in her new friend how frightened she is of the Romans,... (full context)
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It suddenly strikes Caesar that Cleopatra is right—he’s not dreaming—and he hurriedly gets up to return to his camp.... (full context)
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Caesar and Cleopatra arrive at the palace and enter the throne room. Following Caesar’s prompting, Cleopatra... (full context)
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...a snake-skin on the throne and runs after Ftatateeta to beat her with it. When Caesar rushes forward to stop the beating, Cleopatra runs toward the Nubian slave and beats him,... (full context)
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Cleopatra comes to her senses and remembers the Roman army’s imminent arrival. Still unaware of Caesar’s identity, Cleopatra suggests that she and her new companion hide until the Romans leave. However,... (full context)
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...throne room to announce the arrival of the Romans. Cleopatra wants to follow them, but Caesar holds tightly to her wrist. She stares emotionlessly ahead as the sound of the approaching... (full context)
Act 2
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...the kingdom. What’s more, Cleopatra and her witch, Ftatateeta, have cast a spell on Julius Caesar to ensure that he upholds Cleopatra’s illegitimate rule in Egypt. Suddenly awash with “political passion,”... (full context)
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Just then, a burly, middle-aged Roman officer named Rufio appears in the loggia and announces Caesar’s arrival. Caesar enters. He wears a wreath on his head to hide his baldness. His... (full context)
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Caesar sits down, prompting more gasps from the Egyptians. He explains to Pothinus that he’s come... (full context)
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Caesar tells Cleopatra to act like a queen. She drags Ptolemy from the throne, sits down... (full context)
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Caesar suggests that Ptolemy and Cleopatra rule Egypt together. However, Pothinus isn’t happy with this arrangement.... (full context)
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Caesar sends for his army. They enter the loggia, revealing that that the Romans greatly outnumber... (full context)
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Caesar tells Pothinus that any Egyptian who wants to leave is free to go. Rufio fumes... (full context)
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Lucius scoffs at Caesar’s grief, arguing that Caesar was okay with exacting vengeance on Vercingetorix’s defeated men, whom he... (full context)
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Caesar puts his hand on Rufio’s shoulder and leads him out of the loggia to cool... (full context)
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Caesar turns around and realizes that Ptolemy is still in the hall. Rufio grabs Ptolemy’s hand... (full context)
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Caesar calls for Ftatateeta. When she appears at the door, Caesar informs her that Cleopatra will... (full context)
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Caesar tells Cleopatra that he has work to do and must leave. Cleopatra reminds Caesar that... (full context)
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Caesar informs Cleopatra that her father never paid Caesar the 16,000 talents he owed him for... (full context)
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Just as Caesar is about to leave to find Brittanus, a wounded Roman soldier enters the loggia and... (full context)
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Just then, Theodotus runs in, visibly shaken. He informs Caesar that the library of Alexandria is on fire, but the news doesn’t faze Caesar or... (full context)
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Theodotus leaves to try to save the library of Alexandria, and Caesar orders Pothinus to tell the Egyptians not to kill any more Roman soldiers. Rufio returns... (full context)
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Cleopatra runs into the loggia, Caesar’s helmet and sword in hand. Britannus trails after her. Cleopatra dresses Caesar for battle. When... (full context)
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Caesar and his men prepare to head to battle. He asks Cleopatra if she’s scared. She... (full context)
Act 3
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...land and water, keeping their eyes peeled for Egyptian forces that might arrive to halt Caesar’s attack on the island of Pharos. (full context)
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The centurion arrives and explains to Cleopatra that Caesar has ordered the Roman soldiers not to let her leave without his permission, and it’s... (full context)
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...idea. She asks Apollodorus if he’s willing to bring a carpet of her choosing to Caesar and take “great, GREAT care of it.” Apollodorus says that he can, and Cleopatra orders... (full context)
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...with a carpet. Ftatateeta tells Apollodorus that the carpet is a present from Cleopatra to Caesar. It has crystal goblets and sacred pigeons’ eggs rolled up inside it and must be... (full context)
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...lighthouse, Rufio rests after the morning’s battle, eating dates out his helmet and drinking wine. Caesar stands behind him on the lighthouse balcony, peering anxiously into the distance. Britannus returns from... (full context)
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...passed between Pompey’s party and the occupying army. He explains that the letters will show Caesar who his enemies are once and for all. To Britannus’s horror, Caesar orders him to... (full context)
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Apollodorus approaches Caesar and Britannus outside the lighthouse and explains that he has sailed from Alexandria to give... (full context)
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Frazzled but unharmed, Cleopatra gets up, rests her head against Caesar’s chest, and begs him not to leave her to lead his soldiers into battle. Rufio... (full context)
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...parapet to announce that the Egyptians have arrived at the barricade at the west harbor. Caesar bemoans the Romans stationed at the barricade who will now die due to his miscalculations.... (full context)
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...group that he can swim to the harbor and send a ship to retrieve them. Caesar suggests that the rest of them swim, too. Rufio points out that Caesar is twice... (full context)
Act 4
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...even if it’s at her expense. One of the girls, Charmian, replies that it’s because Caesar would let them, and Cleopatra copies everything that Caesar does. The girls erupt into laughter.  (full context)
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...to accept Pothinus’s bribe and bring him to her chamber. Ftatateeta leaves. Iras wishes that Caesar would return to Rome. Charmian agrees, arguing that Caesar makes Cleopatra “so terribly prosy and... (full context)
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...her for his freedom. Cleopatra doesn’t believe him, arguing that he would have gone to Caesar for this request, not her. She correctly guesses that Pothinus had planned to approach Cleopatra... (full context)
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Pothinus mentions the rumors floating around that Cleopatra is in love with Caesar. Cleopatra insists that she only admires Caesar for teaching her how to be wise. Moreover,... (full context)
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...palace roof, where a table is set for dinner. Rufio sits down at the table. Caesar appears, freshly bathed and dressed in a purple silken tunic. He nods approvingly at Rufio’s... (full context)
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Rufio implies that he has something important to tell Caesar, and Caesar motions for his enslaved people to draw the curtains. Once certain that they... (full context)
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Before Caesar can respond to Pothinus’s scandalous claim, Cleopatra appears, dressed glamorously. Caesar tells her that Pothinus... (full context)
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Cleopatra furiously denies Pothinus’s accusation, but Caesar is entirely unmoved. He tells Cleopatra that even if she doesn’t realize it, she likely... (full context)
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...kill Pothinus. Ftatateeta smiles a toothy grin and promises to follow through with the request. Caesar returns, followed by Apollodorus and Rufio. Cleopatra runs to Caesar and wraps her arms around... (full context)
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Cleopatra teases Caesar about his common tastes. He reluctantly tries one of the wines and jokes that he... (full context)
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The prospect of forming a new kingdom excites Cleopatra. She tells Caesar that she is a descendent of the Nile and ought to name the kingdom herself.... (full context)
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Cleopatra wonders if the Nile will make his presence known by “rap[ping] on the table.” Caesar can’t believe that people still believing in such nonsense “in this year 707 of the... (full context)
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...it on Ftatateeta. Ftatateeta says nothing and only walks over to Ra’s alter to pray. Caesar demands that Cleopatra tell him what happened. She feigns ignorance again and moves closer to... (full context)
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Once they are alone, Caesar asks Cleopatra to tell him the truth. Cleopatra says little but promises that she hasn’t... (full context)
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...she was right to avenge herself. Lucius approves of Cleopatra’s actions but warns her that Caesar likely disagrees with him. She turns to Apollodorus next. While Apollodorus agrees that Pothinus’s death... (full context)
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Finally, Cleopatra turns to Caesar. Caesar furiously gestures toward the sound of the rioting villagers that have finally reached the... (full context)
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Lucius offers to join Caesar in battle against the Egyptians, delivering the good news that the Roman army has arrived... (full context)
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The men head downstairs to address the troops. Cleopatra approaches Caesar timidly and asks if he’s forgotten her. Caesar brushes her aside. Referring to Cleopatra as... (full context)
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Cleopatra hears Roman soldiers cry out, “Hail Caesar!” down below.  Feeling suddenly scared and alone, she cries out for Ftatateeta but receives no... (full context)
Act 5
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Six months have passed since Bel Affris announced Caesar’s arrival at the old palace on the Syrian border. Today, a military pageant is in... (full context)
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Caesar, Rufio, and Britannus arrive. Everyone cheers. Rufio reminds Caesar that they have yet to appoint... (full context)
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Next, Caesar turns to Britannus, praising the bravery he exhibited in battle and declaring that Britannus has... (full context)
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Next, Caesar turns to Apollodorus and informs him that he will leave Egypt’s art in his hands.... (full context)
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Caesar knows that he’s forgetting something but can’t place his finger on what it could be.... (full context)
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Caesar turns to Rufio, who presents Caesar with a hypothetical dilemma. What would Caesar do, asks... (full context)
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Cleopatra threatens to expose Caesar for the “unjust and corrupt” hypocrite that he is, but Caesar merely laughs at her... (full context)